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Color name
HEX #12DF80

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #12DF80 it is the complementary color #ED207F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #12DF80. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #12DF80 shade: #17DF7B, #28F18E, #39FFA1, #4AFFB4 and #5BFFC7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #12DF80. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #12DF80 shade: #12DF80, #01CD6D, #00BB5A, #00A947 and #009734

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #12DF80 shade: #12DE7F, #12DE48, #13DE12, #49DE12 and #80DE12

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #12DF80 shade: #12DE7F, #12DEB6, #12CEDE, #1297DE and #1260DE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #12DF80 shade matches the following richer shades: #12DE7F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #12DF80 shade: #12DE7F, #25CA7E, #39B77C, #4CA47B and #60907A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #12DF80 shade: #12DE12, #12DE48, #12DE7F, #12DEB5 and #12D0DE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #12DF80 shade: #0C9153, #0FB869, #12DE7F, #2BEE94 and #51F1A7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #12DF80 shade: #12DF80, #1248DE and #DE2D12

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #12DF80 shade: #12DF80, #7F12DE and #DE7F12

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #12DF80 shade: #12DF80, #1248DE, #DE1271 and #DEA712

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #12DF80 shade: #12DF80, #1912DE, #DE1271 and #D7DE12

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 0 / 43 / 13

HEX #12DF80

RGB 18 223 128

HSL 152.2, 0.85%, 0.47%

LAB 78.73, -65.88, 34.17

 

Complementary color

CMYK 0 / 86 / 46 / 7

HEX #ED207F

RGB 237 32 127

HSL 332.2, 0.85%, 0.53%

LAB 52.48, 77.26, 0.74

 

CMYK 90 / 0 / 45 / 13

HEX #17DF7B

RGB 23 223 123

HSL 150, 0.81%, 0.48%

LAB 78.69, -66.51, 36.62

 

CMYK 83 / 0 / 41 / 5

HEX #28F18E

RGB 40 241 142

HSL 150.45, 0.88%, 0.55%

LAB 84.65, -68.04, 34.93

 

CMYK 78 / 0 / 37 / 0

HEX #39FFA1

RGB 57 255 161

HSL 151.52, 1%, 0.61%

LAB 89.38, -67.77, 31.75

 

CMYK 71 / 0 / 29 / 0

HEX #4AFFB4

RGB 74 255 180

HSL 155.14, 1%, 0.65%

LAB 89.99, -61.94, 23.03

 

CMYK 64 / 0 / 22 / 0

HEX #5BFFC7

RGB 91 255 199

HSL 159.51, 1%, 0.68%

LAB 90.72, -55.34, 14.39

 

CMYK 92 / 0 / 43 / 13

HEX #12DF80

RGB 18 223 128

HSL 152.2, 0.85%, 0.47%

LAB 78.73, -65.88, 34.17

 

CMYK 100 / 0 / 47 / 20

HEX #01CD6D

RGB 1 205 109

HSL 151.76, 0.99%, 0.4%

LAB 72.74, -63.85, 35.98

 

CMYK 100 / 0 / 52 / 27

HEX #00BB5A

RGB 0 187 90

HSL 148.88, 1%, 0.37%

LAB 66.73, -61.13, 37.9

 

CMYK 100 / 0 / 58 / 34

HEX #00A947

RGB 0 169 71

HSL 145.21, 1%, 0.33%

LAB 60.63, -58.17, 39.78

 

CMYK 100 / 0 / 66 / 41

HEX #009734

RGB 0 151 52

HSL 140.66, 1%, 0.3%

LAB 54.43, -54.94, 41.49

 

CMYK 92 / 0 / 43 / 13

HEX #12DE7F

RGB 18 222 127

HSL 152.06, 0.85%, 0.47%

LAB 78.41, -65.73, 34.25

 

