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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #13831E it is the complementary color #EC7CE1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #13831E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #13831E shade: #188319, #29952C, #3AA73F, #4BB952 and #5CCB65

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #13831E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #13831E shade: #13831E, #02710B, #005F00, #004D00 and #003B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #13831E shade: #12811D, #268112, #438112, #618112 and #7F8112

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #13831E shade: #12811D, #12813B, #128159, #128177 and #126E81

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #13831E shade matches the following richer shades: #12811D and #078D14

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #13831E shade: #12811D, #1E7527, #2A6931, #365E3A and #425244

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #13831E shade: #448112, #278112, #12811C, #128139 and #128157

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #13831E shade: #08390D, #0D5D15, #12811D, #18A626 and #1DCA2E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #13831E shade: #13831E, #126281 and #811236

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #13831E shade: #13831E, #1C1281 and #811C12

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #13831E shade: #13831E, #126281, #811278 and #813212

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #13831E shade: #13831E, #124181, #811278 and #815312

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 77 / 49

HEX #13831E

RGB 19 131 30

HSL 125.89, 0.75%, 0.29%

LAB 47.58, -49.41, 43.4

 

Complementary color

CMYK 0 / 47 / 5 / 7

HEX #EC7CE1

RGB 236 124 225

HSL 305.89, 0.75%, 0.71%

LAB 67.79, 56.49, -32.63

 

CMYK 82 / 0 / 81 / 49

HEX #188319

RGB 24 131 25

HSL 120.56, 0.69%, 0.3%

LAB 47.62, -49.16, 45.22

 

CMYK 72 / 0 / 70 / 42

HEX #29952C

RGB 41 149 44

HSL 121.67, 0.57%, 0.37%

LAB 54.18, -50.87, 44.82

 

CMYK 65 / 0 / 62 / 35

HEX #3AA73F

RGB 58 167 63

HSL 122.75, 0.48%, 0.44%

LAB 60.69, -51.86, 43.79

 

CMYK 59 / 0 / 56 / 27

HEX #4BB952

RGB 75 185 82

HSL 123.82, 0.44%, 0.51%

LAB 67.13, -52.38, 42.53

 

CMYK 55 / 0 / 50 / 20

HEX #5CCB65

RGB 92 203 101

HSL 124.86, 0.52%, 0.58%

LAB 73.5, -52.61, 41.2

 

CMYK 85 / 0 / 77 / 49

HEX #13831E

RGB 19 131 30

HSL 125.89, 0.75%, 0.29%

LAB 47.58, -49.41, 43.4

 

CMYK 98 / 0 / 90 / 56

HEX #02710B

RGB 2 113 11

HSL 124.86, 0.97%, 0.23%

LAB 40.97, -46.59, 43.04

 

CMYK 100 / 0 / 100 / 63

HEX #005F00

RGB 0 95 0

HSL 120, 1%, 0.19%

LAB 34.36, -41.84, 40.38

 

CMYK 100 / 0 / 100 / 70

HEX #004D00

RGB 0 77 0

HSL 120, 1%, 0.15%

LAB 27.59, -36.22, 34.92

 

CMYK 100 / 0 / 100 / 77

HEX #003B00

RGB 0 59 0

HSL 120, 1%, 0.12%

LAB 20.55, -30.36, 27.97

 

CMYK 86 / 0 / 78 / 49

HEX #12811D

RGB 18 129 29

HSL 125.95, 0.76%, 0.29%

LAB 46.87, -48.96, 43.05

 

CMYK 71 / 0 / 86 / 49

HEX #268112

RGB 38 129 18

HSL 109.19, 0.76%, 0.29%

LAB 47.18, -46.48, 47.02

 

CMYK 48 / 0 / 86 / 49

HEX #438112

RGB 67 129 18

HSL 93.51, 0.76%, 0.29%

LAB 48.18, -38.46, 48.3

 

CMYK 25 / 0 / 86 / 49

HEX #618112

RGB 97 129 18

HSL 77.3, 0.76%, 0.29%

LAB 49.84, -26.91, 50.4

 

CMYK 2 / 0 / 86 / 49

HEX #7F8112

RGB 127 129 18

HSL 61.08, 0.76%, 0.29%

LAB 52.13, -13.53, 53.26

 

CMYK 86 / 0 / 78 / 49

HEX #12811D

RGB 18 129 29

HSL 125.95, 0.76%, 0.29%

LAB 46.87, -48.96, 43.05

 

CMYK 86 / 0 / 54 / 49

HEX #12813B

RGB 18 129 59

HSL 142.16, 0.76%, 0.29%

LAB 47.16, -45.3, 29.61

 

CMYK 86 / 0 / 31 / 49

HEX #128159

RGB 18 129 89

HSL 158.38, 0.76%, 0.29%

LAB 47.69, -39.24, 13.59

 

CMYK 86 / 0 / 8 / 49

HEX #128177

RGB 18 129 119

HSL 174.59, 0.76%, 0.29%

LAB 48.46, -31.06, -2.86

 

CMYK 86 / 15 / 0 / 49

HEX #126E81

RGB 18 110 129

HSL 190.27, 0.76%, 0.29%

LAB 42.56, -18.05, -17.69

 

CMYK 86 / 0 / 78 / 49

HEX #12811D

RGB 18 129 29

HSL 125.95, 0.76%, 0.29%

LAB 46.87, -48.96, 43.05

 

CMYK 95 / 0 / 86 / 45

HEX #078D14

RGB 7 141 20

HSL 125.82, 0.91%, 0.29%

LAB 50.86, -54.21, 49.66

 

