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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #13974A it is the complementary color #EC68B5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #13974A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #13974A shade: #189745, #29A958, #3ABB6B, #4BCD7E and #5CDF91

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #13974A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #13974A shade: #13974A, #028537, #007324, #006111 and #004F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #13974A shade: #139649, #139626, #239613, #469613 and #699613

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #13974A shade: #139649, #13966D, #139690, #137896 and #135596

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #13974A shade matches the following richer shades: #139649 and #05A347

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #13974A shade: #139649, #20884B, #2E7B4E, #3B6D50 and #495F52

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #13974A shade: #229613, #139626, #139649, #13966C and #13968F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #13974A shade: #094C25, #0E7137, #139649, #17BB5B and #1CDF6D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #13974A shade: #13974A, #134596 and #961513

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #13974A shade: #13974A, #491396 and #964913

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #13974A shade: #13974A, #134596, #96135F and #966313

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #13974A shade: #13974A, #131D96, #96135F and #968B13

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 51 / 41

HEX #13974A

RGB 19 151 74

HSL 145, 0.78%, 0.33%

LAB 54.83, -50.55, 31.26

 

Complementary color

CMYK 0 / 56 / 23 / 7

HEX #EC68B5

RGB 236 104 181

HSL 325, 0.78%, 0.67%

LAB 62.57, 59.2, -15.89

 

CMYK 84 / 0 / 54 / 41

HEX #189745

RGB 24 151 69

HSL 141.26, 0.73%, 0.34%

LAB 54.82, -50.88, 33.83

 

CMYK 76 / 0 / 48 / 34

HEX #29A958

RGB 41 169 88

HSL 142.03, 0.61%, 0.41%

LAB 61.27, -52.08, 32.16

 

CMYK 69 / 0 / 43 / 27

HEX #3ABB6B

RGB 58 187 107

HSL 142.79, 0.53%, 0.48%

LAB 67.65, -52.79, 30.58

 

CMYK 63 / 0 / 39 / 20

HEX #4BCD7E

RGB 75 205 126

HSL 143.54, 0.57%, 0.55%

LAB 73.97, -53.17, 29.1

 

CMYK 59 / 0 / 35 / 13

HEX #5CDF91

RGB 92 223 145

HSL 144.27, 0.67%, 0.62%

LAB 80.23, -53.33, 27.73

 

CMYK 87 / 0 / 51 / 41

HEX #13974A

RGB 19 151 74

HSL 145, 0.78%, 0.33%

LAB 54.83, -50.55, 31.26

 

CMYK 98 / 0 / 59 / 48

HEX #028537

RGB 2 133 55

HSL 144.27, 0.97%, 0.26%

LAB 48.34, -48.57, 33.05

 

CMYK 100 / 0 / 69 / 55

HEX #007324

RGB 0 115 36

HSL 138.78, 1%, 0.23%

LAB 41.83, -45.32, 34.8

 

CMYK 100 / 0 / 82 / 62

HEX #006111

RGB 0 97 17

HSL 130.52, 1%, 0.19%

LAB 35.18, -41.41, 35.85

 

CMYK 100 / 0 / 100 / 69

HEX #004F00

RGB 0 79 0

HSL 120, 1%, 0.15%

LAB 28.36, -36.85, 35.56

 

CMYK 87 / 0 / 51 / 41

HEX #139649

RGB 19 150 73

HSL 144.73, 0.78%, 0.33%

LAB 54.48, -50.37, 31.34

 

CMYK 87 / 0 / 75 / 41

HEX #139626

RGB 19 150 38

HSL 128.7, 0.78%, 0.33%

LAB 54.12, -54.78, 47.01

 

CMYK 77 / 0 / 87 / 41

HEX #239613

RGB 35 150 19

HSL 112.67, 0.78%, 0.33%

LAB 54.26, -53.98, 53.09

 

CMYK 53 / 0 / 87 / 41

HEX #469613

RGB 70 150 19

HSL 96.64, 0.78%, 0.33%

LAB 55.24, -45.87, 54.34

 

CMYK 30 / 0 / 87 / 41

HEX #699613

RGB 105 150 19

HSL 80.61, 0.78%, 0.33%

LAB 56.94, -33.52, 56.47

 

CMYK 87 / 0 / 51 / 41

HEX #139649

RGB 19 150 73

HSL 144.73, 0.78%, 0.33%

LAB 54.48, -50.37, 31.34

 

CMYK 87 / 0 / 27 / 41

HEX #13966D

RGB 19 150 109

HSL 161.22, 0.78%, 0.33%

LAB 55.13, -42.94, 12.5

 

CMYK 87 / 0 / 4 / 41

HEX #139690

RGB 19 150 144

HSL 177.25, 0.78%, 0.33%

LAB 56.05, -33.3, -6.14

 

CMYK 87 / 20 / 0 / 41

HEX #137896

RGB 19 120 150

HSL 193.74, 0.78%, 0.33%

LAB 46.68, -15.95, -23.85

 

CMYK 87 / 43 / 0 / 41

HEX #135596

RGB 19 85 150

HSL 209.77, 0.78%, 0.33%

LAB 35.67, 5.37, -41.18

 

CMYK 87 / 0 / 51 / 41

HEX #139649

RGB 19 150 73

HSL 144.73, 0.78%, 0.33%

LAB 54.48, -50.37, 31.34

 

CMYK 97 / 0 / 56 / 36

HEX #05A347

RGB 5 163 71

HSL 145.06, 0.94%, 0.33%

LAB 58.68, -55.98, 37.46

 

