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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #139842 it is the complementary color #EC67BD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #139842. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #139842 shade: #18983D, #29AA50, #3ABC63, #4BCE76 and #5CE089

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #139842. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #139842 shade: #139842, #02862F, #00741C, #006209 and #005000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #139842 shade: #139A43, #139A1E, #2C9A13, #519A13 and #759A13

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #139842 shade: #139A43, #139A67, #139A8C, #13849A and #13609A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #139842 shade matches the following richer shades: #139A43 and #05A83F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #139842 shade: #139A43, #218C47, #2F7E4B, #3D704F and #4B6253

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #139842 shade: #2C9A13, #139A1E, #139A42, #139A66 and #139A8B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #139842 shade: #0A5123, #0F7633, #139A43, #18BF53 and #1DE363

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #139842 shade: #139842, #13509A and #9A131A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #139842 shade: #139842, #42139A and #9A4213

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #139842 shade: #139842, #13509A, #9A136B and #9A5D13

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #139842 shade: #139842, #13279A, #9A136B and #9A8613

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 57 / 40

HEX #139842

RGB 19 152 66

HSL 141.2, 0.78%, 0.34%

LAB 55.06, -52.16, 35.61

 

Complementary color

CMYK 0 / 56 / 20 / 7

HEX #EC67BD

RGB 236 103 189

HSL 321.2, 0.78%, 0.66%

LAB 62.68, 60.75, -20.27

 

CMYK 84 / 0 / 60 / 40

HEX #18983D

RGB 24 152 61

HSL 137.34, 0.73%, 0.35%

LAB 55.06, -52.38, 38.07

 

CMYK 76 / 0 / 53 / 33

HEX #29AA50

RGB 41 170 80

HSL 138.14, 0.61%, 0.41%

LAB 61.48, -53.72, 36.49

 

CMYK 69 / 0 / 47 / 26

HEX #3ABC63

RGB 58 188 99

HSL 138.92, 0.53%, 0.48%

LAB 67.85, -54.51, 34.93

 

CMYK 64 / 0 / 43 / 19

HEX #4BCE76

RGB 75 206 118

HSL 139.69, 0.57%, 0.55%

LAB 74.16, -54.95, 33.44

 

CMYK 59 / 0 / 39 / 12

HEX #5CE089

RGB 92 224 137

HSL 140.45, 0.68%, 0.62%

LAB 80.4, -55.15, 32.04

 

CMYK 88 / 0 / 57 / 40

HEX #139842

RGB 19 152 66

HSL 141.2, 0.78%, 0.34%

LAB 55.06, -52.16, 35.61

 

CMYK 99 / 0 / 65 / 47

HEX #02862F

RGB 2 134 47

HSL 140.45, 0.97%, 0.27%

LAB 48.6, -50, 37.24

 

CMYK 100 / 0 / 76 / 55

HEX #00741C

RGB 0 116 28

HSL 134.48, 1%, 0.23%

LAB 42.12, -46.5, 38.57

 

CMYK 100 / 0 / 91 / 62

HEX #006209

RGB 0 98 9

HSL 125.51, 1%, 0.19%

LAB 35.51, -42.26, 38.67

 

CMYK 100 / 0 / 100 / 69

HEX #005000

RGB 0 80 0

HSL 120, 1%, 0.16%

LAB 28.74, -37.17, 35.87

 

CMYK 88 / 0 / 56 / 40

HEX #139A43

RGB 19 154 67

HSL 141.33, 0.78%, 0.34%

LAB 55.74, -52.69, 35.93

 

CMYK 88 / 0 / 81 / 40

HEX #139A1E

RGB 19 154 30

HSL 124.89, 0.78%, 0.34%

LAB 55.42, -56.62, 51.06

 

CMYK 71 / 0 / 88 / 40

HEX #2C9A13

RGB 44 154 19

HSL 108.89, 0.78%, 0.34%

LAB 55.78, -53.7, 54.51

 

CMYK 47 / 0 / 88 / 40

HEX #519A13

RGB 81 154 19

HSL 92.44, 0.78%, 0.34%

LAB 56.99, -43.99, 56.03

 

CMYK 24 / 0 / 88 / 40

HEX #759A13

RGB 117 154 19

HSL 76.44, 0.78%, 0.34%

LAB 58.92, -30.53, 58.45

 

CMYK 88 / 0 / 56 / 40

HEX #139A43

RGB 19 154 67

HSL 141.33, 0.78%, 0.34%

LAB 55.74, -52.69, 35.93

 

CMYK 88 / 0 / 33 / 40

HEX #139A67

RGB 19 154 103

HSL 157.33, 0.78%, 0.34%

LAB 56.32, -45.95, 17.51

 

CMYK 88 / 0 / 9 / 40

HEX #139A8C

RGB 19 154 140

HSL 173.78, 0.78%, 0.34%

LAB 57.21, -36.33, -2.14

 

CMYK 88 / 14 / 0 / 40

HEX #13849A

RGB 19 132 154

HSL 189.78, 0.78%, 0.34%

LAB 50.66, -21.06, -20.06

 

CMYK 88 / 38 / 0 / 40

HEX #13609A

RGB 19 96 154

HSL 205.78, 0.78%, 0.34%

LAB 39.31, -0.13, -37.79

 

CMYK 88 / 0 / 56 / 40

HEX #139A43

RGB 19 154 67

HSL 141.33, 0.78%, 0.34%

LAB 55.74, -52.69, 35.93

 

CMYK 97 / 0 / 63 / 34

HEX #05A83F

RGB 5 168 63

HSL 141.35, 0.94%, 0.34%

LAB 60.25, -58.67, 43.08

 

