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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #13651F it is the complementary color #EC9AE0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #13651F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #13651F shade: #18651A, #29772D, #3A8940, #4B9B53 and #5CAD66

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #13651F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #13651F shade: #13651F, #02530C, #004100, #002F00 and #001D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #13651F shade: #146720, #1E6714, #346714, #4B6714 and #616714

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #13651F shade: #146720, #146736, #14674D, #146763 and #145467

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #13651F shade matches the following richer shades: #146720 and #0A7119

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #13651F shade: #146720, #1D5D27, #27532E, #314935 and #3B3F3C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #13651F shade: #356714, #1F6714, #14671F, #146735 and #14674B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #13651F shade: #06220A, #0D4415, #146720, #1A892A and #21AC35

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #13651F shade: #13651F, #144B67 and #67142A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #13651F shade: #13651F, #1F1467 and #671F14

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #13651F shade: #13651F, #144B67, #67145C and #672F14

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #13651F shade: #13651F, #143267, #67145C and #674814

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 0 / 69 / 60

HEX #13651F

RGB 19 101 31

HSL 128.78, 0.68%, 0.24%

LAB 37.01, -39.06, 31.91

 

Complementary color

CMYK 0 / 35 / 5 / 7

HEX #EC9AE0

RGB 236 154 224

HSL 308.78, 0.68%, 0.76%

LAB 73.76, 41.09, -22.91

 

CMYK 76 / 0 / 74 / 60

HEX #18651A

RGB 24 101 26

HSL 121.56, 0.62%, 0.25%

LAB 37.07, -38.74, 34.27

 

CMYK 66 / 0 / 62 / 53

HEX #29772D

RGB 41 119 45

HSL 123.08, 0.49%, 0.31%

LAB 44.02, -39.74, 33.15

 

CMYK 58 / 0 / 53 / 46

HEX #3A8940

RGB 58 137 64

HSL 124.56, 0.41%, 0.38%

LAB 50.88, -40.13, 31.76

 

CMYK 52 / 0 / 46 / 39

HEX #4B9B53

RGB 75 155 83

HSL 126, 0.35%, 0.45%

LAB 57.62, -40.19, 30.34

 

CMYK 47 / 0 / 41 / 32

HEX #5CAD66

RGB 92 173 102

HSL 127.41, 0.33%, 0.52%

LAB 64.26, -40.09, 28.99

 

CMYK 81 / 0 / 69 / 60

HEX #13651F

RGB 19 101 31

HSL 128.78, 0.68%, 0.24%

LAB 37.01, -39.06, 31.91

 

CMYK 98 / 0 / 86 / 67

HEX #02530C

RGB 2 83 12

HSL 127.41, 0.95%, 0.17%

LAB 29.98, -36.98, 32.62

 

CMYK 100 / 0 / 100 / 75

HEX #004100

RGB 0 65 0

HSL 120, 1%, 0.13%

LAB 22.93, -32.35, 30.53

 

CMYK 100 / 0 / 100 / 82

HEX #002F00

RGB 0 47 0

HSL 120, 1%, 0.09%

LAB 15.66, -26.3, 22.15

 

CMYK 100 / 0 / 100 / 89

HEX #001D00

RGB 0 29 0

HSL 120, 1%, 0.06%

LAB 7.94, -16.22, 11.59

 

CMYK 81 / 0 / 69 / 60

HEX #146720

RGB 20 103 32

HSL 128.67, 0.67%, 0.24%

LAB 37.76, -39.51, 32.26

 

CMYK 71 / 0 / 81 / 60

HEX #1E6714

RGB 30 103 20

HSL 112.77, 0.67%, 0.24%

LAB 37.89, -38.75, 37.58

 

CMYK 50 / 0 / 81 / 60

HEX #346714

RGB 52 103 20

HSL 96.87, 0.67%, 0.24%

LAB 38.69, -32.4, 38.63

 

CMYK 27 / 0 / 81 / 60

HEX #4B6714

RGB 75 103 20

HSL 80.24, 0.67%, 0.24%

LAB 39.99, -23.35, 40.33

 

CMYK 6 / 0 / 81 / 60

HEX #616714

RGB 97 103 20

HSL 64.34, 0.67%, 0.24%

LAB 41.68, -13.31, 42.5

 

CMYK 81 / 0 / 69 / 60

HEX #146720

RGB 20 103 32

HSL 128.67, 0.67%, 0.24%

LAB 37.76, -39.51, 32.26

 

CMYK 81 / 0 / 48 / 60

HEX #146736

RGB 20 103 54

HSL 144.58, 0.67%, 0.24%

LAB 38.05, -36.07, 20.92

 

CMYK 81 / 0 / 25 / 60

HEX #14674D

RGB 20 103 77

HSL 161.2, 0.67%, 0.24%

LAB 38.52, -30.78, 7.92

 

CMYK 81 / 0 / 4 / 60

HEX #146763

RGB 20 103 99

HSL 177.11, 0.67%, 0.24%

LAB 39.16, -24.33, -4.61

 

CMYK 81 / 18 / 0 / 60

HEX #145467

RGB 20 84 103

HSL 193.73, 0.67%, 0.24%

LAB 32.85, -12.51, -16.63

 

CMYK 81 / 0 / 69 / 60

HEX #146720

RGB 20 103 32

HSL 128.67, 0.67%, 0.24%

LAB 37.76, -39.51, 32.26

 

CMYK 91 / 0 / 78 / 56

HEX #0A7119

RGB 10 113 25

HSL 128.74, 0.84%, 0.24%

LAB 41.13, -44.91, 38.78

 

