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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #12EB43 it is the complementary color #ED14BC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #12EB43. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #12EB43 shade: #17EB3E, #28FD51, #39FF64, #4AFF77 and #5BFF8A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #12EB43. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #12EB43 shade: #12EB43, #01D930, #00C71D, #00B50A and #00A300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #12EB43 shade: #12ED43, #1BED12, #57ED12, #92ED12 and #CDED12

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #12EB43 shade: #12ED43, #12ED7F, #12EDBA, #12E6ED and #12AAED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #12EB43 shade matches the following richer shades: #12ED43

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #12EB43 shade: #12ED43, #26D94F, #3BC45A, #50AF65 and #649B71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #12EB43 shade: #57ED12, #1DED12, #12ED41, #12ED7C and #12EDB6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #12EB43 shade: #0CA02E, #0FC738, #12ED43, #38F062 and #5FF380

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #12EB43 shade: #12EB43, #1292ED and #ED123A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #12EB43 shade: #12EB43, #4112ED and #ED4112

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #12EB43 shade: #12EB43, #1292ED, #ED12BE and #ED6D12

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #12EB43 shade: #12EB43, #1250ED, #ED12BE and #EDAF12

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 0 / 71 / 8

HEX #12EB43

RGB 18 235 67

HSL 133.55, 0.86%, 0.5%

LAB 81.81, -77.53, 64.78

 

Complementary color

CMYK 0 / 92 / 21 / 7

HEX #ED14BC

RGB 237 20 188

HSL 313.55, 0.86%, 0.5%

LAB 54.17, 85.07, -32.82

 

CMYK 90 / 0 / 74 / 8

HEX #17EB3E

RGB 23 235 62

HSL 131.04, 0.84%, 0.51%

LAB 81.81, -77.67, 66.51

 

CMYK 84 / 0 / 68 / 1

HEX #28FD51

RGB 40 253 81

HSL 131.55, 0.98%, 0.57%

LAB 87.63, -80, 65.8

 

CMYK 78 / 0 / 61 / 0

HEX #39FF64

RGB 57 255 100

HSL 133.03, 1%, 0.61%

LAB 88.6, -76.94, 59.34

 

CMYK 71 / 0 / 53 / 0

HEX #4AFF77

RGB 74 255 119

HSL 134.92, 1%, 0.65%

LAB 89.07, -72.3, 51.61

 

CMYK 64 / 0 / 46 / 0

HEX #5BFF8A

RGB 91 255 138

HSL 137.2, 1%, 0.68%

LAB 89.66, -66.73, 43.53

 

CMYK 92 / 0 / 71 / 8

HEX #12EB43

RGB 18 235 67

HSL 133.55, 0.86%, 0.5%

LAB 81.81, -77.53, 64.78

 

CMYK 100 / 0 / 78 / 15

HEX #01D930

RGB 1 217 48

HSL 133.06, 0.99%, 0.43%

LAB 75.97, -74.56, 65.2

 

CMYK 100 / 0 / 85 / 22

HEX #00C71D

RGB 0 199 29

HSL 128.74, 1%, 0.39%

LAB 70.13, -70.69, 64.82

 

CMYK 100 / 0 / 94 / 29

HEX #00B50A

RGB 0 181 10

HSL 123.31, 1%, 0.35%

LAB 64.22, -66.4, 63.07

 

CMYK 100 / 0 / 100 / 36

HEX #00A300

RGB 0 163 0

HSL 120, 1%, 0.32%

LAB 58.22, -61.66, 59.51

 

CMYK 92 / 0 / 72 / 7

HEX #12ED43

RGB 18 237 67

HSL 133.42, 0.86%, 0.5%

LAB 82.43, -78.1, 65.42

 

CMYK 89 / 0 / 92 / 7

HEX #1BED12

RGB 27 237 18

HSL 117.53, 0.86%, 0.5%

LAB 82.3, -80.09, 77.21

 

CMYK 63 / 0 / 92 / 7

HEX #57ED12

RGB 87 237 18

HSL 101.1, 0.86%, 0.5%

LAB 83.25, -71.75, 78.39

 

CMYK 38 / 0 / 92 / 7

HEX #92ED12

RGB 146 237 18

HSL 84.93, 0.86%, 0.5%

LAB 85.36, -55.33, 80.99

 

CMYK 14 / 0 / 92 / 7

HEX #CDED12

RGB 205 237 18

HSL 68.77, 0.86%, 0.5%

LAB 88.73, -33.33, 85.08

 

CMYK 92 / 0 / 72 / 7

HEX #12ED43

RGB 18 237 67

HSL 133.42, 0.86%, 0.5%

LAB 82.43, -78.1, 65.42

 

CMYK 92 / 0 / 46 / 7

HEX #12ED7F

RGB 18 237 127

HSL 149.86, 0.86%, 0.5%

LAB 83.04, -70.68, 40.21

 

CMYK 92 / 0 / 22 / 7

HEX #12EDBA

RGB 18 237 186

HSL 166.03, 0.86%, 0.5%

LAB 84.09, -58.63, 11.59

 

CMYK 92 / 3 / 0 / 7

HEX #12E6ED

RGB 18 230 237

HSL 181.92, 0.86%, 0.5%

LAB 83.36, -41.96, -16.35

 

CMYK 92 / 28 / 0 / 7

HEX #12AAED

RGB 18 170 237

HSL 198.36, 0.86%, 0.5%

LAB 65.74, -12.25, -43.43

 

CMYK 92 / 0 / 72 / 7

HEX #12ED43

RGB 18 237 67

HSL 133.42, 0.86%, 0.5%

LAB 82.43, -78.1, 65.42

 

