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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #139F93 it is the complementary color #EC606C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #139F93. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #139F93 shade: #189F8E, #29B1A1, #3AC3B4, #4BD5C7 and #5CE7DA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #139F93. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #139F93 shade: #139F93, #028D80, #007B6D, #00695A and #005747

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #139F93 shade: #13A094, #13A06E, #13A048, #13A022 and #2AA013

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #139F93 shade: #13A094, #1386A0, #1360A0, #133AA0 and #1314A0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #139F93 shade matches the following richer shades: #13A094 and #04AEA0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #139F93 shade: #13A094, #219188, #30837C, #3E7470 and #4D6664

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #139F93 shade: #13A046, #13A06C, #13A092, #1388A0 and #1363A0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #139F93 shade: #0A564F, #0E7B72, #13A094, #17C5B6 and #20E5D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #139F93 shade: #139F93, #2113A0 and #A05913

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #139F93 shade: #139F93, #9213A0 and #A09213

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #139F93 shade: #139F93, #2113A0, #A01321 and #92A013

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #139F93 shade: #139F93, #4B13A0, #A01321 and #67A013

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 8 / 38

HEX #139F93

RGB 19 159 147

HSL 174.86, 0.79%, 0.35%

LAB 59.01, -36.55, -3.47

 

Complementary color

CMYK 0 / 59 / 54 / 7

HEX #EC606C

RGB 236 96 108

HSL 354.86, 0.79%, 0.65%

LAB 59.23, 54.98, 21.46

 

CMYK 85 / 0 / 11 / 38

HEX #189F8E

RGB 24 159 142

HSL 172.44, 0.74%, 0.36%

LAB 58.92, -37.64, -0.77

 

CMYK 77 / 0 / 9 / 31

HEX #29B1A1

RGB 41 177 161

HSL 172.94, 0.62%, 0.43%

LAB 65.35, -38.75, -1.97

 

CMYK 70 / 0 / 8 / 24

HEX #3AC3B4

RGB 58 195 180

HSL 173.43, 0.54%, 0.5%

LAB 71.71, -39.53, -3.05

 

CMYK 65 / 0 / 7 / 16

HEX #4BD5C7

RGB 75 213 199

HSL 173.91, 0.62%, 0.56%

LAB 78, -40.06, -4.02

 

CMYK 60 / 0 / 6 / 9

HEX #5CE7DA

RGB 92 231 218

HSL 174.39, 0.74%, 0.63%

LAB 84.22, -40.43, -4.91

 

CMYK 88 / 0 / 8 / 38

HEX #139F93

RGB 19 159 147

HSL 174.86, 0.79%, 0.35%

LAB 59.01, -36.55, -3.47

 

CMYK 99 / 0 / 9 / 45

HEX #028D80

RGB 2 141 128

HSL 174.39, 0.97%, 0.28%

LAB 52.53, -34.87, -2.14

 

CMYK 100 / 0 / 11 / 52

HEX #007B6D

RGB 0 123 109

HSL 173.17, 1%, 0.24%

LAB 46, -32.45, -0.58

 

CMYK 100 / 0 / 14 / 59

HEX #00695A

RGB 0 105 90

HSL 171.43, 1%, 0.21%

LAB 39.31, -29.86, 1.1

 

CMYK 100 / 0 / 18 / 66

HEX #005747

RGB 0 87 71

HSL 168.97, 1%, 0.17%

LAB 32.42, -27.2, 2.88

 

CMYK 88 / 0 / 7 / 37

HEX #13A094

RGB 19 160 148

HSL 174.89, 0.79%, 0.35%

LAB 59.36, -36.71, -3.53

 

CMYK 88 / 0 / 31 / 37

HEX #13A06E

RGB 19 160 110

HSL 158.72, 0.79%, 0.35%

LAB 58.42, -46.71, 16.5

 

CMYK 88 / 0 / 55 / 37

HEX #13A048

RGB 19 160 72

HSL 142.55, 0.79%, 0.35%

LAB 57.8, -53.98, 35.92

 

CMYK 88 / 0 / 79 / 37

HEX #13A022

RGB 19 160 34

HSL 126.38, 0.79%, 0.35%

LAB 57.46, -58.17, 51.73

 

CMYK 74 / 0 / 88 / 37

HEX #2AA013

RGB 42 160 19

HSL 110.21, 0.79%, 0.35%

LAB 57.73, -56.02, 56.21

 

CMYK 88 / 0 / 7 / 37

HEX #13A094

RGB 19 160 148

HSL 174.89, 0.79%, 0.35%

LAB 59.36, -36.71, -3.53

 

CMYK 88 / 16 / 0 / 37

HEX #1386A0

RGB 19 134 160

HSL 191.06, 0.79%, 0.35%

LAB 51.53, -20.03, -22.21

 

CMYK 88 / 40 / 0 / 37

HEX #1360A0

RGB 19 96 160

HSL 207.23, 0.79%, 0.35%

LAB 39.65, 2.27, -40.82

 

CMYK 88 / 64 / 0 / 37

HEX #133AA0

RGB 19 58 160

HSL 223.4, 0.79%, 0.35%

LAB 28.65, 27.82, -58.61

 

CMYK 88 / 88 / 0 / 37

HEX #1314A0

RGB 19 20 160

HSL 239.57, 0.79%, 0.35%

LAB 20.74, 49.86, -71.69

 

CMYK 88 / 0 / 7 / 37

HEX #13A094

RGB 19 160 148

HSL 174.89, 0.79%, 0.35%

LAB 59.36, -36.71, -3.53

 

CMYK 98 / 0 / 8 / 32

HEX #04AEA0

RGB 4 174 160

HSL 175.06, 0.96%, 0.35%

LAB 64.03, -40.15, -3.4

 

