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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #136B5E it is the complementary color #EC94A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #136B5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #136B5E shade: #186B59, #297D6C, #3A8F7F, #4BA192 and #5CB3A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #136B5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #136B5E shade: #136B5E, #02594B, #004738, #003525 and #002312

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #136B5E shade: #136C5F, #136C47, #136C2F, #136C16 and #276C13

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #136B5E shade: #136C5F, #13616C, #13496C, #13316C and #13196C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #136B5E shade matches the following richer shades: #136C5F and #087666

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #136B5E shade: #136C5F, #1D6257, #275750, #324D49 and #3C4342

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #136B5E shade: #136C2F, #136C47, #136C5E, #13616C and #134A6C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #136B5E shade: #062621, #0C4940, #136C5F, #198F7E and #1FB29C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #136B5E shade: #136B5E, #17136C and #6C3B13

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #136B5E shade: #136B5E, #5E136C and #6C5E13

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #136B5E shade: #136B5E, #17136C, #6C1320 and #676C13

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #136B5E shade: #136B5E, #32136C, #6C1320 and #4D6C13

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 0 / 12 / 58

HEX #136B5E

RGB 19 107 94

HSL 171.14, 0.7%, 0.25%

LAB 40.35, -27.98, 0.2

 

Complementary color

CMYK 0 / 37 / 32 / 7

HEX #EC94A1

RGB 236 148 161

HSL 351.14, 0.7%, 0.75%

LAB 70.58, 34.72, 7.22

 

CMYK 78 / 0 / 17 / 58

HEX #186B59

RGB 24 107 89

HSL 166.99, 0.63%, 0.26%

LAB 40.3, -28.8, 3.17

 

CMYK 67 / 0 / 14 / 51

HEX #297D6C

RGB 41 125 108

HSL 167.86, 0.51%, 0.33%

LAB 47.26, -29.36, 1.93

 

CMYK 59 / 0 / 11 / 44

HEX #3A8F7F

RGB 58 143 127

HSL 168.71, 0.42%, 0.39%

LAB 54.11, -29.62, 0.86

 

CMYK 53 / 0 / 9 / 37

HEX #4BA192

RGB 75 161 146

HSL 169.53, 0.36%, 0.46%

LAB 60.84, -29.71, -0.09

 

CMYK 49 / 0 / 8 / 30

HEX #5CB3A5

RGB 92 179 165

HSL 170.34, 0.36%, 0.53%

LAB 67.45, -29.7, -0.95

 

CMYK 82 / 0 / 12 / 58

HEX #136B5E

RGB 19 107 94

HSL 171.14, 0.7%, 0.25%

LAB 40.35, -27.98, 0.2

 

CMYK 98 / 0 / 16 / 65

HEX #02594B

RGB 2 89 75

HSL 170.34, 0.96%, 0.18%

LAB 33.28, -26.72, 1.61

 

CMYK 100 / 0 / 21 / 72

HEX #004738

RGB 0 71 56

HSL 167.32, 1%, 0.14%

LAB 26.13, -24.18, 3.45

 

CMYK 100 / 0 / 30 / 79

HEX #003525

RGB 0 53 37

HSL 161.89, 1%, 0.1%

LAB 18.71, -21.29, 5.52

 

CMYK 100 / 0 / 49 / 86

HEX #002312

RGB 0 35 18

HSL 150.86, 1%, 0.07%

LAB 10.89, -17.85, 7.69

 

CMYK 82 / 0 / 12 / 58

HEX #136C5F

RGB 19 108 95

HSL 171.24, 0.7%, 0.25%

LAB 40.72, -28.16, 0.13

 

CMYK 82 / 0 / 34 / 58

HEX #136C47

RGB 19 108 71

HSL 155.06, 0.7%, 0.25%

LAB 40.11, -34.61, 13.72

 

CMYK 82 / 0 / 56 / 58

HEX #136C2F

RGB 19 108 47

HSL 138.88, 0.7%, 0.25%

LAB 39.7, -39.4, 26.87

 

CMYK 82 / 0 / 80 / 58

HEX #136C16

RGB 19 108 22

HSL 122.02, 0.7%, 0.25%

LAB 39.45, -42.42, 38.28

 

CMYK 64 / 0 / 82 / 58

HEX #276C13

RGB 39 108 19

HSL 106.52, 0.7%, 0.25%

LAB 39.92, -38.51, 39.99

 

CMYK 82 / 0 / 12 / 58

HEX #136C5F

RGB 19 108 95

HSL 171.24, 0.7%, 0.25%

LAB 40.72, -28.16, 0.13

 

CMYK 82 / 10 / 0 / 58

HEX #13616C

RGB 19 97 108

HSL 187.42, 0.7%, 0.25%

LAB 37.43, -18.24, -12.74

 

CMYK 82 / 32 / 0 / 58

HEX #13496C

RGB 19 73 108

HSL 203.6, 0.7%, 0.25%

LAB 29.38, -3.88, -25.19

 

CMYK 82 / 55 / 0 / 58

HEX #13316C

RGB 19 49 108

HSL 219.78, 0.7%, 0.25%

LAB 21.64, 12.72, -37.54

 

CMYK 82 / 77 / 0 / 58

HEX #13196C

RGB 19 25 108

HSL 235.96, 0.7%, 0.25%

LAB 15.04, 29.69, -48.33

 

CMYK 82 / 0 / 12 / 58

HEX #136C5F

RGB 19 108 95

HSL 171.24, 0.7%, 0.25%

LAB 40.72, -28.16, 0.13

 

CMYK 93 / 0 / 14 / 54

HEX #087666

RGB 8 118 102

HSL 171.27, 0.87%, 0.25%

LAB 44.19, -31.72, 0.95

 

