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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1312CACE it is the complementary color #ECED35CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1312CACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1312CACE shade: #1812C5CE, #2924D8CE, #3A36EBCE, #4B48FECE and #5C5AFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1312CACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1312CACE shade: #1312CACE, #0200B7CE, #0000A4CE, #000091CE and #00007ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1312CACE shade: #1312CA, #4412CA, #7612CA, #A812CA and #CA12BA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1312CACE shade: #1312CA and #1212CA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1312CACE shade matches the following richer shades: #1312CA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1312CACE shade: #1312CA, #2423B8, #3635A6, #474795 and #595983

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1312CACE shade: #1274CA, #1243CA, #1212CA, #4312CA and #7412CA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1312CACE shade: #0C0B7E, #0F0EA4, #1312CA, #1B1AEB and #403FEE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1312CACE shade: #1312CA, #CA12A5 and #5BCA12

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1312CACE shade: #1312CA, #CA1212 and #12CA12

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1312CACE shade: #1312CA, #CA12A5, #CACA12 and #12CA36

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1312CACE shade: #1312CA, #CA126E, #CACA12 and #12CA6E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 74 / 0 / 17

HEX #1312CACE

RGBA 19 18 202 0.81

HSLA 240.33, 0.84%, 0.43%, 0.81

LABA 26.26, 62.58, -87.59, 0.81

 

Complementary color

CMYK 0 / 0 / 63 / 6

HEX #ECED35CE

RGBA 236 237 53 0.81

HSLA 60.33, 0.84%, 0.57%, 0.81

LABA 91.08, -19.86, 81.1, 0.81

 

CMYK 71 / 74 / 0 / 18

HEX #1812C5CE

RGBA 24 18 197 0.81

HSLA 242.01, 0.83%, 0.42%, 0.81

LABA 25.74, 61.31, -85.52, 0.81

 

CMYK 66 / 68 / 0 / 12

HEX #2924D8CE

RGBA 41 36 216 0.81

HSLA 241.67, 0.71%, 0.49%, 0.81

LABA 31.09, 60.69, -87.66, 0.81

 

CMYK 61 / 62 / 0 / 6

HEX #3A36EBCE

RGBA 58 54 235 0.81

HSLA 241.33, 0.82%, 0.57%, 0.81

LABA 37, 59.01, -88.71, 0.81

 

CMYK 57 / 58 / 0 / 0

HEX #4B48FECE

RGBA 75 72 254 0.81

HSLA 240.99, 0.99%, 0.64%, 0.81

LABA 43.19, 56.93, -89.13, 0.81

 

CMYK 52 / 52 / 0 / 0

HEX #5C5AFFCE

RGBA 92 90 255 0.81

HSLA 240.73, 1%, 0.68%, 0.81

LABA 48.02, 49.14, -81.72, 0.81

 

CMYK 73 / 74 / 0 / 17

HEX #1312CACE

RGBA 19 18 202 0.81

HSLA 240.33, 0.84%, 0.43%, 0.81

LABA 26.26, 62.58, -87.59, 0.81

 

CMYK 80 / 81 / 0 / 23

HEX #0200B7CE

RGBA 2 0 183 0.81

HSLA 240.66, 1%, 0.36%, 0.81

LABA 21.7, 61.74, -83.99, 0.81

 

CMYK 81 / 81 / 0 / 29

HEX #0000A4CE

RGBA 0 0 164 0.81

HSLA 240, 1%, 0.32%, 0.81

LABA 18.72, 56.92, -77.52, 0.81

 

CMYK 81 / 81 / 0 / 35

HEX #000091CE

RGBA 0 0 145 0.81

HSLA 240, 1%, 0.28%, 0.81

LABA 15.72, 52, -70.83, 0.81

 

CMYK 81 / 81 / 0 / 41

HEX #00007ECE

RGBA 0 0 126 0.81

HSLA 240, 1%, 0.25%, 0.81

LABA 12.65, 46.97, -63.97, 0.81

 

CMYK 91 / 91 / 0 / 21

HEX #1312CA

RGB 19 18 202

HSL 240.33, 0.84%, 0.43%

LAB 26.26, 62.58, -87.59

 

CMYK 66 / 91 / 0 / 21

HEX #4412CA

RGB 68 18 202

HSL 256.3, 0.84%, 0.43%

LAB 29.22, 64.39, -82.57

 

CMYK 42 / 91 / 0 / 21

HEX #7612CA

RGB 118 18 202

HSL 272.61, 0.84%, 0.43%

LAB 35.1, 68.71, -72.67

 

CMYK 17 / 91 / 0 / 21

HEX #A812CA

RGB 168 18 202

HSL 288.91, 0.84%, 0.43%

LAB 42.8, 75.36, -59.78

 

CMYK 0 / 91 / 8 / 21

HEX #CA12BA

RGB 202 18 186

HSL 305.22, 0.84%, 0.43%

LAB 47.67, 78.53, -42.32

 

CMYK 91 / 91 / 0 / 21

HEX #1312CA

RGB 19 18 202

HSL 240.33, 0.84%, 0.43%

LAB 26.26, 62.58, -87.59

 

CMYK 91 / 91 / 0 / 21

HEX #1212CA

RGB 18 18 202

HSL 240, 0.84%, 0.43%

LAB 26.23, 62.56, -87.64

 

CMYK 91 / 91 / 0 / 21

HEX #1312CA

RGB 19 18 202

HSL 240.33, 0.84%, 0.43%

LAB 26.26, 62.58, -87.59

 

CMYK 91 / 91 / 0 / 21

HEX #1312CA

RGB 19 18 202

HSL 240.33, 0.84%, 0.43%

LAB 26.26, 62.58, -87.59

 

