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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #12C862 it is the complementary color #ED379D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #12C862. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #12C862 shade: #17C85D, #28DA70, #39EC83, #4AFE96 and #5BFFA9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #12C862. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #12C862 shade: #12C862, #01B64F, #00A43C, #009229 and #008016

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #12C862 shade: #13C963, #13C932, #25C913, #56C913 and #87C913

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #12C862 shade: #13C963, #13C994, #13C9C5, #139BC9 and #136AC9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #12C862 shade matches the following richer shades: #13C963 and #01DA60

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #12C862 shade: #13C963, #24B765, #36A567, #489369 and #5A826B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #12C862 shade: #25C913, #13C931, #13C962, #13C992 and #13C9C3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #12C862 shade: #0C7D3E, #0FA350, #13C963, #1BEA76 and #41ED8C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #12C862 shade: #12C862, #1355C9 and #C91913

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #12C862 shade: #12C862, #6213C9 and #C96213

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #12C862 shade: #12C862, #1355C9, #C9137A and #C98613

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #12C862 shade: #12C862, #131FC9, #C9137A and #C9BD13

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 0 / 51 / 22

HEX #12C862

RGB 18 200 98

HSL 146.37, 0.83%, 0.43%

LAB 71.09, -63.32, 39.37

 

Complementary color

CMYK 0 / 77 / 34 / 7

HEX #ED379D

RGB 237 55 157

HSL 326.37, 0.83%, 0.57%

LAB 55.25, 74.87, -13.03

 

CMYK 89 / 0 / 54 / 22

HEX #17C85D

RGB 23 200 93

HSL 143.73, 0.79%, 0.44%

LAB 71.06, -63.77, 41.77

 

CMYK 82 / 0 / 49 / 15

HEX #28DA70

RGB 40 218 112

HSL 144.27, 0.71%, 0.51%

LAB 77.14, -65.36, 40.11

 

CMYK 76 / 0 / 44 / 7

HEX #39EC83

RGB 57 236 131

HSL 144.8, 0.82%, 0.57%

LAB 83.18, -66.47, 38.51

 

CMYK 71 / 0 / 41 / 0

HEX #4AFE96

RGB 74 254 150

HSL 145.33, 0.99%, 0.64%

LAB 89.18, -67.24, 36.99

 

CMYK 64 / 0 / 34 / 0

HEX #5BFFA9

RGB 91 255 169

HSL 148.54, 1%, 0.68%

LAB 90.14, -61.46, 28.87

 

CMYK 91 / 0 / 51 / 22

HEX #12C862

RGB 18 200 98

HSL 146.37, 0.83%, 0.43%

LAB 71.09, -63.32, 39.37

 

CMYK 99 / 0 / 57 / 29

HEX #01B64F

RGB 1 182 79

HSL 145.86, 0.99%, 0.36%

LAB 64.98, -61.13, 41.12

 

CMYK 100 / 0 / 63 / 36

HEX #00A43C

RGB 0 164 60

HSL 141.95, 1%, 0.32%

LAB 58.86, -58.04, 42.86

 

CMYK 100 / 0 / 72 / 43

HEX #009229

RGB 0 146 41

HSL 136.85, 1%, 0.29%

LAB 52.64, -54.59, 44.26

 

CMYK 100 / 0 / 83 / 50

HEX #008016

RGB 0 128 22

HSL 130.31, 1%, 0.25%

LAB 46.31, -50.69, 44.84

 

CMYK 91 / 0 / 51 / 21

HEX #13C963

RGB 19 201 99

HSL 146.37, 0.83%, 0.43%

LAB 71.43, -63.44, 39.3

 

CMYK 91 / 0 / 75 / 21

HEX #13C932

RGB 19 201 50

HSL 130.22, 0.83%, 0.43%

LAB 70.97, -69.13, 59.69

 

CMYK 82 / 0 / 91 / 21

HEX #25C913

RGB 37 201 19

HSL 114.07, 0.83%, 0.43%

LAB 71.02, -69.17, 67.62

 

CMYK 57 / 0 / 91 / 21

HEX #56C913

RGB 86 201 19

HSL 97.91, 0.83%, 0.43%

LAB 72.09, -60.03, 68.96

 

CMYK 33 / 0 / 91 / 21

HEX #87C913

RGB 135 201 19

HSL 81.76, 0.83%, 0.43%

LAB 74.17, -44.51, 71.53

 

CMYK 91 / 0 / 51 / 21

HEX #13C963

RGB 19 201 99

HSL 146.37, 0.83%, 0.43%

LAB 71.43, -63.44, 39.3

 

CMYK 91 / 0 / 26 / 21

HEX #13C994

RGB 19 201 148

HSL 162.53, 0.83%, 0.43%

LAB 72.26, -53.79, 15.01

 

CMYK 91 / 0 / 2 / 21

HEX #13C9C5

RGB 19 201 197

HSL 178.68, 0.83%, 0.43%

LAB 73.51, -40.78, -9.68

 

CMYK 91 / 23 / 0 / 21

HEX #139BC9

RGB 19 155 201

HSL 195.16, 0.83%, 0.43%

LAB 59.71, -16.87, -32.93

 

CMYK 91 / 47 / 0 / 21

HEX #136AC9

RGB 19 106 201

HSL 211.32, 0.83%, 0.43%

LAB 45.17, 12.21, -55.96

 

CMYK 91 / 0 / 51 / 21

HEX #13C963

RGB 19 201 99

HSL 146.37, 0.83%, 0.43%

LAB 71.43, -63.44, 39.3

 

CMYK 100 / 0 / 56 / 15

HEX #01DA60

RGB 1 218 96

HSL 146.27, 0.99%, 0.43%

LAB 76.68, -69.99, 47.1

 

