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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #12CCAF it is the complementary color #ED3350. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #12CCAF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #12CCAF shade: #17CCAA, #28DEBD, #39F0D0, #4AFFE3 and #5BFFF6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #12CCAF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #12CCAF shade: #12CCAF, #01BA9C, #00A889, #009676 and #008463

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #12CCAF shade: #12CEB1, #12CE7E, #12CE4B, #12CE19 and #3ECE12

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #12CCAF shade: #12CEB1, #12B9CE, #1286CE, #1253CE and #1220CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #12CCAF shade matches the following richer shades: #12CEB1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #12CCAF shade: #12CEB1, #24BCA5, #36AA98, #48988C and #5B867F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #12CCAF shade: #12CE4B, #12CE7D, #12CEAF, #12BCCE and #1289CE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #12CCAF shade: #0B8370, #0FA891, #12CEB1, #1EEBCB and #44EFD4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #12CCAF shade: #12CCAF, #1812CE and #CE6412

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #12CCAF shade: #12CCAF, #AF12CE and #CEAF12

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #12CCAF shade: #12CCAF, #1812CE, #CE1231 and #C8CE12

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #12CCAF shade: #12CCAF, #5112CE, #CE1231 and #90CE12

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 0 / 14 / 20

HEX #12CCAF

RGB 18 204 175

HSL 170.65, 0.84%, 0.44%

LAB 73.81, -48.28, 2.68

 

Complementary color

CMYK 0 / 78 / 66 / 7

HEX #ED3350

RGB 237 51 80

HSL 350.65, 0.84%, 0.56%

LAB 52.9, 69.94, 29.6

 

CMYK 89 / 0 / 17 / 20

HEX #17CCAA

RGB 23 204 170

HSL 168.73, 0.8%, 0.45%

LAB 73.72, -49.34, 5.25

 

CMYK 82 / 0 / 15 / 13

HEX #28DEBD

RGB 40 222 189

HSL 169.12, 0.73%, 0.51%

LAB 79.82, -50.66, 3.91

 

CMYK 76 / 0 / 13 / 6

HEX #39F0D0

RGB 57 240 208

HSL 169.51, 0.86%, 0.58%

LAB 85.88, -51.66, 2.69

 

CMYK 71 / 0 / 11 / 0

HEX #4AFFE3

RGB 74 255 227

HSL 170.72, 1%, 0.65%

LAB 91.02, -51.17, 0.31

 

CMYK 64 / 0 / 4 / 0

HEX #5BFFF6

RGB 91 255 246

HSL 176.71, 1%, 0.68%

LAB 91.86, -44, -8.25

 

CMYK 91 / 0 / 14 / 20

HEX #12CCAF

RGB 18 204 175

HSL 170.65, 0.84%, 0.44%

LAB 73.81, -48.28, 2.68

 

CMYK 99 / 0 / 16 / 27

HEX #01BA9C

RGB 1 186 156

HSL 170.27, 0.99%, 0.37%

LAB 67.67, -46.5, 4.12

 

CMYK 100 / 0 / 18 / 34

HEX #00A889

RGB 0 168 137

HSL 168.93, 1%, 0.33%

LAB 61.49, -44.15, 5.75

 

CMYK 100 / 0 / 21 / 41

HEX #009676

RGB 0 150 118

HSL 167.2, 1%, 0.29%

LAB 55.2, -41.72, 7.47

 

CMYK 100 / 0 / 25 / 48

HEX #008463

RGB 0 132 99

HSL 165, 1%, 0.26%

LAB 48.76, -39.22, 9.27

 

CMYK 91 / 0 / 14 / 19

HEX #12CEB1

RGB 18 206 177

HSL 170.74, 0.84%, 0.44%

LAB 74.47, -48.57, 2.56

 

CMYK 91 / 0 / 39 / 19

HEX #12CE7E

RGB 18 206 126

HSL 154.47, 0.84%, 0.44%

LAB 73.4, -60.41, 28.18

 