CMYK 80 / 81 / 0 / 28

HEX #2423B8

RGB 36 35 184

HSL 240.4, 0.68%, 0.43%

LAB 26.84, 51.22, -75.98

 

CMYK 67 / 68 / 0 / 35

HEX #3635A6

RGB 54 53 166

HSL 240.53, 0.52%, 0.43%

LAB 29.62, 36.83, -60.58

 

CMYK 52 / 52 / 0 / 42

HEX #474795

RGB 71 71 149

HSL 240, 0.35%, 0.43%

LAB 34.02, 22.61, -43.09

 

CMYK 32 / 32 / 0 / 49

HEX #595983

RGB 89 89 131

HSL 240, 0.19%, 0.43%

LAB 39.42, 10.46, -23.48

 

CMYK 91 / 43 / 0 / 21

HEX #1274CA

RGB 18 116 202

HSL 208.04, 0.84%, 0.43%

LAB 48.11, 6.22, -51.8

 

CMYK 91 / 67 / 0 / 21

HEX #1243CA

RGB 18 67 202

HSL 224.02, 0.84%, 0.43%

LAB 34.82, 38.03, -73.4

 

CMYK 91 / 91 / 0 / 21

HEX #1212CA

RGB 18 18 202

HSL 240, 0.84%, 0.43%

LAB 26.23, 62.56, -87.64

 

CMYK 67 / 91 / 0 / 21

HEX #4312CA

RGB 67 18 202

HSL 255.98, 0.84%, 0.43%

LAB 29.13, 64.33, -82.73

 

CMYK 43 / 91 / 0 / 21

HEX #7412CA

RGB 116 18 202

HSL 271.96, 0.84%, 0.43%

LAB 34.82, 68.49, -73.14

 

CMYK 90 / 91 / 0 / 51

HEX #0C0B7E

RGB 12 11 126

HSL 240.52, 0.84%, 0.27%

LAB 14.53, 42.84, -60.81

 

CMYK 91 / 91 / 0 / 36

HEX #0F0EA4

RGB 15 14 164

HSL 240.4, 0.84%, 0.35%

LAB 20.42, 53.13, -74.66

 

CMYK 91 / 91 / 0 / 21

HEX #1312CA

RGB 19 18 202

HSL 240.33, 0.84%, 0.43%

LAB 26.26, 62.58, -87.59

 

CMYK 89 / 89 / 0 / 8

HEX #1B1AEB

RGB 27 26 235

HSL 240.29, 0.84%, 0.51%

LAB 31.74, 69.25, -97.49

 

CMYK 73 / 74 / 0 / 7

HEX #403FEE

RGB 64 63 238

HSL 240.34, 0.84%, 0.59%

LAB 39.27, 55.77, -86.63

 

CMYK 91 / 91 / 0 / 21

HEX #1312CA

RGB 19 18 202

HSL 240.33, 0.84%, 0.43%

LAB 26.26, 62.58, -87.59

 

CMYK 0 / 91 / 18 / 21

HEX #CA12A5

RGB 202 18 165

HSL 312.07, 0.84%, 0.43%

LAB 46.59, 75.75, -31.63

 

CMYK 55 / 0 / 91 / 21

HEX #5BCA12

RGB 91 202 18

HSL 96.2, 0.84%, 0.43%

LAB 72.57, -59.09, 69.58

 

CMYK 91 / 91 / 0 / 21

HEX #1312CA

RGB 19 18 202

HSL 240.33, 0.84%, 0.43%

LAB 26.26, 62.58, -87.59

 

CMYK 0 / 91 / 91 / 21

HEX #CA1212

RGB 202 18 18

HSL 0, 0.84%, 0.43%

LAB 42.81, 65.49, 50.58

 

CMYK 91 / 0 / 91 / 21

HEX #12CA12

RGB 18 202 18

HSL 120, 0.84%, 0.43%

LAB 71.15, -71.11, 67.82

 

CMYK 91 / 91 / 0 / 21

HEX #1312CA

RGB 19 18 202

HSL 240.33, 0.84%, 0.43%

LAB 26.26, 62.58, -87.59

 

CMYK 0 / 91 / 18 / 21

HEX #CA12A5

RGB 202 18 165

HSL 312.07, 0.84%, 0.43%

LAB 46.59, 75.75, -31.63

 

CMYK 0 / 0 / 91 / 21

HEX #CACA12

RGB 202 202 18

HSL 60, 0.84%, 0.43%

LAB 78.95, -17.88, 77.38

 

CMYK 91 / 0 / 73 / 21

HEX #12CA36

RGB 18 202 54

HSL 131.74, 0.84%, 0.43%

LAB 71.31, -69.16, 58.65

 

CMYK 91 / 91 / 0 / 21

HEX #1312CA

RGB 19 18 202

HSL 240.33, 0.84%, 0.43%

LAB 26.26, 62.58, -87.59

 

CMYK 0 / 91 / 46 / 21

HEX #CA126E

RGB 202 18 110

HSL 330, 0.84%, 0.43%

LAB 44.4, 69.92, -1.48

 

CMYK 0 / 0 / 91 / 21

HEX #CACA12

RGB 202 202 18

HSL 60, 0.84%, 0.43%

LAB 78.95, -17.88, 77.38

 

CMYK 91 / 0 / 46 / 21

HEX #12CA6E

RGB 18 202 110

HSL 150, 0.84%, 0.43%

LAB 71.89, -62, 34.4

 

Description

Color code: HEX #1312CACE | qconv.com Color code: HEX #1312CACE | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 18 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 18 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, 74 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 74% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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