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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #135FE1 it is the complementary color #ECA01E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #135FE1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #135FE1 shade: #185FDC, #2971EF, #3A83FF, #4B95FF and #5CA7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #135FE1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #135FE1 shade: #135FE1, #024DCE, #003BBB, #0029A8 and #001795

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #135FE1 shade: #145FE1, #1428E1, #3714E1, #6E14E1 and #A614E1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #135FE1 shade: #145FE1, #1428E1 and #1414E1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #135FE1 shade matches the following richer shades: #145FE1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #135FE1 shade: #145FE1, #2765CD, #3B6ABA, #4F6FA6 and #637492

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #135FE1 shade: #14D0E1, #1499E1, #1462E1, #142CE1 and #3214E1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #135FE1 shade: #0D3F95, #104FBB, #145FE1, #3176ED and #5790F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #135FE1 shade: #135FE1, #BC14E1 and #B5E114

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #135FE1 shade: #135FE1, #E11462 and #62E114

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #135FE1 shade: #135FE1, #BC14E1, #E19214 and #39E114

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #135FE1 shade: #135FE1, #E114C9, #E19214 and #14E12C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 58 / 0 / 12

HEX #135FE1

RGB 19 95 225

HSL 217.86, 0.84%, 0.48%

LAB 43.89, 28.75, -71.75

 

Complementary color

CMYK 0 / 32 / 87 / 7

HEX #ECA01E

RGB 236 160 30

HSL 37.86, 0.84%, 0.52%

LAB 71.6, 18.91, 70.75

 

CMYK 89 / 57 / 0 / 14

HEX #185FDC

RGB 24 95 220

HSL 218.27, 0.8%, 0.48%

LAB 43.57, 27.05, -69.41

 

CMYK 83 / 53 / 0 / 6

HEX #2971EF

RGB 41 113 239

HSL 218.18, 0.86%, 0.55%

LAB 50.11, 23.87, -69.48

 

CMYK 77 / 49 / 0 / 0

HEX #3A83FF

RGB 58 131 255

HSL 217.77, 1%, 0.61%

LAB 56.44, 20.11, -68.1

 

CMYK 71 / 42 / 0 / 0

HEX #4B95FF

RGB 75 149 255

HSL 215.33, 1%, 0.65%

LAB 61.84, 11.24, -59.41

 

CMYK 64 / 35 / 0 / 0

HEX #5CA7FF

RGB 92 167 255

HSL 212.39, 1%, 0.68%

LAB 67.38, 3.33, -50.56

 

CMYK 92 / 58 / 0 / 12

HEX #135FE1

RGB 19 95 225

HSL 217.86, 0.84%, 0.48%

LAB 43.89, 28.75, -71.75

 

CMYK 99 / 63 / 0 / 19

HEX #024DCE

RGB 2 77 206

HSL 217.94, 0.98%, 0.41%

LAB 37.44, 32.58, -71.42

 

CMYK 100 / 68 / 0 / 27

HEX #003BBB

RGB 0 59 187

HSL 221.07, 1%, 0.37%

LAB 31.15, 36.93, -70.66

 

CMYK 100 / 76 / 0 / 34

HEX #0029A8

RGB 0 41 168

HSL 225.36, 1%, 0.33%

LAB 24.99, 41.15, -69.49

 

CMYK 100 / 85 / 0 / 42

HEX #001795

RGB 0 23 149

HSL 230.74, 1%, 0.29%

LAB 19.15, 44.55, -67.58

 

CMYK 91 / 58 / 0 / 12

HEX #145FE1

RGB 20 95 225

HSL 218.05, 0.84%, 0.48%

LAB 43.9, 28.79, -71.72

 

CMYK 91 / 82 / 0 / 12

HEX #1428E1

RGB 20 40 225

HSL 234.15, 0.84%, 0.48%

LAB 32.04, 60.94, -91.28

 

CMYK 76 / 91 / 0 / 12

HEX #3714E1

RGB 55 20 225

HSL 250.24, 0.84%, 0.48%

LAB 31.23, 69.11, -92.59

 

CMYK 51 / 91 / 0 / 12

HEX #6E14E1

RGB 110 20 225

HSL 266.34, 0.84%, 0.48%

LAB 36.46, 72.59, -83.75

 

CMYK 26 / 91 / 0 / 12

HEX #A614E1

RGB 166 20 225

HSL 282.73, 0.84%, 0.48%

LAB 44.3, 78.89, -70.6

 

CMYK 91 / 58 / 0 / 12

HEX #145FE1

RGB 20 95 225

HSL 218.05, 0.84%, 0.48%

LAB 43.9, 28.79, -71.72

 

CMYK 91 / 82 / 0 / 12

HEX #1428E1

RGB 20 40 225

HSL 234.15, 0.84%, 0.48%

LAB 32.04, 60.94, -91.28

 

CMYK 91 / 91 / 0 / 12

HEX #1414E1

RGB 20 20 225

HSL 240, 0.84%, 0.48%

LAB 29.63, 68.2, -95.3

 

CMYK 91 / 58 / 0 / 12

HEX #145FE1

RGB 20 95 225

HSL 218.05, 0.84%, 0.48%

LAB 43.9, 28.79, -71.72

 

CMYK 91 / 58 / 0 / 12

HEX #145FE1

RGB 20 95 225

HSL 218.05, 0.84%, 0.48%

LAB 43.9, 28.79, -71.72

 

CMYK 81 / 51 / 0 / 20

HEX #2765CD

RGB 39 101 205

HSL 217.59, 0.68%, 0.48%

LAB 44.44, 18.45, -59.41

 

