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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #139746 it is the complementary color #EC68B9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #139746. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #139746 shade: #189741, #29A954, #3ABB67, #4BCD7A and #5CDF8D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #139746. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #139746 shade: #139746, #028533, #007320, #00610D and #004F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #139746 shade: #139645, #139622, #279613, #4A9613 and #6D9613

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #139746 shade: #139645, #139669, #13968C, #137C96 and #135996

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #139746 shade matches the following richer shades: #139645 and #05A342

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #139746 shade: #139645, #208848, #2E7B4B, #3B6D4F and #495F52

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #139746 shade: #269613, #139622, #139645, #139668 and #13968B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #139746 shade: #094C23, #0E7134, #139645, #17BB56 and #1CDF67

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #139746 shade: #139746, #134996 and #961315

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #139746 shade: #139746, #451396 and #964513

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #139746 shade: #139746, #134996, #961363 and #965F13

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #139746 shade: #139746, #132296, #961363 and #968613

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 54 / 41

HEX #139746

RGB 19 151 70

HSL 143.18, 0.78%, 0.33%

LAB 54.78, -51.2, 33.25

 

Complementary color

CMYK 0 / 56 / 22 / 7

HEX #EC68B9

RGB 236 104 185

HSL 323.18, 0.78%, 0.67%

LAB 62.71, 59.75, -17.96

 

CMYK 84 / 0 / 57 / 41

HEX #189741

RGB 24 151 65

HSL 139.37, 0.73%, 0.34%

LAB 54.77, -51.48, 35.78

 

CMYK 76 / 0 / 50 / 34

HEX #29A954

RGB 41 169 84

HSL 140.16, 0.61%, 0.41%

LAB 61.21, -52.74, 34.14

 

CMYK 69 / 0 / 45 / 27

HEX #3ABB67

RGB 58 187 103

HSL 140.93, 0.53%, 0.48%

LAB 67.59, -53.48, 32.56

 

CMYK 63 / 0 / 40 / 20

HEX #4BCD7A

RGB 75 205 122

HSL 141.69, 0.57%, 0.55%

LAB 73.91, -53.88, 31.08

 

CMYK 59 / 0 / 37 / 13

HEX #5CDF8D

RGB 92 223 141

HSL 142.44, 0.67%, 0.62%

LAB 80.16, -54.05, 29.69

 

CMYK 87 / 0 / 54 / 41

HEX #139746

RGB 19 151 70

HSL 143.18, 0.78%, 0.33%

LAB 54.78, -51.2, 33.25

 

CMYK 98 / 0 / 62 / 48

HEX #028533

RGB 2 133 51

HSL 142.44, 0.97%, 0.26%

LAB 48.29, -49.15, 34.98

 

CMYK 100 / 0 / 72 / 55

HEX #007320

RGB 0 115 32

HSL 136.7, 1%, 0.23%

LAB 41.79, -45.78, 36.56

 

CMYK 100 / 0 / 87 / 62

HEX #00610D

RGB 0 97 13

HSL 128.04, 1%, 0.19%

LAB 35.16, -41.7, 37.19

 

CMYK 100 / 0 / 100 / 69

HEX #004F00

RGB 0 79 0

HSL 120, 1%, 0.15%

LAB 28.36, -36.85, 35.56

 

CMYK 87 / 0 / 54 / 41

HEX #139645

RGB 19 150 69

HSL 142.9, 0.78%, 0.33%

LAB 54.43, -51.02, 33.34

 

CMYK 87 / 0 / 77 / 41

HEX #139622

RGB 19 150 34

HSL 126.87, 0.78%, 0.33%

LAB 54.1, -55.11, 48.44

 

CMYK 74 / 0 / 87 / 41

HEX #279613

RGB 39 150 19

HSL 110.84, 0.78%, 0.33%

LAB 54.33, -53.31, 53.19

 

CMYK 51 / 0 / 87 / 41

HEX #4A9613

RGB 74 150 19

HSL 94.81, 0.78%, 0.33%

LAB 55.4, -44.64, 54.53

 

CMYK 27 / 0 / 87 / 41

HEX #6D9613

RGB 109 150 19

HSL 78.78, 0.78%, 0.33%

LAB 57.18, -31.92, 56.78

 

CMYK 87 / 0 / 54 / 41

HEX #139645

RGB 19 150 69

HSL 142.9, 0.78%, 0.33%

LAB 54.43, -51.02, 33.34

 

CMYK 87 / 0 / 30 / 41

HEX #139669

RGB 19 150 105

HSL 159.39, 0.78%, 0.33%

LAB 55.04, -43.9, 14.63

 

CMYK 87 / 0 / 7 / 41

HEX #13968C

RGB 19 150 140

HSL 175.42, 0.78%, 0.33%

LAB 55.93, -34.5, -4.03

 

CMYK 87 / 17 / 0 / 41

HEX #137C96

RGB 19 124 150

HSL 191.91, 0.78%, 0.33%

LAB 47.95, -18.16, -21.88

 

CMYK 87 / 41 / 0 / 41

HEX #135996

RGB 19 89 150

HSL 207.94, 0.78%, 0.33%

LAB 36.9, 2.75, -39.21

 

CMYK 87 / 0 / 54 / 41

HEX #139645

RGB 19 150 69

HSL 142.9, 0.78%, 0.33%

LAB 54.43, -51.02, 33.34

 

CMYK 97 / 0 / 60 / 36

HEX #05A342

RGB 5 163 66

HSL 143.16, 0.94%, 0.33%

LAB 58.62, -56.69, 39.81

 