CMYK 86 / 0 / 78 / 49

HEX #12811D

RGB 18 129 29

HSL 125.95, 0.76%, 0.29%

LAB 46.87, -48.96, 43.05

 

CMYK 74 / 0 / 67 / 54

HEX #1E7527

RGB 30 117 39

HSL 126.21, 0.59%, 0.29%

LAB 42.98, -42.05, 34.8

 

CMYK 60 / 0 / 53 / 59

HEX #2A6931

RGB 42 105 49

HSL 126.67, 0.43%, 0.29%

LAB 39.27, -33.13, 25.4

 

CMYK 43 / 0 / 38 / 63

HEX #365E3A

RGB 54 94 58

HSL 126, 0.27%, 0.29%

LAB 36.17, -22.64, 16.34

 

CMYK 20 / 0 / 17 / 68

HEX #425244

RGB 66 82 68

HSL 127.5, 0.11%, 0.29%

LAB 33.16, -9.46, 6.17

 

CMYK 47 / 0 / 86 / 49

HEX #448112

RGB 68 129 18

HSL 92.97, 0.76%, 0.29%

LAB 48.23, -38.12, 48.36

 

CMYK 70 / 0 / 86 / 49

HEX #278112

RGB 39 129 18

HSL 108.65, 0.76%, 0.29%

LAB 47.2, -46.27, 47.05

 

CMYK 86 / 0 / 78 / 49

HEX #12811C

RGB 18 129 28

HSL 125.41, 0.76%, 0.29%

LAB 46.86, -49.04, 43.41

 

CMYK 86 / 0 / 56 / 49

HEX #128139

RGB 18 129 57

HSL 141.08, 0.76%, 0.29%

LAB 47.14, -45.62, 30.62

 

CMYK 86 / 0 / 33 / 49

HEX #128157

RGB 18 129 87

HSL 157.3, 0.76%, 0.29%

LAB 47.65, -39.72, 14.68

 

CMYK 86 / 0 / 77 / 78

HEX #08390D

RGB 8 57 13

HSL 126.12, 0.75%, 0.13%

LAB 20.07, -26.39, 22.09

 

CMYK 86 / 0 / 77 / 64

HEX #0D5D15

RGB 13 93 21

HSL 126, 0.75%, 0.21%

LAB 33.92, -38.17, 33.07

 

CMYK 86 / 0 / 78 / 49

HEX #12811D

RGB 18 129 29

HSL 125.95, 0.76%, 0.29%

LAB 46.87, -48.96, 43.05

 

CMYK 86 / 0 / 77 / 35

HEX #18A626

RGB 24 166 38

HSL 125.92, 0.75%, 0.37%

LAB 59.53, -59.25, 52.44

 

CMYK 86 / 0 / 77 / 21

HEX #1DCA2E

RGB 29 202 46

HSL 125.9, 0.75%, 0.45%

LAB 71.35, -68.96, 61.4

 

CMYK 85 / 0 / 77 / 49

HEX #13831E

RGB 19 131 30

HSL 125.89, 0.75%, 0.29%

LAB 47.58, -49.41, 43.4

 

CMYK 86 / 24 / 0 / 49

HEX #126281

RGB 18 98 129

HSL 196.76, 0.76%, 0.29%

LAB 38.64, -11.21, -23.75

 

CMYK 0 / 86 / 58 / 49

HEX #811236

RGB 129 18 54

HSL 340.54, 0.76%, 0.29%

LAB 27.75, 46.94, 8.94

 

CMYK 85 / 0 / 77 / 49

HEX #13831E

RGB 19 131 30

HSL 125.89, 0.75%, 0.29%

LAB 47.58, -49.41, 43.4

 

CMYK 78 / 86 / 0 / 49

HEX #1C1281

RGB 28 18 129

HSL 245.41, 0.76%, 0.29%

LAB 16.82, 41.51, -58.9

 

CMYK 0 / 78 / 86 / 49

HEX #811C12

RGB 129 28 18

HSL 5.41, 0.76%, 0.29%

LAB 28.22, 42.05, 32.53

 

CMYK 85 / 0 / 77 / 49

HEX #13831E

RGB 19 131 30

HSL 125.89, 0.75%, 0.29%

LAB 47.58, -49.41, 43.4

 

CMYK 86 / 24 / 0 / 49

HEX #126281

RGB 18 98 129

HSL 196.76, 0.76%, 0.29%

LAB 38.64, -11.21, -23.75

 

CMYK 0 / 86 / 7 / 49

HEX #811278

RGB 129 18 120

HSL 304.86, 0.76%, 0.29%

LAB 30.53, 54.77, -30.24

 

CMYK 0 / 61 / 86 / 49

HEX #813212

RGB 129 50 18

HSL 17.3, 0.76%, 0.29%

LAB 31.79, 32.42, 35.78

 

CMYK 85 / 0 / 77 / 49

HEX #13831E

RGB 19 131 30

HSL 125.89, 0.75%, 0.29%

LAB 47.58, -49.41, 43.4

 

CMYK 86 / 50 / 0 / 49

HEX #124181

RGB 18 65 129

HSL 214.59, 0.76%, 0.29%

LAB 28.1, 10.13, -40.45

 

CMYK 0 / 86 / 7 / 49

HEX #811278

RGB 129 18 120

HSL 304.86, 0.76%, 0.29%

LAB 30.53, 54.77, -30.24

 

CMYK 0 / 36 / 86 / 49

HEX #815312

RGB 129 83 18

HSL 35.14, 0.76%, 0.29%

LAB 39.41, 13.78, 42.5

 

Description

Color code: HEX #13831E | qconv.com Color code: HEX #13831E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 131 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 131 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 77 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 77% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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