CMYK 82 / 0 / 12 / 58

HEX #136C5F

RGB 19 108 95

HSL 171.24, 0.7%, 0.25%

LAB 40.72, -28.16, 0.13

 

CMYK 70 / 0 / 11 / 62

HEX #1D6257

RGB 29 98 87

HSL 170.43, 0.54%, 0.25%

LAB 37.27, -24.16, 0.02

 

CMYK 55 / 0 / 8 / 66

HEX #275750

RGB 39 87 80

HSL 171.25, 0.38%, 0.25%

LAB 33.62, -18.25, -0.92

 

CMYK 35 / 0 / 5 / 70

HEX #324D49

RGB 50 77 73

HSL 171.11, 0.21%, 0.25%

LAB 30.56, -11.22, -0.89

 

CMYK 10 / 0 / 1 / 74

HEX #3C4342

RGB 60 67 66

HSL 171.43, 0.06%, 0.25%

LAB 27.76, -3.11, -0.38

 

CMYK 82 / 0 / 56 / 58

HEX #136C2F

RGB 19 108 47

HSL 138.88, 0.7%, 0.25%

LAB 39.7, -39.4, 26.87

 

CMYK 82 / 0 / 34 / 58

HEX #136C47

RGB 19 108 71

HSL 155.06, 0.7%, 0.25%

LAB 40.11, -34.61, 13.72

 

CMYK 82 / 0 / 13 / 58

HEX #136C5E

RGB 19 108 94

HSL 170.56, 0.7%, 0.25%

LAB 40.69, -28.46, 0.7

 

CMYK 82 / 10 / 0 / 58

HEX #13616C

RGB 19 97 108

HSL 187.42, 0.7%, 0.25%

LAB 37.43, -18.24, -12.74

 

CMYK 82 / 31 / 0 / 58

HEX #134A6C

RGB 19 74 108

HSL 202.92, 0.7%, 0.25%

LAB 29.71, -4.52, -24.67

 

CMYK 84 / 0 / 13 / 85

HEX #062621

RGB 6 38 33

HSL 170.63, 0.73%, 0.09%

LAB 12.83, -13.16, -0.09

 

CMYK 84 / 0 / 12 / 71

HEX #0C4940

RGB 12 73 64

HSL 171.15, 0.72%, 0.17%

LAB 27.33, -21.08, 0.01

 

CMYK 82 / 0 / 12 / 58

HEX #136C5F

RGB 19 108 95

HSL 171.24, 0.7%, 0.25%

LAB 40.72, -28.16, 0.13

 

CMYK 83 / 0 / 12 / 44

HEX #198F7E

RGB 25 143 126

HSL 171.36, 0.7%, 0.33%

LAB 53.34, -34.88, 0.23

 

CMYK 83 / 0 / 12 / 30

HEX #1FB29C

RGB 31 178 156

HSL 171.02, 0.7%, 0.41%

LAB 65.38, -41.55, 0.83

 

CMYK 82 / 0 / 12 / 58

HEX #136B5E

RGB 19 107 94

HSL 171.14, 0.7%, 0.25%

LAB 40.35, -27.98, 0.2

 

CMYK 79 / 82 / 0 / 58

HEX #17136C

RGB 23 19 108

HSL 242.7, 0.7%, 0.25%

LAB 14, 33.67, -50.04

 

CMYK 0 / 45 / 82 / 58

HEX #6C3B13

RGB 108 59 19

HSL 26.97, 0.7%, 0.25%

LAB 30.31, 18.28, 32.66

 

CMYK 82 / 0 / 12 / 58

HEX #136B5E

RGB 19 107 94

HSL 171.14, 0.7%, 0.25%

LAB 40.35, -27.98, 0.2

 

CMYK 13 / 82 / 0 / 58

HEX #5E136C

RGB 94 19 108

HSL 290.56, 0.7%, 0.25%

LAB 23.43, 45.02, -34.26

 

CMYK 0 / 13 / 82 / 58

HEX #6C5E13

RGB 108 94 19

HSL 50.56, 0.7%, 0.25%

LAB 39.98, -2.89, 41.7

 

CMYK 82 / 0 / 12 / 58

HEX #136B5E

RGB 19 107 94

HSL 171.14, 0.7%, 0.25%

LAB 40.35, -27.98, 0.2

 

CMYK 79 / 82 / 0 / 58

HEX #17136C

RGB 23 19 108

HSL 242.7, 0.7%, 0.25%

LAB 14, 33.67, -50.04

 

CMYK 0 / 82 / 70 / 58

HEX #6C1320

RGB 108 19 32

HSL 351.24, 0.7%, 0.25%

LAB 22.86, 38.84, 16.62

 

CMYK 5 / 0 / 82 / 58

HEX #676C13

RGB 103 108 19

HSL 63.37, 0.7%, 0.25%

LAB 43.74, -13.27, 44.9

 

CMYK 82 / 0 / 12 / 58

HEX #136B5E

RGB 19 107 94

HSL 171.14, 0.7%, 0.25%

LAB 40.35, -27.98, 0.2

 

CMYK 54 / 82 / 0 / 58

HEX #32136C

RGB 50 19 108

HSL 260.9, 0.7%, 0.25%

LAB 16.63, 36.87, -45.62

 

CMYK 0 / 82 / 70 / 58

HEX #6C1320

RGB 108 19 32

HSL 351.24, 0.7%, 0.25%

LAB 22.86, 38.84, 16.62

 

CMYK 29 / 0 / 82 / 58

HEX #4D6C13

RGB 77 108 19

HSL 80.9, 0.7%, 0.25%

LAB 41.77, -25.04, 42.38

 

Description

Color code: HEX #136B5E | qconv.com Color code: HEX #136B5E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 107 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 107 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, none magenta, 12 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 0% 12% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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