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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #12DD74 it is the complementary color #ED228B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #12DD74. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #12DD74 shade: #17DD6F, #28EF82, #39FF95, #4AFFA8 and #5BFFBB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #12DD74. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #12DD74 shade: #12DD74, #01CB61, #00B94E, #00A73B and #009528

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #12DD74 shade: #12DE74, #12DE3D, #1DDE12, #54DE12 and #8BDE12

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #12DD74 shade: #12DE74, #12DEAB, #12D9DE, #12A2DE and #126BDE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #12DD74 shade matches the following richer shades: #12DE74

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #12DD74 shade: #12DE74, #25CA75, #39B776, #4CA476 and #609077

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #12DD74 shade: #20DE12, #12DE3B, #12DE71, #12DEA7 and #12DEDE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #12DD74 shade: #0C914C, #0FB860, #12DE74, #2BEE89 and #51F19E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #12DD74 shade: #12DD74, #1256DE and #DE2012

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #12DD74 shade: #12DD74, #7112DE and #DE7112

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #12DD74 shade: #12DD74, #1256DE, #DE127F and #DE9A12

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #12DD74 shade: #12DD74, #1219DE, #DE127F and #DED712

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 0 / 48 / 13

HEX #12DD74

RGB 18 221 116

HSL 148.97, 0.85%, 0.47%

LAB 77.94, -67.29, 39.11

 

Complementary color

CMYK 0 / 86 / 41 / 7

HEX #ED228B

RGB 237 34 139

HSL 328.97, 0.85%, 0.53%

LAB 52.96, 77.93, -5.76

 

CMYK 90 / 0 / 50 / 13

HEX #17DD6F

RGB 23 221 111

HSL 146.67, 0.81%, 0.48%

LAB 77.9, -67.83, 41.51

 

CMYK 83 / 0 / 46 / 6

HEX #28EF82

RGB 40 239 130

HSL 147.14, 0.86%, 0.55%

LAB 83.86, -69.43, 39.83

 

CMYK 78 / 0 / 42 / 0

HEX #39FF95

RGB 57 255 149

HSL 147.88, 1%, 0.61%

LAB 89.19, -69.93, 37.44

 

CMYK 71 / 0 / 34 / 0

HEX #4AFFA8

RGB 74 255 168

HSL 151.16, 1%, 0.65%

LAB 89.77, -64.32, 28.81

 

CMYK 64 / 0 / 27 / 0

HEX #5BFFBB

RGB 91 255 187

HSL 155.12, 1%, 0.68%

LAB 90.47, -57.9, 20.2

 

CMYK 92 / 0 / 48 / 13

HEX #12DD74

RGB 18 221 116

HSL 148.97, 0.85%, 0.47%

LAB 77.94, -67.29, 39.11

 

CMYK 100 / 0 / 52 / 20

HEX #01CB61

RGB 1 203 97

HSL 148.51, 0.99%, 0.4%

LAB 71.95, -65.15, 40.9

 

CMYK 100 / 0 / 58 / 27

HEX #00B94E

RGB 0 185 78

HSL 145.3, 1%, 0.36%

LAB 65.94, -62.26, 42.73

 

CMYK 100 / 0 / 65 / 35

HEX #00A73B

RGB 0 167 59

HSL 141.2, 1%, 0.33%

LAB 59.85, -59.1, 44.42

 

CMYK 100 / 0 / 73 / 42

HEX #009528

RGB 0 149 40

HSL 136.11, 1%, 0.29%

LAB 53.65, -55.6, 45.71

 

CMYK 92 / 0 / 48 / 13

HEX #12DE74

RGB 18 222 116

HSL 148.82, 0.85%, 0.47%

LAB 78.25, -67.62, 39.51

 

CMYK 92 / 0 / 73 / 13

HEX #12DE3D

RGB 18 222 61

HSL 132.65, 0.85%, 0.47%

LAB 77.7, -74.34, 62.69

 

CMYK 87 / 0 / 92 / 13

HEX #1DDE12

RGB 29 222 18

HSL 116.76, 0.85%, 0.47%

LAB 77.61, -75.86, 73.29

 

CMYK 62 / 0 / 92 / 13

HEX #54DE12

RGB 84 222 18

HSL 100.59, 0.85%, 0.47%

LAB 78.56, -67.59, 74.48

 

CMYK 37 / 0 / 92 / 13

HEX #8BDE12

RGB 139 222 18

HSL 84.41, 0.85%, 0.47%

LAB 80.61, -51.76, 77.01

 

CMYK 92 / 0 / 48 / 13

HEX #12DE74

RGB 18 222 116

HSL 148.82, 0.85%, 0.47%

LAB 78.25, -67.62, 39.51

 

CMYK 92 / 0 / 23 / 13

HEX #12DEAB

RGB 18 222 171

HSL 165, 0.85%, 0.47%

LAB 79.22, -56.47, 12.57

 

CMYK 92 / 2 / 0 / 13

HEX #12D9DE

RGB 18 217 222

HSL 181.47, 0.85%, 0.47%

LAB 79.06, -40.59, -14.84

 

CMYK 92 / 27 / 0 / 13

HEX #12A2DE

RGB 18 162 222

HSL 197.65, 0.85%, 0.47%

LAB 62.71, -13.23, -39.93

 

CMYK 92 / 52 / 0 / 13

HEX #126BDE

RGB 18 107 222

HSL 213.82, 0.85%, 0.47%

LAB 46.87, 19.79, -65.2

 

CMYK 92 / 0 / 48 / 13

HEX #12DE74

RGB 18 222 116

HSL 148.82, 0.85%, 0.47%

LAB 78.25, -67.62, 39.51

 

