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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #12EDA8 it is the complementary color #ED1257. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #12EDA8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #12EDA8 shade: #17EDA3, #28FFB6, #39FFC9, #4AFFDC and #5BFFEF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #12EDA8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #12EDA8 shade: #12EDA8, #01DB95, #00C982, #00B76F and #00A55C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #12EDA8 shade: #11EDA8, #11ED6C, #11ED31, #2DED11 and #68ED11

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #12EDA8 shade: #11EDA8, #11EDE3, #11BBED, #1180ED and #1145ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #12EDA8 shade matches the following richer shades: #11EDA8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #12EDA8 shade: #11EDA8, #26D8A0, #3BC398, #4FAF91 and #649A89

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #12EDA8 shade: #11ED32, #11ED6D, #11EDA7, #11EDE2 and #11BDED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #12EDA8 shade: #0CA071, #0EC68C, #11EDA8, #38F0B6 and #5EF2C4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #12EDA8 shade: #12EDA8, #112BED and #ED4F11

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #12EDA8 shade: #12EDA8, #A711ED and #EDA711

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #12EDA8 shade: #12EDA8, #112BED, #ED1157 and #EDD311

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #12EDA8 shade: #12EDA8, #3A11ED, #ED1157 and #C4ED11

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 0 / 29 / 7

HEX #12EDA8

RGB 18 237 168

HSL 161.1, 0.86%, 0.5%

LAB 83.72, -62.77, 20.43

 

Complementary color

CMYK 0 / 92 / 63 / 7

HEX #ED1257

RGB 237 18 87

HSL 341.1, 0.86%, 0.5%

LAB 50.83, 76.55, 22.75

 

CMYK 90 / 0 / 31 / 7

HEX #17EDA3

RGB 23 237 163

HSL 159.25, 0.86%, 0.51%

LAB 83.65, -63.63, 22.92

 

CMYK 84 / 0 / 29 / 0

HEX #28FFB6

RGB 40 255 182

HSL 159.63, 1%, 0.58%

LAB 89.56, -65.06, 21.35

 

CMYK 78 / 0 / 21 / 0

HEX #39FFC9

RGB 57 255 201

HSL 163.64, 1%, 0.61%

LAB 90.14, -59.36, 12.45

 

CMYK 71 / 0 / 14 / 0

HEX #4AFFDC

RGB 74 255 220

HSL 168.4, 1%, 0.65%

LAB 90.85, -52.91, 3.69

 

CMYK 64 / 0 / 6 / 0

HEX #5BFFEF

RGB 91 255 239

HSL 174.15, 1%, 0.68%

LAB 91.67, -45.81, -4.9

 

CMYK 92 / 0 / 29 / 7

HEX #12EDA8

RGB 18 237 168

HSL 161.1, 0.86%, 0.5%

LAB 83.72, -62.77, 20.43

 

CMYK 100 / 0 / 32 / 14

HEX #01DB95

RGB 1 219 149

HSL 160.73, 0.99%, 0.43%

LAB 77.78, -60.91, 22.11

 

CMYK 100 / 0 / 35 / 21

HEX #00C982

RGB 0 201 130

HSL 158.81, 1%, 0.39%

LAB 71.82, -58.52, 23.95

 

CMYK 100 / 0 / 39 / 28

HEX #00B76F

RGB 0 183 111

HSL 156.39, 1%, 0.36%

LAB 65.76, -56, 25.87

 

CMYK 100 / 0 / 44 / 35

HEX #00A55C

RGB 0 165 92

HSL 153.45, 1%, 0.32%

LAB 59.6, -53.36, 27.85

 

CMYK 93 / 0 / 29 / 7

HEX #11EDA8

RGB 17 237 168

HSL 161.18, 0.87%, 0.5%

LAB 83.71, -62.8, 20.42

 

