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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #12C1DF it is the complementary color #ED3E20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #12C1DF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #12C1DF shade: #17C1DA, #28D3ED, #39E5FF, #4AF7FF and #5BFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #12C1DF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #12C1DF shade: #12C1DF, #01AFCC, #009DB9, #008BA6 and #007993

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #12C1DF shade: #12C0DE, #1289DE, #1252DE, #121BDE and #4012DE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #12C1DF shade: #12C0DE, #1289DE, #1252DE, #121BDE and #1212DE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #12C1DF shade matches the following richer shades: #12C0DE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #12C1DF shade: #12C0DE, #25B2CA, #39A4B7, #4C97A4 and #608990

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #12C1DF shade: #12DE8C, #12DEC3, #12C3DE, #128CDE and #1256DE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #12C1DF shade: #0C7E91, #0F9FB8, #12C0DE, #2BD1EE and #51DAF1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #12C1DF shade: #12C1DF, #5612DE and #DEA712

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #12C1DF shade: #12C1DF, #DE12C3 and #C3DE12

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #12C1DF shade: #12C1DF, #5612DE, #DE2D12 and #9ADE12

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #12C1DF shade: #12C1DF, #9312DE, #DE2D12 and #5DDE12

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 13 / 0 / 13

HEX #12C1DF

RGB 18 193 223

HSL 188.78, 0.85%, 0.47%

LAB 71.96, -28.99, -26.15

 

Complementary color

CMYK 0 / 74 / 86 / 7

HEX #ED3E20

RGB 237 62 32

HSL 8.78, 0.85%, 0.53%

LAB 53.55, 64.99, 55.83

 

CMYK 89 / 11 / 0 / 15

HEX #17C1DA

RGB 23 193 218

HSL 187.69, 0.81%, 0.47%

LAB 71.81, -30.39, -23.65

 

CMYK 83 / 11 / 0 / 7

HEX #28D3ED

RGB 40 211 237

HSL 187.92, 0.85%, 0.54%

LAB 77.97, -32.04, -24.5

 

CMYK 78 / 10 / 0 / 0

HEX #39E5FF

RGB 57 229 255

HSL 187.88, 1%, 0.61%

LAB 84.03, -33.68, -24.79

 

CMYK 71 / 3 / 0 / 0

HEX #4AF7FF

RGB 74 247 255

HSL 182.65, 1%, 0.65%

LAB 89.49, -40.22, -16.52

 

CMYK 64 / 0 / 0 / 0

HEX #5BFFFF

RGB 91 255 255

HSL 180, 1%, 0.68%

LAB 92.12, -41.61, -12.54

 

CMYK 92 / 13 / 0 / 13

HEX #12C1DF

RGB 18 193 223

HSL 188.78, 0.85%, 0.47%

LAB 71.96, -28.99, -26.15

 

CMYK 100 / 14 / 0 / 20

HEX #01AFCC

RGB 1 175 204

HSL 188.57, 0.99%, 0.4%

LAB 65.77, -26.88, -25.24

 

CMYK 100 / 15 / 0 / 27

HEX #009DB9

RGB 0 157 185

HSL 189.08, 1%, 0.36%

LAB 59.54, -24.23, -24.19

 

CMYK 100 / 16 / 0 / 35

HEX #008BA6

RGB 0 139 166

HSL 189.76, 1%, 0.33%

LAB 53.19, -21.48, -23.14

 

CMYK 100 / 18 / 0 / 42

HEX #007993

RGB 0 121 147

HSL 190.61, 1%, 0.29%

LAB 46.69, -18.65, -22.08

 

CMYK 92 / 14 / 0 / 13

HEX #12C0DE

RGB 18 192 222

HSL 188.82, 0.85%, 0.47%

LAB 71.62, -28.83, -26.12

 

CMYK 92 / 38 / 0 / 13

HEX #1289DE

RGB 18 137 222

HSL 205, 0.85%, 0.47%

LAB 55.37, 1.11, -51.53

 

CMYK 92 / 63 / 0 / 13

HEX #1252DE

RGB 18 82 222

HSL 221.18, 0.85%, 0.47%

LAB 40.31, 35.95, -75.9

 

CMYK 92 / 88 / 0 / 13

HEX #121BDE

RGB 18 27 222

HSL 237.35, 0.85%, 0.47%

LAB 29.88, 65.21, -93.16

 

CMYK 71 / 92 / 0 / 13

HEX #4012DE

RGB 64 18 222

HSL 253.53, 0.85%, 0.47%

LAB 31.34, 69.21, -90.67

 

