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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #12DF5E it is the complementary color #ED20A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #12DF5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #12DF5E shade: #17DF59, #28F16C, #39FF7F, #4AFF92 and #5BFFA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #12DF5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #12DF5E shade: #12DF5E, #01CD4B, #00BB38, #00A925 and #009712

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #12DF5E shade: #12DE5D, #12DE27, #34DE12, #6BDE12 and #A2DE12

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #12DF5E shade: #12DE5D, #12DE94, #12DECB, #12B9DE and #1282DE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #12DF5E shade matches the following richer shades: #12DE5D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #12DF5E shade: #12DE5D, #25CA63, #39B768, #4CA46D and #609072

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #12DF5E shade: #34DE12, #12DE26, #12DE5D, #12DE93 and #12DEC9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #12DF5E shade: #0C913D, #0FB84D, #12DE5D, #2BEE73 and #51F18C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #12DF5E shade: #12DF5E, #126ADE and #DE1219

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #12DF5E shade: #12DF5E, #5D12DE and #DE5D12

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #12DF5E shade: #12DF5E, #126ADE, #DE1293 and #DE8512

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #12DF5E shade: #12DF5E, #122DDE, #DE1293 and #DEC312

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 0 / 58 / 13

HEX #12DF5E

RGB 18 223 94

HSL 142.24, 0.85%, 0.47%

LAB 78.29, -71.16, 49.94

 

Complementary color

CMYK 0 / 86 / 32 / 7

HEX #ED20A1

RGB 237 32 161

HSL 322.24, 0.85%, 0.53%

LAB 53.61, 80.41, -17.87

 

CMYK 90 / 0 / 60 / 13

HEX #17DF59

RGB 23 223 89

HSL 139.8, 0.81%, 0.48%

LAB 78.27, -71.52, 52.15

 

CMYK 83 / 0 / 55 / 5

HEX #28F16C

RGB 40 241 108

HSL 140.3, 0.88%, 0.55%

LAB 84.2, -73.37, 50.65

 

CMYK 78 / 0 / 50 / 0

HEX #39FF7F

RGB 57 255 127

HSL 141.21, 1%, 0.61%

LAB 88.89, -73.45, 47.63

 

CMYK 71 / 0 / 43 / 0

HEX #4AFF92

RGB 74 255 146

HSL 143.87, 1%, 0.65%

LAB 89.42, -68.26, 39.27

 

CMYK 64 / 0 / 35 / 0

HEX #5BFFA5

RGB 91 255 165

HSL 147.07, 1%, 0.68%

LAB 90.07, -62.2, 30.79

 

CMYK 92 / 0 / 58 / 13

HEX #12DF5E

RGB 18 223 94

HSL 142.24, 0.85%, 0.47%

LAB 78.29, -71.16, 49.94

 

CMYK 100 / 0 / 63 / 20

HEX #01CD4B

RGB 1 205 75

HSL 141.76, 0.99%, 0.4%

LAB 72.35, -68.71, 51.46

 

CMYK 100 / 0 / 70 / 27

HEX #00BB38

RGB 0 187 56

HSL 137.97, 1%, 0.37%

LAB 66.39, -65.43, 52.78

 

CMYK 100 / 0 / 78 / 34

HEX #00A925

RGB 0 169 37

HSL 133.14, 1%, 0.33%

LAB 60.35, -61.78, 53.52

 

CMYK 100 / 0 / 88 / 41

HEX #009712

RGB 0 151 18

HSL 127.15, 1%, 0.3%

LAB 54.21, -57.69, 53.14

 

CMYK 92 / 0 / 58 / 13

HEX #12DE5D

RGB 18 222 93

HSL 142.06, 0.85%, 0.47%

LAB 77.97, -70.98, 50.01

 

CMYK 92 / 0 / 82 / 13

HEX #12DE27

RGB 18 222 39

HSL 126.18, 0.85%, 0.47%

LAB 77.59, -75.79, 69.22

 

CMYK 77 / 0 / 92 / 13

HEX #34DE12

RGB 52 222 18

HSL 110, 0.85%, 0.47%

LAB 77.88, -73.39, 73.64

 

CMYK 52 / 0 / 92 / 13

HEX #6BDE12

RGB 107 222 18

HSL 93.82, 0.85%, 0.47%

LAB 79.28, -61.78, 75.36

 

CMYK 27 / 0 / 92 / 13

HEX #A2DE12

RGB 162 222 18

HSL 77.65, 0.85%, 0.47%

LAB 81.82, -43.45, 78.48

 

CMYK 92 / 0 / 58 / 13

HEX #12DE5D

RGB 18 222 93

HSL 142.06, 0.85%, 0.47%

LAB 77.97, -70.98, 50.01

 

CMYK 92 / 0 / 33 / 13

HEX #12DE94

RGB 18 222 148

HSL 158.24, 0.85%, 0.47%

LAB 78.76, -61.64, 23.98

 

CMYK 92 / 0 / 9 / 13

HEX #12DECB

RGB 18 222 203

HSL 174.41, 0.85%, 0.47%

LAB 80, -48.22, -3.3

 

CMYK 92 / 17 / 0 / 13

HEX #12B9DE

RGB 18 185 222

HSL 190.88, 0.85%, 0.47%

LAB 69.54, -25.34, -29.32

 

CMYK 92 / 41 / 0 / 13

HEX #1282DE

RGB 18 130 222

HSL 207.06, 0.85%, 0.47%

LAB 53.35, 5.34, -54.76

 

CMYK 92 / 0 / 58 / 13

HEX #12DE5D

RGB 18 222 93

HSL 142.06, 0.85%, 0.47%

LAB 77.97, -70.98, 50.01

 

