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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #12F85F it is the complementary color #ED07A0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #12F85F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #12F85F shade: #17F85A, #28FF6D, #39FF80, #4AFF93 and #5BFFA6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #12F85F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #12F85F shade: #12F85F, #01E64C, #00D439, #00C226 and #00B013

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #12F85F shade: #12F85F, #12F821, #41F812, #7FF812 and #BDF812

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #12F85F shade: #12F85F, #12F89D, #12F8DB, #12D7F8 and #1299F8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #12F85F shade matches the following richer shades: #12F85F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #12F85F shade: #12F85F, #25E465, #39D06C, #4DBC72 and #61A879

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #12F85F shade: #40F812, #12F821, #12F85E, #12F89C and #12F8D9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #12F85F shade: #05B13F, #07D94D, #12F85F, #3AF97A and #62FA95

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #12F85F shade: #12F85F, #127DF8 and #F81221

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #12F85F shade: #12F85F, #5E12F8 and #F85E12

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #12F85F shade: #12F85F, #127DF8, #F812AB and #F88C12

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #12F85F shade: #12F85F, #1238F8, #F812AB and #F8D112

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 0 / 62 / 3

HEX #12F85F

RGB 18 248 95

HSL 140.09, 0.94%, 0.52%

LAB 86.05, -78.51, 58.45

 

Complementary color

CMYK 0 / 97 / 32 / 7

HEX #ED07A0

RGB 237 7 160

HSL 320.09, 0.94%, 0.48%

LAB 52.61, 83.1, -18.8

 

CMYK 91 / 0 / 64 / 3

HEX #17F85A

RGB 23 248 90

HSL 137.87, 0.94%, 0.53%

LAB 86.03, -78.82, 60.51

 

CMYK 84 / 0 / 57 / 0

HEX #28FF6D

RGB 40 255 109

HSL 139.26, 1%, 0.58%

LAB 88.48, -77.56, 55.28

 

CMYK 78 / 0 / 50 / 0

HEX #39FF80

RGB 57 255 128

HSL 141.52, 1%, 0.61%

LAB 88.9, -73.3, 47.18

 

CMYK 71 / 0 / 42 / 0

HEX #4AFF93

RGB 74 255 147

HSL 144.2, 1%, 0.65%

LAB 89.43, -68.1, 38.8

 

CMYK 64 / 0 / 35 / 0

HEX #5BFFA6

RGB 91 255 166

HSL 147.44, 1%, 0.68%

LAB 90.09, -62.02, 30.31

 

CMYK 93 / 0 / 62 / 3

HEX #12F85F

RGB 18 248 95

HSL 140.09, 0.94%, 0.52%

LAB 86.05, -78.51, 58.45

 

CMYK 100 / 0 / 67 / 10

HEX #01E64C

RGB 1 230 76

HSL 139.65, 0.99%, 0.45%

LAB 80.25, -75.9, 59.74

 

CMYK 100 / 0 / 73 / 17

HEX #00D439

RGB 0 212 57

HSL 136.13, 1%, 0.42%

LAB 74.43, -72.54, 60.74

 

CMYK 100 / 0 / 80 / 24

HEX #00C226

RGB 0 194 38

HSL 131.75, 1%, 0.38%

LAB 68.55, -68.83, 61.07

 

CMYK 100 / 0 / 89 / 31

HEX #00B013

RGB 0 176 19

HSL 126.48, 1%, 0.35%

LAB 62.59, -64.74, 60.27

 

CMYK 93 / 0 / 62 / 3

HEX #12F85F

RGB 18 248 95

HSL 140.09, 0.94%, 0.52%

LAB 86.05, -78.51, 58.45

 

CMYK 93 / 0 / 87 / 3

HEX #12F821

RGB 18 248 33

HSL 123.91, 0.94%, 0.52%

LAB 85.69, -83.07, 77.75

 

CMYK 74 / 0 / 93 / 3

HEX #41F812

RGB 65 248 18

HSL 107.74, 0.94%, 0.52%

LAB 86.16, -79.05, 80.6

 

CMYK 49 / 0 / 93 / 3

HEX #7FF812

RGB 127 248 18

HSL 91.57, 0.94%, 0.52%

LAB 87.82, -65.37, 82.65

 

CMYK 24 / 0 / 93 / 3

HEX #BDF812

RGB 189 248 18

HSL 75.39, 0.94%, 0.52%

LAB 90.78, -44.45, 86.26

 

CMYK 93 / 0 / 62 / 3

HEX #12F85F

RGB 18 248 95

HSL 140.09, 0.94%, 0.52%

LAB 86.05, -78.51, 58.45

 

CMYK 93 / 0 / 37 / 3

HEX #12F89D

RGB 18 248 157

HSL 156.26, 0.94%, 0.52%

LAB 86.85, -68.92, 30.31

 

CMYK 93 / 0 / 12 / 3

HEX #12F8DB

RGB 18 248 219

HSL 172.43, 0.94%, 0.52%

LAB 88.15, -54.65, 0.21

 

CMYK 93 / 13 / 0 / 3

HEX #12D7F8

RGB 18 215 248

HSL 188.61, 0.94%, 0.52%

LAB 79.33, -31.62, -28.3

 

CMYK 93 / 38 / 0 / 3

HEX #1299F8

RGB 18 153 248

HSL 204.78, 0.94%, 0.52%

LAB 61.38, 1.44, -56.36

 

CMYK 93 / 0 / 62 / 3

HEX #12F85F

RGB 18 248 95

HSL 140.09, 0.94%, 0.52%

LAB 86.05, -78.51, 58.45

 

CMYK 93 / 0 / 62 / 3

HEX #12F85F

RGB 18 248 95

HSL 140.09, 0.94%, 0.52%

LAB 86.05, -78.51, 58.45

 