CMYK 87 / 0 / 51 / 41

HEX #139649

RGB 19 150 73

HSL 144.73, 0.78%, 0.33%

LAB 54.48, -50.37, 31.34

 

CMYK 76 / 0 / 45 / 47

HEX #20884B

RGB 32 136 75

HSL 144.81, 0.62%, 0.33%

LAB 50.01, -43.31, 24.63

 

CMYK 63 / 0 / 37 / 52

HEX #2E7B4E

RGB 46 123 78

HSL 144.94, 0.46%, 0.33%

LAB 46.04, -34.68, 17.78

 

CMYK 46 / 0 / 27 / 57

HEX #3B6D50

RGB 59 109 80

HSL 145.2, 0.3%, 0.33%

LAB 41.92, -24.13, 11.05

 

CMYK 23 / 0 / 14 / 63

HEX #495F52

RGB 73 95 82

HSL 144.55, 0.13%, 0.33%

LAB 38.22, -11.31, 4.73

 

CMYK 77 / 0 / 87 / 41

HEX #229613

RGB 34 150 19

HSL 113.13, 0.78%, 0.33%

LAB 54.24, -54.14, 53.07

 

CMYK 87 / 0 / 75 / 41

HEX #139626

RGB 19 150 38

HSL 128.7, 0.78%, 0.33%

LAB 54.12, -54.78, 47.01

 

CMYK 87 / 0 / 51 / 41

HEX #139649

RGB 19 150 73

HSL 144.73, 0.78%, 0.33%

LAB 54.48, -50.37, 31.34

 

CMYK 87 / 0 / 28 / 41

HEX #13966C

RGB 19 150 108

HSL 160.76, 0.78%, 0.33%

LAB 55.11, -43.18, 13.03

 

CMYK 87 / 0 / 5 / 41

HEX #13968F

RGB 19 150 143

HSL 176.79, 0.78%, 0.33%

LAB 56.02, -33.6, -5.61

 

CMYK 88 / 0 / 51 / 70

HEX #094C25

RGB 9 76 37

HSL 145.07, 0.79%, 0.17%

LAB 27.74, -29.97, 17.63

 

CMYK 88 / 0 / 51 / 56

HEX #0E7137

RGB 14 113 55

HSL 144.85, 0.78%, 0.25%

LAB 41.5, -40.52, 24.72

 

CMYK 87 / 0 / 51 / 41

HEX #139649

RGB 19 150 73

HSL 144.73, 0.78%, 0.33%

LAB 54.48, -50.37, 31.34

 

CMYK 88 / 0 / 51 / 27

HEX #17BB5B

RGB 23 187 91

HSL 144.88, 0.78%, 0.41%

LAB 66.88, -59.8, 37.62

 

CMYK 87 / 0 / 51 / 13

HEX #1CDF6D

RGB 28 223 109

HSL 144.92, 0.78%, 0.49%

LAB 78.54, -68.46, 43.27

 

CMYK 87 / 0 / 51 / 41

HEX #13974A

RGB 19 151 74

HSL 145, 0.78%, 0.33%

LAB 54.83, -50.55, 31.26

 

CMYK 87 / 54 / 0 / 41

HEX #134596

RGB 19 69 150

HSL 217.1, 0.78%, 0.33%

LAB 30.87, 16.19, -48.91

 

CMYK 0 / 86 / 87 / 41

HEX #961513

RGB 150 21 19

HSL 0.92, 0.78%, 0.33%

LAB 31.96, 50.65, 37.01

 

CMYK 87 / 0 / 51 / 41

HEX #13974A

RGB 19 151 74

HSL 145, 0.78%, 0.33%

LAB 54.83, -50.55, 31.26

 

CMYK 51 / 87 / 0 / 41

HEX #491396

RGB 73 19 150

HSL 264.73, 0.78%, 0.33%

LAB 23.95, 51.28, -60.09

 

CMYK 0 / 51 / 87 / 41

HEX #964913

RGB 150 73 19

HSL 24.73, 0.78%, 0.33%

LAB 40.07, 28.97, 43.9

 

CMYK 87 / 0 / 51 / 41

HEX #13974A

RGB 19 151 74

HSL 145, 0.78%, 0.33%

LAB 54.83, -50.55, 31.26

 

CMYK 87 / 54 / 0 / 41

HEX #134596

RGB 19 69 150

HSL 217.1, 0.78%, 0.33%

LAB 30.87, 16.19, -48.91

 

CMYK 0 / 87 / 37 / 41

HEX #96135F

RGB 150 19 95

HSL 325.19, 0.78%, 0.33%

LAB 33.51, 56.04, -9.29

 

CMYK 0 / 34 / 87 / 41

HEX #966313

RGB 150 99 19

HSL 36.64, 0.78%, 0.33%

LAB 46.25, 14.26, 49.04

 

CMYK 87 / 0 / 51 / 41

HEX #13974A

RGB 19 151 74

HSL 145, 0.78%, 0.33%

LAB 54.83, -50.55, 31.26

 

CMYK 87 / 81 / 0 / 41

HEX #131D96

RGB 19 29 150

HSL 235.42, 0.78%, 0.33%

LAB 20.9, 42.36, -65.28

 

CMYK 0 / 87 / 37 / 41

HEX #96135F

RGB 150 19 95

HSL 325.19, 0.78%, 0.33%

LAB 33.51, 56.04, -9.29

 

CMYK 0 / 7 / 87 / 41

HEX #968B13

RGB 150 139 19

HSL 54.96, 0.78%, 0.33%

LAB 57.07, -8.31, 57.96

 

Description

Color code: HEX #13974A | qconv.com Color code: HEX #13974A | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 151 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 151 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, 51 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 51% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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