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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #136D44 it is the complementary color #EC92BB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #136D44. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #136D44 shade: #186D3F, #297F52, #3A9165, #4BA378 and #5CB58B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #136D44. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #136D44 shade: #136D44, #025B31, #00491E, #00370B and #002500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #136D44 shade: #136C44, #136C2C, #136C14, #2B6C13 and #436C13

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #136D44 shade: #136C44, #136C5C, #13656C, #134D6C and #13356C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #136D44 shade matches the following richer shades: #136C44 and #097745

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #136D44 shade: #136C44, #1D6243, #285842, #324D41 and #3C4340

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #136D44 shade: #136C13, #136C2B, #136C43, #136C5B and #13666C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #136D44 shade: #072618, #0D492E, #136C44, #198F5A and #20B370

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #136D44 shade: #136D44, #132B6C and #6C1F13

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #136D44 shade: #136D44, #43136C and #6C4313

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #136D44 shade: #136D44, #132B6C, #6C133D and #6C5513

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #136D44 shade: #136D44, #16136C, #6C133D and #696C13

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 0 / 38 / 57

HEX #136D44

RGB 19 109 68

HSL 152.67, 0.7%, 0.25%

LAB 40.4, -35.73, 15.88

 

Complementary color

CMYK 0 / 38 / 21 / 7

HEX #EC92BB

RGB 236 146 187

HSL 332.67, 0.7%, 0.75%

LAB 70.86, 39.33, -6.86

 

CMYK 78 / 0 / 42 / 57

HEX #186D3F

RGB 24 109 63

HSL 147.53, 0.64%, 0.26%

LAB 40.39, -36.1, 18.81

 

CMYK 68 / 0 / 35 / 50

HEX #297F52

RGB 41 127 82

HSL 148.6, 0.51%, 0.33%

LAB 47.31, -36.65, 17.18

 

CMYK 60 / 0 / 30 / 43

HEX #3A9165

RGB 58 145 101

HSL 149.66, 0.43%, 0.4%

LAB 54.12, -36.82, 15.74

 

CMYK 54 / 0 / 26 / 36

HEX #4BA378

RGB 75 163 120

HSL 150.68, 0.37%, 0.47%

LAB 60.82, -36.8, 14.47

 

CMYK 49 / 0 / 23 / 29

HEX #5CB58B

RGB 92 181 139

HSL 151.69, 0.38%, 0.54%

LAB 67.42, -36.66, 13.31

 

CMYK 83 / 0 / 38 / 57

HEX #136D44

RGB 19 109 68

HSL 152.67, 0.7%, 0.25%

LAB 40.4, -35.73, 15.88

 

CMYK 98 / 0 / 46 / 64

HEX #025B31

RGB 2 91 49

HSL 151.69, 0.96%, 0.18%

LAB 33.39, -34.43, 17.75

 

CMYK 100 / 0 / 59 / 71

HEX #00491E

RGB 0 73 30

HSL 144.66, 1%, 0.14%

LAB 26.33, -31.47, 19.96

 

CMYK 100 / 0 / 80 / 78

HEX #00370B

RGB 0 55 11

HSL 132, 1%, 0.11%

LAB 19.04, -27.7, 21.77

 

CMYK 100 / 0 / 100 / 85

HEX #002500

RGB 0 37 0

HSL 120, 1%, 0.07%

LAB 11.44, -22.19, 16.56

 

CMYK 82 / 0 / 37 / 58

HEX #136C44

RGB 19 108 68

HSL 153.03, 0.7%, 0.25%

LAB 40.05, -35.31, 15.41

 

CMYK 82 / 0 / 59 / 58

HEX #136C2C

RGB 19 108 44

HSL 136.85, 0.7%, 0.25%

LAB 39.66, -39.87, 28.42

 

CMYK 82 / 0 / 81 / 58

HEX #136C14

RGB 19 108 20

HSL 120.67, 0.7%, 0.25%

LAB 39.44, -42.58, 39

 

CMYK 60 / 0 / 82 / 58

HEX #2B6C13

RGB 43 108 19

HSL 103.82, 0.7%, 0.25%

LAB 40.06, -37.41, 40.16

 

CMYK 38 / 0 / 82 / 58

HEX #436C13

RGB 67 108 19

HSL 87.64, 0.7%, 0.25%

LAB 41.16, -29.15, 41.6

 

CMYK 82 / 0 / 37 / 58

HEX #136C44

RGB 19 108 68

HSL 153.03, 0.7%, 0.25%

LAB 40.05, -35.31, 15.41

 

CMYK 82 / 0 / 15 / 58

HEX #136C5C

RGB 19 108 92

HSL 169.21, 0.7%, 0.25%

LAB 40.63, -29.05, 1.83

 

CMYK 82 / 6 / 0 / 58

HEX #13656C

RGB 19 101 108

HSL 184.72, 0.7%, 0.25%

LAB 38.77, -20.42, -10.7

 

CMYK 82 / 29 / 0 / 58

HEX #134D6C

RGB 19 77 108

HSL 200.9, 0.7%, 0.25%

LAB 30.71, -6.44, -23.11

 

CMYK 82 / 51 / 0 / 58

HEX #13356C

RGB 19 53 108

HSL 217.08, 0.7%, 0.25%

LAB 22.89, 9.83, -35.53

 

CMYK 82 / 0 / 37 / 58

HEX #136C44

RGB 19 108 68

HSL 153.03, 0.7%, 0.25%

LAB 40.05, -35.31, 15.41

 

CMYK 92 / 0 / 42 / 53

HEX #097745

RGB 9 119 69

HSL 152.73, 0.86%, 0.25%

LAB 43.77, -40.51, 19.78

 

