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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #136C38 it is the complementary color #EC93C7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #136C38. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #136C38 shade: #186C33, #297E46, #3A9059, #4BA26C and #5CB47F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #136C38. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #136C38 shade: #136C38, #025A25, #004812, #003600 and #002400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #136C38 shade: #136C38, #136C20, #1E6C13, #366C13 and #4E6C13

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #136C38 shade: #136C38, #136C50, #136C68, #13586C and #13406C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #136C38 shade matches the following richer shades: #136C38 and #097736

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #136C38 shade: #136C38, #1D623A, #28583C, #324D3D and #3C433F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #136C38 shade: #1F6C13, #136C1F, #136C37, #136C4F and #136C66

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #136C38 shade: #072614, #0D4926, #136C38, #198F4A and #20B35D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #136C38 shade: #136C38, #13376C and #6C1313

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #136C38 shade: #136C38, #37136C and #6C3713

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #136C38 shade: #136C38, #13376C, #6C1349 and #6C4913

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #136C38 shade: #136C38, #131C6C, #6C1349 and #6C6313

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 0 / 48 / 58

HEX #136C38

RGB 19 108 56

HSL 144.94, 0.7%, 0.25%

LAB 39.83, -37.82, 22.06

 

Complementary color

CMYK 0 / 38 / 16 / 7

HEX #EC93C7

RGB 236 147 199

HSL 324.94, 0.7%, 0.75%

LAB 71.44, 40.62, -12.65

 

CMYK 78 / 0 / 53 / 58

HEX #186C33

RGB 24 108 51

HSL 139.29, 0.64%, 0.26%

LAB 39.85, -37.97, 24.9

 

CMYK 67 / 0 / 44 / 51

HEX #297E46

RGB 41 126 70

HSL 140.47, 0.51%, 0.33%

LAB 46.76, -38.62, 23.23

 

CMYK 60 / 0 / 38 / 44

HEX #3A9059

RGB 58 144 89

HSL 141.63, 0.43%, 0.4%

LAB 53.56, -38.83, 21.71

 

CMYK 54 / 0 / 33 / 36

HEX #4BA26C

RGB 75 162 108

HSL 142.76, 0.37%, 0.46%

LAB 60.27, -38.81, 20.33

 

CMYK 49 / 0 / 29 / 29

HEX #5CB47F

RGB 92 180 127

HSL 143.86, 0.37%, 0.53%

LAB 66.86, -38.67, 19.07

 

CMYK 82 / 0 / 48 / 58

HEX #136C38

RGB 19 108 56

HSL 144.94, 0.7%, 0.25%

LAB 39.83, -37.82, 22.06

 

CMYK 98 / 0 / 59 / 65

HEX #025A25

RGB 2 90 37

HSL 143.86, 0.96%, 0.18%

LAB 32.83, -36.33, 23.93

 

CMYK 100 / 0 / 75 / 72

HEX #004812

RGB 0 72 18

HSL 135, 1%, 0.14%

LAB 25.8, -32.94, 25.81

 

CMYK 100 / 0 / 100 / 79

HEX #003600

RGB 0 54 0

HSL 120, 1%, 0.11%

LAB 18.53, -28.69, 25.66

 

CMYK 100 / 0 / 100 / 86

HEX #002400

RGB 0 36 0

HSL 120, 1%, 0.07%

LAB 11.01, -21.59, 15.97

 

CMYK 82 / 0 / 48 / 58

HEX #136C38

RGB 19 108 56

HSL 144.94, 0.7%, 0.25%

LAB 39.83, -37.82, 22.06

 

CMYK 82 / 0 / 70 / 58

HEX #136C20

RGB 19 108 32

HSL 128.76, 0.7%, 0.25%

LAB 39.53, -41.45, 34.19

 

CMYK 72 / 0 / 82 / 58

HEX #1E6C13

RGB 30 108 19

HSL 112.58, 0.7%, 0.25%

LAB 39.66, -40.66, 39.65

 

CMYK 50 / 0 / 82 / 58

HEX #366C13

RGB 54 108 19

HSL 96.4, 0.7%, 0.25%

LAB 40.5, -33.95, 40.74

 

CMYK 28 / 0 / 82 / 58

HEX #4E6C13

RGB 78 108 19

HSL 80.22, 0.7%, 0.25%

LAB 41.83, -24.62, 42.46

 

CMYK 82 / 0 / 48 / 58

HEX #136C38

RGB 19 108 56

HSL 144.94, 0.7%, 0.25%

LAB 39.83, -37.82, 22.06

 

CMYK 82 / 0 / 26 / 58

HEX #136C50

RGB 19 108 80

HSL 161.12, 0.7%, 0.25%

LAB 40.32, -32.37, 8.63

 

CMYK 82 / 0 / 4 / 58

HEX #136C68

RGB 19 108 104

HSL 177.3, 0.7%, 0.25%

LAB 41, -25.38, -4.93

 

CMYK 82 / 19 / 0 / 58

HEX #13586C

RGB 19 88 108

HSL 193.48, 0.7%, 0.25%

LAB 34.4, -13.13, -17.38

 

CMYK 82 / 41 / 0 / 58

HEX #13406C

RGB 19 64 108

HSL 209.66, 0.7%, 0.25%

LAB 26.41, 2.11, -29.89

 

CMYK 82 / 0 / 48 / 58

HEX #136C38

RGB 19 108 56

HSL 144.94, 0.7%, 0.25%

LAB 39.83, -37.82, 22.06

 

CMYK 92 / 0 / 55 / 53

HEX #097736

RGB 9 119 54

HSL 144.55, 0.86%, 0.25%

LAB 43.53, -43.35, 27.78

 

