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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #12CF4C it is the complementary color #ED30B3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #12CF4C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #12CF4C shade: #17CF47, #28E15A, #39F36D, #4AFF80 and #5BFF93

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #12CF4C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #12CF4C shade: #12CF4C, #01BD39, #00AB26, #009913 and #008700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #12CF4C shade: #12CE4C, #12CE19, #3ECE12, #71CE12 and #A3CE12

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #12CF4C shade: #12CE4C, #12CE7F, #12CEB1, #12B9CE and #1286CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #12CF4C shade matches the following richer shades: #12CE4C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #12CF4C shade: #12CE4C, #24BC53, #36AA5A, #489861 and #5B8668

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #12CF4C shade: #3ECE12, #12CE18, #12CE4B, #12CE7D and #12CEAF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #12CF4C shade: #0B8330, #0FA83E, #12CE4C, #1EEB5D and #44EF79

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #12CF4C shade: #12CF4C, #1270CE and #CE1225

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #12CF4C shade: #12CF4C, #4B12CE and #CE4B12

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #12CF4C shade: #12CF4C, #1270CE, #CE1296 and #CE7012

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #12CF4C shade: #12CF4C, #1238CE, #CE1296 and #CEA912

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 0 / 63 / 19

HEX #12CF4C

RGB 18 207 76

HSL 138.41, 0.84%, 0.44%

LAB 73.07, -68.49, 51.87

 

Complementary color

CMYK 0 / 80 / 24 / 7

HEX #ED30B3

RGB 237 48 179

HSL 318.41, 0.84%, 0.56%

LAB 55.45, 79.14, -25.59

 

CMYK 89 / 0 / 66 / 19

HEX #17CF47

RGB 23 207 71

HSL 135.65, 0.8%, 0.45%

LAB 73.06, -68.73, 53.97

 

CMYK 82 / 0 / 60 / 12

HEX #28E15A

RGB 40 225 90

HSL 136.22, 0.76%, 0.52%

LAB 79.06, -70.67, 52.67

 

CMYK 77 / 0 / 55 / 5

HEX #39F36D

RGB 57 243 109

HSL 136.77, 0.89%, 0.59%

LAB 85.03, -72.07, 51.24

 

CMYK 71 / 0 / 50 / 0

HEX #4AFF80

RGB 74 255 128

HSL 137.9, 1%, 0.65%

LAB 89.17, -71.05, 47.58

 

CMYK 64 / 0 / 42 / 0

HEX #5BFF93

RGB 91 255 147

HSL 140.49, 1%, 0.68%

LAB 89.79, -65.31, 39.33

 

CMYK 91 / 0 / 63 / 19

HEX #12CF4C

RGB 18 207 76

HSL 138.41, 0.84%, 0.44%

LAB 73.07, -68.49, 51.87

 

CMYK 99 / 0 / 70 / 26

HEX #01BD39

RGB 1 189 57

HSL 137.87, 0.99%, 0.37%

LAB 67.05, -65.88, 53.09

 

CMYK 100 / 0 / 78 / 33

HEX #00AB26

RGB 0 171 38

HSL 133.33, 1%, 0.34%

LAB 61.02, -62.29, 53.84

 

CMYK 100 / 0 / 88 / 40

HEX #009913

RGB 0 153 19

HSL 127.45, 1%, 0.3%

LAB 54.9, -58.23, 53.52

 

CMYK 100 / 0 / 100 / 47

HEX #008700

RGB 0 135 0

HSL 120, 1%, 0.26%

LAB 48.67, -53.73, 51.86

 

CMYK 91 / 0 / 63 / 19

HEX #12CE4C

RGB 18 206 76

HSL 138.51, 0.84%, 0.44%

LAB 72.76, -68.19, 51.51

 

CMYK 91 / 0 / 88 / 19

HEX #12CE19

RGB 18 206 25

HSL 122.23, 0.84%, 0.44%

LAB 72.46, -71.99, 67.73

 

CMYK 70 / 0 / 91 / 19

HEX #3ECE12

RGB 62 206 18

HSL 105.96, 0.84%, 0.44%

LAB 73.03, -66.99, 69.65

 

CMYK 45 / 0 / 91 / 19

HEX #71CE12

RGB 113 206 18

HSL 89.68, 0.84%, 0.44%

LAB 74.63, -54.09, 71.63

 

CMYK 21 / 0 / 91 / 19

HEX #A3CE12

RGB 163 206 18

HSL 73.72, 0.84%, 0.44%

LAB 77.26, -35.99, 74.86

 

CMYK 91 / 0 / 63 / 19

HEX #12CE4C

RGB 18 206 76

HSL 138.51, 0.84%, 0.44%

LAB 72.76, -68.19, 51.51

 

CMYK 91 / 0 / 38 / 19

HEX #12CE7F

RGB 18 206 127

HSL 154.79, 0.84%, 0.44%

LAB 73.42, -60.22, 27.68

 

CMYK 91 / 0 / 14 / 19

HEX #12CEB1

RGB 18 206 177

HSL 170.74, 0.84%, 0.44%

LAB 74.47, -48.57, 2.56

 

CMYK 91 / 10 / 0 / 19

HEX #12B9CE

RGB 18 185 206

HSL 186.7, 0.84%, 0.44%

LAB 68.96, -30.59, -21.46

 

CMYK 91 / 35 / 0 / 19

HEX #1286CE

RGB 18 134 206

HSL 202.98, 0.84%, 0.44%

LAB 53.64, -3.19, -45.28

 

CMYK 91 / 0 / 63 / 19

HEX #12CE4C

RGB 18 206 76

HSL 138.51, 0.84%, 0.44%

LAB 72.76, -68.19, 51.51

 

