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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #138ECE it is the complementary color #EC7131. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #138ECE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #138ECE shade: #188EC9, #29A0DC, #3AB2EF, #4BC4FF and #5CD6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #138ECE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #138ECE shade: #138ECE, #027CBB, #006AA8, #005895 and #004682

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #138ECE shade: #138ECD, #135BCD, #1329CD, #2F13CD and #6113CD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #138ECE shade: #138ECD, #135BCD, #1329CD and #1313CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #138ECE shade matches the following richer shades: #138ECD and #0193DF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #138ECE shade: #138ECD, #2588BB, #3782A9, #4A7C97 and #5C7785

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #138ECE shade: #13CDA8, #13C1CD, #138FCD, #135ECD and #132CCD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #138ECE shade: #0C5A82, #1074A8, #138ECD, #1FA5EA and #45B4EE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #138ECE shade: #138ECE, #7613CD and #CDC113

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #138ECE shade: #138ECE, #CD138F and #8FCD13

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #138ECE shade: #138ECE, #7613CD, #CD5113 and #6ACD13

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #138ECE shade: #138ECE, #AE13CD, #CD5113 and #32CD13

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 31 / 0 / 19

HEX #138ECE

RGB 19 142 206

HSL 200.53, 0.83%, 0.44%

LAB 56.03, -7.8, -41.5

 

Complementary color

CMYK 0 / 52 / 79 / 7

HEX #EC7131

RGB 236 113 49

HSL 20.53, 0.83%, 0.56%

LAB 61.54, 43.74, 55.49

 

CMYK 88 / 29 / 0 / 21

HEX #188EC9

RGB 24 142 201

HSL 200, 0.79%, 0.44%

LAB 55.84, -9.37, -38.96

 

CMYK 81 / 27 / 0 / 14

HEX #29A0DC

RGB 41 160 220

HSL 200.11, 0.72%, 0.51%

LAB 62.32, -11.35, -39.41

 

CMYK 76 / 26 / 0 / 6

HEX #3AB2EF

RGB 58 178 239

HSL 200.22, 0.85%, 0.58%

LAB 68.73, -12.93, -39.81

 

CMYK 71 / 23 / 0 / 0

HEX #4BC4FF

RGB 75 196 255

HSL 199.67, 1%, 0.65%

LAB 74.95, -15.18, -38.74

 

CMYK 64 / 16 / 0 / 0

HEX #5CD6FF

RGB 92 214 255

HSL 195.09, 1%, 0.68%

LAB 80.51, -21.98, -30.11

 

CMYK 91 / 31 / 0 / 19

HEX #138ECE

RGB 19 142 206

HSL 200.53, 0.83%, 0.44%

LAB 56.03, -7.8, -41.5

 

CMYK 99 / 34 / 0 / 27

HEX #027CBB

RGB 2 124 187

HSL 200.43, 0.98%, 0.37%

LAB 49.52, -5.16, -40.97

 

CMYK 100 / 37 / 0 / 34

HEX #006AA8

RGB 0 106 168

HSL 202.14, 1%, 0.33%

LAB 42.97, -1.8, -40.29

 

CMYK 100 / 41 / 0 / 42

HEX #005895

RGB 0 88 149

HSL 204.56, 1%, 0.29%

LAB 36.27, 1.87, -39.63

 

CMYK 100 / 46 / 0 / 49

HEX #004682

RGB 0 70 130

HSL 207.69, 1%, 0.25%

LAB 29.39, 5.83, -39

 

CMYK 91 / 31 / 0 / 20

HEX #138ECD

RGB 19 142 205

HSL 200.32, 0.83%, 0.44%

LAB 55.98, -8.17, -41.01

 

CMYK 91 / 56 / 0 / 20

HEX #135BCD

RGB 19 91 205

HSL 216.77, 0.83%, 0.44%

LAB 41.26, 23.56, -64.59

 

CMYK 91 / 80 / 0 / 20

HEX #1329CD

RGB 19 41 205

HSL 232.9, 0.83%, 0.44%

LAB 29.74, 54.23, -83.54

 

CMYK 77 / 91 / 0 / 20

HEX #2F13CD

RGB 47 19 205

HSL 249.03, 0.83%, 0.44%

LAB 28.05, 63.86, -86.32

 

CMYK 53 / 91 / 0 / 20

HEX #6113CD

RGB 97 19 205

HSL 265.16, 0.83%, 0.44%

LAB 32.73, 67.06, -78.42

 

CMYK 91 / 31 / 0 / 20

HEX #138ECD

RGB 19 142 205

HSL 200.32, 0.83%, 0.44%

LAB 55.98, -8.17, -41.01

 

CMYK 91 / 56 / 0 / 20

HEX #135BCD

RGB 19 91 205

HSL 216.77, 0.83%, 0.44%

LAB 41.26, 23.56, -64.59

 

CMYK 91 / 80 / 0 / 20

HEX #1329CD

RGB 19 41 205

HSL 232.9, 0.83%, 0.44%

LAB 29.74, 54.23, -83.54

 

CMYK 91 / 91 / 0 / 20

HEX #1313CD

RGB 19 19 205

HSL 240, 0.83%, 0.44%

LAB 26.77, 63.1, -88.5

 

CMYK 91 / 31 / 0 / 20

HEX #138ECD

RGB 19 142 205

HSL 200.32, 0.83%, 0.44%

LAB 55.98, -8.17, -41.01

 

CMYK 100 / 34 / 0 / 13

HEX #0193DF

RGB 1 147 223

HSL 200.54, 0.99%, 0.44%

LAB 58.23, -4.95, -47.56

 