CMYK 92 / 0 / 48 / 13

HEX #12DE74

RGB 18 222 116

HSL 148.82, 0.85%, 0.47%

LAB 78.25, -67.62, 39.51

 

CMYK 82 / 0 / 42 / 21

HEX #25CA75

RGB 37 202 117

HSL 149.09, 0.69%, 0.47%

LAB 72.17, -59.3, 31.24

 

CMYK 69 / 0 / 36 / 28

HEX #39B776

RGB 57 183 118

HSL 149.05, 0.53%, 0.47%

LAB 66.55, -49.35, 23.32

 

CMYK 54 / 0 / 28 / 36

HEX #4CA476

RGB 76 164 118

HSL 148.64, 0.37%, 0.47%

LAB 61.13, -37.43, 16.01

 

CMYK 33 / 0 / 17 / 44

HEX #609077

RGB 96 144 119

HSL 148.75, 0.2%, 0.47%

LAB 55.85, -21.9, 8.17

 

CMYK 86 / 0 / 92 / 13

HEX #20DE12

RGB 32 222 18

HSL 115.88, 0.85%, 0.47%

LAB 77.63, -75.62, 73.33

 

CMYK 92 / 0 / 73 / 13

HEX #12DE3B

RGB 18 222 59

HSL 132.06, 0.85%, 0.47%

LAB 77.69, -74.5, 63.37

 

CMYK 92 / 0 / 49 / 13

HEX #12DE71

RGB 18 222 113

HSL 147.94, 0.85%, 0.47%

LAB 78.21, -68.1, 40.92

 

CMYK 92 / 0 / 25 / 13

HEX #12DEA7

RGB 18 222 167

HSL 163.82, 0.85%, 0.47%

LAB 79.13, -57.42, 14.56

 

CMYK 92 / 0 / 0 / 13

HEX #12DEDE

RGB 18 222 222

HSL 180, 0.85%, 0.47%

LAB 80.54, -42.82, -12.62

 

CMYK 92 / 0 / 48 / 43

HEX #0C914C

RGB 12 145 76

HSL 148.87, 0.85%, 0.31%

LAB 52.79, -48.61, 27.61

 

CMYK 92 / 0 / 48 / 28

HEX #0FB860

RGB 15 184 96

HSL 148.76, 0.85%, 0.39%

LAB 65.93, -58.49, 33.89

 

CMYK 92 / 0 / 48 / 13

HEX #12DE74

RGB 18 222 116

HSL 148.82, 0.85%, 0.47%

LAB 78.25, -67.62, 39.51

 

CMYK 82 / 0 / 42 / 7

HEX #2BEE89

RGB 43 238 137

HSL 148.92, 0.85%, 0.55%

LAB 83.69, -67.64, 36.17

 

CMYK 66 / 0 / 34 / 5

HEX #51F19E

RGB 81 241 158

HSL 148.88, 0.85%, 0.63%

LAB 85.57, -59.94, 28.22

 

CMYK 92 / 0 / 48 / 13

HEX #12DD74

RGB 18 221 116

HSL 148.97, 0.85%, 0.47%

LAB 77.94, -67.29, 39.11

 

CMYK 92 / 61 / 0 / 13

HEX #1256DE

RGB 18 86 222

HSL 220, 0.85%, 0.47%

LAB 41.31, 33.37, -74.26

 

CMYK 0 / 86 / 92 / 13

HEX #DE2012

RGB 222 32 18

HSL 4.12, 0.85%, 0.47%

LAB 47.76, 68.42, 55.82

 

CMYK 92 / 0 / 48 / 13

HEX #12DD74

RGB 18 221 116

HSL 148.97, 0.85%, 0.47%

LAB 77.94, -67.29, 39.11

 

CMYK 49 / 92 / 0 / 13

HEX #7112DE

RGB 113 18 222

HSL 267.94, 0.85%, 0.47%

LAB 36.4, 72.58, -82.12

 

CMYK 0 / 49 / 92 / 13

HEX #DE7112

RGB 222 113 18

HSL 27.94, 0.85%, 0.47%

LAB 59.33, 37.54, 63.65

 

CMYK 92 / 0 / 48 / 13

HEX #12DD74

RGB 18 221 116

HSL 148.97, 0.85%, 0.47%

LAB 77.94, -67.29, 39.11

 

CMYK 92 / 61 / 0 / 13

HEX #1256DE

RGB 18 86 222

HSL 220, 0.85%, 0.47%

LAB 41.31, 33.37, -74.26

 

CMYK 0 / 92 / 43 / 13

HEX #DE127F

RGB 222 18 127

HSL 327.94, 0.85%, 0.47%

LAB 48.88, 75.89, -4.88

 

CMYK 0 / 31 / 92 / 13

HEX #DE9A12

RGB 222 154 18

HSL 40, 0.85%, 0.47%

LAB 68.52, 15.88, 70.32

 

CMYK 92 / 0 / 48 / 13

HEX #12DD74

RGB 18 221 116

HSL 148.97, 0.85%, 0.47%

LAB 77.94, -67.29, 39.11

 

CMYK 92 / 89 / 0 / 13

HEX #1219DE

RGB 18 25 222

HSL 237.94, 0.85%, 0.47%

LAB 29.66, 65.88, -93.53

 

CMYK 0 / 92 / 43 / 13

HEX #DE127F

RGB 222 18 127

HSL 327.94, 0.85%, 0.47%

LAB 48.88, 75.89, -4.88

 

CMYK 0 / 3 / 92 / 13

HEX #DED712

RGB 222 215 18

HSL 57.94, 0.85%, 0.47%

LAB 84.06, -15.8, 82.02

 

Description

Color code: HEX #12DD74 | qconv.com Color code: HEX #12DD74 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 221 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 221 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, none magenta, 48 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 0% 48% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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