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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #12DBB0 it is the complementary color #ED244F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #12DBB0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #12DBB0 shade: #17DBAB, #28EDBE, #39FFD1, #4AFFE4 and #5BFFF7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #12DBB0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #12DBB0 shade: #12DBB0, #01C99D, #00B78A, #00A577 and #009364

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #12DBB0 shade: #12D9AE, #12D979, #12D943, #16D912 and #4CD912

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #12DBB0 shade: #12D9AE, #12CED9, #1298D9, #1262D9 and #122DD9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #12DBB0 shade matches the following richer shades: #12D9AE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #12DBB0 shade: #12D9AE, #25C6A3, #38B399, #4BA08E and #5E8D83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #12DBB0 shade: #12D943, #12D979, #12D9AE, #12CFD9 and #129AD9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #12DBB0 shade: #0B8D71, #0FB390, #12D9AE, #26EDC3 and #4DF1CD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #12DBB0 shade: #12DBB0, #1215D9 and #D95E12

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #12DBB0 shade: #12DBB0, #AE12D9 and #D9AE12

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #12DBB0 shade: #12DBB0, #1215D9, #D9123D and #D9D612

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #12DBB0 shade: #12DBB0, #4A12D9, #D9123D and #A1D912

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 0 / 20 / 14

HEX #12DBB0

RGB 18 219 176

HSL 167.16, 0.85%, 0.46%

LAB 78.42, -54.08, 8.78

 

Complementary color

CMYK 0 / 85 / 67 / 7

HEX #ED244F

RGB 237 36 79

HSL 347.16, 0.85%, 0.54%

LAB 51.65, 73.4, 28.63

 

CMYK 89 / 0 / 22 / 14

HEX #17DBAB

RGB 23 219 171

HSL 165.31, 0.81%, 0.47%

LAB 78.34, -55.07, 11.32

 

CMYK 83 / 0 / 20 / 7

HEX #28EDBE

RGB 40 237 190

HSL 165.69, 0.85%, 0.54%

LAB 84.35, -56.43, 9.89

 

CMYK 78 / 0 / 18 / 0

HEX #39FFD1

RGB 57 255 209

HSL 166.06, 1%, 0.61%

LAB 90.32, -57.47, 8.58

 

CMYK 71 / 0 / 11 / 0

HEX #4AFFE4

RGB 74 255 228

HSL 171.05, 1%, 0.65%

LAB 91.04, -50.92, -0.17

 

CMYK 64 / 0 / 3 / 0

HEX #5BFFF7

RGB 91 255 247

HSL 177.07, 1%, 0.68%

LAB 91.89, -43.74, -8.73

 

CMYK 92 / 0 / 20 / 14

HEX #12DBB0

RGB 18 219 176

HSL 167.16, 0.85%, 0.46%

LAB 78.42, -54.08, 8.78

 

CMYK 100 / 0 / 22 / 21

HEX #01C99D

RGB 1 201 157

HSL 166.8, 0.99%, 0.4%

LAB 72.37, -52.29, 10.32

 

CMYK 100 / 0 / 25 / 28

HEX #00B78A

RGB 0 183 138

HSL 165.25, 1%, 0.36%

LAB 66.29, -49.95, 12.03

 

CMYK 100 / 0 / 28 / 35

HEX #00A577

RGB 0 165 119

HSL 163.27, 1%, 0.32%

LAB 60.11, -47.53, 13.83

 

CMYK 100 / 0 / 32 / 42

HEX #009364

RGB 0 147 100

HSL 160.82, 1%, 0.29%

LAB 53.8, -45.02, 15.71

 

CMYK 92 / 0 / 20 / 15

HEX #12D9AE

RGB 18 217 174

HSL 167.04, 0.85%, 0.46%

LAB 77.76, -53.79, 8.9

 

