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Color name
HEX #136D48

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #136D48 it is the complementary color #EC92B7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #136D48. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #136D48 shade: #186D43, #297F56, #3A9169, #4BA37C and #5CB58F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #136D48. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #136D48 shade: #136D48, #025B35, #004922, #00370F and #002500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #136D48 shade: #136C48, #136C30, #136C18, #276C13 and #3F6C13

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #136D48 shade: #136C48, #136C60, #13616C, #13496C and #13316C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #136D48 shade matches the following richer shades: #136C48 and #09774A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #136D48 shade: #136C48, #1D6246, #285844, #324D42 and #3C4340

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #136D48 shade: #136C18, #136C2F, #136C47, #136C5F and #13626C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #136D48 shade: #072619, #0D4930, #136C48, #198F5F and #20B376

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #136D48 shade: #136D48, #13266C and #6C2313

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #136D48 shade: #136D48, #47136C and #6C4713

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #136D48 shade: #136D48, #13266C, #6C1338 and #6C5913

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #136D48 shade: #136D48, #1B136C, #6C1338 and #656C13

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 0 / 34 / 57

HEX #136D48

RGB 19 109 72

HSL 155.33, 0.7%, 0.25%

LAB 40.48, -34.8, 13.63

 

Complementary color

CMYK 0 / 38 / 22 / 7

HEX #EC92B7

RGB 236 146 183

HSL 335.33, 0.7%, 0.75%

LAB 70.74, 38.75, -4.81

 

CMYK 78 / 0 / 39 / 57

HEX #186D43

RGB 24 109 67

HSL 150.35, 0.64%, 0.26%

LAB 40.47, -35.24, 16.58

 

CMYK 68 / 0 / 32 / 50

HEX #297F56

RGB 41 127 86

HSL 151.4, 0.51%, 0.33%

LAB 47.39, -35.77, 14.99

 

CMYK 60 / 0 / 28 / 43

HEX #3A9169

RGB 58 145 105

HSL 152.41, 0.43%, 0.4%

LAB 54.21, -35.94, 13.6

 

CMYK 54 / 0 / 24 / 36

HEX #4BA37C

RGB 75 163 124

HSL 153.41, 0.37%, 0.47%

LAB 60.91, -35.92, 12.36

 

CMYK 49 / 0 / 21 / 29

HEX #5CB58F

RGB 92 181 143

HSL 154.38, 0.38%, 0.54%

LAB 67.51, -35.8, 11.25

 

CMYK 83 / 0 / 34 / 57

HEX #136D48

RGB 19 109 72

HSL 155.33, 0.7%, 0.25%

LAB 40.48, -34.8, 13.63

 

CMYK 98 / 0 / 42 / 64

HEX #025B35

RGB 2 91 53

HSL 154.38, 0.96%, 0.18%

LAB 33.46, -33.54, 15.46

 

CMYK 100 / 0 / 53 / 71

HEX #004922

RGB 0 73 34

HSL 147.95, 1%, 0.14%

LAB 26.39, -30.7, 17.69

 

CMYK 100 / 0 / 73 / 78

HEX #00370F

RGB 0 55 15

HSL 136.36, 1%, 0.11%

LAB 19.08, -27.15, 19.9

 

CMYK 100 / 0 / 100 / 85

HEX #002500

RGB 0 37 0

HSL 120, 1%, 0.07%

LAB 11.44, -22.19, 16.56

 

CMYK 82 / 0 / 33 / 58

HEX #136C48

RGB 19 108 72

HSL 155.73, 0.7%, 0.25%

LAB 40.13, -34.38, 13.16

 

CMYK 82 / 0 / 56 / 58

HEX #136C30

RGB 19 108 48

HSL 139.55, 0.7%, 0.25%

LAB 39.71, -39.24, 26.35

 

CMYK 82 / 0 / 78 / 58

HEX #136C18

RGB 19 108 24

HSL 123.37, 0.7%, 0.25%

LAB 39.46, -42.25, 37.53

 

CMYK 64 / 0 / 82 / 58

HEX #276C13

RGB 39 108 19

HSL 106.52, 0.7%, 0.25%

LAB 39.92, -38.51, 39.99

 

CMYK 42 / 0 / 82 / 58

HEX #3F6C13

RGB 63 108 19

HSL 90.34, 0.7%, 0.25%

LAB 40.94, -30.7, 41.31

 

CMYK 82 / 0 / 33 / 58

HEX #136C48

RGB 19 108 72

HSL 155.73, 0.7%, 0.25%

LAB 40.13, -34.38, 13.16

 

CMYK 82 / 0 / 11 / 58

HEX #136C60

RGB 19 108 96

HSL 171.91, 0.7%, 0.25%

LAB 40.75, -27.86, -0.43

 

CMYK 82 / 10 / 0 / 58

HEX #13616C

RGB 19 97 108

HSL 187.42, 0.7%, 0.25%

LAB 37.43, -18.24, -12.74

 

CMYK 82 / 32 / 0 / 58

HEX #13496C

RGB 19 73 108

HSL 203.6, 0.7%, 0.25%

LAB 29.38, -3.88, -25.19

 

CMYK 82 / 55 / 0 / 58

HEX #13316C

RGB 19 49 108

HSL 219.78, 0.7%, 0.25%

LAB 21.64, 12.72, -37.54

 

CMYK 82 / 0 / 33 / 58

HEX #136C48

RGB 19 108 72

HSL 155.73, 0.7%, 0.25%

LAB 40.13, -34.38, 13.16

 

CMYK 92 / 0 / 38 / 53

HEX #09774A

RGB 9 119 74

HSL 155.45, 0.86%, 0.25%

LAB 43.87, -39.42, 17.03

 

