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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #137C5E it is the complementary color #EC83A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #137C5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #137C5E shade: #187C59, #298E6C, #3AA07F, #4BB292 and #5CC4A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #137C5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #137C5E shade: #137C5E, #026A4B, #005838, #004625 and #003412

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #137C5E shade: #137C5E, #137C42, #137C26, #1D7C13 and #397C13

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #137C5E shade: #137C5E, #137C7A, #13617C, #13457C and #13297C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #137C5E shade matches the following richer shades: #137C5E and #088763

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #137C5E shade: #137C5E, #1F7059, #2A6454, #36594F and #414D4A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #137C5E shade: #137C25, #137C40, #137C5C, #137C78 and #13637C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #137C5E shade: #083428, #0E5843, #137C5E, #199F79 and #1EC394

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #137C5E shade: #137C5E, #131E7C and #7C3313

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #137C5E shade: #137C5E, #5C137C and #7C5C13

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #137C5E shade: #137C5E, #131E7C, #7C1333 and #7C7113

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #137C5E shade: #137C5E, #28137C, #7C1333 and #677C13

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 24 / 51

HEX #137C5E

RGB 19 124 94

HSL 162.86, 0.73%, 0.28%

LAB 46.13, -35.77, 8.49

 

Complementary color

CMYK 0 / 44 / 32 / 7

HEX #EC83A1

RGB 236 131 161

HSL 342.86, 0.73%, 0.72%

LAB 67.01, 43.52, 2.05

 

CMYK 81 / 0 / 28 / 51

HEX #187C59

RGB 24 124 89

HSL 159, 0.68%, 0.29%

LAB 46.08, -36.48, 11.38

 

CMYK 71 / 0 / 24 / 44

HEX #298E6C

RGB 41 142 108

HSL 159.8, 0.55%, 0.36%

LAB 52.84, -37.18, 9.91

 

CMYK 64 / 0 / 21 / 37

HEX #3AA07F

RGB 58 160 127

HSL 160.59, 0.47%, 0.43%

LAB 59.5, -37.53, 8.62

 

CMYK 58 / 0 / 18 / 30

HEX #4BB292

RGB 75 178 146

HSL 161.36, 0.41%, 0.5%

LAB 66.07, -37.67, 7.48

 

CMYK 53 / 0 / 16 / 23

HEX #5CC4A5

RGB 92 196 165

HSL 162.12, 0.47%, 0.56%

LAB 72.54, -37.68, 6.44

 

CMYK 85 / 0 / 24 / 51

HEX #137C5E

RGB 19 124 94

HSL 162.86, 0.73%, 0.28%

LAB 46.13, -35.77, 8.49

 

CMYK 98 / 0 / 29 / 58

HEX #026A4B

RGB 2 106 75

HSL 162.12, 0.96%, 0.21%

LAB 39.29, -34.39, 10.17

 

CMYK 100 / 0 / 36 / 65

HEX #005838

RGB 0 88 56

HSL 158.18, 1%, 0.17%

LAB 32.4, -31.81, 12.21

 

CMYK 100 / 0 / 47 / 73

HEX #004625

RGB 0 70 37

HSL 151.71, 1%, 0.14%

LAB 25.3, -28.85, 14.45

 

CMYK 100 / 0 / 65 / 80

HEX #003412

RGB 0 52 18

HSL 140.77, 1%, 0.1%

LAB 17.92, -25.49, 16.81

 

CMYK 85 / 0 / 24 / 51

HEX #137C5E

RGB 19 124 94

HSL 162.86, 0.73%, 0.28%

LAB 46.13, -35.77, 8.49

 

CMYK 85 / 0 / 47 / 51

HEX #137C42

RGB 19 124 66

HSL 146.86, 0.73%, 0.28%

LAB 45.56, -42.11, 23.82

 

CMYK 85 / 0 / 69 / 51

HEX #137C26

RGB 19 124 38

HSL 130.86, 0.73%, 0.28%

LAB 45.21, -46.32, 37.65

 

CMYK 77 / 0 / 85 / 51

HEX #1D7C13

RGB 29 124 19

HSL 114.29, 0.73%, 0.28%

LAB 45.25, -46.45, 44.9

 

CMYK 54 / 0 / 85 / 51

HEX #397C13

RGB 57 124 19

HSL 98.29, 0.73%, 0.28%

LAB 46.09, -39.61, 45.97

 

CMYK 85 / 0 / 24 / 51

HEX #137C5E

RGB 19 124 94

HSL 162.86, 0.73%, 0.28%

LAB 46.13, -35.77, 8.49

 

CMYK 85 / 0 / 2 / 51

HEX #137C7A

RGB 19 124 122

HSL 178.86, 0.73%, 0.28%

LAB 46.92, -27.63, -6.91

 

CMYK 85 / 22 / 0 / 51

HEX #13617C

RGB 19 97 124

HSL 195.43, 0.73%, 0.28%

LAB 38.1, -12.42, -21.53

 

CMYK 85 / 44 / 0 / 51

HEX #13457C

RGB 19 69 124

HSL 211.43, 0.73%, 0.28%

LAB 29.03, 5.37, -35.82

 

CMYK 85 / 67 / 0 / 51

HEX #13297C

RGB 19 41 124

HSL 227.43, 0.73%, 0.28%

LAB 20.75, 25.12, -49.25

 

CMYK 85 / 0 / 24 / 51

HEX #137C5E

RGB 19 124 94

HSL 162.86, 0.73%, 0.28%

LAB 46.13, -35.77, 8.49

 

CMYK 94 / 0 / 27 / 47

HEX #088763

RGB 8 135 99

HSL 162.99, 0.89%, 0.28%

LAB 49.83, -39.99, 10.79

 

