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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #137840 it is the complementary color #EC87BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #137840. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #137840 shade: #18783B, #298A4E, #3A9C61, #4BAE74 and #5CC087

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #137840. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #137840 shade: #137840, #02662D, #00541A, #004207 and #003000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #137840 shade: #13773F, #137724, #1C7713, #377713 and #527713

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #137840 shade: #13773F, #13775A, #137776, #135E77 and #134277

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #137840 shade matches the following richer shades: #13773F and #07823E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #137840 shade: #13773F, #1E6C41, #296142, #345643 and #3F4B44

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #137840 shade: #1D7713, #137723, #13773E, #137759 and #137774

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #137840 shade: #073019, #0D532C, #13773F, #189B52 and #1EBE65

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #137840 shade: #137840, #133777 and #771613

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #137840 shade: #137840, #3E1377 and #773E13

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #137840 shade: #137840, #133777, #77134C and #775213

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #137840 shade: #137840, #131977, #77134C and #777013

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 0 / 47 / 53

HEX #137840

RGB 19 120 64

HSL 146.73, 0.73%, 0.27%

LAB 44.15, -40.96, 23.11

 

Complementary color

CMYK 0 / 43 / 19 / 7

HEX #EC87BF

RGB 236 135 191

HSL 326.73, 0.73%, 0.73%

LAB 68.7, 45.6, -12.31

 

CMYK 80 / 0 / 51 / 53

HEX #18783B

RGB 24 120 59

HSL 141.88, 0.67%, 0.28%

LAB 44.15, -41.23, 25.89

 

CMYK 70 / 0 / 43 / 46

HEX #298A4E

RGB 41 138 78

HSL 142.89, 0.54%, 0.35%

LAB 50.92, -42.02, 24.21

 

CMYK 63 / 0 / 38 / 39

HEX #3A9C61

RGB 58 156 97

HSL 143.88, 0.46%, 0.42%

LAB 57.6, -42.36, 22.67

 

CMYK 57 / 0 / 33 / 32

HEX #4BAE74

RGB 75 174 116

HSL 144.85, 0.4%, 0.49%

LAB 64.18, -42.44, 21.28

 

CMYK 52 / 0 / 30 / 25

HEX #5CC087

RGB 92 192 135

HSL 145.8, 0.44%, 0.56%

LAB 70.68, -42.37, 20.01

 

CMYK 84 / 0 / 47 / 53

HEX #137840

RGB 19 120 64

HSL 146.73, 0.73%, 0.27%

LAB 44.15, -40.96, 23.11

 

CMYK 98 / 0 / 56 / 60

HEX #02662D

RGB 2 102 45

HSL 145.8, 0.96%, 0.2%

LAB 37.31, -39.36, 24.99

 

CMYK 100 / 0 / 69 / 67

HEX #00541A

RGB 0 84 26

HSL 138.57, 1%, 0.16%

LAB 30.44, -36.11, 26.96

 

CMYK 100 / 0 / 89 / 74

HEX #004207

RGB 0 66 7

HSL 126.36, 1%, 0.13%

LAB 23.38, -32, 28.13

 

CMYK 100 / 0 / 100 / 81

HEX #003000

RGB 0 48 0

HSL 120, 1%, 0.09%

LAB 16.07, -26.65, 22.67

 

CMYK 84 / 0 / 47 / 53

HEX #13773F

RGB 19 119 63

HSL 146.4, 0.72%, 0.27%

LAB 43.79, -40.77, 23.2

 

CMYK 84 / 0 / 70 / 53

HEX #137724

RGB 19 119 36

HSL 130.2, 0.72%, 0.27%

LAB 43.45, -44.84, 36.63

 

CMYK 76 / 0 / 84 / 53

HEX #1C7713

RGB 28 119 19

HSL 114.6, 0.72%, 0.27%

LAB 43.49, -44.92, 43.25

 

CMYK 54 / 0 / 84 / 53

HEX #377713

RGB 55 119 19

HSL 98.4, 0.72%, 0.27%

LAB 44.31, -38.21, 44.31

 

CMYK 31 / 0 / 84 / 53

HEX #527713

RGB 82 119 19

HSL 82.2, 0.72%, 0.27%

LAB 45.68, -28.31, 46.07

 

CMYK 84 / 0 / 47 / 53

HEX #13773F

RGB 19 119 63

HSL 146.4, 0.72%, 0.27%

LAB 43.79, -40.77, 23.2

 

CMYK 84 / 0 / 24 / 53

HEX #13775A

RGB 19 119 90

HSL 162.6, 0.72%, 0.27%

LAB 44.33, -34.63, 8.32

 

CMYK 84 / 0 / 1 / 53

HEX #137776

RGB 19 119 118

HSL 179.4, 0.72%, 0.27%

LAB 45.14, -26.42, -7.19

 

CMYK 84 / 21 / 0 / 53

HEX #135E77

RGB 19 94 119

HSL 195, 0.72%, 0.27%

LAB 36.88, -12.53, -20.35

 

CMYK 84 / 45 / 0 / 53

HEX #134277

RGB 19 66 119

HSL 211.8, 0.72%, 0.27%

LAB 27.76, 5.34, -34.72

 

CMYK 84 / 0 / 47 / 53

HEX #13773F

RGB 19 119 63

HSL 146.4, 0.72%, 0.27%

LAB 43.79, -40.77, 23.2

 

CMYK 95 / 0 / 52 / 49

HEX #07823E

RGB 7 130 62

HSL 146.83, 0.9%, 0.27%

LAB 47.44, -46.07, 28.34

 