CMYK 82 / 0 / 33 / 58

HEX #136C48

RGB 19 108 72

HSL 155.73, 0.7%, 0.25%

LAB 40.13, -34.38, 13.16

 

CMYK 70 / 0 / 29 / 62

HEX #1D6246

RGB 29 98 70

HSL 155.65, 0.54%, 0.25%

LAB 36.82, -28.79, 9.81

 

CMYK 55 / 0 / 23 / 65

HEX #285844

RGB 40 88 68

HSL 155, 0.38%, 0.25%

LAB 33.66, -21.76, 6.67

 

CMYK 35 / 0 / 14 / 70

HEX #324D42

RGB 50 77 66

HSL 155.56, 0.21%, 0.25%

LAB 30.35, -13.03, 3.28

 

CMYK 10 / 0 / 4 / 74

HEX #3C4340

RGB 60 67 64

HSL 154.29, 0.06%, 0.25%

LAB 27.7, -3.58, 0.83

 

CMYK 82 / 0 / 78 / 58

HEX #136C18

RGB 19 108 24

HSL 123.37, 0.7%, 0.25%

LAB 39.46, -42.25, 37.53

 

CMYK 82 / 0 / 56 / 58

HEX #136C2F

RGB 19 108 47

HSL 138.88, 0.7%, 0.25%

LAB 39.7, -39.4, 26.87

 

CMYK 82 / 0 / 34 / 58

HEX #136C47

RGB 19 108 71

HSL 155.06, 0.7%, 0.25%

LAB 40.11, -34.61, 13.72

 

CMYK 82 / 0 / 12 / 58

HEX #136C5F

RGB 19 108 95

HSL 171.24, 0.7%, 0.25%

LAB 40.72, -28.16, 0.13

 

CMYK 82 / 9 / 0 / 58

HEX #13626C

RGB 19 98 108

HSL 186.74, 0.7%, 0.25%

LAB 37.76, -18.79, -12.23

 

CMYK 82 / 0 / 34 / 85

HEX #072619

RGB 7 38 25

HSL 154.84, 0.69%, 0.09%

LAB 12.62, -15.42, 5.34

 

CMYK 82 / 0 / 34 / 71

HEX #0D4930

RGB 13 73 48

HSL 155, 0.7%, 0.17%

LAB 26.92, -25.54, 9.74

 

CMYK 82 / 0 / 33 / 58

HEX #136C48

RGB 19 108 72

HSL 155.73, 0.7%, 0.25%

LAB 40.13, -34.38, 13.16

 

CMYK 83 / 0 / 34 / 44

HEX #198F5F

RGB 25 143 95

HSL 155.59, 0.7%, 0.33%

LAB 52.6, -42.84, 16.92

 

CMYK 82 / 0 / 34 / 30

HEX #20B376

RGB 32 179 118

HSL 155.1, 0.7%, 0.41%

LAB 64.85, -51.16, 20.94

 

CMYK 83 / 0 / 34 / 57

HEX #136D48

RGB 19 109 72

HSL 155.33, 0.7%, 0.25%

LAB 40.48, -34.8, 13.63

 

CMYK 82 / 65 / 0 / 58

HEX #13266C

RGB 19 38 108

HSL 227.19, 0.7%, 0.25%

LAB 18.4, 20.71, -42.82

 

CMYK 0 / 68 / 82 / 58

HEX #6C2313

RGB 108 35 19

HSL 10.79, 0.7%, 0.25%

LAB 25.07, 31.6, 27.46

 

CMYK 83 / 0 / 34 / 57

HEX #136D48

RGB 19 109 72

HSL 155.33, 0.7%, 0.25%

LAB 40.48, -34.8, 13.63

 

CMYK 34 / 82 / 0 / 58

HEX #47136C

RGB 71 19 108

HSL 275.06, 0.7%, 0.25%

LAB 19.59, 40.44, -40.66

 

CMYK 0 / 34 / 82 / 58

HEX #6C4713

RGB 108 71 19

HSL 35.06, 0.7%, 0.25%

LAB 33.44, 10.98, 35.65

 

CMYK 83 / 0 / 34 / 57

HEX #136D48

RGB 19 109 72

HSL 155.33, 0.7%, 0.25%

LAB 40.48, -34.8, 13.63

 

CMYK 82 / 65 / 0 / 58

HEX #13266C

RGB 19 38 108

HSL 227.19, 0.7%, 0.25%

LAB 18.4, 20.71, -42.82

 

CMYK 0 / 82 / 48 / 58

HEX #6C1338

RGB 108 19 56

HSL 335.06, 0.7%, 0.25%

LAB 23.47, 40.75, 0.88

 

CMYK 0 / 18 / 82 / 58

HEX #6C5913

RGB 108 89 19

HSL 47.19, 0.7%, 0.25%

LAB 38.52, 0.07, 40.36

 

CMYK 83 / 0 / 34 / 57

HEX #136D48

RGB 19 109 72

HSL 155.33, 0.7%, 0.25%

LAB 40.48, -34.8, 13.63

 

CMYK 75 / 82 / 0 / 58

HEX #1B136C

RGB 27 19 108

HSL 245.39, 0.7%, 0.25%

LAB 14.3, 34.03, -49.55

 

CMYK 0 / 82 / 48 / 58

HEX #6C1338

RGB 108 19 56

HSL 335.06, 0.7%, 0.25%

LAB 23.47, 40.75, 0.88

 

CMYK 6 / 0 / 82 / 58

HEX #656C13

RGB 101 108 19

HSL 64.72, 0.7%, 0.25%

LAB 43.56, -14.22, 44.68

 

Description

Color code: HEX #136D48 | qconv.com Color code: HEX #136D48 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 109 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 109 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, none magenta, 34 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 0% 34% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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