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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #134EF0 it is the complementary color #ECB10F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #134EF0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #134EF0 shade: #184EEB, #2960FE, #3A72FF, #4B84FF and #5C96FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #134EF0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #134EF0 shade: #134EF0, #023CDD, #002ACA, #0018B7 and #0006A4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #134EF0 shade: #144FF0, #1514F0, #5014F0, #8B14F0 and #C714F0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #134EF0 shade: #144FF0 and #1414F0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #134EF0 shade matches the following richer shades: #144FF0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #134EF0 shade: #144FF0, #2858DC, #3D62C8, #516BB3 and #65749F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #134EF0 shade: #14C8F0, #148DF0, #1452F0, #1418F0 and #4B14F0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #134EF0 shade: #0B34A7, #0D41CE, #144FF0, #3B6CF2 and #6289F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #134EF0 shade: #134EF0, #DE14F0 and #AAF014

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #134EF0 shade: #134EF0, #F01452 and #52F014

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #134EF0 shade: #134EF0, #DE14F0, #F0B214 and #26F014

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #134EF0 shade: #134EF0, #F014C0, #F0B214 and #14F044

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 68 / 0 / 6

HEX #134EF0

RGB 19 78 240

HSL 223.98, 0.88%, 0.51%

LAB 41.02, 45.13, -84.93

 

Complementary color

CMYK 0 / 25 / 94 / 7

HEX #ECB10F

RGB 236 177 15

HSL 43.98, 0.88%, 0.49%

LAB 75.64, 9.68, 76.71

 

CMYK 90 / 67 / 0 / 8

HEX #184EEB

RGB 24 78 235

HSL 224.64, 0.84%, 0.51%

LAB 40.64, 43.51, -82.73

 

CMYK 84 / 62 / 0 / 0

HEX #2960FE

RGB 41 96 254

HSL 224.51, 0.99%, 0.58%

LAB 46.97, 40.12, -82.98

 

CMYK 77 / 55 / 0 / 0

HEX #3A72FF

RGB 58 114 255

HSL 222.94, 1%, 0.61%

LAB 52.01, 30.64, -75.27

 

CMYK 71 / 48 / 0 / 0

HEX #4B84FF

RGB 75 132 255

HSL 221, 1%, 0.65%

LAB 57.29, 21.5, -66.7

 

CMYK 64 / 41 / 0 / 0

HEX #5C96FF

RGB 92 150 255

HSL 218.65, 1%, 0.68%

LAB 62.77, 13.22, -57.88

 

CMYK 92 / 68 / 0 / 6

HEX #134EF0

RGB 19 78 240

HSL 223.98, 0.88%, 0.51%

LAB 41.02, 45.13, -84.93

 

CMYK 99 / 73 / 0 / 13

HEX #023CDD

RGB 2 60 221

HSL 224.11, 0.98%, 0.44%

LAB 34.93, 48.8, -84.19

 

CMYK 100 / 79 / 0 / 21

HEX #002ACA

RGB 0 42 202

HSL 227.52, 1%, 0.4%

LAB 29.21, 52.35, -82.69

 

CMYK 100 / 87 / 0 / 28

HEX #0018B7

RGB 0 24 183

HSL 232.13, 1%, 0.36%

LAB 23.91, 54.81, -80.3

 

CMYK 100 / 96 / 0 / 36

HEX #0006A4

RGB 0 6 164

HSL 237.8, 1%, 0.32%

LAB 19.27, 55.2, -76.6

 

CMYK 92 / 67 / 0 / 6

HEX #144FF0

RGB 20 79 240

HSL 223.91, 0.88%, 0.51%

LAB 41.27, 44.55, -84.53

 

CMYK 91 / 92 / 0 / 6

HEX #1514F0

RGB 21 20 240

HSL 240.27, 0.88%, 0.51%

LAB 31.7, 72.14, -100.41

 

CMYK 67 / 92 / 0 / 6

HEX #5014F0

RGB 80 20 240

HSL 256.36, 0.88%, 0.51%

LAB 35, 74, -94.82

 

CMYK 42 / 92 / 0 / 6

HEX #8B14F0

RGB 139 20 240

HSL 272.45, 0.88%, 0.51%

LAB 41.66, 78.63, -83.58

 

CMYK 17 / 92 / 0 / 6

HEX #C714F0

RGB 199 20 240

HSL 288.82, 0.88%, 0.51%

LAB 50.61, 86.12, -68.59

 

CMYK 92 / 67 / 0 / 6

HEX #144FF0

RGB 20 79 240

HSL 223.91, 0.88%, 0.51%

LAB 41.27, 44.55, -84.53

 

CMYK 92 / 92 / 0 / 6

HEX #1414F0

RGB 20 20 240

HSL 240, 0.88%, 0.51%

LAB 31.67, 72.13, -100.45

 

CMYK 92 / 67 / 0 / 6

HEX #144FF0

RGB 20 79 240

HSL 223.91, 0.88%, 0.51%

LAB 41.27, 44.55, -84.53

 

CMYK 92 / 67 / 0 / 6

HEX #144FF0

RGB 20 79 240

HSL 223.91, 0.88%, 0.51%

LAB 41.27, 44.55, -84.53

 

CMYK 82 / 60 / 0 / 14

HEX #2858DC

RGB 40 88 220

HSL 224, 0.72%, 0.51%

LAB 42.15, 32.62, -71.72

 