CMYK 92 / 0 / 44 / 15

HEX #12D979

RGB 18 217 121

HSL 151.06, 0.85%, 0.46%

LAB 76.76, -65.12, 35.13

 

CMYK 92 / 0 / 69 / 15

HEX #12D943

RGB 18 217 67

HSL 134.77, 0.85%, 0.46%

LAB 76.17, -72.38, 58.89

 

CMYK 90 / 0 / 92 / 15

HEX #16D912

RGB 22 217 18

HSL 118.79, 0.85%, 0.46%

LAB 75.97, -74.99, 71.9

 

CMYK 65 / 0 / 92 / 15

HEX #4CD912

RGB 76 217 18

HSL 102.51, 0.85%, 0.46%

LAB 76.8, -67.71, 72.93

 

CMYK 92 / 0 / 20 / 15

HEX #12D9AE

RGB 18 217 174

HSL 167.04, 0.85%, 0.46%

LAB 77.76, -53.79, 8.9

 

CMYK 92 / 5 / 0 / 15

HEX #12CED9

RGB 18 206 217

HSL 183.32, 0.85%, 0.46%

LAB 75.63, -37.09, -17.33

 

CMYK 92 / 30 / 0 / 15

HEX #1298D9

RGB 18 152 217

HSL 199.6, 0.85%, 0.46%

LAB 59.52, -9.48, -42.16

 

CMYK 92 / 55 / 0 / 15

HEX #1262D9

RGB 18 98 217

HSL 215.88, 0.85%, 0.46%

LAB 44.05, 23.65, -66.93

 

CMYK 92 / 79 / 0 / 15

HEX #122DD9

RGB 18 45 217

HSL 231.86, 0.85%, 0.46%

LAB 31.84, 56.02, -87.01

 

CMYK 92 / 0 / 20 / 15

HEX #12D9AE

RGB 18 217 174

HSL 167.04, 0.85%, 0.46%

LAB 77.76, -53.79, 8.9

 

CMYK 92 / 0 / 20 / 15

HEX #12D9AE

RGB 18 217 174

HSL 167.04, 0.85%, 0.46%

LAB 77.76, -53.79, 8.9

 

CMYK 81 / 0 / 18 / 22

HEX #25C6A3

RGB 37 198 163

HSL 166.96, 0.69%, 0.46%

LAB 71.84, -47.66, 6.35

 

CMYK 69 / 0 / 15 / 30

HEX #38B399

RGB 56 179 153

HSL 167.32, 0.52%, 0.46%

LAB 66.04, -39.82, 3.51

 

CMYK 53 / 0 / 11 / 37

HEX #4BA08E

RGB 75 160 142

HSL 167.29, 0.36%, 0.46%

LAB 60.42, -30.25, 1.56

 

CMYK 33 / 0 / 7 / 45

HEX #5E8D83

RGB 94 141 131

HSL 167.23, 0.2%, 0.46%

LAB 55.14, -18.26, 0.25

 

CMYK 92 / 0 / 69 / 15

HEX #12D943

RGB 18 217 67

HSL 134.77, 0.85%, 0.46%

LAB 76.17, -72.38, 58.89

 

CMYK 92 / 0 / 44 / 15

HEX #12D979

RGB 18 217 121

HSL 151.06, 0.85%, 0.46%

LAB 76.76, -65.12, 35.13

 

CMYK 92 / 0 / 20 / 15

HEX #12D9AE

RGB 18 217 174

HSL 167.04, 0.85%, 0.46%

LAB 77.76, -53.79, 8.9

 

CMYK 92 / 5 / 0 / 15

HEX #12CFD9

RGB 18 207 217

HSL 183.02, 0.85%, 0.46%

LAB 75.92, -37.55, -16.88

 

CMYK 92 / 29 / 0 / 15

HEX #129AD9

RGB 18 154 217

HSL 198.99, 0.85%, 0.46%

LAB 60.11, -10.61, -41.23

 