CMYK 68 / 43 / 0 / 27

HEX #3B6ABA

RGB 59 106 186

HSL 217.8, 0.52%, 0.48%

LAB 45.34, 10.66, -46.96

 

CMYK 52 / 33 / 0 / 35

HEX #4F6FA6

RGB 79 111 166

HSL 217.93, 0.36%, 0.48%

LAB 46.69, 4.66, -33.08

 

CMYK 32 / 21 / 0 / 43

HEX #637492

RGB 99 116 146

HSL 218.3, 0.19%, 0.48%

LAB 48.53, 1.2, -18.36

 

CMYK 91 / 8 / 0 / 12

HEX #14D0E1

RGB 20 208 225

HSL 184.98, 0.84%, 0.48%

LAB 76.49, -35.47, -20.32

 

CMYK 91 / 32 / 0 / 12

HEX #1499E1

RGB 20 153 225

HSL 201.07, 0.84%, 0.48%

LAB 60.22, -7.02, -45.51

 

CMYK 91 / 56 / 0 / 12

HEX #1462E1

RGB 20 98 225

HSL 217.17, 0.84%, 0.48%

LAB 44.69, 26.85, -70.44

 

CMYK 91 / 80 / 0 / 12

HEX #142CE1

RGB 20 44 225

HSL 232.98, 0.84%, 0.48%

LAB 32.67, 59.09, -90.23

 

CMYK 78 / 91 / 0 / 12

HEX #3214E1

RGB 50 20 225

HSL 248.78, 0.84%, 0.48%

LAB 30.91, 68.92, -93.13

 

CMYK 91 / 58 / 0 / 42

HEX #0D3F95

RGB 13 63 149

HSL 217.94, 0.84%, 0.32%

LAB 28.93, 19.54, -51.46

 

CMYK 91 / 58 / 0 / 27

HEX #104FBB

RGB 16 79 187

HSL 217.89, 0.84%, 0.4%

LAB 36.54, 24.24, -61.82

 

CMYK 91 / 58 / 0 / 12

HEX #145FE1

RGB 20 95 225

HSL 218.05, 0.84%, 0.48%

LAB 43.9, 28.79, -71.72

 

CMYK 79 / 50 / 0 / 7

HEX #3176ED

RGB 49 118 237

HSL 217.98, 0.84%, 0.56%

LAB 51.52, 20.67, -66.07

 

CMYK 64 / 40 / 0 / 6

HEX #5790F0

RGB 87 144 240

HSL 217.65, 0.84%, 0.64%

LAB 60.13, 10.9, -53.86

 

CMYK 92 / 58 / 0 / 12

HEX #135FE1

RGB 19 95 225

HSL 217.86, 0.84%, 0.48%

LAB 43.89, 28.75, -71.75

 

CMYK 16 / 91 / 0 / 12

HEX #BC14E1

RGB 188 20 225

HSL 289.17, 0.84%, 0.48%

LAB 47.79, 82, -64.76

 

CMYK 20 / 0 / 91 / 12

HEX #B5E114

RGB 181 225 20

HSL 72.88, 0.84%, 0.48%

LAB 83.82, -37.4, 80.3

 

CMYK 92 / 58 / 0 / 12

HEX #135FE1

RGB 19 95 225

HSL 217.86, 0.84%, 0.48%

LAB 43.89, 28.75, -71.75

 

CMYK 0 / 91 / 56 / 12

HEX #E11462

RGB 225 20 98

HSL 337.17, 0.84%, 0.48%

LAB 48.75, 74.13, 12.78

 

CMYK 56 / 0 / 91 / 12

HEX #62E114

RGB 98 225 20

HSL 97.17, 0.84%, 0.48%

LAB 79.9, -65.19, 75.48

 

CMYK 92 / 58 / 0 / 12

HEX #135FE1

RGB 19 95 225

HSL 217.86, 0.84%, 0.48%

LAB 43.89, 28.75, -71.75

 

CMYK 16 / 91 / 0 / 12

HEX #BC14E1

RGB 188 20 225

HSL 289.17, 0.84%, 0.48%

LAB 47.79, 82, -64.76

 

CMYK 0 / 35 / 91 / 12

HEX #E19214

RGB 225 146 20

HSL 36.88, 0.84%, 0.48%

LAB 66.99, 21.48, 68.95

 

CMYK 75 / 0 / 91 / 12

HEX #39E114

RGB 57 225 20

HSL 109.17, 0.84%, 0.48%

LAB 78.91, -73.5, 74.25

 

CMYK 92 / 58 / 0 / 12

HEX #135FE1

RGB 19 95 225

HSL 217.86, 0.84%, 0.48%

LAB 43.89, 28.75, -71.75

 

CMYK 0 / 91 / 11 / 12

HEX #E114C9

RGB 225 20 201

HSL 307.02, 0.84%, 0.48%

LAB 52.65, 84.47, -42.88

 

CMYK 0 / 35 / 91 / 12

HEX #E19214

RGB 225 146 20

HSL 36.88, 0.84%, 0.48%

LAB 66.99, 21.48, 68.95

 

CMYK 91 / 0 / 80 / 12

HEX #14E12C

RGB 20 225 44

HSL 127.02, 0.84%, 0.48%

LAB 78.57, -76.24, 68.83

 

Description

Color code: HEX #135FE1 | qconv.com Color code: HEX #135FE1 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 95 green and 225 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 95 225 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, 58 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 58% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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