CMYK 82 / 0 / 37 / 58

HEX #136C44

RGB 19 108 68

HSL 153.03, 0.7%, 0.25%

LAB 40.05, -35.31, 15.41

 

CMYK 70 / 0 / 32 / 62

HEX #1D6243

RGB 29 98 67

HSL 153.04, 0.54%, 0.25%

LAB 36.75, -29.52, 11.54

 

CMYK 55 / 0 / 25 / 65

HEX #285842

RGB 40 88 66

HSL 152.5, 0.38%, 0.25%

LAB 33.61, -22.25, 7.85

 

CMYK 35 / 0 / 16 / 70

HEX #324D41

RGB 50 77 65

HSL 153.33, 0.21%, 0.25%

LAB 30.32, -13.28, 3.88

 

CMYK 10 / 0 / 4 / 74

HEX #3C4340

RGB 60 67 64

HSL 154.29, 0.06%, 0.25%

LAB 27.7, -3.58, 0.83

 

CMYK 82 / 0 / 82 / 58

HEX #136C13

RGB 19 108 19

HSL 120, 0.7%, 0.25%

LAB 39.43, -42.65, 39.34

 

CMYK 82 / 0 / 60 / 58

HEX #136C2B

RGB 19 108 43

HSL 136.18, 0.7%, 0.25%

LAB 39.64, -40.02, 28.92

 

CMYK 82 / 0 / 38 / 58

HEX #136C43

RGB 19 108 67

HSL 152.36, 0.7%, 0.25%

LAB 40.03, -35.54, 15.97

 

CMYK 82 / 0 / 16 / 58

HEX #136C5B

RGB 19 108 91

HSL 168.54, 0.7%, 0.25%

LAB 40.6, -29.34, 2.39

 

CMYK 82 / 6 / 0 / 58

HEX #13666C

RGB 19 102 108

HSL 184.04, 0.7%, 0.25%

LAB 39.11, -20.95, -10.19

 

CMYK 82 / 0 / 37 / 85

HEX #072618

RGB 7 38 24

HSL 152.9, 0.69%, 0.09%

LAB 12.59, -15.7, 6.02

 

CMYK 82 / 0 / 37 / 71

HEX #0D492E

RGB 13 73 46

HSL 153, 0.7%, 0.17%

LAB 26.87, -26.05, 10.94

 

CMYK 82 / 0 / 37 / 58

HEX #136C44

RGB 19 108 68

HSL 153.03, 0.7%, 0.25%

LAB 40.05, -35.31, 15.41

 

CMYK 83 / 0 / 37 / 44

HEX #198F5A

RGB 25 143 90

HSL 153.05, 0.7%, 0.33%

LAB 52.5, -43.94, 19.59

 

CMYK 82 / 0 / 37 / 30

HEX #20B370

RGB 32 179 112

HSL 152.65, 0.7%, 0.41%

LAB 64.74, -52.4, 24.01

 

CMYK 83 / 0 / 38 / 57

HEX #136D44

RGB 19 109 68

HSL 152.67, 0.7%, 0.25%

LAB 40.4, -35.73, 15.88

 

CMYK 82 / 60 / 0 / 58

HEX #132B6C

RGB 19 43 108

HSL 223.82, 0.7%, 0.25%

LAB 19.84, 17.08, -40.47

 

CMYK 0 / 71 / 82 / 58

HEX #6C1F13

RGB 108 31 19

HSL 8.09, 0.7%, 0.25%

LAB 24.37, 33.48, 26.74

 

CMYK 83 / 0 / 38 / 57

HEX #136D44

RGB 19 109 68

HSL 152.67, 0.7%, 0.25%

LAB 40.4, -35.73, 15.88

 

CMYK 38 / 82 / 0 / 58

HEX #43136C

RGB 67 19 108

HSL 272.36, 0.7%, 0.25%

LAB 18.98, 39.7, -41.68

 

CMYK 0 / 38 / 82 / 58

HEX #6C4313

RGB 108 67 19

HSL 32.36, 0.7%, 0.25%

LAB 32.37, 13.42, 34.64

 

CMYK 83 / 0 / 38 / 57

HEX #136D44

RGB 19 109 68

HSL 152.67, 0.7%, 0.25%

LAB 40.4, -35.73, 15.88

 

CMYK 82 / 60 / 0 / 58

HEX #132B6C

RGB 19 43 108

HSL 223.82, 0.7%, 0.25%

LAB 19.84, 17.08, -40.47

 

CMYK 0 / 82 / 44 / 58

HEX #6C133D

RGB 108 19 61

HSL 331.69, 0.7%, 0.25%

LAB 23.64, 41.28, -2.32

 

CMYK 0 / 21 / 82 / 58

HEX #6C5513

RGB 108 85 19

HSL 44.49, 0.7%, 0.25%

LAB 37.36, 2.46, 39.3

 

CMYK 83 / 0 / 38 / 57

HEX #136D44

RGB 19 109 68

HSL 152.67, 0.7%, 0.25%

LAB 40.4, -35.73, 15.88

 

CMYK 80 / 82 / 0 / 58

HEX #16136C

RGB 22 19 108

HSL 242.02, 0.7%, 0.25%

LAB 13.94, 33.59, -50.16

 

CMYK 0 / 82 / 44 / 58

HEX #6C133D

RGB 108 19 61

HSL 331.69, 0.7%, 0.25%

LAB 23.64, 41.28, -2.32

 

CMYK 3 / 0 / 82 / 58

HEX #696C13

RGB 105 108 19

HSL 62.02, 0.7%, 0.25%

LAB 43.91, -12.33, 45.12

 

Description

Color code: HEX #136D44 | qconv.com Color code: HEX #136D44 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 109 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 109 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, none magenta, 38 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 0% 38% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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