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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #139D87 it is the complementary color #EC6278. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #139D87. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #139D87 shade: #189D82, #29AF95, #3AC1A8, #4BD3BB and #5CE5CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #139D87. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #139D87 shade: #139D87, #028B74, #007961, #00674E and #00553B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #139D87 shade: #149F89, #149F63, #149F3E, #149F18 and #359F14

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #139D87 shade: #149F89, #14909F, #146A9F, #14449F and #141F9F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #139D87 shade matches the following richer shades: #149F89 and #05AD92

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #139D87 shade: #149F89, #22907F, #318275, #3F746B and #4D6561

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #139D87 shade: #149F3D, #149F63, #149F88, #14919F and #146C9F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #139D87 shade: #0B5549, #0F7A69, #149F89, #18C4A8 and #21E4C5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #139D87 shade: #139D87, #18149F and #9F5014

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #139D87 shade: #139D87, #88149F and #9F8814

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #139D87 shade: #139D87, #18149F, #9F142B and #9A9F14

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #139D87 shade: #139D87, #42149F, #9F142B and #709F14

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 14 / 38

HEX #139D87

RGB 19 157 135

HSL 170.43, 0.78%, 0.35%

LAB 58.04, -39.09, 1.91

 

Complementary color

CMYK 0 / 58 / 49 / 7

HEX #EC6278

RGB 236 98 120

HSL 350.43, 0.78%, 0.65%

LAB 59.82, 55.08, 15.3

 

CMYK 85 / 0 / 17 / 38

HEX #189D82

RGB 24 157 130

HSL 167.82, 0.73%, 0.35%

LAB 57.96, -40.08, 4.64

 

CMYK 77 / 0 / 15 / 31

HEX #29AF95

RGB 41 175 149

HSL 168.36, 0.62%, 0.42%

LAB 64.4, -41.12, 3.32

 

CMYK 70 / 0 / 13 / 24

HEX #3AC1A8

RGB 58 193 168

HSL 168.89, 0.54%, 0.49%

LAB 70.78, -41.82, 2.14

 

CMYK 64 / 0 / 11 / 17

HEX #4BD3BB

RGB 75 211 187

HSL 169.41, 0.61%, 0.56%

LAB 77.08, -42.28, 1.08

 

CMYK 60 / 0 / 10 / 10

HEX #5CE5CE

RGB 92 229 206

HSL 169.93, 0.72%, 0.63%

LAB 83.32, -42.57, 0.11

 

CMYK 88 / 0 / 14 / 38

HEX #139D87

RGB 19 157 135

HSL 170.43, 0.78%, 0.35%

LAB 58.04, -39.09, 1.91

 

CMYK 99 / 0 / 17 / 45

HEX #028B74

RGB 2 139 116

HSL 169.93, 0.97%, 0.28%

LAB 51.54, -37.47, 3.37

 

CMYK 100 / 0 / 20 / 53

HEX #007961

RGB 0 121 97

HSL 168.1, 1%, 0.24%

LAB 44.99, -35.05, 5.09

 

CMYK 100 / 0 / 24 / 60

HEX #00674E

RGB 0 103 78

HSL 165.44, 1%, 0.2%

LAB 38.29, -32.45, 6.94

 

CMYK 100 / 0 / 31 / 67

HEX #00553B

RGB 0 85 59

HSL 161.65, 1%, 0.17%

LAB 31.38, -29.74, 8.94

 

CMYK 87 / 0 / 14 / 38

HEX #149F89

RGB 20 159 137

HSL 170.5, 0.78%, 0.35%

LAB 58.74, -39.34, 1.8

 

CMYK 87 / 0 / 38 / 38

HEX #149F63

RGB 20 159 99

HSL 154.1, 0.78%, 0.35%

LAB 57.89, -48.66, 21.84

 

CMYK 87 / 0 / 61 / 38

HEX #149F3E

RGB 20 159 62

HSL 138.13, 0.78%, 0.35%

LAB 57.36, -54.97, 40.26

 

CMYK 87 / 0 / 85 / 38

HEX #149F18

RGB 20 159 24

HSL 121.73, 0.78%, 0.35%

LAB 57.09, -58.4, 54.32

 

CMYK 67 / 0 / 87 / 38

HEX #359F14

RGB 53 159 20

HSL 105.76, 0.78%, 0.35%

LAB 57.66, -53.48, 56.02

 

CMYK 87 / 0 / 14 / 38

HEX #149F89

RGB 20 159 137

HSL 170.5, 0.78%, 0.35%

LAB 58.74, -39.34, 1.8

 

CMYK 87 / 9 / 0 / 38

HEX #14909F

RGB 20 144 159

HSL 186.47, 0.78%, 0.35%

LAB 54.66, -25.52, -16.85

 

CMYK 87 / 33 / 0 / 38

HEX #146A9F

RGB 20 106 159

HSL 202.88, 0.78%, 0.35%

LAB 42.7, -4.3, -35.38

 

CMYK 87 / 57 / 0 / 38

HEX #14449F

RGB 20 68 159

HSL 219.28, 0.78%, 0.35%

LAB 31.32, 20.64, -53.65

 

CMYK 87 / 81 / 0 / 38

HEX #141F9F

RGB 20 31 159

HSL 235.25, 0.78%, 0.35%

LAB 22.42, 44.36, -68.29

 

CMYK 87 / 0 / 14 / 38

HEX #149F89

RGB 20 159 137

HSL 170.5, 0.78%, 0.35%

LAB 58.74, -39.34, 1.8

 

CMYK 97 / 0 / 16 / 32

HEX #05AD92

RGB 5 173 146

HSL 170.36, 0.94%, 0.35%

LAB 63.34, -43.62, 3.4

 