CMYK 92 / 0 / 68 / 13

HEX #12DE48

RGB 18 222 72

HSL 135.88, 0.85%, 0.47%

LAB 77.78, -73.36, 58.68

 

CMYK 91 / 0 / 92 / 13

HEX #13DE12

RGB 19 222 18

HSL 119.71, 0.85%, 0.47%

LAB 77.53, -76.53, 73.2

 

CMYK 67 / 0 / 92 / 13

HEX #49DE12

RGB 73 222 18

HSL 103.82, 0.85%, 0.47%

LAB 78.29, -69.89, 74.14

 

CMYK 42 / 0 / 92 / 13

HEX #80DE12

RGB 128 222 18

HSL 87.65, 0.85%, 0.47%

LAB 80.11, -55.43, 76.39

 

CMYK 92 / 0 / 43 / 13

HEX #12DE7F

RGB 18 222 127

HSL 152.06, 0.85%, 0.47%

LAB 78.41, -65.73, 34.25

 

CMYK 92 / 0 / 18 / 13

HEX #12DEB6

RGB 18 222 182

HSL 168.24, 0.85%, 0.47%

LAB 79.47, -53.76, 7.1

 

CMYK 92 / 7 / 0 / 13

HEX #12CEDE

RGB 18 206 222

HSL 184.71, 0.85%, 0.47%

LAB 75.79, -35.54, -19.77

 

CMYK 92 / 32 / 0 / 13

HEX #1297DE

RGB 18 151 222

HSL 200.88, 0.85%, 0.47%

LAB 59.47, -7.08, -45.03

 

CMYK 92 / 57 / 0 / 13

HEX #1260DE

RGB 18 96 222

HSL 217.06, 0.85%, 0.47%

LAB 43.9, 26.9, -70.02

 

CMYK 92 / 0 / 43 / 13

HEX #12DE7F

RGB 18 222 127

HSL 152.06, 0.85%, 0.47%

LAB 78.41, -65.73, 34.25

 

CMYK 92 / 0 / 43 / 13

HEX #12DE7F

RGB 18 222 127

HSL 152.06, 0.85%, 0.47%

LAB 78.41, -65.73, 34.25

 

CMYK 82 / 0 / 38 / 21

HEX #25CA7E

RGB 37 202 126

HSL 152.36, 0.69%, 0.47%

LAB 72.32, -57.59, 26.77

 

CMYK 69 / 0 / 32 / 28

HEX #39B77C

RGB 57 183 124

HSL 151.9, 0.53%, 0.47%

LAB 66.67, -48.13, 20.25

 

CMYK 54 / 0 / 25 / 36

HEX #4CA47B

RGB 76 164 123

HSL 152.05, 0.37%, 0.47%

LAB 61.24, -36.36, 13.38

 

CMYK 33 / 0 / 15 / 44

HEX #60907A

RGB 96 144 122

HSL 152.5, 0.2%, 0.47%

LAB 55.93, -21.25, 6.56

 

CMYK 92 / 0 / 92 / 13

HEX #12DE12

RGB 18 222 18

HSL 120, 0.85%, 0.47%

LAB 77.53, -76.58, 73.2

 

CMYK 92 / 0 / 68 / 13

HEX #12DE48

RGB 18 222 72

HSL 135.88, 0.85%, 0.47%

LAB 77.78, -73.36, 58.68

 

CMYK 92 / 0 / 43 / 13

HEX #12DE7F

RGB 18 222 127

HSL 152.06, 0.85%, 0.47%

LAB 78.41, -65.73, 34.25

 

CMYK 92 / 0 / 18 / 13

HEX #12DEB5

RGB 18 222 181

HSL 167.94, 0.85%, 0.47%

LAB 79.45, -54.02, 7.6

 

CMYK 92 / 6 / 0 / 13

HEX #12D0DE

RGB 18 208 222

HSL 184.12, 0.85%, 0.47%

LAB 76.38, -36.48, -18.87

 