CMYK 91 / 0 / 51 / 21

HEX #13C963

RGB 19 201 99

HSL 146.37, 0.83%, 0.43%

LAB 71.43, -63.44, 39.3

 

CMYK 80 / 0 / 45 / 28

HEX #24B765

RGB 36 183 101

HSL 146.53, 0.67%, 0.43%

LAB 65.89, -55.53, 31.33

 

CMYK 67 / 0 / 38 / 35

HEX #36A567

RGB 54 165 103

HSL 146.49, 0.51%, 0.43%

LAB 60.49, -45.67, 23.25

 

CMYK 51 / 0 / 29 / 42

HEX #489369

RGB 72 147 105

HSL 146.4, 0.34%, 0.43%

LAB 55.34, -33.43, 15.25

 

CMYK 31 / 0 / 18 / 49

HEX #5A826B

RGB 90 130 107

HSL 145.5, 0.18%, 0.43%

LAB 50.92, -19.14, 8.04

 

CMYK 82 / 0 / 91 / 21

HEX #25C913

RGB 37 201 19

HSL 114.07, 0.83%, 0.43%

LAB 71.02, -69.17, 67.62

 

CMYK 91 / 0 / 76 / 21

HEX #13C931

RGB 19 201 49

HSL 129.89, 0.83%, 0.43%

LAB 70.96, -69.2, 60.02

 

CMYK 91 / 0 / 51 / 21

HEX #13C962

RGB 19 201 98

HSL 146.04, 0.83%, 0.43%

LAB 71.41, -63.59, 39.77

 

CMYK 91 / 0 / 27 / 21

HEX #13C992

RGB 19 201 146

HSL 161.87, 0.83%, 0.43%

LAB 72.22, -54.26, 16.02

 

CMYK 91 / 0 / 3 / 21

HEX #13C9C3

RGB 19 201 195

HSL 178.02, 0.83%, 0.43%

LAB 73.45, -41.36, -8.69

 

CMYK 90 / 0 / 50 / 51

HEX #0C7D3E

RGB 12 125 62

HSL 146.55, 0.82%, 0.27%

LAB 45.76, -43.9, 26.25

 

CMYK 91 / 0 / 51 / 36

HEX #0FA350

RGB 15 163 80

HSL 146.35, 0.83%, 0.35%

LAB 58.86, -54.02, 33.18

 

CMYK 91 / 0 / 51 / 21

HEX #13C963

RGB 19 201 99

HSL 146.37, 0.83%, 0.43%

LAB 71.43, -63.44, 39.3

 

CMYK 88 / 0 / 50 / 8

HEX #1BEA76

RGB 27 234 118

HSL 146.38, 0.83%, 0.51%

LAB 82.05, -70.69, 43.32

 

CMYK 73 / 0 / 41 / 7

HEX #41ED8C

RGB 65 237 140

HSL 146.16, 0.83%, 0.59%

LAB 83.75, -64.22, 34.82

 

CMYK 91 / 0 / 51 / 22

HEX #12C862

RGB 18 200 98

HSL 146.37, 0.83%, 0.43%

LAB 71.09, -63.32, 39.37

 

CMYK 91 / 58 / 0 / 21

HEX #1355C9

RGB 19 85 201

HSL 218.24, 0.83%, 0.43%

LAB 39.33, 25.94, -65.42

 

CMYK 0 / 88 / 91 / 21

HEX #C91913

RGB 201 25 19

HSL 1.98, 0.83%, 0.43%

LAB 43, 64.11, 50.2

 

CMYK 91 / 0 / 51 / 22

HEX #12C862

RGB 18 200 98

HSL 146.37, 0.83%, 0.43%

LAB 71.09, -63.32, 39.37

 

CMYK 51 / 91 / 0 / 21

HEX #6213C9

RGB 98 19 201

HSL 266.04, 0.83%, 0.43%

LAB 32.43, 66.22, -76.57

 

CMYK 0 / 51 / 91 / 21

HEX #C96213

RGB 201 98 19

HSL 26.04, 0.83%, 0.43%

LAB 53.17, 36.81, 57.52

 

CMYK 91 / 0 / 51 / 22

HEX #12C862

RGB 18 200 98

HSL 146.37, 0.83%, 0.43%

LAB 71.09, -63.32, 39.37

 

CMYK 91 / 58 / 0 / 21

HEX #1355C9

RGB 19 85 201

HSL 218.24, 0.83%, 0.43%

LAB 39.33, 25.94, -65.42

 

CMYK 0 / 91 / 39 / 21

HEX #C9137A

RGB 201 19 122

HSL 326.04, 0.83%, 0.43%

LAB 44.64, 70.64, -8.57

 

CMYK 0 / 33 / 91 / 21

HEX #C98613

RGB 201 134 19

HSL 37.91, 0.83%, 0.43%

LAB 61.23, 17.56, 63.56

 

CMYK 91 / 0 / 51 / 22

HEX #12C862

RGB 18 200 98

HSL 146.37, 0.83%, 0.43%

LAB 71.09, -63.32, 39.37

 

CMYK 91 / 85 / 0 / 21

HEX #131FC9

RGB 19 31 201

HSL 236.04, 0.83%, 0.43%

LAB 27.67, 57.63, -84.65

 

CMYK 0 / 91 / 39 / 21

HEX #C9137A

RGB 201 19 122

HSL 326.04, 0.83%, 0.43%

LAB 44.64, 70.64, -8.57

 

CMYK 0 / 6 / 91 / 21

HEX #C9BD13

RGB 201 189 19

HSL 56.04, 0.83%, 0.43%

LAB 75.36, -11.76, 74.42

 

Description

Color code: HEX #12C862 | qconv.com Color code: HEX #12C862 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 200 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 200 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, none magenta, 51 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 0% 51% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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