CMYK 93 / 0 / 54 / 7

HEX #11ED6C

RGB 17 237 108

HSL 144.82, 0.87%, 0.5%

LAB 82.79, -73.62, 48.92

 

CMYK 93 / 0 / 79 / 7

HEX #11ED31

RGB 17 237 49

HSL 128.73, 0.87%, 0.5%

LAB 82.33, -79.4, 70.99

 

CMYK 81 / 0 / 93 / 7

HEX #2DED11

RGB 45 237 17

HSL 112.36, 0.87%, 0.5%

LAB 82.47, -78.54, 77.54

 

CMYK 56 / 0 / 93 / 7

HEX #68ED11

RGB 104 237 17

HSL 96.27, 0.87%, 0.5%

LAB 83.73, -67.8, 79.1

 

CMYK 93 / 0 / 29 / 7

HEX #11EDA8

RGB 17 237 168

HSL 161.18, 0.87%, 0.5%

LAB 83.71, -62.8, 20.42

 

CMYK 93 / 0 / 4 / 7

HEX #11EDE3

RGB 17 237 227

HSL 177.27, 0.87%, 0.5%

LAB 85.12, -47.94, -8.45

 

CMYK 93 / 21 / 0 / 7

HEX #11BBED

RGB 17 187 237

HSL 193.64, 0.87%, 0.5%

LAB 70.71, -21.33, -35.67

 

CMYK 93 / 46 / 0 / 7

HEX #1180ED

RGB 17 128 237

HSL 209.73, 0.87%, 0.5%

LAB 53.68, 12.31, -62.62

 

CMYK 93 / 71 / 0 / 7

HEX #1145ED

RGB 17 69 237

HSL 225.82, 0.87%, 0.5%

LAB 38.71, 49.42, -87.06

 

CMYK 93 / 0 / 29 / 7

HEX #11EDA8

RGB 17 237 168

HSL 161.18, 0.87%, 0.5%

LAB 83.71, -62.8, 20.42

 

CMYK 93 / 0 / 29 / 7

HEX #11EDA8

RGB 17 237 168

HSL 161.18, 0.87%, 0.5%

LAB 83.71, -62.8, 20.42

 

CMYK 82 / 0 / 26 / 15

HEX #26D8A0

RGB 38 216 160

HSL 161.12, 0.7%, 0.5%

LAB 77.32, -55.49, 15.73

 

CMYK 70 / 0 / 22 / 24

HEX #3BC398

RGB 59 195 152

HSL 161.03, 0.54%, 0.5%

LAB 71.03, -46.49, 11.2

 

CMYK 55 / 0 / 17 / 31

HEX #4FAF91

RGB 79 175 145

HSL 161.25, 0.38%, 0.5%

LAB 65.25, -35.67, 6.88

 

CMYK 35 / 0 / 11 / 40

HEX #649A89

RGB 100 154 137

HSL 161.11, 0.21%, 0.5%

LAB 59.55, -21.82, 3.26

 

CMYK 93 / 0 / 79 / 7

HEX #11ED32

RGB 17 237 50

HSL 129, 0.87%, 0.5%

LAB 82.33, -79.35, 70.71

 

CMYK 93 / 0 / 54 / 7

HEX #11ED6D

RGB 17 237 109

HSL 145.09, 0.87%, 0.5%

LAB 82.8, -73.48, 48.47

 

CMYK 93 / 0 / 30 / 7

HEX #11EDA7

RGB 17 237 167

HSL 160.91, 0.87%, 0.5%

LAB 83.69, -63.02, 20.91

 

CMYK 93 / 0 / 5 / 7

HEX #11EDE2

RGB 17 237 226

HSL 177, 0.87%, 0.5%

LAB 85.09, -48.22, -7.96

 

CMYK 93 / 20 / 0 / 7

HEX #11BDED

RGB 17 189 237

HSL 193.09, 0.87%, 0.5%

LAB 71.3, -22.36, -34.76

 

