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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #133C44 it is the complementary color #ECC3BB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #133C44. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #133C44 shade: #183C3F, #294E52, #3A6065, #4B7278 and #5C848B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #133C44. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #133C44 shade: #133C44, #022A31, #00181E, #00060B and #000000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #133C44 shade: #133C44, #132F44, #132244, #131444 and #1F1344

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #133C44 shade: #133C44, #132F44, #132244, #131444 and #131344

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #133C44 shade matches the following richer shades: #133C44, #0C404B and #054552

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #133C44 shade: #133C44, #1A373D, #213236, #282E2F and #2F2928

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #133C44 shade: #134431, #13443E, #133C44, #132F44 and #132244

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #133C44 shade: #010303, #0A1F23, #133C44, #1C5864 and #257584

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #133C44 shade: #133C44, #241344 and #443713

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #133C44 shade: #133C44, #44133C and #3C4413

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #133C44 shade: #133C44, #241344, #441A13 and #334413

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #133C44 shade: #133C44, #331344, #441A13 and #244413

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 12 / 0 / 73

HEX #133C44

RGB 19 60 68

HSL 189.8, 0.56%, 0.17%

LAB 22.96, -11.18, -9.13

 

Complementary color

CMYK 0 / 17 / 21 / 7

HEX #ECC3BB

RGB 236 195 187

HSL 9.8, 0.56%, 0.83%

LAB 82.08, 13.36, 9.48

 

CMYK 62 / 5 / 0 / 75

HEX #183C3F

RGB 24 60 63

HSL 184.62, 0.45%, 0.17%

LAB 22.95, -11.82, -5.79

 

CMYK 50 / 5 / 0 / 68

HEX #294E52

RGB 41 78 82

HSL 185.85, 0.33%, 0.24%

LAB 30.71, -11.99, -6.49

 

CMYK 43 / 5 / 0 / 60

HEX #3A6065

RGB 58 96 101

HSL 186.98, 0.27%, 0.31%

LAB 38.21, -12.03, -7.11

 

CMYK 38 / 5 / 0 / 53

HEX #4B7278

RGB 75 114 120

HSL 188, 0.23%, 0.38%

LAB 45.48, -12.02, -7.68

 

CMYK 34 / 5 / 0 / 45

HEX #5C848B

RGB 92 132 139

HSL 188.94, 0.2%, 0.45%

LAB 52.56, -12, -8.22

 

CMYK 72 / 12 / 0 / 73

HEX #133C44

RGB 19 60 68

HSL 189.8, 0.56%, 0.17%

LAB 22.96, -11.18, -9.13

 

CMYK 96 / 14 / 0 / 81

HEX #022A31

RGB 2 42 49

HSL 188.94, 0.92%, 0.1%

LAB 14.9, -10.42, -8.42

 

CMYK 100 / 20 / 0 / 88

HEX #00181E

RGB 0 24 30

HSL 192, 1%, 0.06%

LAB 6.75, -6.1, -6.99

 

CMYK 100 / 45 / 0 / 96

HEX #00060B

RGB 0 6 11

HSL 207.27, 1%, 0.02%

LAB 1.39, -0.87, -2.46

 

CMYK 72 / 12 / 0 / 73

HEX #133C44

RGB 19 60 68

HSL 189.8, 0.56%, 0.17%

LAB 22.96, -11.18, -9.13

 

CMYK 72 / 31 / 0 / 73

HEX #132F44

RGB 19 47 68

HSL 205.71, 0.56%, 0.17%

LAB 18.32, -2.7, -16.28

 

CMYK 72 / 50 / 0 / 73

HEX #132244

RGB 19 34 68

HSL 221.63, 0.56%, 0.17%

LAB 13.83, 6.76, -23.38

 

CMYK 72 / 71 / 0 / 73

HEX #131444

RGB 19 20 68

HSL 238.78, 0.56%, 0.17%

LAB 9.45, 17.42, -30.45

 

CMYK 54 / 72 / 0 / 73

HEX #1F1344

RGB 31 19 68

HSL 254.69, 0.56%, 0.17%

LAB 10.37, 20.64, -28.91

 

CMYK 72 / 12 / 0 / 73

HEX #133C44

RGB 19 60 68

HSL 189.8, 0.56%, 0.17%

LAB 22.96, -11.18, -9.13

 

CMYK 72 / 31 / 0 / 73

HEX #132F44

RGB 19 47 68

HSL 205.71, 0.56%, 0.17%

LAB 18.32, -2.7, -16.28

 

CMYK 72 / 50 / 0 / 73

HEX #132244

RGB 19 34 68

HSL 221.63, 0.56%, 0.17%

LAB 13.83, 6.76, -23.38

 

CMYK 72 / 71 / 0 / 73

HEX #131444

RGB 19 20 68

HSL 238.78, 0.56%, 0.17%

LAB 9.45, 17.42, -30.45

 

CMYK 72 / 72 / 0 / 73

HEX #131344

RGB 19 19 68

HSL 240, 0.56%, 0.17%

LAB 9.17, 18.16, -30.91

 

CMYK 72 / 12 / 0 / 73

HEX #133C44

RGB 19 60 68

HSL 189.8, 0.56%, 0.17%

LAB 22.96, -11.18, -9.13

 

CMYK 84 / 15 / 0 / 71

HEX #0C404B

RGB 12 64 75

HSL 190.48, 0.72%, 0.17%

LAB 24.49, -12.16, -11.46

 

CMYK 94 / 16 / 0 / 68

HEX #054552

RGB 5 69 82

HSL 190.13, 0.89%, 0.17%

LAB 26.44, -13.27, -13.07

 

