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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1354C7 it is the complementary color #ECAB38. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1354C7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1354C7 shade: #1854C2, #2966D5, #3A78E8, #4B8AFB and #5C9CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1354C7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1354C7 shade: #1354C7, #0242B4, #0030A1, #001E8E and #000C7B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1354C7 shade: #1354C9, #1323C9, #3313C9, #6413C9 and #9513C9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1354C7 shade: #1354C9, #1323C9 and #1313C9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1354C7 shade matches the following richer shades: #1354C9 and #014FDA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1354C7 shade: #1354C9, #2459B7, #365EA5, #486393 and #5A6882

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1354C7 shade: #13B6C9, #1386C9, #1355C9, #1325C9 and #3113C9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1354C7 shade: #0C357D, #0F45A3, #1354C9, #1B66EA and #417FED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1354C7 shade: #1354C7, #AA13C9 and #9EC913

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1354C7 shade: #1354C7, #C91355 and #55C913

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1354C7 shade: #1354C7, #AA13C9, #C98613 and #31C913

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1354C7 shade: #1354C7, #C913B0, #C98613 and #13C92B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 58 / 0 / 22

HEX #1354C7

RGB 19 84 199

HSL 218.33, 0.83%, 0.43%

LAB 38.9, 25.81, -64.96

 

Complementary color

CMYK 0 / 28 / 76 / 7

HEX #ECAB38

RGB 236 171 56

HSL 38.33, 0.83%, 0.57%

LAB 74.35, 13.85, 64.84

 

CMYK 88 / 57 / 0 / 24

HEX #1854C2

RGB 24 84 194

HSL 218.82, 0.78%, 0.43%

LAB 38.6, 24.12, -62.54

 

CMYK 81 / 52 / 0 / 16

HEX #2966D5

RGB 41 102 213

HSL 218.72, 0.68%, 0.5%

LAB 45.33, 21.05, -62.55

 

CMYK 75 / 48 / 0 / 9

HEX #3A78E8

RGB 58 120 232

HSL 218.62, 0.79%, 0.57%

LAB 52.02, 18.53, -62.46

 

CMYK 70 / 45 / 0 / 2

HEX #4B8AFB

RGB 75 138 251

HSL 218.52, 0.96%, 0.64%

LAB 58.64, 16.44, -62.33

 

CMYK 64 / 39 / 0 / 0

HEX #5C9CFF

RGB 92 156 255

HSL 216.44, 1%, 0.68%

LAB 64.38, 9.69, -55.31

 

CMYK 90 / 58 / 0 / 22

HEX #1354C7

RGB 19 84 199

HSL 218.33, 0.83%, 0.43%

LAB 38.9, 25.81, -64.96

 

CMYK 99 / 63 / 0 / 29

HEX #0242B4

RGB 2 66 180

HSL 218.43, 0.98%, 0.36%

LAB 32.27, 29.64, -64.68

 

CMYK 100 / 70 / 0 / 37

HEX #0030A1

RGB 0 48 161

HSL 222.11, 1%, 0.32%

LAB 25.82, 34.09, -63.88

 

CMYK 100 / 79 / 0 / 44

HEX #001E8E

RGB 0 30 142

HSL 227.32, 1%, 0.28%

LAB 19.56, 38.29, -62.55

 

CMYK 100 / 90 / 0 / 52

HEX #000C7B

RGB 0 12 123

HSL 234.15, 1%, 0.24%

LAB 13.79, 41.17, -60.15

 

CMYK 91 / 58 / 0 / 21

HEX #1354C9

RGB 19 84 201

HSL 218.57, 0.83%, 0.43%

LAB 39.06, 26.6, -65.86

 

CMYK 91 / 83 / 0 / 21

HEX #1323C9

RGB 19 35 201

HSL 234.73, 0.83%, 0.43%

LAB 28.27, 55.86, -83.66

 

CMYK 75 / 91 / 0 / 21

HEX #3313C9

RGB 51 19 201

HSL 250.55, 0.83%, 0.43%

LAB 27.81, 62.98, -84.38

 

CMYK 50 / 91 / 0 / 21

HEX #6413C9

RGB 100 19 201

HSL 266.7, 0.83%, 0.43%

LAB 32.68, 66.41, -76.15

 

CMYK 26 / 91 / 0 / 21

HEX #9513C9

RGB 149 19 201

HSL 282.86, 0.83%, 0.43%

LAB 39.7, 72.25, -64.37

 

CMYK 91 / 58 / 0 / 21

HEX #1354C9

RGB 19 84 201

HSL 218.57, 0.83%, 0.43%

LAB 39.06, 26.6, -65.86

 

CMYK 91 / 83 / 0 / 21

HEX #1323C9

RGB 19 35 201

HSL 234.73, 0.83%, 0.43%

LAB 28.27, 55.86, -83.66

 

CMYK 91 / 91 / 0 / 21

HEX #1313C9

RGB 19 19 201

HSL 240, 0.83%, 0.43%

LAB 26.22, 62.01, -87.07

 

CMYK 91 / 58 / 0 / 21

HEX #1354C9

RGB 19 84 201

HSL 218.57, 0.83%, 0.43%

LAB 39.06, 26.6, -65.86

 

CMYK 100 / 64 / 0 / 15

HEX #014FDA

RGB 1 79 218

HSL 218.43, 0.99%, 0.43%

LAB 39, 35.88, -75.76

 

CMYK 91 / 58 / 0 / 21

HEX #1354C9

RGB 19 84 201

HSL 218.57, 0.83%, 0.43%

LAB 39.06, 26.6, -65.86

 