CMYK 93 / 0 / 29 / 37

HEX #0CA071

RGB 12 160 113

HSL 160.95, 0.86%, 0.34%

LAB 58.43, -46.44, 14.83

 

CMYK 93 / 0 / 29 / 22

HEX #0EC68C

RGB 14 198 140

HSL 161.09, 0.87%, 0.42%

LAB 71.13, -54.73, 17.71

 

CMYK 93 / 0 / 29 / 7

HEX #11EDA8

RGB 17 237 168

HSL 161.18, 0.87%, 0.5%

LAB 83.71, -62.8, 20.42

 

CMYK 77 / 0 / 24 / 6

HEX #38F0B6

RGB 56 240 182

HSL 161.09, 0.86%, 0.58%

LAB 85.27, -58, 15.39

 

CMYK 61 / 0 / 19 / 5

HEX #5EF2C4

RGB 94 242 196

HSL 161.35, 0.85%, 0.66%

LAB 86.93, -50.17, 10.58

 

CMYK 92 / 0 / 29 / 7

HEX #12EDA8

RGB 18 237 168

HSL 161.1, 0.86%, 0.5%

LAB 83.72, -62.77, 20.43

 

CMYK 93 / 82 / 0 / 7

HEX #112BED

RGB 17 43 237

HSL 232.91, 0.87%, 0.5%

LAB 33.9, 63.16, -95.03

 

CMYK 0 / 67 / 93 / 7

HEX #ED4F11

RGB 237 79 17

HSL 16.91, 0.87%, 0.5%

LAB 55.72, 58.62, 62.59

 

CMYK 92 / 0 / 29 / 7

HEX #12EDA8

RGB 18 237 168

HSL 161.1, 0.86%, 0.5%

LAB 83.72, -62.77, 20.43

 

CMYK 30 / 93 / 0 / 7

HEX #A711ED

RGB 167 17 237

HSL 280.91, 0.87%, 0.5%

LAB 45.26, 81.67, -75.82

 

CMYK 0 / 30 / 93 / 7

HEX #EDA711

RGB 237 167 17

HSL 40.91, 0.87%, 0.5%

LAB 73.34, 15.41, 74.79

 

CMYK 92 / 0 / 29 / 7

HEX #12EDA8

RGB 18 237 168

HSL 161.1, 0.86%, 0.5%

LAB 83.72, -62.77, 20.43

 

CMYK 93 / 82 / 0 / 7

HEX #112BED

RGB 17 43 237

HSL 232.91, 0.87%, 0.5%

LAB 33.9, 63.16, -95.03

 

CMYK 0 / 93 / 63 / 7

HEX #ED1157

RGB 237 17 87

HSL 340.91, 0.87%, 0.5%

LAB 50.8, 76.66, 22.7

 

CMYK 0 / 11 / 93 / 7

HEX #EDD311

RGB 237 211 17

HSL 52.91, 0.87%, 0.5%

LAB 84.29, -7.43, 82.89

 

CMYK 92 / 0 / 29 / 7

HEX #12EDA8

RGB 18 237 168

HSL 161.1, 0.86%, 0.5%

LAB 83.72, -62.77, 20.43

 

CMYK 76 / 93 / 0 / 7

HEX #3A11ED

RGB 58 17 237

HSL 251.18, 0.87%, 0.5%

LAB 32.73, 72.93, -96.93

 

CMYK 0 / 93 / 63 / 7

HEX #ED1157

RGB 237 17 87

HSL 340.91, 0.87%, 0.5%

LAB 50.8, 76.66, 22.7

 

CMYK 17 / 0 / 93 / 7

HEX #C4ED11

RGB 196 237 17

HSL 71.18, 0.87%, 0.5%

LAB 88.13, -36.92, 84.48

 

Description

Color code: HEX #12EDA8 | qconv.com Color code: HEX #12EDA8 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 237 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 237 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, none magenta, 29 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 0% 29% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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