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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #132A39 it is the complementary color #ECD5C6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #132A39. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #132A39 shade: #182A34, #293C47, #3A4E5A, #4B606D and #5C7280

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #132A39. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #132A39 shade: #132A39, #021826, #000613 and #000000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #132A39 shade: #132A39, #132039, #131639, #1B1339 and #251339

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #132A39 shade: #132A39, #132039, #131639 and #131339

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #132A39 shade matches the following richer shades: #132A39, #0D2C40, #072D46 and #012E4C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #132A39 shade: #132A39, #192933, #20282D, #262627 and #2C2521

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #132A39 shade: #133934, #133539, #132B39, #132139 and #131639

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #132A39 shade: #000000, #09131A, #132A39, #1D4158 and #285877

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #132A39 shade: #132A39, #291339 and #393913

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #132A39 shade: #132A39, #39132B and #2B3913

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #132A39 shade: #132A39, #291339, #392213 and #233913

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #132A39 shade: #132A39, #351339, #392213 and #183913

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 26 / 0 / 78

HEX #132A39

RGB 19 42 57

HSL 203.68, 0.5%, 0.15%

LAB 15.95, -3.59, -12.37

 

Complementary color

CMYK 0 / 10 / 16 / 7

HEX #ECD5C6

RGB 236 213 198

HSL 23.68, 0.5%, 0.85%

LAB 86.75, 5.57, 10.3

 

CMYK 54 / 19 / 0 / 80

HEX #182A34

RGB 24 42 52

HSL 201.43, 0.37%, 0.15%

LAB 15.99, -4.03, -8.78

 

CMYK 42 / 15 / 0 / 72

HEX #293C47

RGB 41 60 71

HSL 202, 0.27%, 0.22%

LAB 24.19, -4.26, -9.16

 

CMYK 36 / 13 / 0 / 65

HEX #3A4E5A

RGB 58 78 90

HSL 202.5, 0.22%, 0.29%

LAB 32, -4.4, -9.55

 

CMYK 31 / 12 / 0 / 57

HEX #4B606D

RGB 75 96 109

HSL 202.94, 0.18%, 0.36%

LAB 39.52, -4.51, -9.96

 

CMYK 28 / 11 / 0 / 50

HEX #5C7280

RGB 92 114 128

HSL 203.33, 0.16%, 0.43%

LAB 46.8, -4.6, -10.36

 

CMYK 67 / 26 / 0 / 78

HEX #132A39

RGB 19 42 57

HSL 203.68, 0.5%, 0.15%

LAB 15.95, -3.59, -12.37

 

CMYK 95 / 37 / 0 / 85

HEX #021826

RGB 2 24 38

HSL 203.33, 0.9%, 0.08%

LAB 7.28, -2.65, -12.21

 

CMYK 100 / 68 / 0 / 93

HEX #000613

RGB 0 6 19

HSL 221.05, 1%, 0.04%

LAB 1.6, 0.58, -6.4

 

CMYK 67 / 26 / 0 / 78

HEX #132A39

RGB 19 42 57

HSL 203.68, 0.5%, 0.15%

LAB 15.95, -3.59, -12.37

 

CMYK 67 / 44 / 0 / 78

HEX #132039

RGB 19 32 57

HSL 219.47, 0.5%, 0.15%

LAB 12.4, 3.67, -17.93

 

CMYK 67 / 61 / 0 / 78

HEX #131639

RGB 19 22 57

HSL 235.26, 0.5%, 0.15%

LAB 9.06, 11.39, -23.27

 

CMYK 53 / 67 / 0 / 78

HEX #1B1339

RGB 27 19 57

HSL 252.63, 0.5%, 0.15%

LAB 8.94, 15.73, -23.41

 

CMYK 35 / 67 / 0 / 78

HEX #251339

RGB 37 19 57

HSL 268.42, 0.5%, 0.15%

LAB 10.22, 18.63, -21.3

 

CMYK 67 / 26 / 0 / 78

HEX #132A39

RGB 19 42 57

HSL 203.68, 0.5%, 0.15%

LAB 15.95, -3.59, -12.37

 

CMYK 67 / 44 / 0 / 78

HEX #132039

RGB 19 32 57

HSL 219.47, 0.5%, 0.15%

LAB 12.4, 3.67, -17.93

 

CMYK 67 / 61 / 0 / 78

HEX #131639

RGB 19 22 57

HSL 235.26, 0.5%, 0.15%

LAB 9.06, 11.39, -23.27

 

CMYK 67 / 67 / 0 / 78

HEX #131339

RGB 19 19 57

HSL 240, 0.5%, 0.15%

LAB 8.13, 13.72, -24.77

 

CMYK 67 / 26 / 0 / 78

HEX #132A39

RGB 19 42 57

HSL 203.68, 0.5%, 0.15%

LAB 15.95, -3.59, -12.37

 

CMYK 80 / 31 / 0 / 75

HEX #0D2C40

RGB 13 44 64

HSL 203.53, 0.66%, 0.15%

LAB 16.78, -3.45, -15.95

 

CMYK 90 / 36 / 0 / 73

HEX #072D46

RGB 7 45 70

HSL 203.81, 0.82%, 0.15%

LAB 17.29, -2.5, -19.29

 

CMYK 99 / 39 / 0 / 70

HEX #012E4C

RGB 1 46 76

HSL 204, 0.97%, 0.15%

LAB 17.84, -1.36, -22.52

 

