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Color name
HEX #139B0F

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #139B0F it is the complementary color #EC64F0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #139B0F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #139B0F shade: #189B0A, #29AD1D, #3ABF30, #4BD143 and #5CE356

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #139B0F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #139B0F shade: #139B0F, #028900, #007700, #006500 and #005300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #139B0F shade: #13990F, #38990F, #5E990F, #83990F and #998A0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #139B0F shade: #13990F, #0F9930, #0F9956, #0F997B and #0F9299

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #139B0F shade matches the following richer shades: #13990F and #06A702

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #139B0F shade: #13990F, #208C1D, #2D7E2A, #3A7038 and #466346

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #139B0F shade: #5D990F, #39990F, #14990F, #0F992F and #0F9954

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #139B0F shade: #0A4E08, #0E740B, #13990F, #18BF13 and #1CE417

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #139B0F shade: #139B0F, #0F8299 and #990F4B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #139B0F shade: #139B0F, #0F1499 and #990F14

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #139B0F shade: #139B0F, #0F8299, #950F99 and #99260F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #139B0F shade: #139B0F, #0F5999, #950F99 and #99500F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 90 / 39

HEX #139B0F

RGB 19 155 15

HSL 118.29, 0.82%, 0.33%

LAB 55.7, -57.69, 55.13

 

Complementary color

CMYK 2 / 58 / 0 / 6

HEX #EC64F0

RGB 236 100 240

HSL 298.29, 0.82%, 0.67%

LAB 64.35, 70, -46.31

 

CMYK 85 / 0 / 94 / 39

HEX #189B0A

RGB 24 155 10

HSL 114.21, 0.88%, 0.32%

LAB 55.74, -57.35, 56.05

 

CMYK 76 / 0 / 83 / 32

HEX #29AD1D

RGB 41 173 29

HSL 115, 0.71%, 0.4%

LAB 62.04, -59.84, 57.64

 

CMYK 70 / 0 / 75 / 25

HEX #3ABF30

RGB 58 191 48

HSL 115.8, 0.6%, 0.47%

LAB 68.3, -61.51, 57.89

 

CMYK 64 / 0 / 68 / 18

HEX #4BD143

RGB 75 209 67

HSL 116.62, 0.61%, 0.54%

LAB 74.51, -62.6, 57.39

 

CMYK 59 / 0 / 62 / 11

HEX #5CE356

RGB 92 227 86

HSL 117.45, 0.72%, 0.61%

LAB 80.68, -63.3, 56.49

 

CMYK 88 / 0 / 90 / 39

HEX #139B0F

RGB 19 155 15

HSL 118.29, 0.82%, 0.33%

LAB 55.7, -57.69, 55.13

 

CMYK 99 / 0 / 100 / 46

HEX #028900

RGB 2 137 0

HSL 119.12, 1%, 0.27%

LAB 49.38, -54.16, 52.43

 

CMYK 100 / 0 / 100 / 53

HEX #007700

RGB 0 119 0

HSL 120, 1%, 0.23%

LAB 43.05, -49.06, 47.35

 

CMYK 100 / 0 / 100 / 60

HEX #006500

RGB 0 101 0

HSL 120, 1%, 0.2%

LAB 36.57, -43.67, 42.15

 

CMYK 100 / 0 / 100 / 67

HEX #005300

RGB 0 83 0

HSL 120, 1%, 0.16%

LAB 29.88, -38.12, 36.79

 

CMYK 88 / 0 / 90 / 40

HEX #13990F

RGB 19 153 15

HSL 118.26, 0.82%, 0.33%

LAB 55.03, -57.1, 54.54

 

CMYK 63 / 0 / 90 / 40

HEX #38990F

RGB 56 153 15

HSL 102.17, 0.82%, 0.33%

LAB 55.74, -50.91, 55.44

 

CMYK 39 / 0 / 90 / 40

HEX #5E990F

RGB 94 153 15

HSL 85.65, 0.82%, 0.33%

LAB 57.27, -39.19, 57.34

 

CMYK 14 / 0 / 90 / 40

HEX #83990F

RGB 131 153 15

HSL 69.57, 0.82%, 0.33%

LAB 59.56, -24.22, 60.18

 

CMYK 0 / 10 / 90 / 40

HEX #998A0F

RGB 153 138 15

HSL 53.48, 0.82%, 0.33%

LAB 57.06, -6.47, 58.94

 

CMYK 88 / 0 / 90 / 40

HEX #13990F

RGB 19 153 15

HSL 118.26, 0.82%, 0.33%

LAB 55.03, -57.1, 54.54

 

CMYK 90 / 0 / 69 / 40

HEX #0F9930

RGB 15 153 48

HSL 134.35, 0.82%, 0.33%

LAB 55.17, -55.1, 44.08

 

CMYK 90 / 0 / 44 / 40

HEX #0F9956

RGB 15 153 86

HSL 150.87, 0.82%, 0.33%

LAB 55.64, -49.42, 25.92

 

CMYK 90 / 0 / 20 / 40

HEX #0F997B

RGB 15 153 123

HSL 166.96, 0.82%, 0.33%

LAB 56.4, -40.89, 6.36

 

CMYK 90 / 5 / 0 / 40

HEX #0F9299

RGB 15 146 153

HSL 183.04, 0.82%, 0.33%

LAB 55.03, -28.8, -12.84

 

CMYK 88 / 0 / 90 / 40

HEX #13990F

RGB 19 153 15

HSL 118.26, 0.82%, 0.33%

LAB 55.03, -57.1, 54.54

 

CMYK 96 / 0 / 99 / 35

HEX #06A702

RGB 6 167 2

HSL 118.55, 0.98%, 0.33%

LAB 59.6, -62.4, 60.35

 