CMYK 91 / 31 / 0 / 20

HEX #138ECD

RGB 19 142 205

HSL 200.32, 0.83%, 0.44%

LAB 55.98, -8.17, -41.01

 

CMYK 80 / 27 / 0 / 27

HEX #2588BB

RGB 37 136 187

HSL 200.4, 0.67%, 0.44%

LAB 53.59, -9.99, -34.53

 

CMYK 67 / 23 / 0 / 34

HEX #3782A9

RGB 55 130 169

HSL 200.53, 0.51%, 0.44%

LAB 51.43, -10.49, -27.51

 

CMYK 51 / 18 / 0 / 41

HEX #4A7C97

RGB 74 124 151

HSL 201.04, 0.34%, 0.44%

LAB 49.62, -9, -19.76

 

CMYK 31 / 11 / 0 / 48

HEX #5C7785

RGB 92 119 133

HSL 200.49, 0.18%, 0.44%

LAB 48.46, -6.2, -10.83

 

CMYK 91 / 0 / 18 / 20

HEX #13CDA8

RGB 19 205 168

HSL 168.06, 0.83%, 0.44%

LAB 73.95, -50.47, 6.66

 

CMYK 91 / 6 / 0 / 20

HEX #13C1CD

RGB 19 193 205

HSL 183.87, 0.83%, 0.44%

LAB 71.34, -34.69, -17.29

 

CMYK 91 / 30 / 0 / 20

HEX #138FCD

RGB 19 143 205

HSL 200, 0.83%, 0.44%

LAB 56.28, -8.75, -40.54

 

CMYK 91 / 54 / 0 / 20

HEX #135ECD

RGB 19 94 205

HSL 215.81, 0.83%, 0.44%

LAB 42.08, 21.59, -63.26

 

CMYK 91 / 79 / 0 / 20

HEX #132CCD

RGB 19 44 205

HSL 231.94, 0.83%, 0.44%

LAB 30.27, 52.69, -82.66

 

CMYK 91 / 31 / 0 / 49

HEX #0C5A82

RGB 12 90 130

HSL 200.34, 0.83%, 0.28%

LAB 35.99, -6.46, -28.51

 

CMYK 90 / 31 / 0 / 34

HEX #1074A8

RGB 16 116 168

HSL 200.53, 0.83%, 0.36%

LAB 46.22, -7.12, -35.14

 

CMYK 91 / 31 / 0 / 20

HEX #138ECD

RGB 19 142 205

HSL 200.32, 0.83%, 0.44%

LAB 55.98, -8.17, -41.01

 

CMYK 87 / 29 / 0 / 8

HEX #1FA5EA

RGB 31 165 234

HSL 200.39, 0.83%, 0.52%

LAB 64.28, -9.91, -44.08

 

CMYK 71 / 24 / 0 / 7

HEX #45B4EE

RGB 69 180 238

HSL 200.59, 0.83%, 0.6%

LAB 69.53, -12.99, -38

 

CMYK 91 / 31 / 0 / 19

HEX #138ECE

RGB 19 142 206

HSL 200.53, 0.83%, 0.44%

LAB 56.03, -7.8, -41.5

 

CMYK 42 / 91 / 0 / 20

HEX #7613CD

RGB 118 19 205

HSL 271.94, 0.83%, 0.44%

LAB 35.45, 69.16, -73.84

 

CMYK 0 / 6 / 91 / 20

HEX #CDC113

RGB 205 193 19

HSL 56.13, 0.83%, 0.44%

LAB 76.78, -12.06, 75.66

 

CMYK 91 / 31 / 0 / 19

HEX #138ECE

RGB 19 142 206

HSL 200.53, 0.83%, 0.44%

LAB 56.03, -7.8, -41.5

 

CMYK 0 / 91 / 30 / 20

HEX #CD138F

RGB 205 19 143

HSL 320, 0.83%, 0.44%

LAB 46.21, 73.65, -18.95

 

CMYK 30 / 0 / 91 / 20

HEX #8FCD13

RGB 143 205 19

HSL 80, 0.83%, 0.44%

LAB 75.79, -43.25, 73.03

 

CMYK 91 / 31 / 0 / 19

HEX #138ECE

RGB 19 142 206

HSL 200.53, 0.83%, 0.44%

LAB 56.03, -7.8, -41.5

 

CMYK 42 / 91 / 0 / 20

HEX #7613CD

RGB 118 19 205

HSL 271.94, 0.83%, 0.44%

LAB 35.45, 69.16, -73.84

 

CMYK 0 / 60 / 91 / 20

HEX #CD5113

RGB 205 81 19

HSL 20, 0.83%, 0.44%

LAB 50.58, 46.63, 55.92

 

CMYK 48 / 0 / 91 / 20

HEX #6ACD13

RGB 106 205 19

HSL 91.94, 0.83%, 0.44%

LAB 74.04, -55.86, 70.88

 

CMYK 91 / 31 / 0 / 19

HEX #138ECE

RGB 19 142 206

HSL 200.53, 0.83%, 0.44%

LAB 56.03, -7.8, -41.5

 

CMYK 15 / 91 / 0 / 20

HEX #AE13CD

RGB 174 19 205

HSL 290, 0.83%, 0.44%

LAB 44.05, 76.64, -59.45

 

CMYK 0 / 60 / 91 / 20

HEX #CD5113

RGB 205 81 19

HSL 20, 0.83%, 0.44%

LAB 50.58, 46.63, 55.92

 

CMYK 76 / 0 / 91 / 20

HEX #32CD13

RGB 50 205 19

HSL 110, 0.83%, 0.44%

LAB 72.49, -68.64, 68.94

 

Description

Color code: HEX #138ECE | qconv.com Color code: HEX #138ECE | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 142 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 142 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, 31 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 31% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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