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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #12CD0D it is the complementary color #ED32F2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #12CD0D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #12CD0D shade: #17CD08, #28DF1B, #39F12E, #4AFF41 and #5BFF54

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #12CD0D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #12CD0D shade: #12CD0D, #01BB00, #00A900, #009700 and #008500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #12CD0D shade: #12CE0D, #46CE0D, #7ACE0D, #AECE0D and #CEBA0D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #12CD0D shade: #12CE0D, #0DCE3C, #0DCE70, #0DCEA4 and #0DC4CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #12CD0D shade matches the following richer shades: #12CE0D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #12CD0D shade: #12CE0D, #23BC1F, #34AB31, #459942 and #558754

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #12CD0D shade: #7BCE0D, #47CE0D, #14CE0D, #0DCE3A and #0DCE6E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #12CD0D shade: #0B8108, #0FA70B, #12CE0D, #1AF015 and #40F33B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #12CD0D shade: #12CD0D, #0DAECE and #CE0D61

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #12CD0D shade: #12CD0D, #0D14CE and #CE0D14

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #12CD0D shade: #12CD0D, #0DAECE, #C80DCE and #CE2D0D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #12CD0D shade: #12CD0D, #0D74CE, #C80DCE and #CE670D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 0 / 94 / 20

HEX #12CD0D

RGB 18 205 13

HSL 118.44, 0.88%, 0.43%

LAB 72.11, -72.07, 69.31

 

Complementary color

CMYK 2 / 79 / 0 / 5

HEX #ED32F2

RGB 237 50 242

HSL 298.44, 0.88%, 0.57%

LAB 58.69, 87.23, -56.39

 

CMYK 89 / 0 / 96 / 20

HEX #17CD08

RGB 23 205 8

HSL 115.43, 0.92%, 0.42%

LAB 72.14, -71.84, 69.89

 

CMYK 82 / 0 / 88 / 13

HEX #28DF1B

RGB 40 223 27

HSL 116.02, 0.78%, 0.49%

LAB 78.06, -74.87, 72.3

 

CMYK 76 / 0 / 81 / 5

HEX #39F12E

RGB 57 241 46

HSL 116.62, 0.87%, 0.56%

LAB 83.95, -77.17, 73.45

 

CMYK 71 / 0 / 75 / 0

HEX #4AFF41

RGB 74 255 65

HSL 117.16, 1%, 0.63%

LAB 88.62, -77.69, 72.52

 

CMYK 64 / 0 / 67 / 0

HEX #5BFF54

RGB 91 255 84

HSL 117.54, 1%, 0.66%

LAB 89.1, -73.18, 66.49

 

CMYK 91 / 0 / 94 / 20

HEX #12CD0D

RGB 18 205 13

HSL 118.44, 0.88%, 0.43%

LAB 72.11, -72.07, 69.31

 

CMYK 99 / 0 / 100 / 27

HEX #01BB00

RGB 1 187 0

HSL 119.68, 1%, 0.37%

LAB 66.17, -68.22, 65.89

 

CMYK 100 / 0 / 100 / 34

HEX #00A900

RGB 0 169 0

HSL 120, 1%, 0.33%

LAB 60.23, -63.33, 61.12

 

CMYK 100 / 0 / 100 / 41

HEX #009700

RGB 0 151 0

HSL 120, 1%, 0.3%

LAB 54.17, -58.3, 56.26

 

CMYK 100 / 0 / 100 / 48

HEX #008500

RGB 0 133 0

HSL 120, 1%, 0.26%

LAB 47.98, -53.15, 51.3

 

CMYK 91 / 0 / 94 / 19

HEX #12CE0D

RGB 18 206 13

HSL 118.45, 0.88%, 0.43%

LAB 72.43, -72.34, 69.57

 

CMYK 66 / 0 / 94 / 19

HEX #46CE0D

RGB 70 206 13

HSL 102.28, 0.88%, 0.43%

LAB 73.2, -65.55, 70.53

 