CMYK 92 / 0 / 58 / 13

HEX #12DE5D

RGB 18 222 93

HSL 142.06, 0.85%, 0.47%

LAB 77.97, -70.98, 50.01

 

CMYK 82 / 0 / 51 / 21

HEX #25CA63

RGB 37 202 99

HSL 142.55, 0.69%, 0.47%

LAB 71.92, -62.33, 39.95

 

CMYK 69 / 0 / 43 / 28

HEX #39B768

RGB 57 183 104

HSL 142.38, 0.53%, 0.47%

LAB 66.32, -51.98, 30.4

 

CMYK 54 / 0 / 34 / 36

HEX #4CA46D

RGB 76 164 109

HSL 142.5, 0.37%, 0.47%

LAB 60.95, -39.25, 20.71

 

CMYK 33 / 0 / 21 / 44

HEX #609072

RGB 96 144 114

HSL 142.5, 0.2%, 0.47%

LAB 55.73, -22.95, 10.86

 

CMYK 77 / 0 / 92 / 13

HEX #34DE12

RGB 52 222 18

HSL 110, 0.85%, 0.47%

LAB 77.88, -73.39, 73.64

 

CMYK 92 / 0 / 83 / 13

HEX #12DE26

RGB 18 222 38

HSL 125.88, 0.85%, 0.47%

LAB 77.59, -75.84, 69.46

 

CMYK 92 / 0 / 58 / 13

HEX #12DE5D

RGB 18 222 93

HSL 142.06, 0.85%, 0.47%

LAB 77.97, -70.98, 50.01

 

CMYK 92 / 0 / 34 / 13

HEX #12DE93

RGB 18 222 147

HSL 157.94, 0.85%, 0.47%

LAB 78.74, -61.84, 24.47

 

CMYK 92 / 0 / 9 / 13

HEX #12DEC9

RGB 18 222 201

HSL 173.82, 0.85%, 0.47%

LAB 79.95, -48.77, -2.31

 

CMYK 92 / 0 / 58 / 43

HEX #0C913D

RGB 12 145 61

HSL 142.11, 0.85%, 0.31%

LAB 52.58, -51.07, 35.12

 

CMYK 92 / 0 / 58 / 28

HEX #0FB84D

RGB 15 184 77

HSL 142.01, 0.85%, 0.39%

LAB 65.69, -61.4, 42.92

 

CMYK 92 / 0 / 58 / 13

HEX #12DE5D

RGB 18 222 93

HSL 142.06, 0.85%, 0.47%

LAB 77.97, -70.98, 50.01

 

CMYK 82 / 0 / 52 / 7

HEX #2BEE73

RGB 43 238 115

HSL 142.15, 0.85%, 0.55%

LAB 83.39, -71.17, 46.44

 

CMYK 66 / 0 / 42 / 5

HEX #51F18C

RGB 81 241 140

HSL 142.13, 0.85%, 0.63%

LAB 85.28, -63.16, 36.87

 

CMYK 92 / 0 / 58 / 13

HEX #12DF5E

RGB 18 223 94

HSL 142.24, 0.85%, 0.47%

LAB 78.29, -71.16, 49.94

 

CMYK 92 / 52 / 0 / 13

HEX #126ADE

RGB 18 106 222

HSL 214.12, 0.85%, 0.47%

LAB 46.59, 20.43, -65.64

 

CMYK 0 / 92 / 89 / 13

HEX #DE1219

RGB 222 18 25

HSL 357.94, 0.85%, 0.47%

LAB 47.02, 70.75, 52.53

 

CMYK 92 / 0 / 58 / 13

HEX #12DF5E

RGB 18 223 94

HSL 142.24, 0.85%, 0.47%

LAB 78.29, -71.16, 49.94

 

CMYK 58 / 92 / 0 / 13

HEX #5D12DE

RGB 93 18 222

HSL 262.06, 0.85%, 0.47%

LAB 34.05, 70.94, -86.08

 

CMYK 0 / 58 / 92 / 13

HEX #DE5D12

RGB 222 93 18

HSL 22.06, 0.85%, 0.47%

LAB 55.48, 47.33, 60.96

 

CMYK 92 / 0 / 58 / 13

HEX #12DF5E

RGB 18 223 94

HSL 142.24, 0.85%, 0.47%

LAB 78.29, -71.16, 49.94

 

CMYK 92 / 52 / 0 / 13

HEX #126ADE

RGB 18 106 222

HSL 214.12, 0.85%, 0.47%

LAB 46.59, 20.43, -65.64

 

CMYK 0 / 92 / 34 / 13

HEX #DE1293

RGB 222 18 147

HSL 322.06, 0.85%, 0.47%

LAB 49.58, 77.77, -15.93

 

CMYK 0 / 40 / 92 / 13

HEX #DE8512

RGB 222 133 18

HSL 33.82, 0.85%, 0.47%

LAB 63.63, 27.11, 66.74

 

CMYK 92 / 0 / 58 / 13

HEX #12DF5E

RGB 18 223 94

HSL 142.24, 0.85%, 0.47%

LAB 78.29, -71.16, 49.94

 

CMYK 92 / 80 / 0 / 13

HEX #122DDE

RGB 18 45 222

HSL 232.06, 0.85%, 0.47%

LAB 32.43, 57.61, -88.9

 

CMYK 0 / 92 / 34 / 13

HEX #DE1293

RGB 222 18 147

HSL 322.06, 0.85%, 0.47%

LAB 49.58, 77.77, -15.93

 

CMYK 0 / 12 / 92 / 13

HEX #DEC312

RGB 222 195 18

HSL 52.06, 0.85%, 0.47%

LAB 78.81, -5.72, 78.03

 

Description

Color code: HEX #12DF5E | qconv.com Color code: HEX #12DF5E | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 223 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 223 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, none magenta, 58 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 0% 58% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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