CMYK 72 / 12 / 0 / 73

HEX #133C44

RGB 19 60 68

HSL 189.8, 0.56%, 0.17%

LAB 22.96, -11.18, -9.13

 

CMYK 57 / 10 / 0 / 76

HEX #1A373D

RGB 26 55 61

HSL 190.29, 0.4%, 0.17%

LAB 21.17, -8.88, -7.11

 

CMYK 39 / 7 / 0 / 79

HEX #213236

RGB 33 50 54

HSL 191.43, 0.24%, 0.17%

LAB 19.52, -5.73, -4.78

 

CMYK 15 / 2 / 0 / 82

HEX #282E2F

RGB 40 46 47

HSL 188.57, 0.08%, 0.17%

LAB 18.41, -2.35, -1.53

 

CMYK 0 / 13 / 15 / 82

HEX #2F2928

RGB 47 41 40

HSL 8.57, 0.08%, 0.17%

LAB 17.2, 2.54, 1.66

 

CMYK 72 / 0 / 28 / 73

HEX #134431

RGB 19 68 49

HSL 156.73, 0.56%, 0.17%

LAB 25.24, -21.71, 6.79

 

CMYK 72 / 0 / 9 / 73

HEX #13443E

RGB 19 68 62

HSL 172.65, 0.56%, 0.17%

LAB 25.62, -17.88, -1.17

 

CMYK 72 / 12 / 0 / 73

HEX #133C44

RGB 19 60 68

HSL 189.8, 0.56%, 0.17%

LAB 22.96, -11.18, -9.13

 

CMYK 72 / 31 / 0 / 73

HEX #132F44

RGB 19 47 68

HSL 205.71, 0.56%, 0.17%

LAB 18.32, -2.7, -16.28

 

CMYK 72 / 50 / 0 / 73

HEX #132244

RGB 19 34 68

HSL 221.63, 0.56%, 0.17%

LAB 13.83, 6.76, -23.38

 

CMYK 67 / 0 / 0 / 99

HEX #010303

RGB 1 3 3

HSL 180, 0.5%, 0.01%

LAB 0.71, -0.52, -0.18

 

CMYK 71 / 11 / 0 / 86

HEX #0A1F23

RGB 10 31 35

HSL 189.6, 0.56%, 0.09%

LAB 10.3, -6.87, -5.28

 

CMYK 72 / 12 / 0 / 73

HEX #133C44

RGB 19 60 68

HSL 189.8, 0.56%, 0.17%

LAB 22.96, -11.18, -9.13

 

CMYK 72 / 12 / 0 / 61

HEX #1C5864

RGB 28 88 100

HSL 190, 0.56%, 0.25%

LAB 34.29, -14.73, -12.53

 

CMYK 72 / 11 / 0 / 48

HEX #257584

RGB 37 117 132

HSL 189.47, 0.56%, 0.33%

LAB 45.33, -18.59, -15.21

 

CMYK 72 / 12 / 0 / 73

HEX #133C44

RGB 19 60 68

HSL 189.8, 0.56%, 0.17%

LAB 22.96, -11.18, -9.13

 

CMYK 47 / 72 / 0 / 73

HEX #241344

RGB 36 19 68

HSL 260.82, 0.56%, 0.17%

LAB 10.98, 21.83, -27.89

 

CMYK 0 / 19 / 72 / 73

HEX #443713

RGB 68 55 19

HSL 44.08, 0.56%, 0.17%

LAB 23.7, 0.86, 24.11

 

CMYK 72 / 12 / 0 / 73

HEX #133C44

RGB 19 60 68

HSL 189.8, 0.56%, 0.17%

LAB 22.96, -11.18, -9.13

 

CMYK 0 / 72 / 12 / 73

HEX #44133C

RGB 68 19 60

HSL 309.8, 0.56%, 0.17%

LAB 15.6, 29.08, -14.59

 

CMYK 12 / 0 / 72 / 73

HEX #3C4413

RGB 60 68 19

HSL 69.8, 0.56%, 0.17%

LAB 27.14, -11.32, 27.57

 

CMYK 72 / 12 / 0 / 73

HEX #133C44

RGB 19 60 68

HSL 189.8, 0.56%, 0.17%

LAB 22.96, -11.18, -9.13

 

CMYK 47 / 72 / 0 / 73

HEX #241344

RGB 36 19 68

HSL 260.82, 0.56%, 0.17%

LAB 10.98, 21.83, -27.89

 

CMYK 0 / 62 / 72 / 73

HEX #441A13

RGB 68 26 19

HSL 8.57, 0.56%, 0.17%

LAB 15.56, 19.66, 14.62

 

CMYK 25 / 0 / 72 / 73

HEX #334413

RGB 51 68 19

HSL 80.82, 0.56%, 0.17%

LAB 26.4, -15.65, 26.57

 

CMYK 72 / 12 / 0 / 73

HEX #133C44

RGB 19 60 68

HSL 189.8, 0.56%, 0.17%

LAB 22.96, -11.18, -9.13

 

CMYK 25 / 72 / 0 / 73

HEX #331344

RGB 51 19 68

HSL 279.18, 0.56%, 0.17%

LAB 13.15, 25.8, -24.28

 

CMYK 0 / 62 / 72 / 73

HEX #441A13

RGB 68 26 19

HSL 8.57, 0.56%, 0.17%

LAB 15.56, 19.66, 14.62

 

CMYK 47 / 0 / 72 / 73

HEX #244413

RGB 36 68 19

HSL 99.18, 0.56%, 0.17%

LAB 25.43, -22.13, 25.23

 

Description

Color code: HEX #133C44 | qconv.com Color code: HEX #133C44 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 60 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 60 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, 12 magenta, none yellow and 73 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 12% 0% 73% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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