CMYK 92 / 0 / 43 / 43

HEX #0C9153

RGB 12 145 83

HSL 152.03, 0.85%, 0.31%

LAB 52.9, -47.28, 23.97

 

CMYK 92 / 0 / 43 / 28

HEX #0FB869

RGB 15 184 105

HSL 151.95, 0.85%, 0.39%

LAB 66.06, -56.87, 29.43

 

CMYK 92 / 0 / 43 / 13

HEX #12DE7F

RGB 18 222 127

HSL 152.06, 0.85%, 0.47%

LAB 78.41, -65.73, 34.25

 

CMYK 82 / 0 / 38 / 7

HEX #2BEE94

RGB 43 238 148

HSL 152.31, 0.85%, 0.55%

LAB 83.86, -65.63, 30.89

 

CMYK 66 / 0 / 31 / 5

HEX #51F1A7

RGB 81 241 167

HSL 152.25, 0.85%, 0.63%

LAB 85.73, -58.19, 23.85

 

CMYK 92 / 0 / 43 / 13

HEX #12DF80

RGB 18 223 128

HSL 152.2, 0.85%, 0.47%

LAB 78.73, -65.88, 34.17

 

CMYK 92 / 68 / 0 / 13

HEX #1248DE

RGB 18 72 222

HSL 224.12, 0.85%, 0.47%

LAB 37.91, 42.27, -79.84

 

CMYK 0 / 80 / 92 / 13

HEX #DE2D12

RGB 222 45 18

HSL 7.94, 0.85%, 0.47%

LAB 48.82, 65.4, 56.5

 

CMYK 92 / 0 / 43 / 13

HEX #12DF80

RGB 18 223 128

HSL 152.2, 0.85%, 0.47%

LAB 78.73, -65.88, 34.17

 

CMYK 43 / 92 / 0 / 13

HEX #7F12DE

RGB 127 18 222

HSL 272.06, 0.85%, 0.47%

LAB 38.23, 73.95, -79.04

 

CMYK 0 / 43 / 92 / 13

HEX #DE7F12

RGB 222 127 18

HSL 32.06, 0.85%, 0.47%

LAB 62.3, 30.28, 65.77

 

CMYK 92 / 0 / 43 / 13

HEX #12DF80

RGB 18 223 128

HSL 152.2, 0.85%, 0.47%

LAB 78.73, -65.88, 34.17

 

CMYK 92 / 68 / 0 / 13

HEX #1248DE

RGB 18 72 222

HSL 224.12, 0.85%, 0.47%

LAB 37.91, 42.27, -79.84

 

CMYK 0 / 92 / 49 / 13

HEX #DE1271

RGB 222 18 113

HSL 332.06, 0.85%, 0.47%

LAB 48.45, 74.74, 3.06

 

CMYK 0 / 25 / 92 / 13

HEX #DEA712

RGB 222 167 18

HSL 43.82, 0.85%, 0.47%

LAB 71.7, 8.93, 72.67

 

CMYK 92 / 0 / 43 / 13

HEX #12DF80

RGB 18 223 128

HSL 152.2, 0.85%, 0.47%

LAB 78.73, -65.88, 34.17

 

CMYK 89 / 92 / 0 / 13

HEX #1912DE

RGB 25 18 222

HSL 242.06, 0.85%, 0.47%

LAB 29.19, 68.01, -94.3

 

CMYK 0 / 92 / 49 / 13

HEX #DE1271

RGB 222 18 113

HSL 332.06, 0.85%, 0.47%

LAB 48.45, 74.74, 3.06

 

CMYK 3 / 0 / 92 / 13

HEX #D7DE12

RGB 215 222 18

HSL 62.06, 0.85%, 0.47%

LAB 85.37, -22.17, 82.79

 

Description

Color code: HEX #12DF80 | qconv.com Color code: HEX #12DF80 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 223 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 223 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, none magenta, 43 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 0% 43% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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