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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #12C572 it is the complementary color #ED3A8D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #12C572. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #12C572 shade: #17C56D, #28D780, #39E993, #4AFBA6 and #5BFFB9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #12C572. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #12C572 shade: #12C572, #01B35F, #00A14C, #008F39 and #007D26

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #12C572 shade: #12C472, #12C442, #13C412, #43C412 and #73C412

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #12C572 shade: #12C472, #12C4A2, #12B7C4, #1287C4 and #1257C4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #12C572 shade matches the following richer shades: #12C472 and #01D573

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #12C572 shade: #12C472, #24B370, #35A16F, #46906E and #587F6D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #12C572 shade: #12C412, #12C442, #12C471, #12C4A0 and #12B8C4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #12C572 shade: #0B7846, #0F9E5C, #12C472, #16E987 and #3CED9B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #12C572 shade: #12C572, #1242C4 and #C42A12

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #12C572 shade: #12C572, #7112C4 and #C47112

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #12C572 shade: #12C572, #1242C4, #C41265 and #C49512

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #12C572 shade: #12C572, #1812C4, #C41265 and #BEC412

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 0 / 42 / 23

HEX #12C572

RGB 18 197 114

HSL 152.18, 0.83%, 0.42%

LAB 70.37, -59.56, 30.39

 

Complementary color

CMYK 0 / 76 / 41 / 7

HEX #ED3A8D

RGB 237 58 141

HSL 332.18, 0.83%, 0.58%

LAB 55.02, 72.4, -3.9

 

CMYK 88 / 0 / 45 / 23

HEX #17C56D

RGB 23 197 109

HSL 149.66, 0.79%, 0.43%

LAB 70.33, -60.17, 32.91

 

CMYK 81 / 0 / 40 / 16

HEX #28D780

RGB 40 215 128

HSL 150.17, 0.69%, 0.5%

LAB 76.44, -61.57, 31.21

 

CMYK 76 / 0 / 37 / 9

HEX #39E993

RGB 57 233 147

HSL 150.68, 0.8%, 0.57%

LAB 82.52, -62.56, 29.63

 

CMYK 71 / 0 / 34 / 2

HEX #4AFBA6

RGB 74 251 166

HSL 151.19, 0.96%, 0.64%

LAB 88.54, -63.24, 28.17

 

CMYK 64 / 0 / 27 / 0

HEX #5BFFB9

RGB 91 255 185

HSL 154.39, 1%, 0.68%

LAB 90.44, -58.31, 21.16

 

CMYK 91 / 0 / 42 / 23

HEX #12C572

RGB 18 197 114

HSL 152.18, 0.83%, 0.42%

LAB 70.37, -59.56, 30.39

 

CMYK 99 / 0 / 47 / 30

HEX #01B35F

RGB 1 179 95

HSL 151.69, 0.99%, 0.35%

LAB 64.22, -57.59, 32.22

 

CMYK 100 / 0 / 53 / 37

HEX #00A14C

RGB 0 161 76

HSL 148.32, 1%, 0.32%

LAB 58.05, -54.8, 34.19

 

CMYK 100 / 0 / 60 / 44

HEX #008F39

RGB 0 143 57

HSL 143.92, 1%, 0.28%

LAB 51.77, -51.73, 36.11

 

CMYK 100 / 0 / 70 / 51

HEX #007D26

RGB 0 125 38

HSL 138.24, 1%, 0.25%

LAB 45.37, -48.33, 37.77

 

CMYK 91 / 0 / 42 / 23

HEX #12C472

RGB 18 196 114

HSL 152.36, 0.83%, 0.42%

LAB 70.05, -59.22, 29.97

 

CMYK 91 / 0 / 66 / 23

HEX #12C442

RGB 18 196 66

HSL 136.18, 0.83%, 0.42%

LAB 69.47, -66.27, 52.09

 

CMYK 90 / 0 / 91 / 23

HEX #13C412

RGB 19 196 18

HSL 119.66, 0.83%, 0.42%

LAB 69.23, -69.39, 66.19

 

CMYK 66 / 0 / 91 / 23

HEX #43C412

RGB 67 196 18

HSL 103.48, 0.83%, 0.42%

LAB 69.98, -62.84, 67.12

 

CMYK 41 / 0 / 91 / 23

HEX #73C412

RGB 115 196 18

HSL 87.3, 0.83%, 0.42%

LAB 71.67, -49.53, 69.22

 

CMYK 91 / 0 / 42 / 23

HEX #12C472

RGB 18 196 114

HSL 152.36, 0.83%, 0.42%

LAB 70.05, -59.22, 29.97

 

CMYK 91 / 0 / 17 / 23

HEX #12C4A2

RGB 18 196 162

HSL 168.54, 0.83%, 0.42%

LAB 71.02, -48.4, 5.69

 

CMYK 91 / 7 / 0 / 23

HEX #12B7C4

RGB 18 183 196

HSL 184.38, 0.83%, 0.42%

LAB 68.01, -32.82, -17.4

 

CMYK 91 / 31 / 0 / 23

HEX #1287C4

RGB 18 135 196

HSL 200.56, 0.83%, 0.42%

LAB 53.43, -7.54, -39.93

 

CMYK 91 / 56 / 0 / 23

HEX #1257C4

RGB 18 87 196

HSL 216.74, 0.83%, 0.42%

LAB 39.46, 22.59, -62.31

 

CMYK 91 / 0 / 42 / 23

HEX #12C472

RGB 18 196 114

HSL 152.36, 0.83%, 0.42%

LAB 70.05, -59.22, 29.97

 

CMYK 100 / 0 / 46 / 16

HEX #01D573

RGB 1 213 115

HSL 152.26, 0.99%, 0.42%

LAB 75.35, -65.45, 36.3

 