CMYK 87 / 0 / 14 / 38

HEX #149F89

RGB 20 159 137

HSL 170.5, 0.78%, 0.35%

LAB 58.74, -39.34, 1.8

 

CMYK 76 / 0 / 12 / 44

HEX #22907F

RGB 34 144 127

HSL 170.73, 0.62%, 0.35%

LAB 53.83, -34.07, 0.39

 

CMYK 62 / 0 / 10 / 49

HEX #318275

RGB 49 130 117

HSL 170.37, 0.45%, 0.35%

LAB 49.38, -27.8, -0.26

 

CMYK 46 / 0 / 8 / 55

HEX #3F746B

RGB 63 116 107

HSL 169.81, 0.3%, 0.35%

LAB 45.09, -20.05, -0.54

 

CMYK 24 / 0 / 4 / 60

HEX #4D6561

RGB 77 101 97

HSL 170, 0.13%, 0.35%

LAB 40.81, -9.85, -0.67

 

CMYK 87 / 0 / 62 / 38

HEX #149F3D

RGB 20 159 61

HSL 137.7, 0.78%, 0.35%

LAB 57.35, -55.1, 40.71

 

CMYK 87 / 0 / 38 / 38

HEX #149F63

RGB 20 159 99

HSL 154.1, 0.78%, 0.35%

LAB 57.89, -48.66, 21.84

 

CMYK 87 / 0 / 14 / 38

HEX #149F88

RGB 20 159 136

HSL 170.07, 0.78%, 0.35%

LAB 58.72, -39.62, 2.33

 

CMYK 87 / 9 / 0 / 38

HEX #14919F

RGB 20 145 159

HSL 186.04, 0.78%, 0.35%

LAB 54.97, -26.02, -16.37

 

CMYK 87 / 32 / 0 / 38

HEX #146C9F

RGB 20 108 159

HSL 202.01, 0.78%, 0.35%

LAB 43.33, -5.52, -34.4

 

CMYK 87 / 0 / 14 / 67

HEX #0B5549

RGB 11 85 73

HSL 170.27, 0.77%, 0.19%

LAB 31.92, -24.48, 0.92

 

CMYK 88 / 0 / 14 / 52

HEX #0F7A69

RGB 15 122 105

HSL 170.47, 0.78%, 0.27%

LAB 45.69, -32.19, 1.36

 

CMYK 87 / 0 / 14 / 38

HEX #149F89

RGB 20 159 137

HSL 170.5, 0.78%, 0.35%

LAB 58.74, -39.34, 1.8

 

CMYK 88 / 0 / 14 / 23

HEX #18C4A8

RGB 24 196 168

HSL 170.23, 0.78%, 0.43%

LAB 71.22, -46.5, 2.71

 

CMYK 86 / 0 / 14 / 11

HEX #21E4C5

RGB 33 228 197

HSL 170.46, 0.78%, 0.51%

LAB 81.75, -51.56, 2.46

 

CMYK 88 / 0 / 14 / 38

HEX #139D87

RGB 19 157 135

HSL 170.43, 0.78%, 0.35%

LAB 58.04, -39.09, 1.91

 

CMYK 85 / 87 / 0 / 38

HEX #18149F

RGB 24 20 159

HSL 241.73, 0.78%, 0.35%

LAB 20.82, 49.73, -70.94

 

CMYK 0 / 50 / 87 / 38

HEX #9F5014

RGB 159 80 20

HSL 25.9, 0.78%, 0.35%

LAB 43, 29.01, 46.52

 

CMYK 88 / 0 / 14 / 38

HEX #139D87

RGB 19 157 135

HSL 170.43, 0.78%, 0.35%

LAB 58.04, -39.09, 1.91

 

CMYK 14 / 87 / 0 / 38

HEX #88149F

RGB 136 20 159

HSL 290.07, 0.78%, 0.35%

LAB 34.47, 62.27, -48.01

 

CMYK 0 / 14 / 87 / 38

HEX #9F8814

RGB 159 136 20

HSL 50.07, 0.78%, 0.35%

LAB 57.1, -2.5, 58.1

 

CMYK 88 / 0 / 14 / 38

HEX #139D87

RGB 19 157 135

HSL 170.43, 0.78%, 0.35%

LAB 58.04, -39.09, 1.91

 

CMYK 85 / 87 / 0 / 38

HEX #18149F

RGB 24 20 159

HSL 241.73, 0.78%, 0.35%

LAB 20.82, 49.73, -70.94

 

CMYK 0 / 87 / 73 / 38

HEX #9F142B

RGB 159 20 43

HSL 350.07, 0.78%, 0.35%

LAB 34.08, 54.25, 25.61

 

CMYK 3 / 0 / 87 / 38

HEX #9A9F14

RGB 154 159 20

HSL 62.16, 0.78%, 0.35%

LAB 63.11, -17.03, 62.82

 

CMYK 88 / 0 / 14 / 38

HEX #139D87

RGB 19 157 135

HSL 170.43, 0.78%, 0.35%

LAB 58.04, -39.09, 1.91

 

CMYK 58 / 87 / 0 / 38

HEX #42149F

RGB 66 20 159

HSL 259.86, 0.78%, 0.35%

LAB 24.2, 52.54, -65.23

 

CMYK 0 / 87 / 73 / 38

HEX #9F142B

RGB 159 20 43

HSL 350.07, 0.78%, 0.35%

LAB 34.08, 54.25, 25.61

 

CMYK 30 / 0 / 87 / 38

HEX #709F14

RGB 112 159 20

HSL 80.29, 0.78%, 0.35%

LAB 60.15, -34.83, 59.15

 

Description

Color code: HEX #139D87 | qconv.com Color code: HEX #139D87 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 157 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 157 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 14 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 14% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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