CMYK 88 / 0 / 90 / 40

HEX #13990F

RGB 19 153 15

HSL 118.26, 0.82%, 0.33%

LAB 55.03, -57.1, 54.54

 

CMYK 77 / 0 / 79 / 45

HEX #208C1D

RGB 32 140 29

HSL 118.38, 0.66%, 0.33%

LAB 50.86, -50.64, 47.06

 

CMYK 64 / 0 / 67 / 51

HEX #2D7E2A

RGB 45 126 42

HSL 117.86, 0.5%, 0.33%

LAB 46.51, -41.86, 37.42

 

CMYK 48 / 0 / 50 / 56

HEX #3A7038

RGB 58 112 56

HSL 117.86, 0.33%, 0.33%

LAB 42.42, -30.4, 25.59

 

CMYK 29 / 0 / 29 / 61

HEX #466346

RGB 70 99 70

HSL 120, 0.17%, 0.33%

LAB 39.02, -17.17, 13.14

 

CMYK 39 / 0 / 90 / 40

HEX #5D990F

RGB 93 153 15

HSL 86.09, 0.82%, 0.33%

LAB 57.22, -39.56, 57.28

 

CMYK 63 / 0 / 90 / 40

HEX #39990F

RGB 57 153 15

HSL 101.74, 0.82%, 0.33%

LAB 55.77, -50.67, 55.48

 

CMYK 87 / 0 / 90 / 40

HEX #14990F

RGB 20 153 15

HSL 117.83, 0.82%, 0.33%

LAB 55.04, -57, 54.56

 

CMYK 90 / 0 / 69 / 40

HEX #0F992F

RGB 15 153 47

HSL 133.91, 0.82%, 0.33%

LAB 55.16, -55.21, 44.5

 

CMYK 90 / 0 / 45 / 40

HEX #0F9954

RGB 15 153 84

HSL 150, 0.82%, 0.33%

LAB 55.61, -49.8, 26.96

 

CMYK 87 / 0 / 90 / 69

HEX #0A4E08

RGB 10 78 8

HSL 118.29, 0.81%, 0.17%

LAB 28.2, -34.38, 32.39

 

CMYK 88 / 0 / 91 / 55

HEX #0E740B

RGB 14 116 11

HSL 118.29, 0.83%, 0.25%

LAB 42.17, -46.39, 44.15

 

CMYK 88 / 0 / 90 / 40

HEX #13990F

RGB 19 153 15

HSL 118.26, 0.82%, 0.33%

LAB 55.03, -57.1, 54.54

 

CMYK 87 / 0 / 90 / 25

HEX #18BF13

RGB 24 191 19

HSL 118.26, 0.82%, 0.41%

LAB 67.65, -67.58, 64.7

 

CMYK 88 / 0 / 90 / 11

HEX #1CE417

RGB 28 228 23

HSL 118.54, 0.82%, 0.49%

LAB 79.5, -77.45, 74.16

 

CMYK 88 / 0 / 90 / 39

HEX #139B0F

RGB 19 155 15

HSL 118.29, 0.82%, 0.33%

LAB 55.7, -57.69, 55.13

 

CMYK 90 / 15 / 0 / 40

HEX #0F8299

RGB 15 130 153

HSL 190, 0.82%, 0.33%

LAB 49.94, -20.6, -20.59

 

CMYK 0 / 90 / 51 / 40

HEX #990F4B

RGB 153 15 75

HSL 333.91, 0.82%, 0.33%

LAB 33.18, 55.65, 3.33

 

CMYK 88 / 0 / 90 / 39

HEX #139B0F

RGB 19 155 15

HSL 118.29, 0.82%, 0.33%

LAB 55.7, -57.69, 55.13

 

CMYK 90 / 87 / 0 / 40

HEX #0F1499

RGB 15 20 153

HSL 237.83, 0.82%, 0.33%

LAB 19.65, 47.59, -69.22

 

CMYK 0 / 90 / 87 / 40

HEX #990F14

RGB 153 15 20

HSL 357.83, 0.82%, 0.33%

LAB 32.18, 52.78, 36.93

 

CMYK 88 / 0 / 90 / 39

HEX #139B0F

RGB 19 155 15

HSL 118.29, 0.82%, 0.33%

LAB 55.7, -57.69, 55.13

 

CMYK 90 / 15 / 0 / 40

HEX #0F8299

RGB 15 130 153

HSL 190, 0.82%, 0.33%

LAB 49.94, -20.6, -20.59

 

CMYK 3 / 90 / 0 / 40

HEX #950F99

RGB 149 15 153

HSL 298.26, 0.82%, 0.33%

LAB 36.04, 64.47, -41.72

 

CMYK 0 / 75 / 90 / 40

HEX #99260F

RGB 153 38 15

HSL 10, 0.82%, 0.33%

LAB 34.38, 46.37, 41.15

 

CMYK 88 / 0 / 90 / 39

HEX #139B0F

RGB 19 155 15

HSL 118.29, 0.82%, 0.33%

LAB 55.7, -57.69, 55.13

 

CMYK 90 / 42 / 0 / 40

HEX #0F5999

RGB 15 89 153

HSL 207.83, 0.82%, 0.33%

LAB 37.02, 3.68, -40.84

 

CMYK 3 / 90 / 0 / 40

HEX #950F99

RGB 149 15 153

HSL 298.26, 0.82%, 0.33%

LAB 36.04, 64.47, -41.72

 

CMYK 0 / 48 / 90 / 40

HEX #99500F

RGB 153 80 15

HSL 28.26, 0.82%, 0.33%

LAB 42.07, 26.31, 47.13

 

Description

Color code: HEX #139B0F | qconv.com Color code: HEX #139B0F | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 155 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 155 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 90 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 90% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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