CMYK 91 / 0 / 42 / 23

HEX #12C472

RGB 18 196 114

HSL 152.36, 0.83%, 0.42%

LAB 70.05, -59.22, 29.97

 

CMYK 80 / 0 / 37 / 30

HEX #24B370

RGB 36 179 112

HSL 151.89, 0.67%, 0.42%

LAB 64.79, -51.98, 24.1

 

CMYK 67 / 0 / 31 / 37

HEX #35A16F

RGB 53 161 111

HSL 152.22, 0.5%, 0.42%

LAB 59.34, -42.56, 17.3

 

CMYK 51 / 0 / 24 / 44

HEX #46906E

RGB 70 144 110

HSL 152.43, 0.35%, 0.42%

LAB 54.42, -31.47, 11.12

 

CMYK 31 / 0 / 14 / 50

HEX #587F6D

RGB 88 127 109

HSL 152.31, 0.18%, 0.42%

LAB 49.93, -17.78, 5.44

 

CMYK 91 / 0 / 91 / 23

HEX #12C412

RGB 18 196 18

HSL 120, 0.83%, 0.42%

LAB 69.22, -69.45, 66.18

 

CMYK 91 / 0 / 66 / 23

HEX #12C442

RGB 18 196 66

HSL 136.18, 0.83%, 0.42%

LAB 69.47, -66.27, 52.09

 

CMYK 91 / 0 / 42 / 23

HEX #12C471

RGB 18 196 113

HSL 152.02, 0.83%, 0.42%

LAB 70.04, -59.4, 30.47

 

CMYK 91 / 0 / 18 / 23

HEX #12C4A0

RGB 18 196 160

HSL 167.87, 0.83%, 0.42%

LAB 70.97, -48.92, 6.71

 

CMYK 91 / 6 / 0 / 23

HEX #12B8C4

RGB 18 184 196

HSL 184.04, 0.83%, 0.42%

LAB 68.31, -33.3, -16.94

 

CMYK 91 / 0 / 42 / 53

HEX #0B7846

RGB 11 120 70

HSL 152.48, 0.83%, 0.26%

LAB 44.16, -40.54, 19.72

 

CMYK 91 / 0 / 42 / 38

HEX #0F9E5C

RGB 15 158 92

HSL 152.31, 0.83%, 0.34%

LAB 57.39, -50.08, 24.98

 

CMYK 91 / 0 / 42 / 23

HEX #12C472

RGB 18 196 114

HSL 152.36, 0.83%, 0.42%

LAB 70.05, -59.22, 29.97

 

CMYK 91 / 0 / 42 / 9

HEX #16E987

RGB 22 233 135

HSL 152.13, 0.83%, 0.5%

LAB 81.95, -67.79, 34.86

 

CMYK 75 / 0 / 35 / 7

HEX #3CED9B

RGB 60 237 155

HSL 152.2, 0.83%, 0.58%

LAB 83.91, -62.1, 27.44

 

CMYK 91 / 0 / 42 / 23

HEX #12C572

RGB 18 197 114

HSL 152.18, 0.83%, 0.42%

LAB 70.37, -59.56, 30.39

 

CMYK 91 / 66 / 0 / 23

HEX #1242C4

RGB 18 66 196

HSL 223.82, 0.83%, 0.42%

LAB 34, 36.41, -71.24

 

CMYK 0 / 79 / 91 / 23

HEX #C42A12

RGB 196 42 18

HSL 8.09, 0.83%, 0.42%

LAB 43.41, 58.63, 50.41

 

CMYK 91 / 0 / 42 / 23

HEX #12C572

RGB 18 197 114

HSL 152.18, 0.83%, 0.42%

LAB 70.37, -59.56, 30.39

 

CMYK 42 / 91 / 0 / 23

HEX #7112C4

RGB 113 18 196

HSL 272.02, 0.83%, 0.42%

LAB 33.83, 66.86, -71.27

 

CMYK 0 / 42 / 91 / 23

HEX #C47112

RGB 196 113 18

HSL 32.02, 0.83%, 0.42%

LAB 55.67, 26.81, 59.33

 

CMYK 91 / 0 / 42 / 23

HEX #12C572

RGB 18 197 114

HSL 152.18, 0.83%, 0.42%

LAB 70.37, -59.56, 30.39

 

CMYK 91 / 66 / 0 / 23

HEX #1242C4

RGB 18 66 196

HSL 223.82, 0.83%, 0.42%

LAB 34, 36.41, -71.24

 

CMYK 0 / 91 / 48 / 23

HEX #C41265

RGB 196 18 101

HSL 332.02, 0.83%, 0.42%

LAB 42.93, 67.77, 1.85

 

CMYK 0 / 24 / 91 / 23

HEX #C49512

RGB 196 149 18

HSL 44.16, 0.83%, 0.42%

LAB 64.38, 7.14, 65.92

 

CMYK 91 / 0 / 42 / 23

HEX #12C572

RGB 18 197 114

HSL 152.18, 0.83%, 0.42%

LAB 70.37, -59.56, 30.39

 

CMYK 88 / 91 / 0 / 23

HEX #1812C4

RGB 24 18 196

HSL 242.02, 0.83%, 0.42%

LAB 25.6, 61.03, -85.16

 

CMYK 0 / 91 / 48 / 23

HEX #C41265

RGB 196 18 101

HSL 332.02, 0.83%, 0.42%

LAB 42.93, 67.77, 1.85

 

CMYK 3 / 0 / 91 / 23

HEX #BEC412

RGB 190 196 18

HSL 62.02, 0.83%, 0.42%

LAB 76.36, -20.04, 74.95

 

Description

Color code: HEX #12C572 | qconv.com Color code: HEX #12C572 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 197 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 197 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, none magenta, 42 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 0% 42% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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