CMYK 81 / 0 / 69 / 60

HEX #146720

RGB 20 103 32

HSL 128.67, 0.67%, 0.24%

LAB 37.76, -39.51, 32.26

 

CMYK 69 / 0 / 58 / 64

HEX #1D5D27

RGB 29 93 39

HSL 129.38, 0.52%, 0.24%

LAB 34.47, -32.89, 24.93

 

CMYK 53 / 0 / 45 / 67

HEX #27532E

RGB 39 83 46

HSL 129.55, 0.36%, 0.24%

LAB 31.38, -24.39, 17.11

 

CMYK 33 / 0 / 27 / 71

HEX #314935

RGB 49 73 53

HSL 130, 0.2%, 0.24%

LAB 28.58, -14.1, 9.08

 

CMYK 6 / 0 / 5 / 75

HEX #3B3F3C

RGB 59 63 60

HSL 135, 0.03%, 0.24%

LAB 26.19, -2.36, 1.26

 

CMYK 49 / 0 / 81 / 60

HEX #356714

RGB 53 103 20

HSL 96.14, 0.67%, 0.24%

LAB 38.74, -32.06, 38.69

 

CMYK 70 / 0 / 81 / 60

HEX #1F6714

RGB 31 103 20

HSL 112.05, 0.67%, 0.24%

LAB 37.92, -38.53, 37.61

 

CMYK 81 / 0 / 70 / 60

HEX #14671F

RGB 20 103 31

HSL 127.95, 0.67%, 0.24%

LAB 37.75, -39.63, 32.72

 

CMYK 81 / 0 / 49 / 60

HEX #146735

RGB 20 103 53

HSL 143.86, 0.67%, 0.24%

LAB 38.03, -36.26, 21.47

 

CMYK 81 / 0 / 27 / 60

HEX #14674B

RGB 20 103 75

HSL 159.76, 0.67%, 0.24%

LAB 38.48, -31.3, 9.06

 

CMYK 82 / 0 / 71 / 87

HEX #06220A

RGB 6 34 10

HSL 128.57, 0.7%, 0.08%

LAB 10.59, -16.9, 11.36

 

CMYK 81 / 0 / 69 / 73

HEX #0D4415

RGB 13 68 21

HSL 128.73, 0.68%, 0.16%

LAB 24.56, -28.77, 22.96

 

CMYK 81 / 0 / 69 / 60

HEX #146720

RGB 20 103 32

HSL 128.67, 0.67%, 0.24%

LAB 37.76, -39.51, 32.26

 

CMYK 81 / 0 / 69 / 46

HEX #1A892A

RGB 26 137 42

HSL 128.65, 0.68%, 0.32%

LAB 49.83, -49.38, 40.93

 

CMYK 81 / 0 / 69 / 33

HEX #21AC35

RGB 33 172 53

HSL 128.63, 0.68%, 0.4%

LAB 61.73, -58.83, 49.11

 

CMYK 81 / 0 / 69 / 60

HEX #13651F

RGB 19 101 31

HSL 128.78, 0.68%, 0.24%

LAB 37.01, -39.06, 31.91

 

CMYK 81 / 27 / 0 / 60

HEX #144B67

RGB 20 75 103

HSL 200.24, 0.67%, 0.24%

LAB 29.81, -7.02, -21.34

 

CMYK 0 / 81 / 59 / 60

HEX #67142A

RGB 103 20 42

HSL 344.1, 0.67%, 0.24%

LAB 22.13, 37.59, 8.55

 

CMYK 81 / 0 / 69 / 60

HEX #13651F

RGB 19 101 31

HSL 128.78, 0.68%, 0.24%

LAB 37.01, -39.06, 31.91

 

CMYK 70 / 81 / 0 / 60

HEX #1F1467

RGB 31 20 103

HSL 247.95, 0.67%, 0.24%

LAB 14.24, 32.18, -46.36

 

CMYK 0 / 70 / 81 / 60

HEX #671F14

RGB 103 31 20

HSL 7.95, 0.67%, 0.24%

LAB 23.39, 31.62, 24.8

 

CMYK 81 / 0 / 69 / 60

HEX #13651F

RGB 19 101 31

HSL 128.78, 0.68%, 0.24%

LAB 37.01, -39.06, 31.91

 

CMYK 81 / 27 / 0 / 60

HEX #144B67

RGB 20 75 103

HSL 200.24, 0.67%, 0.24%

LAB 29.81, -7.02, -21.34

 

CMYK 0 / 81 / 11 / 60

HEX #67145C

RGB 103 20 92

HSL 307.95, 0.67%, 0.24%

LAB 24.18, 43.85, -22.49

 

CMYK 0 / 54 / 81 / 60

HEX #672F14

RGB 103 47 20

HSL 19.52, 0.67%, 0.24%

LAB 26.64, 23.12, 28.21

 

CMYK 81 / 0 / 69 / 60

HEX #13651F

RGB 19 101 31

HSL 128.78, 0.68%, 0.24%

LAB 37.01, -39.06, 31.91

 

CMYK 81 / 51 / 0 / 60

HEX #143267

RGB 20 50 103

HSL 218.31, 0.67%, 0.24%

LAB 21.61, 9.99, -34.35

 

CMYK 0 / 81 / 11 / 60

HEX #67145C

RGB 103 20 92

HSL 307.95, 0.67%, 0.24%

LAB 24.18, 43.85, -22.49

 

CMYK 0 / 30 / 81 / 60

HEX #674814

RGB 103 72 20

HSL 37.59, 0.67%, 0.24%

LAB 33.07, 7.96, 34.62

 

Description

Color code: HEX #13651F | qconv.com Color code: HEX #13651F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 101 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 101 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, none magenta, 69 yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 0% 69% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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