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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #12DEE2 it is the complementary color #ED211D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #12DEE2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #12DEE2 shade: #17DEDD, #28F0F0, #39FFFF, #4AFFFF and #5BFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #12DEE2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #12DEE2 shade: #12DEE2, #01CCCF, #00BABC, #00A8A9 and #009696

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #12DEE2 shade: #12DEE2, #12A6E2, #126EE2, #1236E2 and #2612E2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #12DEE2 shade: #12DEE2, #12A6E2, #126EE2, #1236E2 and #1212E2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #12DEE2 shade matches the following richer shades: #12DEE2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #12DEE2 shade: #12DEE2, #26CBCE, #39B8BA, #4DA5A7 and #619293

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #12DEE2 shade: #12E276, #12E2AE, #12DEE2, #12A7E2 and #126FE2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #12DEE2 shade: #0C9396, #0FB8BC, #12DEE2, #2FEAEE and #56EEF1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #12DEE2 shade: #12DEE2, #3F12E2 and #E29212

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #12DEE2 shade: #12DEE2, #E212DE and #DEE212

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #12DEE2 shade: #12DEE2, #3F12E2, #E21512 and #B5E212

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #12DEE2 shade: #12DEE2, #7D12E2, #E21512 and #76E212

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 2 / 0 / 11

HEX #12DEE2

RGB 18 222 226

HSL 181.15, 0.85%, 0.48%

LAB 80.66, -41.65, -14.57

 

Complementary color

CMYK 0 / 86 / 88 / 7

HEX #ED211D

RGB 237 33 29

HSL 1.15, 0.85%, 0.52%

LAB 50.9, 72.37, 55.05

 

CMYK 90 / 0 / 0 / 13

HEX #17DEDD

RGB 23 222 221

HSL 179.7, 0.81%, 0.48%

LAB 80.54, -42.92, -12.08

 

CMYK 83 / 0 / 0 / 6

HEX #28F0F0

RGB 40 240 240

HSL 180, 0.87%, 0.55%

LAB 86.54, -44.44, -13.15

 

CMYK 78 / 0 / 0 / 0

HEX #39FFFF

RGB 57 255 255

HSL 180, 1%, 0.61%

LAB 91.51, -45.49, -13.51

 

CMYK 71 / 0 / 0 / 0

HEX #4AFFFF

RGB 74 255 255

HSL 180, 1%, 0.65%

LAB 91.77, -43.79, -13.09

 

CMYK 64 / 0 / 0 / 0

HEX #5BFFFF

RGB 91 255 255

HSL 180, 1%, 0.68%

LAB 92.12, -41.61, -12.54

 

CMYK 92 / 2 / 0 / 11

HEX #12DEE2

RGB 18 222 226

HSL 181.15, 0.85%, 0.48%

LAB 80.66, -41.65, -14.57

 

CMYK 100 / 1 / 0 / 19

HEX #01CCCF

RGB 1 204 207

HSL 180.87, 0.99%, 0.41%

LAB 74.63, -39.71, -13.43

 

CMYK 100 / 1 / 0 / 26

HEX #00BABC

RGB 0 186 188

HSL 180.64, 1%, 0.37%

LAB 68.57, -37.32, -12.16

 

CMYK 100 / 1 / 0 / 34

HEX #00A8A9

RGB 0 168 169

HSL 180.36, 1%, 0.33%

LAB 62.4, -34.86, -10.86

 

CMYK 100 / 0 / 0 / 41

HEX #009696

RGB 0 150 150

HSL 180, 1%, 0.29%

LAB 56.1, -32.36, -9.52

 

CMYK 92 / 2 / 0 / 11

HEX #12DEE2

RGB 18 222 226

HSL 181.15, 0.85%, 0.48%

LAB 80.66, -41.65, -14.57

 