CMYK 85 / 0 / 24 / 51

HEX #137C5E

RGB 19 124 94

HSL 162.86, 0.73%, 0.28%

LAB 46.13, -35.77, 8.49

 

CMYK 72 / 0 / 21 / 56

HEX #1F7059

RGB 31 112 89

HSL 162.96, 0.57%, 0.28%

LAB 42.16, -30.08, 5.86

 

CMYK 58 / 0 / 16 / 61

HEX #2A6454

RGB 42 100 84

HSL 163.45, 0.41%, 0.28%

LAB 38.28, -23.27, 3.38

 

CMYK 39 / 0 / 11 / 65

HEX #36594F

RGB 54 89 79

HSL 162.86, 0.24%, 0.28%

LAB 34.99, -15.26, 1.79

 

CMYK 16 / 0 / 4 / 70

HEX #414D4A

RGB 65 77 74

HSL 165, 0.08%, 0.28%

LAB 31.64, -5.48, 0.17

 

CMYK 85 / 0 / 70 / 51

HEX #137C25

RGB 19 124 37

HSL 130.29, 0.73%, 0.28%

LAB 45.2, -46.43, 38.09

 

CMYK 85 / 0 / 48 / 51

HEX #137C40

RGB 19 124 64

HSL 145.71, 0.73%, 0.28%

LAB 45.53, -42.48, 24.88

 

CMYK 85 / 0 / 26 / 51

HEX #137C5C

RGB 19 124 92

HSL 161.71, 0.73%, 0.28%

LAB 46.08, -36.29, 9.6

 

CMYK 85 / 0 / 3 / 51

HEX #137C78

RGB 19 124 120

HSL 177.71, 0.73%, 0.28%

LAB 46.86, -28.26, -5.82

 

CMYK 85 / 20 / 0 / 51

HEX #13637C

RGB 19 99 124

HSL 194.29, 0.73%, 0.28%

LAB 38.76, -13.58, -20.52

 

CMYK 85 / 0 / 23 / 80

HEX #083428

RGB 8 52 40

HSL 163.64, 0.73%, 0.12%

LAB 18.63, -18.23, 3.39

 

CMYK 84 / 0 / 24 / 65

HEX #0E5843

RGB 14 88 67

HSL 162.97, 0.73%, 0.2%

LAB 32.87, -27.34, 6.07

 

CMYK 85 / 0 / 24 / 51

HEX #137C5E

RGB 19 124 94

HSL 162.86, 0.73%, 0.28%

LAB 46.13, -35.77, 8.49

 

CMYK 84 / 0 / 24 / 38

HEX #199F79

RGB 25 159 121

HSL 162.99, 0.73%, 0.36%

LAB 58.4, -43.18, 10.34

 

CMYK 85 / 0 / 24 / 24

HEX #1EC394

RGB 30 195 148

HSL 162.91, 0.73%, 0.44%

LAB 70.49, -50.74, 12.53

 

CMYK 85 / 0 / 24 / 51

HEX #137C5E

RGB 19 124 94

HSL 162.86, 0.73%, 0.28%

LAB 46.13, -35.77, 8.49

 

CMYK 85 / 76 / 0 / 51

HEX #131E7C

RGB 19 30 124

HSL 233.71, 0.73%, 0.28%

LAB 18.02, 32.5, -53.74

 

CMYK 0 / 59 / 85 / 51

HEX #7C3313

RGB 124 51 19

HSL 18.29, 0.73%, 0.28%

LAB 31.11, 29.89, 34.35

 

CMYK 85 / 0 / 24 / 51

HEX #137C5E

RGB 19 124 94

HSL 162.86, 0.73%, 0.28%

LAB 46.13, -35.77, 8.49

 

CMYK 26 / 85 / 0 / 51

HEX #5C137C

RGB 92 19 124

HSL 281.71, 0.73%, 0.28%

LAB 24.31, 47.94, -43.12

 

CMYK 0 / 26 / 85 / 51

HEX #7C5C13

RGB 124 92 19

HSL 41.71, 0.73%, 0.28%

LAB 41.19, 6.08, 43.46

 

CMYK 85 / 0 / 24 / 51

HEX #137C5E

RGB 19 124 94

HSL 162.86, 0.73%, 0.28%

LAB 46.13, -35.77, 8.49

 

CMYK 85 / 76 / 0 / 51

HEX #131E7C

RGB 19 30 124

HSL 233.71, 0.73%, 0.28%

LAB 18.02, 32.5, -53.74

 

CMYK 0 / 85 / 59 / 51

HEX #7C1333

RGB 124 19 51

HSL 341.71, 0.73%, 0.28%

LAB 26.71, 45.02, 9.36

 

CMYK 0 / 9 / 85 / 51

HEX #7C7113

RGB 124 113 19

HSL 53.71, 0.73%, 0.28%

LAB 47.16, -6.1, 48.65

 

CMYK 85 / 0 / 24 / 51

HEX #137C5E

RGB 19 124 94

HSL 162.86, 0.73%, 0.28%

LAB 46.13, -35.77, 8.49

 

CMYK 68 / 85 / 0 / 51

HEX #28137C

RGB 40 19 124

HSL 252, 0.73%, 0.28%

LAB 17.33, 40.46, -54.84

 

CMYK 0 / 85 / 59 / 51

HEX #7C1333

RGB 124 19 51

HSL 341.71, 0.73%, 0.28%

LAB 26.71, 45.02, 9.36

 

CMYK 17 / 0 / 85 / 51

HEX #677C13

RGB 103 124 19

HSL 72, 0.73%, 0.28%

LAB 48.69, -21.77, 49.29

 

Description

Color code: HEX #137C5E | qconv.com Color code: HEX #137C5E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 124 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 124 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 24 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 24% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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