CMYK 41 / 0 / 94 / 19

HEX #7ACE0D

RGB 122 206 13

HSL 86.11, 0.88%, 0.43%

LAB 75.02, -51.25, 72.76

 

CMYK 16 / 0 / 94 / 19

HEX #AECE0D

RGB 174 206 13

HSL 69.95, 0.88%, 0.43%

LAB 77.98, -31.63, 76.36

 

CMYK 0 / 10 / 94 / 19

HEX #CEBA0D

RGB 206 186 13

HSL 53.78, 0.88%, 0.43%

LAB 74.99, -8.13, 75.17

 

CMYK 91 / 0 / 94 / 19

HEX #12CE0D

RGB 18 206 13

HSL 118.45, 0.88%, 0.43%

LAB 72.43, -72.34, 69.57

 

CMYK 94 / 0 / 71 / 19

HEX #0DCE3C

RGB 13 206 60

HSL 134.61, 0.88%, 0.43%

LAB 72.6, -70.07, 57.78

 

CMYK 94 / 0 / 46 / 19

HEX #0DCE70

RGB 13 206 112

HSL 150.78, 0.88%, 0.43%

LAB 73.15, -63.23, 35.01

 

CMYK 94 / 0 / 20 / 19

HEX #0DCEA4

RGB 13 206 164

HSL 166.94, 0.88%, 0.43%

LAB 74.13, -52.13, 9.06

 

CMYK 94 / 5 / 0 / 19

HEX #0DC4CE

RGB 13 196 206

HSL 183.11, 0.88%, 0.43%

LAB 72.24, -36.01, -16.48

 

CMYK 91 / 0 / 94 / 19

HEX #12CE0D

RGB 18 206 13

HSL 118.45, 0.88%, 0.43%

LAB 72.43, -72.34, 69.57

 

CMYK 91 / 0 / 94 / 19

HEX #12CE0D

RGB 18 206 13

HSL 118.45, 0.88%, 0.43%

LAB 72.43, -72.34, 69.57

 

CMYK 81 / 0 / 84 / 26

HEX #23BC1F

RGB 35 188 31

HSL 118.47, 0.72%, 0.43%

LAB 66.84, -65.11, 61.47

 

CMYK 70 / 0 / 71 / 33

HEX #34AB31

RGB 52 171 49

HSL 118.52, 0.55%, 0.43%

LAB 61.72, -55.89, 50.8

 

CMYK 55 / 0 / 57 / 40

HEX #459942

RGB 69 153 66

HSL 117.93, 0.4%, 0.43%

LAB 56.53, -43.45, 37.63

 

CMYK 37 / 0 / 38 / 47

HEX #558754

RGB 85 135 84

HSL 118.82, 0.23%, 0.43%

LAB 51.72, -27.79, 22.25

 

CMYK 40 / 0 / 94 / 19

HEX #7BCE0D

RGB 123 206 13

HSL 85.8, 0.88%, 0.43%

LAB 75.07, -50.91, 72.82

 

CMYK 66 / 0 / 94 / 19

HEX #47CE0D

RGB 71 206 13

HSL 101.97, 0.88%, 0.43%

LAB 73.23, -65.34, 70.56

 

CMYK 90 / 0 / 94 / 19

HEX #14CE0D

RGB 20 206 13

HSL 117.82, 0.88%, 0.43%

LAB 72.44, -72.22, 69.59

 

CMYK 94 / 0 / 72 / 19

HEX #0DCE3A

RGB 13 206 58

HSL 133.99, 0.88%, 0.43%

LAB 72.58, -70.24, 58.5

 

CMYK 94 / 0 / 47 / 19

HEX #0DCE6E

RGB 13 206 110

HSL 150.16, 0.88%, 0.43%

LAB 73.12, -63.58, 35.97

 