CMYK 84 / 0 / 56 / 11

HEX #25E465

RGB 37 228 101

HSL 140.1, 0.78%, 0.52%

LAB 80.08, -70.49, 48.91

 

CMYK 73 / 0 / 48 / 18

HEX #39D06C

RGB 57 208 108

HSL 140.26, 0.62%, 0.52%

LAB 74.23, -60.45, 38.48

 

CMYK 59 / 0 / 39 / 26

HEX #4DBC72

RGB 77 188 114

HSL 140, 0.45%, 0.52%

LAB 68.58, -48.17, 28.23

 

CMYK 42 / 0 / 28 / 34

HEX #61A879

RGB 97 168 121

HSL 140.28, 0.29%, 0.52%

LAB 63.28, -32.97, 17.46

 

CMYK 74 / 0 / 93 / 3

HEX #40F812

RGB 64 248 18

HSL 108, 0.94%, 0.52%

LAB 86.14, -79.2, 80.58

 

CMYK 93 / 0 / 87 / 3

HEX #12F821

RGB 18 248 33

HSL 123.91, 0.94%, 0.52%

LAB 85.69, -83.07, 77.75

 

CMYK 93 / 0 / 62 / 3

HEX #12F85E

RGB 18 248 94

HSL 139.83, 0.94%, 0.52%

LAB 86.04, -78.62, 58.86

 

CMYK 93 / 0 / 37 / 3

HEX #12F89C

RGB 18 248 156

HSL 156, 0.94%, 0.52%

LAB 86.83, -69.12, 30.79

 

CMYK 93 / 0 / 13 / 3

HEX #12F8D9

RGB 18 248 217

HSL 171.91, 0.94%, 0.52%

LAB 88.1, -55.17, 1.18

 

CMYK 97 / 0 / 64 / 31

HEX #05B13F

RGB 5 177 63

HSL 140.23, 0.95%, 0.36%

LAB 63.21, -61.46, 46.42

 

CMYK 97 / 0 / 65 / 15

HEX #07D94D

RGB 7 217 77

HSL 140, 0.94%, 0.44%

LAB 76.2, -71.83, 54.92

 

CMYK 93 / 0 / 62 / 3

HEX #12F85F

RGB 18 248 95

HSL 140.09, 0.94%, 0.52%

LAB 86.05, -78.51, 58.45

 

CMYK 77 / 0 / 51 / 2

HEX #3AF97A

RGB 58 249 122

HSL 140.1, 0.94%, 0.6%

LAB 87.02, -72.1, 47.67

 

CMYK 61 / 0 / 40 / 2

HEX #62FA95

RGB 98 250 149

HSL 140.13, 0.94%, 0.68%

LAB 88.51, -61.81, 36.72

 

CMYK 93 / 0 / 62 / 3

HEX #12F85F

RGB 18 248 95

HSL 140.09, 0.94%, 0.52%

LAB 86.05, -78.51, 58.45

 

CMYK 93 / 50 / 0 / 3

HEX #127DF8

RGB 18 125 248

HSL 212.09, 0.94%, 0.52%

LAB 53.57, 18.45, -68.91

 

CMYK 0 / 93 / 87 / 3

HEX #F81221

RGB 248 18 33

HSL 356.09, 0.94%, 0.52%

LAB 52.4, 77.37, 55.38

 

CMYK 93 / 0 / 62 / 3

HEX #12F85F

RGB 18 248 95

HSL 140.09, 0.94%, 0.52%

LAB 86.05, -78.51, 58.45

 

CMYK 62 / 93 / 0 / 3

HEX #5E12F8

RGB 94 18 248

HSL 259.83, 0.94%, 0.52%

LAB 37.1, 77.09, -95.81

 

CMYK 0 / 62 / 93 / 3

HEX #F85E12

RGB 248 94 18

HSL 19.83, 0.94%, 0.52%

LAB 59.89, 56.18, 65.95

 

CMYK 93 / 0 / 62 / 3

HEX #12F85F

RGB 18 248 95

HSL 140.09, 0.94%, 0.52%

LAB 86.05, -78.51, 58.45

 

CMYK 93 / 50 / 0 / 3

HEX #127DF8

RGB 18 125 248

HSL 212.09, 0.94%, 0.52%

LAB 53.57, 18.45, -68.91

 

CMYK 0 / 93 / 31 / 3

HEX #F812AB

RGB 248 18 171

HSL 320.09, 0.94%, 0.52%

LAB 55.41, 85.55, -20.82

 

CMYK 0 / 44 / 93 / 3

HEX #F88C12

RGB 248 140 18

HSL 31.83, 0.94%, 0.52%

LAB 68.57, 34.18, 71.83

 

CMYK 93 / 0 / 62 / 3

HEX #12F85F

RGB 18 248 95

HSL 140.09, 0.94%, 0.52%

LAB 86.05, -78.51, 58.45

 

CMYK 93 / 77 / 0 / 3

HEX #1238F8

RGB 18 56 248

HSL 230.09, 0.94%, 0.52%

LAB 37.36, 60.32, -95.49

 

CMYK 0 / 93 / 31 / 3

HEX #F812AB

RGB 248 18 171

HSL 320.09, 0.94%, 0.52%

LAB 55.41, 85.55, -20.82

 

CMYK 0 / 16 / 93 / 3

HEX #F8D112

RGB 248 209 18

HSL 49.83, 0.94%, 0.52%

LAB 84.79, -1.7, 83.58

 

Description

Color code: HEX #12F85F | qconv.com Color code: HEX #12F85F | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 248 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 248 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, none magenta, 62 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 0% 62% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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