CMYK 67 / 26 / 0 / 78

HEX #132A39

RGB 19 42 57

HSL 203.68, 0.5%, 0.15%

LAB 15.95, -3.59, -12.37

 

CMYK 51 / 20 / 0 / 80

HEX #192933

RGB 25 41 51

HSL 203.08, 0.34%, 0.15%

LAB 15.65, -3.37, -8.59

 

CMYK 29 / 11 / 0 / 82

HEX #20282D

RGB 32 40 45

HSL 203.08, 0.17%, 0.15%

LAB 15.56, -2.07, -4.44

 

CMYK 3 / 3 / 0 / 85

HEX #262627

RGB 38 38 39

HSL 240, 0.01%, 0.15%

LAB 15.19, 0.25, -0.66

 

CMYK 0 / 16 / 25 / 83

HEX #2C2521

RGB 44 37 33

HSL 21.82, 0.14%, 0.15%

LAB 15.32, 2.45, 3.87

 

CMYK 67 / 0 / 9 / 78

HEX #133934

RGB 19 57 52

HSL 172.11, 0.5%, 0.15%

LAB 21.25, -14.89, -0.92

 

CMYK 67 / 7 / 0 / 78

HEX #133539

RGB 19 53 57

HSL 186.32, 0.5%, 0.15%

LAB 19.96, -10.81, -6.24

 

CMYK 67 / 25 / 0 / 78

HEX #132B39

RGB 19 43 57

HSL 202.11, 0.5%, 0.15%

LAB 16.31, -4.28, -11.81

 

CMYK 67 / 42 / 0 / 78

HEX #132139

RGB 19 33 57

HSL 217.89, 0.5%, 0.15%

LAB 12.74, 2.92, -17.38

 

CMYK 67 / 61 / 0 / 78

HEX #131639

RGB 19 22 57

HSL 235.26, 0.5%, 0.15%

LAB 9.06, 11.39, -23.27

 

CMYK 65 / 27 / 0 / 90

HEX #09131A

RGB 9 19 26

HSL 204.71, 0.49%, 0.07%

LAB 5.41, -1.51, -5.86

 

CMYK 67 / 26 / 0 / 78

HEX #132A39

RGB 19 42 57

HSL 203.68, 0.5%, 0.15%

LAB 15.95, -3.59, -12.37

 

CMYK 67 / 26 / 0 / 65

HEX #1D4158

RGB 29 65 88

HSL 203.39, 0.5%, 0.23%

LAB 26, -4.85, -17.61

 

CMYK 66 / 26 / 0 / 53

HEX #285877

RGB 40 88 119

HSL 203.54, 0.5%, 0.31%

LAB 35.52, -5.78, -22.41

 

CMYK 67 / 26 / 0 / 78

HEX #132A39

RGB 19 42 57

HSL 203.68, 0.5%, 0.15%

LAB 15.95, -3.59, -12.37

 

CMYK 28 / 67 / 0 / 78

HEX #291339

RGB 41 19 57

HSL 274.74, 0.5%, 0.15%

LAB 10.8, 19.86, -20.34

 

CMYK 0 / 0 / 67 / 78

HEX #393913

RGB 57 57 19

HSL 60, 0.5%, 0.15%

LAB 23.15, -6.15, 23.16

 

CMYK 67 / 26 / 0 / 78

HEX #132A39

RGB 19 42 57

HSL 203.68, 0.5%, 0.15%

LAB 15.95, -3.59, -12.37

 

CMYK 0 / 67 / 25 / 78

HEX #39132B

RGB 57 19 43

HSL 322.11, 0.5%, 0.15%

LAB 12.67, 22.21, -7.05

 

CMYK 25 / 0 / 67 / 78

HEX #2B3913

RGB 43 57 19

HSL 82.11, 0.5%, 0.15%

LAB 21.9, -13.14, 21.42

 

CMYK 67 / 26 / 0 / 78

HEX #132A39

RGB 19 42 57

HSL 203.68, 0.5%, 0.15%

LAB 15.95, -3.59, -12.37

 

CMYK 28 / 67 / 0 / 78

HEX #291339

RGB 41 19 57

HSL 274.74, 0.5%, 0.15%

LAB 10.8, 19.86, -20.34

 

CMYK 0 / 40 / 67 / 78

HEX #392213

RGB 57 34 19

HSL 23.68, 0.5%, 0.15%

LAB 15.8, 9.13, 14.54

 

CMYK 39 / 0 / 67 / 78

HEX #233913

RGB 35 57 19

HSL 94.74, 0.5%, 0.15%

LAB 21.32, -16.8, 20.61

 

CMYK 67 / 26 / 0 / 78

HEX #132A39

RGB 19 42 57

HSL 203.68, 0.5%, 0.15%

LAB 15.95, -3.59, -12.37

 

CMYK 7 / 67 / 0 / 78

HEX #351339

RGB 53 19 57

HSL 293.68, 0.5%, 0.15%

LAB 12.72, 23.69, -17.16

 

CMYK 0 / 40 / 67 / 78

HEX #392213

RGB 57 34 19

HSL 23.68, 0.5%, 0.15%

LAB 15.8, 9.13, 14.54

 

CMYK 58 / 0 / 67 / 78

HEX #183913

RGB 24 57 19

HSL 112.11, 0.5%, 0.15%

LAB 20.7, -21.15, 19.73

 

Description

Color code: HEX #132A39 | qconv.com Color code: HEX #132A39 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 42 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 42 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, 26 magenta, none yellow and 78 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 26% 0% 78% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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