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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #13851F it is the complementary color #EC7AE0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #13851F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #13851F shade: #18851A, #29972D, #3AA940, #4BBB53 and #5CCD66

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #13851F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #13851F shade: #13851F, #02730C, #006100, #004F00 and #003D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #13851F shade: #13861F, #268613, #458613, #648613 and #838613

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #13851F shade: #13861F, #13863E, #13865D, #13867C and #137186

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #13851F shade matches the following richer shades: #13861F and #079215

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #13851F shade: #13861F, #207929, #2C6D33, #38613D and #455446

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #13851F shade: #458613, #268613, #13861F, #13863D and #13865C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #13851F shade: #093E0E, #0E6217, #13861F, #18AA28 and #1DCE30

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #13851F shade: #13851F, #136386 and #861336

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #13851F shade: #13851F, #1F1386 and #861F13

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #13851F shade: #13851F, #136386, #86137A and #863613

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #13851F shade: #13851F, #134186, #86137A and #865813

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 0 / 77 / 48

HEX #13851F

RGB 19 133 31

HSL 126.32, 0.75%, 0.3%

LAB 48.28, -49.97, 43.73

 

Complementary color

CMYK 0 / 48 / 5 / 7

HEX #EC7AE0

RGB 236 122 224

HSL 306.32, 0.75%, 0.7%

LAB 67.38, 57.29, -32.71

 

CMYK 82 / 0 / 80 / 48

HEX #18851A

RGB 24 133 26

HSL 121.1, 0.69%, 0.31%

LAB 48.32, -49.74, 45.56

 

CMYK 73 / 0 / 70 / 41

HEX #29972D

RGB 41 151 45

HSL 122.18, 0.57%, 0.38%

LAB 54.86, -51.47, 45.12

 

CMYK 66 / 0 / 62 / 34

HEX #3AA940

RGB 58 169 64

HSL 123.24, 0.49%, 0.45%

LAB 61.35, -52.47, 44.08

 

CMYK 60 / 0 / 56 / 27

HEX #4BBB53

RGB 75 187 83

HSL 124.29, 0.45%, 0.51%

LAB 67.77, -53, 42.81

 

CMYK 55 / 0 / 50 / 20

HEX #5CCD66

RGB 92 205 102

HSL 125.31, 0.53%, 0.58%

LAB 74.12, -53.24, 41.48

 

CMYK 86 / 0 / 77 / 48

HEX #13851F

RGB 19 133 31

HSL 126.32, 0.75%, 0.3%

LAB 48.28, -49.97, 43.73

 

CMYK 98 / 0 / 90 / 55

HEX #02730C

RGB 2 115 12

HSL 125.31, 0.97%, 0.23%

LAB 41.69, -47.15, 43.44

 

CMYK 100 / 0 / 100 / 62

HEX #006100

RGB 0 97 0

HSL 120, 1%, 0.19%

LAB 35.1, -42.46, 40.98

 

CMYK 100 / 0 / 100 / 69

HEX #004F00

RGB 0 79 0

HSL 120, 1%, 0.15%

LAB 28.36, -36.85, 35.56

 

CMYK 100 / 0 / 100 / 76

HEX #003D00

RGB 0 61 0

HSL 120, 1%, 0.12%

LAB 21.35, -31.03, 28.85

 

CMYK 86 / 0 / 77 / 47

HEX #13861F

RGB 19 134 31

HSL 126.26, 0.75%, 0.3%

LAB 48.62, -50.29, 44.07

 

CMYK 72 / 0 / 86 / 47

HEX #268613

RGB 38 134 19

HSL 110.09, 0.75%, 0.3%

LAB 48.9, -48.15, 48.31

 

CMYK 49 / 0 / 86 / 47

HEX #458613

RGB 69 134 19

HSL 93.91, 0.75%, 0.3%

LAB 49.93, -39.82, 49.63

 

CMYK 25 / 0 / 86 / 47

HEX #648613

RGB 100 134 19

HSL 77.74, 0.75%, 0.3%

LAB 51.62, -28.04, 51.76

 

CMYK 2 / 0 / 86 / 47

HEX #838613

RGB 131 134 19

HSL 61.57, 0.75%, 0.3%

LAB 53.94, -14.34, 54.67

 

CMYK 86 / 0 / 77 / 47

HEX #13861F

RGB 19 134 31

HSL 126.26, 0.75%, 0.3%

LAB 48.62, -50.29, 44.07

 

CMYK 86 / 0 / 54 / 47

HEX #13863E

RGB 19 134 62

HSL 142.43, 0.75%, 0.3%

LAB 48.93, -46.5, 30.21

 

CMYK 86 / 0 / 31 / 47

HEX #13865D

RGB 19 134 93

HSL 158.61, 0.75%, 0.3%

LAB 49.47, -40.25, 13.75

 

CMYK 86 / 0 / 7 / 47

HEX #13867C

RGB 19 134 124

HSL 174.78, 0.75%, 0.3%

LAB 50.27, -31.83, -3.13

 

CMYK 86 / 16 / 0 / 47

HEX #137186

RGB 19 113 134

HSL 190.96, 0.75%, 0.3%

LAB 43.76, -17.83, -18.85

 

CMYK 86 / 0 / 77 / 47

HEX #13861F

RGB 19 134 31

HSL 126.26, 0.75%, 0.3%

LAB 48.62, -50.29, 44.07

 

CMYK 95 / 0 / 86 / 43

HEX #079215

RGB 7 146 21

HSL 126.04, 0.91%, 0.3%

LAB 52.57, -55.64, 50.96

 

