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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #133FD4 it is the complementary color #ECC02B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #133FD4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #133FD4 shade: #183FCF, #2951E2, #3A63F5, #4B75FF and #5C87FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #133FD4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #133FD4 shade: #133FD4, #022DC1, #001BAE, #00099B and #000088

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #133FD4 shade: #123ED3, #1A12D3, #4E12D3, #8212D3 and #B612D3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #133FD4 shade: #123ED3 and #1212D3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #133FD4 shade matches the following richer shades: #123ED3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #133FD4 shade: #123ED3, #2548C1, #3753AE, #4A5D9B and #5D6789

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #133FD4 shade: #12A6D3, #1273D3, #123FD3, #1912D3 and #4C12D3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #133FD4 shade: #0C2887, #0F33AD, #123ED3, #2351EC and #496FEF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #133FD4 shade: #133FD4, #CD12D3 and #8CD312

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #133FD4 shade: #133FD4, #D3123F and #3FD312

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #133FD4 shade: #133FD4, #CD12D3, #D3A612 and #19D312

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #133FD4 shade: #133FD4, #D312A0, #D3A612 and #12D346

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 70 / 0 / 17

HEX #133FD4

RGB 19 63 212

HSL 226.32, 0.84%, 0.45%

LAB 34.9, 44.23, -79.07

 

Complementary color

CMYK 0 / 19 / 82 / 7

HEX #ECC02B

RGB 236 192 43

HSL 46.32, 0.84%, 0.55%

LAB 79.45, 2.4, 73.74

 

CMYK 88 / 70 / 0 / 19

HEX #183FCF

RGB 24 63 207

HSL 227.21, 0.79%, 0.45%

LAB 34.51, 42.64, -76.81

 

CMYK 82 / 64 / 0 / 11

HEX #2951E2

RGB 41 81 226

HSL 227.03, 0.76%, 0.52%

LAB 40.97, 39.33, -77.07

 

CMYK 76 / 60 / 0 / 4

HEX #3A63F5

RGB 58 99 245

HSL 226.84, 0.9%, 0.59%

LAB 47.52, 36.39, -77.04

 

CMYK 71 / 54 / 0 / 0

HEX #4B75FF

RGB 75 117 255

HSL 226, 1%, 0.65%

LAB 53.43, 30.7, -72.94

 

CMYK 64 / 47 / 0 / 0

HEX #5C87FF

RGB 92 135 255

HSL 224.17, 1%, 0.68%

LAB 58.81, 22.19, -64.21

 

CMYK 91 / 70 / 0 / 17

HEX #133FD4

RGB 19 63 212

HSL 226.32, 0.84%, 0.45%

LAB 34.9, 44.23, -79.07

 

CMYK 99 / 77 / 0 / 24

HEX #022DC1

RGB 2 45 193

HSL 226.49, 0.98%, 0.38%

LAB 28.75, 47.72, -78.17

 

CMYK 100 / 84 / 0 / 32

HEX #001BAE

RGB 0 27 174

HSL 230.69, 1%, 0.34%

LAB 23.13, 50.73, -76.2

 

CMYK 100 / 94 / 0 / 39

HEX #00099B

RGB 0 9 155

HSL 236.52, 1%, 0.3%

LAB 18.2, 51.84, -72.88

 

CMYK 100 / 100 / 0 / 47

HEX #000088

RGB 0 0 136

HSL 240, 1%, 0.27%

LAB 14.27, 49.64, -67.6

 

CMYK 91 / 71 / 0 / 17

HEX #123ED3

RGB 18 62 211

HSL 226.32, 0.84%, 0.45%

LAB 34.55, 44.45, -79.06

 

CMYK 88 / 91 / 0 / 17

HEX #1A12D3

RGB 26 18 211

HSL 242.49, 0.84%, 0.45%

LAB 27.72, 65.12, -90.39

 

CMYK 63 / 91 / 0 / 17

HEX #4E12D3

RGB 78 18 211

HSL 258.65, 0.84%, 0.45%

LAB 31.24, 67.26, -84.44

 

CMYK 38 / 91 / 0 / 17

HEX #8212D3

RGB 130 18 211

HSL 274.82, 0.84%, 0.45%

LAB 37.63, 71.97, -73.68

 

CMYK 14 / 91 / 0 / 17

HEX #B612D3

RGB 182 18 211

HSL 290.98, 0.84%, 0.45%

LAB 45.74, 79.01, -60.1

 

CMYK 91 / 71 / 0 / 17

HEX #123ED3

RGB 18 62 211

HSL 226.32, 0.84%, 0.45%

LAB 34.55, 44.45, -79.06

 

CMYK 91 / 91 / 0 / 17

HEX #1212D3

RGB 18 18 211

HSL 240, 0.84%, 0.45%

LAB 27.48, 64.99, -90.81

 

CMYK 91 / 71 / 0 / 17

HEX #123ED3

RGB 18 62 211

HSL 226.32, 0.84%, 0.45%

LAB 34.55, 44.45, -79.06

 

CMYK 91 / 71 / 0 / 17

HEX #123ED3

RGB 18 62 211

HSL 226.32, 0.84%, 0.45%

LAB 34.55, 44.45, -79.06

 

CMYK 81 / 63 / 0 / 24

HEX #2548C1

RGB 37 72 193

HSL 226.54, 0.68%, 0.45%

LAB 35.75, 32.6, -66.6

 

