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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #136476 it is the complementary color #EC9B89. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #136476. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #136476 shade: #186471, #297684, #3A8897, #4B9AAA and #5CACBD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #136476. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #136476 shade: #136476, #025263, #004050, #002E3D and #001C2A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #136476 shade: #136476, #134A76, #132F76, #131476 and #2D1376

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #136476 shade: #136476, #134A76, #132F76, #131476 and #131376

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #136476 shade matches the following richer shades: #136476 and #086B82

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #136476 shade: #136476, #1E5D6B, #2A5660, #354F55 and #40484A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #136476 shade: #137652, #13766D, #136676, #134B76 and #133176

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #136476 shade: #08282F, #0E4653, #136476, #19829A and #1FA1BD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #136476 shade: #136476, #381376 and #765F13

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #136476 shade: #136476, #761366 and #667613

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #136476 shade: #136476, #381376, #762413 and #527613

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #136476 shade: #136476, #551376, #762413 and #347613

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 15 / 0 / 54

HEX #136476

RGB 19 100 118

HSL 190.91, 0.72%, 0.27%

LAB 38.83, -16.35, -16.74

 

Complementary color

CMYK 0 / 34 / 42 / 7

HEX #EC9B89

RGB 236 155 137

HSL 10.91, 0.72%, 0.73%

LAB 71.61, 28.21, 21.93

 

CMYK 79 / 12 / 0 / 56

HEX #186471

RGB 24 100 113

HSL 188.76, 0.65%, 0.27%

LAB 38.73, -17.55, -13.83

 

CMYK 69 / 11 / 0 / 48

HEX #297684

RGB 41 118 132

HSL 189.23, 0.53%, 0.34%

LAB 45.76, -18.51, -14.55

 

CMYK 62 / 10 / 0 / 41

HEX #3A8897

RGB 58 136 151

HSL 189.68, 0.44%, 0.41%

LAB 52.67, -19.12, -15.18

 

CMYK 56 / 9 / 0 / 33

HEX #4B9AAA

RGB 75 154 170

HSL 190.11, 0.39%, 0.48%

LAB 59.44, -19.53, -15.74

 

CMYK 51 / 9 / 0 / 26

HEX #5CACBD

RGB 92 172 189

HSL 190.52, 0.42%, 0.55%

LAB 66.1, -19.8, -16.26

 

CMYK 84 / 15 / 0 / 54

HEX #136476

RGB 19 100 118

HSL 190.91, 0.72%, 0.27%

LAB 38.83, -16.35, -16.74

 

CMYK 98 / 17 / 0 / 61

HEX #025263

RGB 2 82 99

HSL 190.52, 0.96%, 0.2%

LAB 31.69, -14.6, -15.92

 

CMYK 100 / 20 / 0 / 69

HEX #004050

RGB 0 64 80

HSL 192, 1%, 0.16%

LAB 24.47, -11.63, -14.81

 

CMYK 100 / 25 / 0 / 76

HEX #002E3D

RGB 0 46 61

HSL 194.75, 1%, 0.12%

LAB 16.95, -8.26, -13.66

 

CMYK 100 / 33 / 0 / 84

HEX #001C2A

RGB 0 28 42

HSL 200, 1%, 0.08%

LAB 8.97, -4.54, -12.54

 

CMYK 84 / 15 / 0 / 54

HEX #136476

RGB 19 100 118

HSL 190.91, 0.72%, 0.27%

LAB 38.83, -16.35, -16.74

 

CMYK 84 / 37 / 0 / 54

HEX #134A76

RGB 19 74 118

HSL 206.67, 0.72%, 0.27%

LAB 30.26, -0.47, -30.1

 

CMYK 84 / 60 / 0 / 54

HEX #132F76

RGB 19 47 118

HSL 223.03, 0.72%, 0.27%

LAB 21.87, 18.38, -43.59

 

CMYK 84 / 83 / 0 / 54

HEX #131476

RGB 19 20 118

HSL 239.39, 0.72%, 0.27%

LAB 15.21, 36.29, -54.55

 

CMYK 62 / 84 / 0 / 54

HEX #2D1376

RGB 45 19 118

HSL 255.76, 0.72%, 0.27%

LAB 17.14, 39.17, -51.29

 

CMYK 84 / 15 / 0 / 54

HEX #136476

RGB 19 100 118

HSL 190.91, 0.72%, 0.27%

LAB 38.83, -16.35, -16.74

 

CMYK 84 / 37 / 0 / 54

HEX #134A76

RGB 19 74 118

HSL 206.67, 0.72%, 0.27%

LAB 30.26, -0.47, -30.1

 

CMYK 84 / 60 / 0 / 54

HEX #132F76

RGB 19 47 118

HSL 223.03, 0.72%, 0.27%

LAB 21.87, 18.38, -43.59

 

CMYK 84 / 83 / 0 / 54

HEX #131476

RGB 19 20 118

HSL 239.39, 0.72%, 0.27%

LAB 15.21, 36.29, -54.55

 

CMYK 84 / 84 / 0 / 54

HEX #131376

RGB 19 19 118

HSL 240, 0.72%, 0.27%

LAB 15.02, 36.84, -54.86

 

CMYK 84 / 15 / 0 / 54

HEX #136476

RGB 19 100 118

HSL 190.91, 0.72%, 0.27%

LAB 38.83, -16.35, -16.74

 

CMYK 94 / 18 / 0 / 49

HEX #086B82

RGB 8 107 130

HSL 191.31, 0.88%, 0.27%

LAB 41.5, -16.72, -19.93

 