CMYK 86 / 0 / 77 / 47

HEX #13861F

RGB 19 134 31

HSL 126.26, 0.75%, 0.3%

LAB 48.62, -50.29, 44.07

 

CMYK 74 / 0 / 66 / 53

HEX #207929

RGB 32 121 41

HSL 126.07, 0.58%, 0.3%

LAB 44.44, -42.91, 35.49

 

CMYK 60 / 0 / 53 / 57

HEX #2C6D33

RGB 44 109 51

HSL 126.46, 0.42%, 0.3%

LAB 40.75, -34.01, 26.15

 

CMYK 42 / 0 / 37 / 62

HEX #38613D

RGB 56 97 61

HSL 127.32, 0.27%, 0.3%

LAB 37.35, -22.91, 16.14

 

CMYK 18 / 0 / 17 / 67

HEX #455446

RGB 69 84 70

HSL 124, 0.1%, 0.3%

LAB 34.08, -9.02, 6.26

 

CMYK 49 / 0 / 86 / 47

HEX #458613

RGB 69 134 19

HSL 93.91, 0.75%, 0.3%

LAB 49.93, -39.82, 49.63

 

CMYK 72 / 0 / 86 / 47

HEX #268613

RGB 38 134 19

HSL 110.09, 0.75%, 0.3%

LAB 48.9, -48.15, 48.31

 

CMYK 86 / 0 / 77 / 47

HEX #13861F

RGB 19 134 31

HSL 126.26, 0.75%, 0.3%

LAB 48.62, -50.29, 44.07

 

CMYK 86 / 0 / 54 / 47

HEX #13863D

RGB 19 134 61

HSL 141.91, 0.75%, 0.3%

LAB 48.92, -46.67, 30.71

 

CMYK 86 / 0 / 31 / 47

HEX #13865C

RGB 19 134 92

HSL 158.09, 0.75%, 0.3%

LAB 49.45, -40.49, 14.29

 

CMYK 85 / 0 / 77 / 76

HEX #093E0E

RGB 9 62 14

HSL 125.66, 0.75%, 0.14%

LAB 22.07, -28.05, 23.8

 

CMYK 86 / 0 / 77 / 62

HEX #0E6217

RGB 14 98 23

HSL 126.43, 0.75%, 0.22%

LAB 35.77, -39.59, 34.15

 

CMYK 86 / 0 / 77 / 47

HEX #13861F

RGB 19 134 31

HSL 126.26, 0.75%, 0.3%

LAB 48.62, -50.29, 44.07

 

CMYK 86 / 0 / 76 / 33

HEX #18AA28

RGB 24 170 40

HSL 126.58, 0.75%, 0.38%

LAB 60.87, -60.32, 53.08

 

CMYK 86 / 0 / 77 / 19

HEX #1DCE30

RGB 29 206 48

HSL 126.44, 0.75%, 0.46%

LAB 72.64, -69.98, 62.02

 

CMYK 86 / 0 / 77 / 48

HEX #13851F

RGB 19 133 31

HSL 126.32, 0.75%, 0.3%

LAB 48.28, -49.97, 43.73

 

CMYK 86 / 26 / 0 / 47

HEX #136386

RGB 19 99 134

HSL 198.26, 0.75%, 0.3%

LAB 39.21, -9.81, -25.89

 

CMYK 0 / 86 / 60 / 47

HEX #861336

RGB 134 19 54

HSL 341.74, 0.75%, 0.3%

LAB 28.9, 48.11, 10.69

 

CMYK 86 / 0 / 77 / 48

HEX #13851F

RGB 19 133 31

HSL 126.32, 0.75%, 0.3%

LAB 48.28, -49.97, 43.73

 

CMYK 77 / 86 / 0 / 47

HEX #1F1386

RGB 31 19 134

HSL 246.26, 0.75%, 0.3%

LAB 17.82, 42.82, -60.39

 

CMYK 0 / 77 / 86 / 47

HEX #861F13

RGB 134 31 19

HSL 6.26, 0.75%, 0.3%

LAB 29.65, 42.67, 33.68

 

CMYK 86 / 0 / 77 / 48

HEX #13851F

RGB 19 133 31

HSL 126.32, 0.75%, 0.3%

LAB 48.28, -49.97, 43.73

 

CMYK 86 / 26 / 0 / 47

HEX #136386

RGB 19 99 134

HSL 198.26, 0.75%, 0.3%

LAB 39.21, -9.81, -25.89

 

CMYK 0 / 86 / 9 / 47

HEX #86137A

RGB 134 19 122

HSL 306.26, 0.75%, 0.3%

LAB 31.67, 55.91, -29.65

 

CMYK 0 / 60 / 86 / 47

HEX #863613

RGB 134 54 19

HSL 18.26, 0.75%, 0.3%

LAB 33.46, 32.42, 37.14

 

CMYK 86 / 0 / 77 / 48

HEX #13851F

RGB 19 133 31

HSL 126.32, 0.75%, 0.3%

LAB 48.28, -49.97, 43.73

 

CMYK 86 / 51 / 0 / 47

HEX #134186

RGB 19 65 134

HSL 216, 0.75%, 0.3%

LAB 28.49, 12.32, -42.93

 

CMYK 0 / 86 / 9 / 47

HEX #86137A

RGB 134 19 122

HSL 306.26, 0.75%, 0.3%

LAB 31.67, 55.91, -29.65

 

CMYK 0 / 34 / 86 / 47

HEX #865813

RGB 134 88 19

HSL 36, 0.75%, 0.3%

LAB 41.37, 13.21, 44.09

 

Description

Color code: HEX #13851F | qconv.com Color code: HEX #13851F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 133 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 133 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, none magenta, 77 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 0% 77% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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