CMYK 92 / 0 / 20 / 45

HEX #0B8D71

RGB 11 141 113

HSL 167.08, 0.86%, 0.3%

LAB 52.19, -38.68, 6.05

 

CMYK 92 / 0 / 20 / 30

HEX #0FB390

RGB 15 179 144

HSL 167.2, 0.85%, 0.38%

LAB 65.24, -46.24, 7.25

 

CMYK 92 / 0 / 20 / 15

HEX #12D9AE

RGB 18 217 174

HSL 167.04, 0.85%, 0.46%

LAB 77.76, -53.79, 8.9

 

CMYK 84 / 0 / 18 / 7

HEX #26EDC3

RGB 38 237 195

HSL 167.34, 0.85%, 0.54%

LAB 84.44, -55.36, 7.4

 

CMYK 68 / 0 / 15 / 5

HEX #4DF1CD

RGB 77 241 205

HSL 166.83, 0.85%, 0.62%

LAB 86.45, -50.37, 5.14

 

CMYK 92 / 0 / 20 / 14

HEX #12DBB0

RGB 18 219 176

HSL 167.16, 0.85%, 0.46%

LAB 78.42, -54.08, 8.78

 

CMYK 92 / 90 / 0 / 15

HEX #1215D9

RGB 18 21 217

HSL 239.1, 0.85%, 0.46%

LAB 28.58, 65.75, -92.45

 

CMYK 0 / 57 / 92 / 15

HEX #D95E12

RGB 217 94 18

HSL 22.91, 0.85%, 0.46%

LAB 54.87, 44.99, 60.15

 

CMYK 92 / 0 / 20 / 14

HEX #12DBB0

RGB 18 219 176

HSL 167.16, 0.85%, 0.46%

LAB 78.42, -54.08, 8.78

 

CMYK 20 / 92 / 0 / 15

HEX #AE12D9

RGB 174 18 217

HSL 287.04, 0.85%, 0.46%

LAB 44.86, 78.85, -65.05

 

CMYK 0 / 20 / 92 / 15

HEX #D9AE12

RGB 217 174 18

HSL 47.04, 0.85%, 0.46%

LAB 72.94, 3.03, 73.37

 

CMYK 92 / 0 / 20 / 14

HEX #12DBB0

RGB 18 219 176

HSL 167.16, 0.85%, 0.46%

LAB 78.42, -54.08, 8.78

 

CMYK 92 / 90 / 0 / 15

HEX #1215D9

RGB 18 21 217

HSL 239.1, 0.85%, 0.46%

LAB 28.58, 65.75, -92.45

 

CMYK 0 / 92 / 72 / 15

HEX #D9123D

RGB 217 18 61

HSL 347.04, 0.85%, 0.46%

LAB 46.34, 70.49, 32.03

 

CMYK 0 / 1 / 92 / 15

HEX #D9D612

RGB 217 214 18

HSL 59.1, 0.85%, 0.46%

LAB 83.38, -17.43, 81.33

 

CMYK 92 / 0 / 20 / 14

HEX #12DBB0

RGB 18 219 176

HSL 167.16, 0.85%, 0.46%

LAB 78.42, -54.08, 8.78

 

CMYK 66 / 92 / 0 / 15

HEX #4A12D9

RGB 74 18 217

HSL 256.88, 0.85%, 0.46%

LAB 31.57, 68.49, -87.37

 

CMYK 0 / 92 / 72 / 15

HEX #D9123D

RGB 217 18 61

HSL 347.04, 0.85%, 0.46%

LAB 46.34, 70.49, 32.03

 

CMYK 26 / 0 / 92 / 15

HEX #A1D912

RGB 161 217 18

HSL 76.88, 0.85%, 0.46%

LAB 80.32, -41.66, 77.26

 

Description

Color code: HEX #12DBB0 | qconv.com Color code: HEX #12DBB0 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 219 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 219 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, none magenta, 20 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 0% 20% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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