CMYK 88 / 0 / 56 / 40

HEX #139A43

RGB 19 154 67

HSL 141.33, 0.78%, 0.34%

LAB 55.74, -52.69, 35.93

 

CMYK 76 / 0 / 49 / 45

HEX #218C47

RGB 33 140 71

HSL 141.31, 0.62%, 0.34%

LAB 51.31, -45.4, 28.46

 

CMYK 63 / 0 / 40 / 51

HEX #2F7E4B

RGB 47 126 75

HSL 141.27, 0.46%, 0.34%

LAB 47.02, -36.36, 20.8

 

CMYK 46 / 0 / 29 / 56

HEX #3D704F

RGB 61 112 79

HSL 141.18, 0.29%, 0.34%

LAB 42.98, -25.24, 13.13

 

CMYK 23 / 0 / 15 / 62

HEX #4B6253

RGB 75 98 83

HSL 140.87, 0.13%, 0.34%

LAB 39.34, -12.06, 5.74

 

CMYK 71 / 0 / 88 / 40

HEX #2C9A13

RGB 44 154 19

HSL 108.89, 0.78%, 0.34%

LAB 55.78, -53.7, 54.51

 

CMYK 88 / 0 / 81 / 40

HEX #139A1E

RGB 19 154 30

HSL 124.89, 0.78%, 0.34%

LAB 55.42, -56.62, 51.06

 

CMYK 88 / 0 / 57 / 40

HEX #139A42

RGB 19 154 66

HSL 140.89, 0.78%, 0.34%

LAB 55.73, -52.84, 36.41

 

CMYK 88 / 0 / 34 / 40

HEX #139A66

RGB 19 154 102

HSL 156.89, 0.78%, 0.34%

LAB 56.3, -46.17, 18.03

 

CMYK 88 / 0 / 10 / 40

HEX #139A8B

RGB 19 154 139

HSL 173.33, 0.78%, 0.34%

LAB 57.19, -36.62, -1.61

 

CMYK 88 / 0 / 57 / 68

HEX #0A5123

RGB 10 81 35

HSL 141.13, 0.78%, 0.18%

LAB 29.59, -32.23, 21.13

 

CMYK 87 / 0 / 57 / 54

HEX #0F7633

RGB 15 118 51

HSL 140.97, 0.77%, 0.26%

LAB 43.21, -42.93, 28.99

 

CMYK 88 / 0 / 56 / 40

HEX #139A43

RGB 19 154 67

HSL 141.33, 0.78%, 0.34%

LAB 55.74, -52.69, 35.93

 

CMYK 87 / 0 / 57 / 25

HEX #18BF53

RGB 24 191 83

HSL 141.2, 0.78%, 0.42%

LAB 68.08, -62.22, 42.95

 

CMYK 87 / 0 / 56 / 11

HEX #1DE363

RGB 29 227 99

HSL 141.21, 0.78%, 0.5%

LAB 79.67, -71.08, 49.32

 

CMYK 88 / 0 / 57 / 40

HEX #139842

RGB 19 152 66

HSL 141.2, 0.78%, 0.34%

LAB 55.06, -52.16, 35.61

 

CMYK 88 / 48 / 0 / 40

HEX #13509A

RGB 19 80 154

HSL 212.89, 0.78%, 0.34%

LAB 34.41, 10.34, -45.61

 

CMYK 0 / 88 / 83 / 40

HEX #9A131A

RGB 154 19 26

HSL 356.89, 0.78%, 0.34%

LAB 32.72, 52.44, 34.18

 

CMYK 88 / 0 / 57 / 40

HEX #139842

RGB 19 152 66

HSL 141.2, 0.78%, 0.34%

LAB 55.06, -52.16, 35.61

 

CMYK 57 / 88 / 0 / 40

HEX #42139A

RGB 66 19 154

HSL 260.89, 0.78%, 0.34%

LAB 23.53, 51.55, -63.27

 

CMYK 0 / 57 / 88 / 40

HEX #9A4213

RGB 154 66 19

HSL 20.89, 0.78%, 0.34%

LAB 39.26, 34.33, 43.48

 

CMYK 88 / 0 / 57 / 40

HEX #139842

RGB 19 152 66

HSL 141.2, 0.78%, 0.34%

LAB 55.06, -52.16, 35.61

 

CMYK 88 / 48 / 0 / 40

HEX #13509A

RGB 19 80 154

HSL 212.89, 0.78%, 0.34%

LAB 34.41, 10.34, -45.61

 

CMYK 0 / 88 / 31 / 40

HEX #9A136B

RGB 154 19 107

HSL 320.89, 0.78%, 0.34%

LAB 34.8, 58.35, -14.96

 

CMYK 0 / 40 / 88 / 40

HEX #9A5D13

RGB 154 93 19

HSL 32.89, 0.78%, 0.34%

LAB 45.28, 19.52, 48.46

 

CMYK 88 / 0 / 57 / 40

HEX #139842

RGB 19 152 66

HSL 141.2, 0.78%, 0.34%

LAB 55.06, -52.16, 35.61

 

CMYK 88 / 75 / 0 / 40

HEX #13279A

RGB 19 39 154

HSL 231.11, 0.78%, 0.34%

LAB 23.41, 37.95, -63.57

 

CMYK 0 / 88 / 31 / 40

HEX #9A136B

RGB 154 19 107

HSL 320.89, 0.78%, 0.34%

LAB 34.8, 58.35, -14.96

 

CMYK 0 / 13 / 88 / 40

HEX #9A8613

RGB 154 134 19

HSL 51.11, 0.78%, 0.34%

LAB 56.05, -3.73, 57.28

 

Description

Color code: HEX #139842 | qconv.com Color code: HEX #139842 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 152 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 152 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 57 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 57% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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