CMYK 84 / 15 / 0 / 54

HEX #136476

RGB 19 100 118

HSL 190.91, 0.72%, 0.27%

LAB 38.83, -16.35, -16.74

 

CMYK 72 / 13 / 0 / 58

HEX #1E5D6B

RGB 30 93 107

HSL 190.91, 0.56%, 0.27%

LAB 36.3, -14.83, -13.81

 

CMYK 56 / 10 / 0 / 62

HEX #2A5660

RGB 42 86 96

HSL 191.11, 0.39%, 0.27%

LAB 33.97, -12.02, -10.46

 

CMYK 38 / 7 / 0 / 67

HEX #354F55

RGB 53 79 85

HSL 191.25, 0.23%, 0.27%

LAB 31.82, -8.09, -6.68

 

CMYK 14 / 3 / 0 / 71

HEX #40484A

RGB 64 72 74

HSL 192, 0.07%, 0.27%

LAB 29.96, -2.76, -2.31

 

CMYK 84 / 0 / 31 / 54

HEX #137652

RGB 19 118 82

HSL 158.18, 0.72%, 0.27%

LAB 43.81, -36.22, 12.3

 

CMYK 84 / 0 / 8 / 54

HEX #13766D

RGB 19 118 109

HSL 174.55, 0.72%, 0.27%

LAB 44.52, -28.75, -2.73

 

CMYK 84 / 14 / 0 / 54

HEX #136676

RGB 19 102 118

HSL 189.7, 0.72%, 0.27%

LAB 39.49, -17.46, -15.72

 

CMYK 84 / 36 / 0 / 54

HEX #134B76

RGB 19 75 118

HSL 206.06, 0.72%, 0.27%

LAB 30.59, -1.13, -29.58

 

CMYK 84 / 58 / 0 / 54

HEX #133176

RGB 19 49 118

HSL 221.82, 0.72%, 0.27%

LAB 22.45, 16.95, -42.64

 

CMYK 83 / 15 / 0 / 82

HEX #08282F

RGB 8 40 47

HSL 190.77, 0.71%, 0.11%

LAB 14.26, -8.67, -7.97

 

CMYK 83 / 16 / 0 / 67

HEX #0E4653

RGB 14 70 83

HSL 191.3, 0.71%, 0.19%

LAB 27.01, -12.46, -12.83

 

CMYK 84 / 15 / 0 / 54

HEX #136476

RGB 19 100 118

HSL 190.91, 0.72%, 0.27%

LAB 38.83, -16.35, -16.74

 

CMYK 84 / 16 / 0 / 40

HEX #19829A

RGB 25 130 154

HSL 191.16, 0.72%, 0.35%

LAB 50.1, -19.52, -20.91

 

CMYK 84 / 15 / 0 / 26

HEX #1FA1BD

RGB 31 161 189

HSL 190.63, 0.72%, 0.43%

LAB 61.18, -23.4, -23.9

 

CMYK 84 / 15 / 0 / 54

HEX #136476

RGB 19 100 118

HSL 190.91, 0.72%, 0.27%

LAB 38.83, -16.35, -16.74

 

CMYK 53 / 84 / 0 / 54

HEX #381376

RGB 56 19 118

HSL 262.42, 0.72%, 0.27%

LAB 18.43, 40.6, -49.12

 

CMYK 0 / 19 / 84 / 54

HEX #765F13

RGB 118 95 19

HSL 46.06, 0.72%, 0.27%

LAB 41.35, 1.4, 43.33

 

CMYK 84 / 15 / 0 / 54

HEX #136476

RGB 19 100 118

HSL 190.91, 0.72%, 0.27%

LAB 38.83, -16.35, -16.74

 

CMYK 0 / 84 / 14 / 54

HEX #761366

RGB 118 19 102

HSL 309.7, 0.72%, 0.27%

LAB 27.51, 49.31, -23.61

 

CMYK 14 / 0 / 84 / 54

HEX #667613

RGB 102 118 19

HSL 69.7, 0.72%, 0.27%

LAB 46.75, -19.11, 47.55

 

CMYK 84 / 15 / 0 / 54

HEX #136476

RGB 19 100 118

HSL 190.91, 0.72%, 0.27%

LAB 38.83, -16.35, -16.74

 

CMYK 53 / 84 / 0 / 54

HEX #381376

RGB 56 19 118

HSL 262.42, 0.72%, 0.27%

LAB 18.43, 40.6, -49.12

 

CMYK 0 / 69 / 84 / 54

HEX #762413

RGB 118 36 19

HSL 10.3, 0.72%, 0.27%

LAB 27.19, 34.96, 30.21

 

CMYK 31 / 0 / 84 / 54

HEX #527613

RGB 82 118 19

HSL 81.82, 0.72%, 0.27%

LAB 45.36, -27.83, 45.78

 

CMYK 84 / 15 / 0 / 54

HEX #136476

RGB 19 100 118

HSL 190.91, 0.72%, 0.27%

LAB 38.83, -16.35, -16.74

 

CMYK 28 / 84 / 0 / 54

HEX #551376

RGB 85 19 118

HSL 280, 0.72%, 0.27%

LAB 22.67, 45.35, -42.01

 

CMYK 0 / 69 / 84 / 54

HEX #762413

RGB 118 36 19

HSL 10.3, 0.72%, 0.27%

LAB 27.19, 34.96, 30.21

 

CMYK 56 / 0 / 84 / 54

HEX #347613

RGB 52 118 19

HSL 100, 0.72%, 0.27%

LAB 43.85, -38.74, 43.84

 

Description

Color code: HEX #136476 | qconv.com Color code: HEX #136476 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 100 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 100 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, 15 magenta, none yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 15% 0% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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