CMYK 92 / 27 / 0 / 11

HEX #12A6E2

RGB 18 166 226

HSL 197.31, 0.85%, 0.48%

LAB 64.07, -13.99, -40.01

 

CMYK 92 / 51 / 0 / 11

HEX #126EE2

RGB 18 110 226

HSL 213.46, 0.85%, 0.48%

LAB 47.97, 19.43, -65.67

 

CMYK 92 / 76 / 0 / 11

HEX #1236E2

RGB 18 54 226

HSL 229.62, 0.85%, 0.48%

LAB 34.51, 54.23, -87.74

 

CMYK 83 / 92 / 0 / 11

HEX #2612E2

RGB 38 18 226

HSL 245.77, 0.85%, 0.48%

LAB 30.24, 69.32, -94.83

 

CMYK 92 / 2 / 0 / 11

HEX #12DEE2

RGB 18 222 226

HSL 181.15, 0.85%, 0.48%

LAB 80.66, -41.65, -14.57

 

CMYK 92 / 27 / 0 / 11

HEX #12A6E2

RGB 18 166 226

HSL 197.31, 0.85%, 0.48%

LAB 64.07, -13.99, -40.01

 

CMYK 92 / 51 / 0 / 11

HEX #126EE2

RGB 18 110 226

HSL 213.46, 0.85%, 0.48%

LAB 47.97, 19.43, -65.67

 

CMYK 92 / 76 / 0 / 11

HEX #1236E2

RGB 18 54 226

HSL 229.62, 0.85%, 0.48%

LAB 34.51, 54.23, -87.74

 

CMYK 92 / 92 / 0 / 11

HEX #1212E2

RGB 18 18 226

HSL 240, 0.85%, 0.48%

LAB 29.54, 68.96, -96.02

 

CMYK 92 / 2 / 0 / 11

HEX #12DEE2

RGB 18 222 226

HSL 181.15, 0.85%, 0.48%

LAB 80.66, -41.65, -14.57

 

CMYK 92 / 2 / 0 / 11

HEX #12DEE2

RGB 18 222 226

HSL 181.15, 0.85%, 0.48%

LAB 80.66, -41.65, -14.57

 

CMYK 82 / 1 / 0 / 19

HEX #26CBCE

RGB 38 203 206

HSL 181.07, 0.69%, 0.48%

LAB 74.56, -37.87, -12.97

 

CMYK 69 / 1 / 0 / 27

HEX #39B8BA

RGB 57 184 186

HSL 180.93, 0.53%, 0.48%

LAB 68.53, -32.89, -11.05

 

CMYK 54 / 1 / 0 / 35

HEX #4DA5A7

RGB 77 165 167

HSL 181.33, 0.37%, 0.48%

LAB 62.74, -25.63, -9.08

 

CMYK 34 / 1 / 0 / 42

HEX #619293

RGB 97 146 147

HSL 181.2, 0.2%, 0.48%

LAB 57.28, -16.11, -5.78

 

CMYK 92 / 0 / 48 / 11

HEX #12E276

RGB 18 226 118

HSL 148.85, 0.85%, 0.48%

LAB 79.52, -68.59, 40.13

 

CMYK 92 / 0 / 23 / 11

HEX #12E2AE

RGB 18 226 174

HSL 165, 0.85%, 0.48%

LAB 80.5, -57.29, 12.8

 

CMYK 92 / 2 / 0 / 11

HEX #12DEE2

RGB 18 222 226

HSL 181.15, 0.85%, 0.48%

LAB 80.66, -41.65, -14.57

 

CMYK 92 / 26 / 0 / 11

HEX #12A7E2

RGB 18 167 226

HSL 197.02, 0.85%, 0.48%

LAB 64.37, -14.53, -39.55

 

CMYK 92 / 51 / 0 / 11

HEX #126FE2

RGB 18 111 226

HSL 213.17, 0.85%, 0.48%

LAB 48.25, 18.79, -65.23

 