CMYK 70 / 51 / 0 / 22

HEX #3D62C8

RGB 61 98 200

HSL 224.03, 0.56%, 0.51%

LAB 44.09, 21.15, -57.07

 

CMYK 55 / 40 / 0 / 30

HEX #516BB3

RGB 81 107 179

HSL 224.08, 0.39%, 0.51%

LAB 46.34, 11.84, -41.23

 

CMYK 36 / 27 / 0 / 38

HEX #65749F

RGB 101 116 159

HSL 224.48, 0.23%, 0.51%

LAB 49.2, 5.39, -24.96

 

CMYK 92 / 17 / 0 / 6

HEX #14C8F0

RGB 20 200 240

HSL 190.91, 0.88%, 0.51%

LAB 74.67, -26.8, -31.18

 

CMYK 92 / 41 / 0 / 6

HEX #148DF0

RGB 20 141 240

HSL 207, 0.88%, 0.51%

LAB 57.55, 5.63, -58.07

 

CMYK 92 / 66 / 0 / 6

HEX #1452F0

RGB 20 82 240

HSL 223.09, 0.88%, 0.51%

LAB 41.96, 42.7, -83.38

 

CMYK 92 / 90 / 0 / 6

HEX #1418F0

RGB 20 24 240

HSL 238.91, 0.88%, 0.51%

LAB 32.02, 71.06, -99.87

 

CMYK 69 / 92 / 0 / 6

HEX #4B14F0

RGB 75 20 240

HSL 255, 0.88%, 0.51%

LAB 34.57, 73.74, -95.53

 

CMYK 93 / 69 / 0 / 35

HEX #0B34A7

RGB 11 52 167

HSL 224.23, 0.88%, 0.35%

LAB 27.62, 34.18, -64.54

 

CMYK 94 / 68 / 0 / 19

HEX #0D41CE

RGB 13 65 206

HSL 223.83, 0.88%, 0.43%

LAB 34.65, 40.61, -76.01

 

CMYK 92 / 67 / 0 / 6

HEX #144FF0

RGB 20 79 240

HSL 223.91, 0.88%, 0.51%

LAB 41.27, 44.55, -84.53

 

CMYK 76 / 55 / 0 / 5

HEX #3B6CF2

RGB 59 108 242

HSL 223.93, 0.88%, 0.59%

LAB 49.58, 29.79, -72.01

 

CMYK 60 / 44 / 0 / 4

HEX #6289F5

RGB 98 137 245

HSL 224.08, 0.88%, 0.67%

LAB 59.05, 18.69, -58.31

 

CMYK 92 / 68 / 0 / 6

HEX #134EF0

RGB 19 78 240

HSL 223.98, 0.88%, 0.51%

LAB 41.02, 45.13, -84.93

 

CMYK 8 / 92 / 0 / 6

HEX #DE14F0

RGB 222 20 240

HSL 295.09, 0.88%, 0.51%

LAB 54.37, 89.55, -62.34

 

CMYK 29 / 0 / 92 / 6

HEX #AAF014

RGB 170 240 20

HSL 79.09, 0.88%, 0.51%

LAB 87.44, -48.09, 82.93

 

CMYK 92 / 68 / 0 / 6

HEX #134EF0

RGB 19 78 240

HSL 223.98, 0.88%, 0.51%

LAB 41.02, 45.13, -84.93

 

CMYK 0 / 92 / 66 / 6

HEX #F01452

RGB 240 20 82

HSL 343.09, 0.88%, 0.51%

LAB 51.42, 76.79, 26.66

 

CMYK 66 / 0 / 92 / 6

HEX #52F014

RGB 82 240 20

HSL 103.09, 0.88%, 0.51%

LAB 84.05, -73.67, 78.75

 

CMYK 92 / 68 / 0 / 6

HEX #134EF0

RGB 19 78 240

HSL 223.98, 0.88%, 0.51%

LAB 41.02, 45.13, -84.93

 

CMYK 8 / 92 / 0 / 6

HEX #DE14F0

RGB 222 20 240

HSL 295.09, 0.88%, 0.51%

LAB 54.37, 89.55, -62.34

 

CMYK 0 / 26 / 92 / 6

HEX #F0B214

RGB 240 178 20

HSL 43.09, 0.88%, 0.51%

LAB 76.32, 10.94, 76.64

 

CMYK 84 / 0 / 92 / 6

HEX #26F014

RGB 38 240 20

HSL 115.09, 0.88%, 0.51%

LAB 83.33, -79.99, 77.86

 

CMYK 92 / 68 / 0 / 6

HEX #134EF0

RGB 19 78 240

HSL 223.98, 0.88%, 0.51%

LAB 41.02, 45.13, -84.93

 

CMYK 0 / 92 / 20 / 6

HEX #F014C0

RGB 240 20 192

HSL 313.09, 0.88%, 0.51%

LAB 54.9, 86.11, -33.96

 

CMYK 0 / 26 / 92 / 6

HEX #F0B214

RGB 240 178 20

HSL 43.09, 0.88%, 0.51%

LAB 76.32, 10.94, 76.64

 

CMYK 92 / 0 / 72 / 6

HEX #14F044

RGB 20 240 68

HSL 133.09, 0.88%, 0.51%

LAB 83.38, -78.76, 66.04

 

Description

Color code: HEX #134EF0 | qconv.com Color code: HEX #134EF0 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 78 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 78 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, 68 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 68% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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