CMYK 91 / 0 / 94 / 49

HEX #0B8108

RGB 11 129 8

HSL 118.51, 0.88%, 0.27%

LAB 46.7, -50.83, 48.69

 

CMYK 91 / 0 / 93 / 35

HEX #0FA70B

RGB 15 167 11

HSL 118.46, 0.88%, 0.35%

LAB 59.67, -61.65, 59.17

 

CMYK 91 / 0 / 94 / 19

HEX #12CE0D

RGB 18 206 13

HSL 118.45, 0.88%, 0.43%

LAB 72.43, -72.34, 69.57

 

CMYK 89 / 0 / 91 / 6

HEX #1AF015

RGB 26 240 21

HSL 118.63, 0.88%, 0.51%

LAB 83.23, -80.88, 77.6

 

CMYK 74 / 0 / 76 / 5

HEX #40F33B

RGB 64 243 59

HSL 118.37, 0.88%, 0.59%

LAB 84.74, -76.02, 70.54

 

CMYK 91 / 0 / 94 / 20

HEX #12CD0D

RGB 18 205 13

HSL 118.44, 0.88%, 0.43%

LAB 72.11, -72.07, 69.31

 

CMYK 94 / 16 / 0 / 19

HEX #0DAECE

RGB 13 174 206

HSL 189.95, 0.88%, 0.43%

LAB 65.6, -25.33, -26.59

 

CMYK 0 / 94 / 53 / 19

HEX #CE0D61

RGB 206 13 97

HSL 333.89, 0.88%, 0.43%

LAB 44.62, 70.42, 7.05

 

CMYK 91 / 0 / 94 / 20

HEX #12CD0D

RGB 18 205 13

HSL 118.44, 0.88%, 0.43%

LAB 72.11, -72.07, 69.31

 

CMYK 94 / 90 / 0 / 19

HEX #0D14CE

RGB 13 20 206

HSL 237.82, 0.88%, 0.43%

LAB 26.85, 62.99, -88.94

 

CMYK 0 / 94 / 90 / 19

HEX #CE0D14

RGB 206 13 20

HSL 357.82, 0.88%, 0.43%

LAB 43.45, 67.18, 50.58

 

CMYK 91 / 0 / 94 / 20

HEX #12CD0D

RGB 18 205 13

HSL 118.44, 0.88%, 0.43%

LAB 72.11, -72.07, 69.31

 

CMYK 94 / 16 / 0 / 19

HEX #0DAECE

RGB 13 174 206

HSL 189.95, 0.88%, 0.43%

LAB 65.6, -25.33, -26.59

 

CMYK 3 / 94 / 0 / 19

HEX #C80DCE

RGB 200 13 206

HSL 298.13, 0.88%, 0.43%

LAB 48.29, 81.63, -52.97

 

CMYK 0 / 78 / 94 / 19

HEX #CE2D0D

RGB 206 45 13

HSL 9.95, 0.88%, 0.43%

LAB 45.67, 60.67, 54.58

 

CMYK 91 / 0 / 94 / 20

HEX #12CD0D

RGB 18 205 13

HSL 118.44, 0.88%, 0.43%

LAB 72.11, -72.07, 69.31

 

CMYK 94 / 44 / 0 / 19

HEX #0D74CE

RGB 13 116 206

HSL 207.98, 0.88%, 0.43%

LAB 48.3, 7.57, -53.79

 

CMYK 3 / 94 / 0 / 19

HEX #C80DCE

RGB 200 13 206

HSL 298.13, 0.88%, 0.43%

LAB 48.29, 81.63, -52.97

 

CMYK 0 / 50 / 94 / 19

HEX #CE670D

RGB 206 103 13

HSL 27.98, 0.88%, 0.43%

LAB 54.92, 36.17, 60.61

 

Description

Color code: HEX #12CD0D | qconv.com Color code: HEX #12CD0D | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 205 green and 13 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 205 13 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, none magenta, 94 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 0% 94% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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