CMYK 92 / 0 / 72 / 7

HEX #12ED43

RGB 18 237 67

HSL 133.42, 0.86%, 0.5%

LAB 82.43, -78.1, 65.42

 

CMYK 82 / 0 / 64 / 15

HEX #26D94F

RGB 38 217 79

HSL 133.74, 0.7%, 0.5%

LAB 76.44, -69.66, 54.41

 

CMYK 70 / 0 / 54 / 23

HEX #3BC45A

RGB 59 196 90

HSL 133.58, 0.54%, 0.5%

LAB 70.28, -58.57, 42.38

 

CMYK 54 / 0 / 42 / 31

HEX #50AF65

RGB 80 175 101

HSL 133.26, 0.37%, 0.5%

LAB 64.41, -44.37, 29.62

 

CMYK 35 / 0 / 27 / 39

HEX #649B71

RGB 100 155 113

HSL 134.18, 0.22%, 0.5%

LAB 59.29, -27.35, 16.41

 

CMYK 63 / 0 / 92 / 7

HEX #57ED12

RGB 87 237 18

HSL 101.1, 0.86%, 0.5%

LAB 83.25, -71.75, 78.39

 

CMYK 88 / 0 / 92 / 7

HEX #1DED12

RGB 29 237 18

HSL 116.99, 0.86%, 0.5%

LAB 82.31, -79.95, 77.23

 

CMYK 92 / 0 / 73 / 7

HEX #12ED41

RGB 18 237 65

HSL 132.88, 0.86%, 0.5%

LAB 82.42, -78.26, 66.1

 

CMYK 92 / 0 / 48 / 7

HEX #12ED7C

RGB 18 237 124

HSL 149.04, 0.86%, 0.5%

LAB 82.99, -71.17, 41.61

 

CMYK 92 / 0 / 23 / 7

HEX #12EDB6

RGB 18 237 182

HSL 164.93, 0.86%, 0.5%

LAB 84, -59.58, 13.56

 

CMYK 93 / 0 / 71 / 37

HEX #0CA02E

RGB 12 160 46

HSL 133.78, 0.86%, 0.34%

LAB 57.48, -57.69, 47.36

 

CMYK 92 / 0 / 72 / 22

HEX #0FC738

RGB 15 199 56

HSL 133.37, 0.86%, 0.42%

LAB 70.34, -68.29, 56.93

 

CMYK 92 / 0 / 72 / 7

HEX #12ED43

RGB 18 237 67

HSL 133.42, 0.86%, 0.5%

LAB 82.43, -78.1, 65.42

 

CMYK 77 / 0 / 59 / 6

HEX #38F062

RGB 56 240 98

HSL 133.7, 0.86%, 0.58%

LAB 83.99, -72.62, 54.91

 

CMYK 61 / 0 / 47 / 5

HEX #5FF380

RGB 95 243 128

HSL 133.38, 0.86%, 0.66%

LAB 86.05, -63.12, 43.79

 

CMYK 92 / 0 / 71 / 8

HEX #12EB43

RGB 18 235 67

HSL 133.55, 0.86%, 0.5%

LAB 81.81, -77.53, 64.78

 

CMYK 92 / 38 / 0 / 7

HEX #1292ED

RGB 18 146 237

HSL 204.93, 0.86%, 0.5%

LAB 58.79, 1.43, -54.43

 

CMYK 0 / 92 / 76 / 7

HEX #ED123A

RGB 237 18 58

HSL 349.04, 0.86%, 0.5%

LAB 50.38, 75.3, 39.52

 

CMYK 92 / 0 / 71 / 8

HEX #12EB43

RGB 18 235 67

HSL 133.55, 0.86%, 0.5%

LAB 81.81, -77.53, 64.78

 

CMYK 73 / 92 / 0 / 7

HEX #4112ED

RGB 65 18 237

HSL 252.88, 0.86%, 0.5%

LAB 33.29, 72.99, -95.99

 

CMYK 0 / 73 / 92 / 7

HEX #ED4112

RGB 237 65 18

HSL 12.88, 0.86%, 0.5%

LAB 53.84, 63.78, 61.11

 

CMYK 92 / 0 / 71 / 8

HEX #12EB43

RGB 18 235 67

HSL 133.55, 0.86%, 0.5%

LAB 81.81, -77.53, 64.78

 

CMYK 92 / 38 / 0 / 7

HEX #1292ED

RGB 18 146 237

HSL 204.93, 0.86%, 0.5%

LAB 58.79, 1.43, -54.43

 

CMYK 0 / 92 / 20 / 7

HEX #ED12BE

RGB 237 18 190

HSL 312.88, 0.86%, 0.5%

LAB 54.19, 85.51, -33.95

 

CMYK 0 / 54 / 92 / 7

HEX #ED6D12

RGB 237 109 18

HSL 24.93, 0.86%, 0.5%

LAB 60.77, 45.36, 65.7

 

CMYK 92 / 0 / 71 / 8

HEX #12EB43

RGB 18 235 67

HSL 133.55, 0.86%, 0.5%

LAB 81.81, -77.53, 64.78

 

CMYK 92 / 66 / 0 / 7

HEX #1250ED

RGB 18 80 237

HSL 223.01, 0.86%, 0.5%

LAB 41.18, 42.78, -82.97

 

CMYK 0 / 92 / 20 / 7

HEX #ED12BE

RGB 237 18 190

HSL 312.88, 0.86%, 0.5%

LAB 54.19, 85.51, -33.95

 

CMYK 0 / 26 / 92 / 7

HEX #EDAF12

RGB 237 175 18

HSL 43.01, 0.86%, 0.5%

LAB 75.27, 11.2, 76.04

 

Description

Color code: HEX #12EB43 | qconv.com Color code: HEX #12EB43 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 235 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 235 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, none magenta, 71 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 0% 71% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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