CMYK 92 / 2 / 0 / 41

HEX #0C9396

RGB 12 147 150

HSL 181.3, 0.85%, 0.32%

LAB 55.22, -30.4, -10.83

 

CMYK 92 / 2 / 0 / 26

HEX #0FB8BC

RGB 15 184 188

HSL 181.39, 0.85%, 0.4%

LAB 68.03, -35.91, -12.96

 

CMYK 92 / 2 / 0 / 11

HEX #12DEE2

RGB 18 222 226

HSL 181.15, 0.85%, 0.48%

LAB 80.66, -41.65, -14.57

 

CMYK 80 / 2 / 0 / 7

HEX #2FEAEE

RGB 47 234 238

HSL 181.26, 0.85%, 0.56%

LAB 84.8, -41.86, -14.68

 

CMYK 64 / 1 / 0 / 5

HEX #56EEF1

RGB 86 238 241

HSL 181.16, 0.85%, 0.64%

LAB 86.74, -38.44, -13.28

 

CMYK 92 / 2 / 0 / 11

HEX #12DEE2

RGB 18 222 226

HSL 181.15, 0.85%, 0.48%

LAB 80.66, -41.65, -14.57

 

CMYK 72 / 92 / 0 / 11

HEX #3F12E2

RGB 63 18 226

HSL 252.98, 0.85%, 0.48%

LAB 31.76, 70.17, -92.26

 

CMYK 0 / 35 / 92 / 11

HEX #E29212

RGB 226 146 18

HSL 36.92, 0.85%, 0.48%

LAB 67.1, 21.88, 69.49

 

CMYK 92 / 2 / 0 / 11

HEX #12DEE2

RGB 18 222 226

HSL 181.15, 0.85%, 0.48%

LAB 80.66, -41.65, -14.57

 

CMYK 0 / 92 / 2 / 11

HEX #E212DE

RGB 226 18 222

HSL 301.15, 0.85%, 0.48%

LAB 53.89, 87.75, -52.9

 

CMYK 2 / 0 / 92 / 11

HEX #DEE212

RGB 222 226 18

HSL 61.15, 0.85%, 0.48%

LAB 86.98, -21.18, 84.26

 

CMYK 92 / 2 / 0 / 11

HEX #12DEE2

RGB 18 222 226

HSL 181.15, 0.85%, 0.48%

LAB 80.66, -41.65, -14.57

 

CMYK 72 / 92 / 0 / 11

HEX #3F12E2

RGB 63 18 226

HSL 252.98, 0.85%, 0.48%

LAB 31.76, 70.17, -92.26

 

CMYK 0 / 91 / 92 / 11

HEX #E21512

RGB 226 21 18

HSL 0.87, 0.85%, 0.48%

LAB 47.94, 71.28, 56.34

 

CMYK 20 / 0 / 92 / 11

HEX #B5E212

RGB 181 226 18

HSL 72.98, 0.85%, 0.48%

LAB 84.1, -37.88, 80.78

 

CMYK 92 / 2 / 0 / 11

HEX #12DEE2

RGB 18 222 226

HSL 181.15, 0.85%, 0.48%

LAB 80.66, -41.65, -14.57

 

CMYK 45 / 92 / 0 / 11

HEX #7D12E2

RGB 125 18 226

HSL 270.87, 0.85%, 0.48%

LAB 38.35, 74.6, -81.15

 

CMYK 0 / 91 / 92 / 11

HEX #E21512

RGB 226 21 18

HSL 0.87, 0.85%, 0.48%

LAB 47.94, 71.28, 56.34

 

CMYK 48 / 0 / 92 / 11

HEX #76E212

RGB 118 226 18

HSL 91.15, 0.85%, 0.48%

LAB 80.9, -60.05, 76.86

 

Description

Color code: HEX #12DEE2 | qconv.com Color code: HEX #12DEE2 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 222 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 222 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, 2 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 2% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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