CMYK 84 / 0 / 47 / 53

HEX #13773F

RGB 19 119 63

HSL 146.4, 0.72%, 0.27%

LAB 43.79, -40.77, 23.2

 

CMYK 72 / 0 / 40 / 58

HEX #1E6C41

RGB 30 108 65

HSL 146.92, 0.57%, 0.27%

LAB 40.22, -34.22, 17.43

 

CMYK 58 / 0 / 32 / 62

HEX #296142

RGB 41 97 66

HSL 146.79, 0.41%, 0.27%

LAB 36.77, -26.48, 12.24

 

CMYK 40 / 0 / 22 / 66

HEX #345643

RGB 52 86 67

HSL 146.47, 0.25%, 0.27%

LAB 33.54, -17.19, 7.21

 

CMYK 16 / 0 / 9 / 71

HEX #3F4B44

RGB 63 75 68

HSL 145, 0.09%, 0.27%

LAB 30.66, -6.43, 2.56

 

CMYK 76 / 0 / 84 / 53

HEX #1D7713

RGB 29 119 19

HSL 114, 0.72%, 0.27%

LAB 43.51, -44.74, 43.28

 

CMYK 84 / 0 / 71 / 53

HEX #137723

RGB 19 119 35

HSL 129.6, 0.72%, 0.27%

LAB 43.44, -44.95, 37.07

 

CMYK 84 / 0 / 48 / 53

HEX #13773E

RGB 19 119 62

HSL 145.8, 0.72%, 0.27%

LAB 43.77, -40.96, 23.74

 

CMYK 84 / 0 / 25 / 53

HEX #137759

RGB 19 119 89

HSL 162, 0.72%, 0.27%

LAB 44.31, -34.89, 8.88

 

CMYK 84 / 0 / 3 / 53

HEX #137774

RGB 19 119 116

HSL 178.2, 0.72%, 0.27%

LAB 45.07, -27.06, -6.1

 

CMYK 85 / 0 / 48 / 81

HEX #073019

RGB 7 48 25

HSL 146.34, 0.75%, 0.11%

LAB 16.65, -20.53, 10.81

 

CMYK 84 / 0 / 47 / 67

HEX #0D532C

RGB 13 83 44

HSL 146.57, 0.73%, 0.19%

LAB 30.53, -30.89, 17.04

 

CMYK 84 / 0 / 47 / 53

HEX #13773F

RGB 19 119 63

HSL 146.4, 0.72%, 0.27%

LAB 43.79, -40.77, 23.2

 

CMYK 85 / 0 / 47 / 39

HEX #189B52

RGB 24 155 82

HSL 146.56, 0.73%, 0.35%

LAB 56.33, -50.13, 28.97

 

CMYK 84 / 0 / 47 / 25

HEX #1EBE65

RGB 30 190 101

HSL 146.63, 0.73%, 0.43%

LAB 68.05, -58.6, 34.08

 

CMYK 84 / 0 / 47 / 53

HEX #137840

RGB 19 120 64

HSL 146.73, 0.73%, 0.27%

LAB 44.15, -40.96, 23.11

 

CMYK 84 / 54 / 0 / 53

HEX #133777

RGB 19 55 119

HSL 218.4, 0.72%, 0.27%

LAB 24.33, 13.06, -40.23

 

CMYK 0 / 82 / 84 / 53

HEX #771613

RGB 119 22 19

HSL 1.8, 0.72%, 0.27%

LAB 25.39, 40.83, 28.52

 

CMYK 84 / 0 / 47 / 53

HEX #137840

RGB 19 120 64

HSL 146.73, 0.73%, 0.27%

LAB 44.15, -40.96, 23.11

 

CMYK 48 / 84 / 0 / 53

HEX #3E1377

RGB 62 19 119

HSL 265.8, 0.72%, 0.27%

LAB 19.32, 41.75, -48.27

 

CMYK 0 / 48 / 84 / 53

HEX #773E13

RGB 119 62 19

HSL 25.8, 0.72%, 0.27%

LAB 32.73, 21.57, 35.56

 

CMYK 84 / 0 / 47 / 53

HEX #137840

RGB 19 120 64

HSL 146.73, 0.73%, 0.27%

LAB 44.15, -40.96, 23.11

 

CMYK 84 / 54 / 0 / 53

HEX #133777

RGB 19 55 119

HSL 218.4, 0.72%, 0.27%

LAB 24.33, 13.06, -40.23

 

CMYK 0 / 84 / 36 / 53

HEX #77134C

RGB 119 19 76

HSL 325.8, 0.72%, 0.27%

LAB 26.48, 46.03, -8.03

 

CMYK 0 / 31 / 84 / 53

HEX #775213

RGB 119 82 19

HSL 37.8, 0.72%, 0.27%

LAB 37.85, 9.64, 40.24

 

CMYK 84 / 0 / 47 / 53

HEX #137840

RGB 19 120 64

HSL 146.73, 0.73%, 0.27%

LAB 44.15, -40.96, 23.11

 

CMYK 84 / 79 / 0 / 53

HEX #131977

RGB 19 25 119

HSL 236.4, 0.72%, 0.27%

LAB 16.33, 33.76, -53.33

 

CMYK 0 / 84 / 36 / 53

HEX #77134C

RGB 119 19 76

HSL 325.8, 0.72%, 0.27%

LAB 26.48, 46.03, -8.03

 

CMYK 0 / 6 / 84 / 53

HEX #777013

RGB 119 112 19

HSL 55.8, 0.72%, 0.27%

LAB 46.39, -7.91, 47.79

 

Description

Color code: HEX #137840 | qconv.com Color code: HEX #137840 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 120 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 120 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, none magenta, 47 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 0% 47% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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