CMYK 91 / 0 / 64 / 19

HEX #12CE4B

RGB 18 206 75

HSL 138.19, 0.84%, 0.44%

LAB 72.75, -68.3, 51.93

 

CMYK 91 / 0 / 88 / 19

HEX #12CE19

RGB 18 206 25

HSL 122.23, 0.84%, 0.44%

LAB 72.46, -71.99, 67.73

 

CMYK 70 / 0 / 91 / 19

HEX #3ECE12

RGB 62 206 18

HSL 105.96, 0.84%, 0.44%

LAB 73.03, -66.99, 69.65

 

CMYK 91 / 0 / 14 / 19

HEX #12CEB1

RGB 18 206 177

HSL 170.74, 0.84%, 0.44%

LAB 74.47, -48.57, 2.56

 

CMYK 91 / 10 / 0 / 19

HEX #12B9CE

RGB 18 185 206

HSL 186.7, 0.84%, 0.44%

LAB 68.96, -30.59, -21.46

 

CMYK 91 / 35 / 0 / 19

HEX #1286CE

RGB 18 134 206

HSL 202.98, 0.84%, 0.44%

LAB 53.64, -3.19, -45.28

 

CMYK 91 / 60 / 0 / 19

HEX #1253CE

RGB 18 83 206

HSL 219.26, 0.84%, 0.44%

LAB 39.19, 29.16, -68.54

 

CMYK 91 / 84 / 0 / 19

HEX #1220CE

RGB 18 32 206

HSL 235.53, 0.84%, 0.44%

LAB 28.43, 58.68, -86.32

 

CMYK 91 / 0 / 14 / 19

HEX #12CEB1

RGB 18 206 177

HSL 170.74, 0.84%, 0.44%

LAB 74.47, -48.57, 2.56

 

CMYK 91 / 0 / 14 / 19

HEX #12CEB1

RGB 18 206 177

HSL 170.74, 0.84%, 0.44%

LAB 74.47, -48.57, 2.56

 

CMYK 81 / 0 / 12 / 26

HEX #24BCA5

RGB 36 188 165

HSL 170.92, 0.68%, 0.44%

LAB 68.79, -43, 0.85

 

CMYK 68 / 0 / 11 / 33

HEX #36AA98

RGB 54 170 152

HSL 170.69, 0.52%, 0.44%

LAB 63.18, -36.33, -0.11

 

CMYK 53 / 0 / 8 / 40

HEX #48988C

RGB 72 152 140

HSL 171, 0.36%, 0.44%

LAB 57.78, -27.54, -1.17

 

CMYK 32 / 0 / 5 / 47

HEX #5B867F

RGB 91 134 127

HSL 170.23, 0.19%, 0.44%

LAB 52.74, -16.4, -0.97

 

CMYK 91 / 0 / 64 / 19

HEX #12CE4B

RGB 18 206 75

HSL 138.19, 0.84%, 0.44%

LAB 72.75, -68.3, 51.93

 

CMYK 91 / 0 / 39 / 19

HEX #12CE7D

RGB 18 206 125

HSL 154.15, 0.84%, 0.44%

LAB 73.38, -60.61, 28.68

 

CMYK 91 / 0 / 15 / 19

HEX #12CEAF

RGB 18 206 175

HSL 170.11, 0.84%, 0.44%

LAB 74.42, -49.1, 3.57

 

CMYK 91 / 9 / 0 / 19

HEX #12BCCE

RGB 18 188 206

HSL 185.74, 0.84%, 0.44%

LAB 69.86, -32.04, -20.08

 

CMYK 91 / 33 / 0 / 19

HEX #1289CE

RGB 18 137 206

HSL 202.02, 0.84%, 0.44%

LAB 54.53, -4.95, -43.87

 