CMYK 88 / 0 / 7 / 37

HEX #13A094

RGB 19 160 148

HSL 174.89, 0.79%, 0.35%

LAB 59.36, -36.71, -3.53

 

CMYK 77 / 0 / 6 / 43

HEX #219188

RGB 33 145 136

HSL 175.18, 0.63%, 0.35%

LAB 54.4, -32.06, -3.97

 

CMYK 63 / 0 / 5 / 49

HEX #30837C

RGB 48 131 124

HSL 174.94, 0.46%, 0.35%

LAB 49.88, -26.52, -3.64

 

CMYK 47 / 0 / 3 / 55

HEX #3E7470

RGB 62 116 112

HSL 175.56, 0.3%, 0.35%

LAB 45.2, -18.98, -3.38

 

CMYK 25 / 0 / 2 / 60

HEX #4D6664

RGB 77 102 100

HSL 175.2, 0.14%, 0.35%

LAB 41.22, -9.7, -1.91

 

CMYK 88 / 0 / 56 / 37

HEX #13A046

RGB 19 160 70

HSL 141.7, 0.79%, 0.35%

LAB 57.77, -54.27, 36.89

 

CMYK 88 / 0 / 33 / 37

HEX #13A06C

RGB 19 160 108

HSL 157.87, 0.79%, 0.35%

LAB 58.38, -47.16, 17.55

 

CMYK 88 / 0 / 9 / 37

HEX #13A092

RGB 19 160 146

HSL 174.04, 0.79%, 0.35%

LAB 59.3, -37.3, -2.48

 

CMYK 88 / 15 / 0 / 37

HEX #1388A0

RGB 19 136 160

HSL 190.21, 0.79%, 0.35%

LAB 52.16, -21.1, -21.24

 

CMYK 88 / 38 / 0 / 37

HEX #1363A0

RGB 19 99 160

HSL 205.96, 0.79%, 0.35%

LAB 40.57, 0.37, -39.35

 

CMYK 88 / 0 / 8 / 66

HEX #0A564F

RGB 10 86 79

HSL 174.47, 0.79%, 0.19%

LAB 32.45, -23.18, -2.11

 

CMYK 89 / 0 / 7 / 52

HEX #0E7B72

RGB 14 123 114

HSL 175.05, 0.8%, 0.27%

LAB 46.28, -30.04, -3.13

 

CMYK 88 / 0 / 7 / 37

HEX #13A094

RGB 19 160 148

HSL 174.89, 0.79%, 0.35%

LAB 59.36, -36.71, -3.53

 

CMYK 88 / 0 / 8 / 23

HEX #17C5B6

RGB 23 197 182

HSL 174.83, 0.79%, 0.43%

LAB 71.89, -43.14, -3.93

 

CMYK 86 / 0 / 7 / 10

HEX #20E5D4

RGB 32 229 212

HSL 174.82, 0.79%, 0.51%

LAB 82.43, -48.03, -4.49

 

CMYK 88 / 0 / 8 / 38

HEX #139F93

RGB 19 159 147

HSL 174.86, 0.79%, 0.35%

LAB 59.01, -36.55, -3.47

 

CMYK 79 / 88 / 0 / 37

HEX #2113A0

RGB 33 19 160

HSL 245.96, 0.79%, 0.35%

LAB 21.31, 50.8, -70.72

 

CMYK 0 / 44 / 88 / 37

HEX #A05913

RGB 160 89 19

HSL 29.79, 0.79%, 0.35%

LAB 45.17, 24.45, 48.71

 

CMYK 88 / 0 / 8 / 38

HEX #139F93

RGB 19 159 147

HSL 174.86, 0.79%, 0.35%

LAB 59.01, -36.55, -3.47

 

CMYK 9 / 88 / 0 / 37

HEX #9213A0

RGB 146 19 160

HSL 294.04, 0.79%, 0.35%

LAB 36.2, 64.39, -45.74

 

CMYK 0 / 9 / 88 / 37

HEX #A09213

RGB 160 146 19

HSL 54.04, 0.79%, 0.35%

LAB 59.96, -7.51, 60.69

 

CMYK 88 / 0 / 8 / 38

HEX #139F93

RGB 19 159 147

HSL 174.86, 0.79%, 0.35%

LAB 59.01, -36.55, -3.47

 

CMYK 79 / 88 / 0 / 37

HEX #2113A0

RGB 33 19 160

HSL 245.96, 0.79%, 0.35%

LAB 21.31, 50.8, -70.72

 

CMYK 0 / 88 / 79 / 37

HEX #A01321

RGB 160 19 33

HSL 354.04, 0.79%, 0.35%

LAB 34.09, 54.35, 31.87

 

CMYK 9 / 0 / 88 / 37

HEX #92A013

RGB 146 160 19

HSL 65.96, 0.79%, 0.35%

LAB 62.76, -21.09, 62.48

 

CMYK 88 / 0 / 8 / 38

HEX #139F93

RGB 19 159 147

HSL 174.86, 0.79%, 0.35%

LAB 59.01, -36.55, -3.47

 

CMYK 53 / 88 / 0 / 37

HEX #4B13A0

RGB 75 19 160

HSL 263.83, 0.79%, 0.35%

LAB 25.26, 54.04, -64.05

 

CMYK 0 / 88 / 79 / 37

HEX #A01321

RGB 160 19 33

HSL 354.04, 0.79%, 0.35%

LAB 34.09, 54.35, 31.87

 

CMYK 36 / 0 / 88 / 37

HEX #67A013

RGB 103 160 19

HSL 84.26, 0.79%, 0.35%

LAB 59.95, -38.76, 59

 

Description

Color code: HEX #139F93 | qconv.com Color code: HEX #139F93 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 159 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 159 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 8 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 8% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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