CMYK 82 / 0 / 48 / 58

HEX #136C38

RGB 19 108 56

HSL 144.94, 0.7%, 0.25%

LAB 39.83, -37.82, 22.06

 

CMYK 70 / 0 / 41 / 62

HEX #1D623A

RGB 29 98 58

HSL 145.22, 0.54%, 0.25%

LAB 36.56, -31.55, 16.68

 

CMYK 55 / 0 / 32 / 65

HEX #28583C

RGB 40 88 60

HSL 145, 0.38%, 0.25%

LAB 33.47, -23.66, 11.37

 

CMYK 35 / 0 / 21 / 70

HEX #324D3D

RGB 50 77 61

HSL 144.44, 0.21%, 0.25%

LAB 30.21, -14.23, 6.28

 

CMYK 10 / 0 / 6 / 74

HEX #3C433F

RGB 60 67 63

HSL 145.71, 0.06%, 0.25%

LAB 27.67, -3.81, 1.44

 

CMYK 71 / 0 / 82 / 58

HEX #1F6C13

RGB 31 108 19

HSL 111.91, 0.7%, 0.25%

LAB 39.69, -40.45, 39.68

 

CMYK 82 / 0 / 71 / 58

HEX #136C1F

RGB 19 108 31

HSL 128.09, 0.7%, 0.25%

LAB 39.52, -41.57, 34.63

 

CMYK 82 / 0 / 49 / 58

HEX #136C37

RGB 19 108 55

HSL 144.27, 0.7%, 0.25%

LAB 39.81, -38.01, 22.61

 

CMYK 82 / 0 / 27 / 58

HEX #136C4F

RGB 19 108 79

HSL 160.45, 0.7%, 0.25%

LAB 40.29, -32.63, 9.19

 

CMYK 82 / 0 / 6 / 58

HEX #136C66

RGB 19 108 102

HSL 175.96, 0.7%, 0.25%

LAB 40.93, -26.01, -3.81

 

CMYK 82 / 0 / 47 / 85

HEX #072614

RGB 7 38 20

HSL 145.16, 0.69%, 0.09%

LAB 12.49, -16.76, 8.67

 

CMYK 82 / 0 / 48 / 71

HEX #0D4926

RGB 13 73 38

HSL 145, 0.7%, 0.17%

LAB 26.71, -27.88, 15.72

 

CMYK 82 / 0 / 48 / 58

HEX #136C38

RGB 19 108 56

HSL 144.94, 0.7%, 0.25%

LAB 39.83, -37.82, 22.06

 

CMYK 83 / 0 / 48 / 44

HEX #198F4A

RGB 25 143 74

HSL 144.92, 0.7%, 0.33%

LAB 52.23, -47.07, 28

 

CMYK 82 / 0 / 48 / 30

HEX #20B35D

RGB 32 179 93

HSL 144.9, 0.7%, 0.41%

LAB 64.43, -55.93, 33.57

 

CMYK 82 / 0 / 48 / 58

HEX #136C38

RGB 19 108 56

HSL 144.94, 0.7%, 0.25%

LAB 39.83, -37.82, 22.06

 

CMYK 82 / 49 / 0 / 58

HEX #13376C

RGB 19 55 108

HSL 215.73, 0.7%, 0.25%

LAB 23.52, 8.4, -34.52

 

CMYK 0 / 82 / 82 / 58

HEX #6C1313

RGB 108 19 19

HSL 0, 0.7%, 0.25%

LAB 22.66, 38.21, 24.96

 

CMYK 82 / 0 / 48 / 58

HEX #136C38

RGB 19 108 56

HSL 144.94, 0.7%, 0.25%

LAB 39.83, -37.82, 22.06

 

CMYK 49 / 82 / 0 / 58

HEX #37136C

RGB 55 19 108

HSL 264.27, 0.7%, 0.25%

LAB 17.28, 37.65, -44.54

 

CMYK 0 / 49 / 82 / 58

HEX #6C3713

RGB 108 55 19

HSL 24.27, 0.7%, 0.25%

LAB 29.33, 20.66, 31.71

 

CMYK 82 / 0 / 48 / 58

HEX #136C38

RGB 19 108 56

HSL 144.94, 0.7%, 0.25%

LAB 39.83, -37.82, 22.06

 

CMYK 82 / 49 / 0 / 58

HEX #13376C

RGB 19 55 108

HSL 215.73, 0.7%, 0.25%

LAB 23.52, 8.4, -34.52

 

CMYK 0 / 82 / 32 / 58

HEX #6C1349

RGB 108 19 73

HSL 323.6, 0.7%, 0.25%

LAB 24.11, 42.7, -9.8

 

CMYK 0 / 32 / 82 / 58

HEX #6C4913

RGB 108 73 19

HSL 36.4, 0.7%, 0.25%

LAB 33.98, 9.76, 36.17

 

CMYK 82 / 0 / 48 / 58

HEX #136C38

RGB 19 108 56

HSL 144.94, 0.7%, 0.25%

LAB 39.83, -37.82, 22.06

 

CMYK 82 / 74 / 0 / 58

HEX #131C6C

RGB 19 28 108

HSL 233.93, 0.7%, 0.25%

LAB 15.76, 27.71, -47.16

 

CMYK 0 / 82 / 32 / 58

HEX #6C1349

RGB 108 19 73

HSL 323.6, 0.7%, 0.25%

LAB 24.11, 42.7, -9.8

 

CMYK 0 / 8 / 82 / 58

HEX #6C6313

RGB 108 99 19

HSL 53.93, 0.7%, 0.25%

LAB 41.47, -5.8, 43.04

 

Description

Color code: HEX #136C38 | qconv.com Color code: HEX #136C38 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 108 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 108 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, none magenta, 48 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 0% 48% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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