CMYK 80 / 51 / 0 / 28

HEX #2459B7

RGB 36 89 183

HSL 218.37, 0.67%, 0.43%

LAB 39.48, 17.48, -54.67

 

CMYK 67 / 43 / 0 / 35

HEX #365EA5

RGB 54 94 165

HSL 218.38, 0.51%, 0.43%

LAB 40.42, 9.82, -42.5

 

CMYK 51 / 33 / 0 / 42

HEX #486393

RGB 72 99 147

HSL 218.4, 0.34%, 0.43%

LAB 41.86, 4.21, -29.43

 

CMYK 31 / 20 / 0 / 49

HEX #5A6882

RGB 90 104 130

HSL 219, 0.18%, 0.43%

LAB 43.78, 1.23, -16.16

 

CMYK 91 / 9 / 0 / 21

HEX #13B6C9

RGB 19 182 201

HSL 186.26, 0.83%, 0.43%

LAB 67.88, -30.7, -20.35

 

CMYK 91 / 33 / 0 / 21

HEX #1386C9

RGB 19 134 201

HSL 202.09, 0.83%, 0.43%

LAB 53.39, -5.03, -42.83

 

CMYK 91 / 58 / 0 / 21

HEX #1355C9

RGB 19 85 201

HSL 218.24, 0.83%, 0.43%

LAB 39.33, 25.94, -65.42

 

CMYK 91 / 82 / 0 / 21

HEX #1325C9

RGB 19 37 201

HSL 234.07, 0.83%, 0.43%

LAB 28.59, 54.92, -83.13

 

CMYK 76 / 91 / 0 / 21

HEX #3113C9

RGB 49 19 201

HSL 249.89, 0.83%, 0.43%

LAB 27.67, 62.89, -84.62

 

CMYK 90 / 58 / 0 / 51

HEX #0C357D

RGB 12 53 125

HSL 218.23, 0.82%, 0.27%

LAB 24.02, 16.43, -44.55

 

CMYK 91 / 58 / 0 / 36

HEX #0F45A3

RGB 15 69 163

HSL 218.11, 0.83%, 0.35%

LAB 31.81, 21.27, -55.26

 

CMYK 91 / 58 / 0 / 21

HEX #1354C9

RGB 19 84 201

HSL 218.57, 0.83%, 0.43%

LAB 39.06, 26.6, -65.86

 

CMYK 88 / 56 / 0 / 8

HEX #1B66EA

RGB 27 102 234

HSL 218.26, 0.83%, 0.51%

LAB 46.55, 28.07, -72.49

 

CMYK 73 / 46 / 0 / 7

HEX #417FED

RGB 65 127 237

HSL 218.37, 0.83%, 0.59%

LAB 54.47, 16.86, -61.3

 

CMYK 90 / 58 / 0 / 22

HEX #1354C7

RGB 19 84 199

HSL 218.33, 0.83%, 0.43%

LAB 38.9, 25.81, -64.96

 

CMYK 15 / 91 / 0 / 21

HEX #AA13C9

RGB 170 19 201

HSL 289.78, 0.83%, 0.43%

LAB 43.11, 75.34, -58.69

 

CMYK 21 / 0 / 91 / 21

HEX #9EC913

RGB 158 201 19

HSL 74.18, 0.83%, 0.43%

LAB 75.51, -35.69, 73.17

 

CMYK 90 / 58 / 0 / 22

HEX #1354C7

RGB 19 84 199

HSL 218.33, 0.83%, 0.43%

LAB 38.9, 25.81, -64.96

 

CMYK 0 / 91 / 58 / 21

HEX #C91355

RGB 201 19 85

HSL 338.24, 0.83%, 0.43%

LAB 43.56, 67.66, 12.95

 

CMYK 58 / 0 / 91 / 21

HEX #55C913

RGB 85 201 19

HSL 98.24, 0.83%, 0.43%

LAB 72.06, -60.29, 68.92

 

CMYK 90 / 58 / 0 / 22

HEX #1354C7

RGB 19 84 199

HSL 218.33, 0.83%, 0.43%

LAB 38.9, 25.81, -64.96

 

CMYK 15 / 91 / 0 / 21

HEX #AA13C9

RGB 170 19 201

HSL 289.78, 0.83%, 0.43%

LAB 43.11, 75.34, -58.69

 

CMYK 0 / 33 / 91 / 21

HEX #C98613

RGB 201 134 19

HSL 37.91, 0.83%, 0.43%

LAB 61.23, 17.56, 63.56

 

CMYK 76 / 0 / 91 / 21

HEX #31C913

RGB 49 201 19

HSL 110.11, 0.83%, 0.43%

LAB 71.2, -67.6, 67.85

 

CMYK 90 / 58 / 0 / 22

HEX #1354C7

RGB 19 84 199

HSL 218.33, 0.83%, 0.43%

LAB 38.9, 25.81, -64.96

 

CMYK 0 / 91 / 12 / 21

HEX #C913B0

RGB 201 19 176

HSL 308.24, 0.83%, 0.43%

LAB 47, 76.86, -37.51

 

CMYK 0 / 33 / 91 / 21

HEX #C98613

RGB 201 134 19

HSL 37.91, 0.83%, 0.43%

LAB 61.23, 17.56, 63.56

 

CMYK 91 / 0 / 79 / 21

HEX #13C92B

RGB 19 201 43

HSL 127.91, 0.83%, 0.43%

LAB 70.93, -69.62, 61.89

 

Description

Color code: HEX #1354C7 | qconv.com Color code: HEX #1354C7 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 84 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 84 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, 58 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 58% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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