CMYK 92 / 0 / 15 / 49

HEX #0B8370

RGB 11 131 112

HSL 170.5, 0.85%, 0.28%

LAB 48.85, -34.56, 1.82

 

CMYK 91 / 0 / 14 / 34

HEX #0FA891

RGB 15 168 145

HSL 170.98, 0.84%, 0.36%

LAB 61.78, -41.34, 1.71

 

CMYK 91 / 0 / 14 / 19

HEX #12CEB1

RGB 18 206 177

HSL 170.74, 0.84%, 0.44%

LAB 74.47, -48.57, 2.56

 

CMYK 87 / 0 / 14 / 8

HEX #1EEBCB

RGB 30 235 203

HSL 170.63, 0.84%, 0.52%

LAB 83.97, -53.03, 2.51

 

CMYK 72 / 0 / 11 / 6

HEX #44EFD4

RGB 68 239 212

HSL 170.53, 0.84%, 0.6%

LAB 85.86, -48.98, 0.6

 

CMYK 91 / 0 / 14 / 20

HEX #12CCAF

RGB 18 204 175

HSL 170.65, 0.84%, 0.44%

LAB 73.81, -48.28, 2.68

 

CMYK 88 / 91 / 0 / 19

HEX #1812CE

RGB 24 18 206

HSL 241.91, 0.84%, 0.44%

LAB 26.97, 63.75, -88.74

 

CMYK 0 / 51 / 91 / 19

HEX #CE6412

RGB 206 100 18

HSL 26.17, 0.84%, 0.44%

LAB 54.32, 37.77, 58.98

 

CMYK 91 / 0 / 14 / 20

HEX #12CCAF

RGB 18 204 175

HSL 170.65, 0.84%, 0.44%

LAB 73.81, -48.28, 2.68

 

CMYK 15 / 91 / 0 / 19

HEX #AF12CE

RGB 175 18 206

HSL 290.11, 0.84%, 0.44%

LAB 44.24, 77.1, -59.71

 

CMYK 0 / 15 / 91 / 19

HEX #CEAF12

RGB 206 175 18

HSL 50.11, 0.84%, 0.44%

LAB 72.11, -2.33, 72.27

 

CMYK 91 / 0 / 14 / 20

HEX #12CCAF

RGB 18 204 175

HSL 170.65, 0.84%, 0.44%

LAB 73.81, -48.28, 2.68

 

CMYK 88 / 91 / 0 / 19

HEX #1812CE

RGB 24 18 206

HSL 241.91, 0.84%, 0.44%

LAB 26.97, 63.75, -88.74

 

CMYK 0 / 91 / 76 / 19

HEX #CE1231

RGB 206 18 49

HSL 350.11, 0.84%, 0.44%

LAB 43.91, 67.27, 35.81

 

CMYK 3 / 0 / 91 / 19

HEX #C8CE12

RGB 200 206 18

HSL 61.91, 0.84%, 0.44%

LAB 79.88, -20.7, 78.04

 

CMYK 91 / 0 / 14 / 20

HEX #12CCAF

RGB 18 204 175

HSL 170.65, 0.84%, 0.44%

LAB 73.81, -48.28, 2.68

 

CMYK 61 / 91 / 0 / 19

HEX #5112CE

RGB 81 18 206

HSL 260.11, 0.84%, 0.44%

LAB 30.97, 66.24, -81.98

 

CMYK 0 / 91 / 76 / 19

HEX #CE1231

RGB 206 18 49

HSL 350.11, 0.84%, 0.44%

LAB 43.91, 67.27, 35.81

 

CMYK 30 / 0 / 91 / 19

HEX #90CE12

RGB 144 206 18

HSL 79.79, 0.84%, 0.44%

LAB 76.14, -43.33, 73.48

 

Description

Color code: HEX #12CCAF | qconv.com Color code: HEX #12CCAF | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 204 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 204 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, none magenta, 14 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 0% 14% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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