CMYK 68 / 52 / 0 / 32

HEX #3753AE

RGB 55 83 174

HSL 225.88, 0.52%, 0.45%

LAB 37.94, 20.46, -51.82

 

CMYK 52 / 40 / 0 / 39

HEX #4A5D9B

RGB 74 93 155

HSL 225.93, 0.35%, 0.45%

LAB 40.66, 11.11, -36.1

 

CMYK 32 / 25 / 0 / 46

HEX #5D6789

RGB 93 103 137

HSL 226.36, 0.19%, 0.45%

LAB 43.99, 4.71, -20.01

 

CMYK 91 / 21 / 0 / 17

HEX #12A6D3

RGB 18 166 211

HSL 193.99, 0.84%, 0.45%

LAB 63.43, -19.28, -32.72

 

CMYK 91 / 45 / 0 / 17

HEX #1273D3

RGB 18 115 211

HSL 209.84, 0.84%, 0.45%

LAB 48.38, 10.38, -56.51

 

CMYK 91 / 70 / 0 / 17

HEX #123FD3

RGB 18 63 211

HSL 226.01, 0.84%, 0.45%

LAB 34.78, 43.84, -78.69

 

CMYK 88 / 91 / 0 / 17

HEX #1912D3

RGB 25 18 211

HSL 242.18, 0.84%, 0.45%

LAB 27.69, 65.11, -90.45

 

CMYK 64 / 91 / 0 / 17

HEX #4C12D3

RGB 76 18 211

HSL 258.03, 0.84%, 0.45%

LAB 31.05, 67.13, -84.77

 

CMYK 91 / 70 / 0 / 47

HEX #0C2887

RGB 12 40 135

HSL 226.34, 0.84%, 0.29%

LAB 21.38, 29.72, -55.17

 

CMYK 91 / 71 / 0 / 32

HEX #0F33AD

RGB 15 51 173

HSL 226.33, 0.84%, 0.37%

LAB 28.08, 37.26, -67.39

 

CMYK 91 / 71 / 0 / 17

HEX #123ED3

RGB 18 62 211

HSL 226.32, 0.84%, 0.45%

LAB 34.55, 44.45, -79.06

 

CMYK 85 / 66 / 0 / 7

HEX #2351EC

RGB 35 81 236

HSL 226.27, 0.84%, 0.53%

LAB 41.69, 42.55, -81.57

 

CMYK 69 / 54 / 0 / 6

HEX #496FEF

RGB 73 111 239

HSL 226.27, 0.84%, 0.61%

LAB 50.71, 28.55, -68.47

 

CMYK 91 / 70 / 0 / 17

HEX #133FD4

RGB 19 63 212

HSL 226.32, 0.84%, 0.45%

LAB 34.9, 44.23, -79.07

 

CMYK 3 / 91 / 0 / 17

HEX #CD12D3

RGB 205 18 211

HSL 298.13, 0.84%, 0.45%

LAB 49.64, 82.67, -53.64

 

CMYK 34 / 0 / 91 / 17

HEX #8CD312

RGB 140 211 18

HSL 82.07, 0.84%, 0.45%

LAB 77.4, -46.91, 74.42

 

CMYK 91 / 70 / 0 / 17

HEX #133FD4

RGB 19 63 212

HSL 226.32, 0.84%, 0.45%

LAB 34.9, 44.23, -79.07

 

CMYK 0 / 91 / 70 / 17

HEX #D3123F

RGB 211 18 63

HSL 346.01, 0.84%, 0.45%

LAB 45.14, 69.08, 29.07

 

CMYK 70 / 0 / 91 / 17

HEX #3FD312

RGB 63 211 18

HSL 106.01, 0.84%, 0.45%

LAB 74.63, -68.36, 70.99

 

CMYK 91 / 70 / 0 / 17

HEX #133FD4

RGB 19 63 212

HSL 226.32, 0.84%, 0.45%

LAB 34.9, 44.23, -79.07

 

CMYK 3 / 91 / 0 / 17

HEX #CD12D3

RGB 205 18 211

HSL 298.13, 0.84%, 0.45%

LAB 49.64, 82.67, -53.64

 

CMYK 0 / 21 / 91 / 17

HEX #D3A612

RGB 211 166 18

HSL 46.01, 0.84%, 0.45%

LAB 70.29, 4.64, 71.11

 

CMYK 88 / 0 / 91 / 17

HEX #19D312

RGB 25 211 18

HSL 117.82, 0.84%, 0.45%

LAB 74.09, -73.14, 70.32

 

CMYK 91 / 70 / 0 / 17

HEX #133FD4

RGB 19 63 212

HSL 226.32, 0.84%, 0.45%

LAB 34.9, 44.23, -79.07

 

CMYK 0 / 91 / 24 / 17

HEX #D312A0

RGB 211 18 160

HSL 315.85, 0.84%, 0.45%

LAB 48.03, 76.93, -26.27

 

CMYK 0 / 21 / 91 / 17

HEX #D3A612

RGB 211 166 18

HSL 46.01, 0.84%, 0.45%

LAB 70.29, 4.64, 71.11

 

CMYK 91 / 0 / 67 / 17

HEX #12D346

RGB 18 211 70

HSL 136.17, 0.84%, 0.45%

LAB 74.29, -70.33, 55.71

 

Description

Color code: HEX #133FD4 | qconv.com Color code: HEX #133FD4 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 63 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 63 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, 70 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 70% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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