CMYK 91 / 0 / 63 / 19

HEX #12CE4C

RGB 18 206 76

HSL 138.51, 0.84%, 0.44%

LAB 72.76, -68.19, 51.51

 

CMYK 81 / 0 / 56 / 26

HEX #24BC53

RGB 36 188 83

HSL 138.55, 0.68%, 0.44%

LAB 67.25, -60.11, 41.99

 

CMYK 68 / 0 / 47 / 33

HEX #36AA5A

RGB 54 170 90

HSL 138.62, 0.52%, 0.44%

LAB 61.89, -49.97, 31.97

 

CMYK 53 / 0 / 36 / 40

HEX #489861

RGB 72 152 97

HSL 138.75, 0.36%, 0.44%

LAB 56.78, -37.29, 21.66

 

CMYK 32 / 0 / 22 / 47

HEX #5B8668

RGB 91 134 104

HSL 138.14, 0.19%, 0.44%

LAB 52.15, -21.51, 11.51

 

CMYK 70 / 0 / 91 / 19

HEX #3ECE12

RGB 62 206 18

HSL 105.96, 0.84%, 0.44%

LAB 73.03, -66.99, 69.65

 

CMYK 91 / 0 / 88 / 19

HEX #12CE18

RGB 18 206 24

HSL 121.91, 0.84%, 0.44%

LAB 72.45, -72.03, 67.92

 

CMYK 91 / 0 / 64 / 19

HEX #12CE4B

RGB 18 206 75

HSL 138.19, 0.84%, 0.44%

LAB 72.75, -68.3, 51.93

 

CMYK 91 / 0 / 39 / 19

HEX #12CE7D

RGB 18 206 125

HSL 154.15, 0.84%, 0.44%

LAB 73.38, -60.61, 28.68

 

CMYK 91 / 0 / 15 / 19

HEX #12CEAF

RGB 18 206 175

HSL 170.11, 0.84%, 0.44%

LAB 74.42, -49.1, 3.57

 

CMYK 92 / 0 / 63 / 49

HEX #0B8330

RGB 11 131 48

HSL 138.5, 0.85%, 0.28%

LAB 47.65, -48.24, 35.71

 

CMYK 91 / 0 / 63 / 34

HEX #0FA83E

RGB 15 168 62

HSL 138.43, 0.84%, 0.36%

LAB 60.3, -58.25, 43.61

 

CMYK 91 / 0 / 63 / 19

HEX #12CE4C

RGB 18 206 76

HSL 138.51, 0.84%, 0.44%

LAB 72.76, -68.19, 51.51

 

CMYK 87 / 0 / 60 / 8

HEX #1EEB5D

RGB 30 235 93

HSL 138.44, 0.84%, 0.52%

LAB 82.1, -74.22, 54.82

 

CMYK 72 / 0 / 49 / 6

HEX #44EF79

RGB 68 239 121

HSL 138.6, 0.84%, 0.6%

LAB 84.14, -67.56, 44.62

 

CMYK 91 / 0 / 63 / 19

HEX #12CF4C

RGB 18 207 76

HSL 138.41, 0.84%, 0.44%

LAB 73.07, -68.49, 51.87

 

CMYK 91 / 46 / 0 / 19

HEX #1270CE

RGB 18 112 206

HSL 210, 0.84%, 0.44%

LAB 47.2, 10.31, -55.55

 

CMYK 0 / 91 / 82 / 19

HEX #CE1225

RGB 206 18 37

HSL 353.94, 0.84%, 0.44%

LAB 43.78, 66.91, 42.52

 

CMYK 91 / 0 / 63 / 19

HEX #12CF4C

RGB 18 207 76

HSL 138.41, 0.84%, 0.44%

LAB 73.07, -68.49, 51.87

 

CMYK 64 / 91 / 0 / 19

HEX #4B12CE

RGB 75 18 206

HSL 258.19, 0.84%, 0.44%

LAB 30.36, 65.83, -83

 

CMYK 0 / 64 / 91 / 19

HEX #CE4B12

RGB 206 75 18

HSL 18.19, 0.84%, 0.44%

LAB 49.73, 49.66, 55.71

 

CMYK 91 / 0 / 63 / 19

HEX #12CF4C

RGB 18 207 76

HSL 138.41, 0.84%, 0.44%

LAB 73.07, -68.49, 51.87

 

CMYK 91 / 46 / 0 / 19

HEX #1270CE

RGB 18 112 206

HSL 210, 0.84%, 0.44%

LAB 47.2, 10.31, -55.55

 

CMYK 0 / 91 / 27 / 19

HEX #CE1296

RGB 206 18 150

HSL 317.87, 0.84%, 0.44%

LAB 46.65, 74.76, -22.48

 

CMYK 0 / 46 / 91 / 19

HEX #CE7012

RGB 206 112 18

HSL 30, 0.84%, 0.44%

LAB 56.83, 31.55, 60.81

 

CMYK 91 / 0 / 63 / 19

HEX #12CF4C

RGB 18 207 76

HSL 138.41, 0.84%, 0.44%

LAB 73.07, -68.49, 51.87

 

CMYK 91 / 73 / 0 / 19

HEX #1238CE

RGB 18 56 206

HSL 227.87, 0.84%, 0.44%

LAB 32.73, 46.27, -79.17

 

CMYK 0 / 91 / 27 / 19

HEX #CE1296

RGB 206 18 150

HSL 317.87, 0.84%, 0.44%

LAB 46.65, 74.76, -22.48

 

CMYK 0 / 18 / 91 / 19

HEX #CEA912

RGB 206 169 18

HSL 48.19, 0.84%, 0.44%

LAB 70.55, 0.84, 71.08

 

Description

Color code: HEX #12CF4C | qconv.com Color code: HEX #12CF4C | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 207 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 207 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, none magenta, 63 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 0% 63% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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