CMYK 87 / 0 / 54 / 41

HEX #139645

RGB 19 150 69

HSL 142.9, 0.78%, 0.33%

LAB 54.43, -51.02, 33.34

 

CMYK 76 / 0 / 47 / 47

HEX #208848

RGB 32 136 72

HSL 143.08, 0.62%, 0.33%

LAB 49.96, -43.86, 26.21

 

CMYK 63 / 0 / 39 / 52

HEX #2E7B4B

RGB 46 123 75

HSL 142.6, 0.46%, 0.33%

LAB 45.98, -35.28, 19.42

 

CMYK 46 / 0 / 28 / 57

HEX #3B6D4F

RGB 59 109 79

HSL 144, 0.3%, 0.33%

LAB 41.89, -24.35, 11.62

 

CMYK 23 / 0 / 14 / 63

HEX #495F52

RGB 73 95 82

HSL 144.55, 0.13%, 0.33%

LAB 38.22, -11.31, 4.73

 

CMYK 75 / 0 / 87 / 41

HEX #269613

RGB 38 150 19

HSL 111.3, 0.78%, 0.33%

LAB 54.31, -53.48, 53.17

 

CMYK 87 / 0 / 77 / 41

HEX #139622

RGB 19 150 34

HSL 126.87, 0.78%, 0.33%

LAB 54.1, -55.11, 48.44

 

CMYK 87 / 0 / 54 / 41

HEX #139645

RGB 19 150 69

HSL 142.9, 0.78%, 0.33%

LAB 54.43, -51.02, 33.34

 

CMYK 87 / 0 / 31 / 41

HEX #139668

RGB 19 150 104

HSL 158.93, 0.78%, 0.33%

LAB 55.02, -44.14, 15.17

 

CMYK 87 / 0 / 7 / 41

HEX #13968B

RGB 19 150 139

HSL 174.96, 0.78%, 0.33%

LAB 55.9, -34.8, -3.5

 

CMYK 88 / 0 / 54 / 70

HEX #094C23

RGB 9 76 35

HSL 143.28, 0.79%, 0.17%

LAB 27.7, -30.36, 18.78

 

CMYK 88 / 0 / 54 / 56

HEX #0E7134

RGB 14 113 52

HSL 143.03, 0.78%, 0.25%

LAB 41.46, -41.05, 26.31

 

CMYK 87 / 0 / 54 / 41

HEX #139645

RGB 19 150 69

HSL 142.9, 0.78%, 0.33%

LAB 54.43, -51.02, 33.34

 

CMYK 88 / 0 / 54 / 27

HEX #17BB56

RGB 23 187 86

HSL 143.05, 0.78%, 0.41%

LAB 66.82, -60.57, 40

 

CMYK 87 / 0 / 54 / 13

HEX #1CDF67

RGB 28 223 103

HSL 143.08, 0.78%, 0.49%

LAB 78.46, -69.35, 46.02

 

CMYK 87 / 0 / 54 / 41

HEX #139746

RGB 19 151 70

HSL 143.18, 0.78%, 0.33%

LAB 54.78, -51.2, 33.25

 

CMYK 87 / 51 / 0 / 41

HEX #134996

RGB 19 73 150

HSL 215.27, 0.78%, 0.33%

LAB 32.05, 13.44, -47.01

 

CMYK 0 / 87 / 86 / 41

HEX #961315

RGB 150 19 21

HSL 359.08, 0.78%, 0.33%

LAB 31.82, 51.15, 35.82

 

CMYK 87 / 0 / 54 / 41

HEX #139746

RGB 19 151 70

HSL 143.18, 0.78%, 0.33%

LAB 54.78, -51.2, 33.25

 

CMYK 54 / 87 / 0 / 41

HEX #451396

RGB 69 19 150

HSL 262.9, 0.78%, 0.33%

LAB 23.45, 50.83, -60.93

 

CMYK 0 / 54 / 87 / 41

HEX #964513

RGB 150 69 19

HSL 22.9, 0.78%, 0.33%

LAB 39.22, 31.12, 43.18

 

CMYK 87 / 0 / 54 / 41

HEX #139746

RGB 19 151 70

HSL 143.18, 0.78%, 0.33%

LAB 54.78, -51.2, 33.25

 

CMYK 87 / 51 / 0 / 41

HEX #134996

RGB 19 73 150

HSL 215.27, 0.78%, 0.33%

LAB 32.05, 13.44, -47.01

 

CMYK 0 / 87 / 34 / 41

HEX #961363

RGB 150 19 99

HSL 323.36, 0.78%, 0.33%

LAB 33.67, 56.48, -11.63

 

CMYK 0 / 37 / 87 / 41

HEX #965F13

RGB 150 95 19

HSL 34.81, 0.78%, 0.33%

LAB 45.24, 16.56, 48.21

 

CMYK 87 / 0 / 54 / 41

HEX #139746

RGB 19 151 70

HSL 143.18, 0.78%, 0.33%

LAB 54.78, -51.2, 33.25

 

CMYK 87 / 77 / 0 / 41

HEX #132296

RGB 19 34 150

HSL 233.13, 0.78%, 0.33%

LAB 21.89, 39.53, -63.64

 

CMYK 0 / 87 / 34 / 41

HEX #961363

RGB 150 19 99

HSL 323.36, 0.78%, 0.33%

LAB 33.67, 56.48, -11.63

 

CMYK 0 / 11 / 87 / 41

HEX #968613

RGB 150 134 19

HSL 52.67, 0.78%, 0.33%

LAB 55.67, -5.58, 56.8

 

Description

Color code: HEX #139746 | qconv.com Color code: HEX #139746 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 151 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 151 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, 54 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 54% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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