CMYK 92 / 14 / 0 / 13

HEX #12C0DE

RGB 18 192 222

HSL 188.82, 0.85%, 0.47%

LAB 71.62, -28.83, -26.12

 

CMYK 92 / 38 / 0 / 13

HEX #1289DE

RGB 18 137 222

HSL 205, 0.85%, 0.47%

LAB 55.37, 1.11, -51.53

 

CMYK 92 / 63 / 0 / 13

HEX #1252DE

RGB 18 82 222

HSL 221.18, 0.85%, 0.47%

LAB 40.31, 35.95, -75.9

 

CMYK 92 / 88 / 0 / 13

HEX #121BDE

RGB 18 27 222

HSL 237.35, 0.85%, 0.47%

LAB 29.88, 65.21, -93.16

 

CMYK 92 / 92 / 0 / 13

HEX #1212DE

RGB 18 18 222

HSL 240, 0.85%, 0.47%

LAB 28.99, 67.91, -94.64

 

CMYK 92 / 14 / 0 / 13

HEX #12C0DE

RGB 18 192 222

HSL 188.82, 0.85%, 0.47%

LAB 71.62, -28.83, -26.12

 

CMYK 92 / 14 / 0 / 13

HEX #12C0DE

RGB 18 192 222

HSL 188.82, 0.85%, 0.47%

LAB 71.62, -28.83, -26.12

 

CMYK 82 / 12 / 0 / 21

HEX #25B2CA

RGB 37 178 202

HSL 188.73, 0.69%, 0.47%

LAB 66.9, -27.25, -22.38

 

CMYK 69 / 10 / 0 / 28

HEX #39A4B7

RGB 57 164 183

HSL 189.05, 0.53%, 0.47%

LAB 62.37, -23.95, -18.67

 

CMYK 54 / 8 / 0 / 36

HEX #4C97A4

RGB 76 151 164

HSL 188.86, 0.37%, 0.47%

LAB 58.37, -19.49, -13.95

 

CMYK 33 / 5 / 0 / 44

HEX #608990

RGB 96 137 144

HSL 188.75, 0.2%, 0.47%

LAB 54.44, -12.28, -8.28

 

CMYK 92 / 0 / 37 / 13

HEX #12DE8C

RGB 18 222 140

HSL 155.88, 0.85%, 0.47%

LAB 78.62, -63.27, 27.92

 

CMYK 92 / 0 / 12 / 13

HEX #12DEC3

RGB 18 222 195

HSL 172.06, 0.85%, 0.47%

LAB 79.79, -50.39, 0.65

 

CMYK 92 / 12 / 0 / 13

HEX #12C3DE

RGB 18 195 222

HSL 187.94, 0.85%, 0.47%

LAB 72.52, -30.3, -24.75

 

CMYK 92 / 37 / 0 / 13

HEX #128CDE

RGB 18 140 222

HSL 204.12, 0.85%, 0.47%

LAB 56.25, -0.68, -50.14

 

CMYK 92 / 61 / 0 / 13

HEX #1256DE

RGB 18 86 222

HSL 220, 0.85%, 0.47%

LAB 41.31, 33.37, -74.26

 

CMYK 92 / 13 / 0 / 43

HEX #0C7E91

RGB 12 126 145

HSL 188.57, 0.85%, 0.31%

LAB 48.32, -21.45, -18.39

 

CMYK 92 / 14 / 0 / 28

HEX #0F9FB8

RGB 15 159 184

HSL 188.88, 0.85%, 0.39%

LAB 60.21, -25.05, -22.59

 

CMYK 92 / 14 / 0 / 13

HEX #12C0DE

RGB 18 192 222

HSL 188.82, 0.85%, 0.47%

LAB 71.62, -28.83, -26.12

 

CMYK 82 / 12 / 0 / 7

HEX #2BD1EE

RGB 43 209 238

HSL 188.92, 0.85%, 0.55%

LAB 77.45, -30.54, -25.81

 

CMYK 66 / 10 / 0 / 5

HEX #51DAF1

RGB 81 218 241

HSL 188.63, 0.85%, 0.63%

LAB 80.87, -29.77, -22.14

 

CMYK 92 / 13 / 0 / 13

HEX #12C1DF

RGB 18 193 223

HSL 188.78, 0.85%, 0.47%

LAB 71.96, -28.99, -26.15

 

CMYK 61 / 92 / 0 / 13

HEX #5612DE

RGB 86 18 222

HSL 260, 0.85%, 0.47%

LAB 33.32, 70.45, -87.32

 

CMYK 0 / 25 / 92 / 13

HEX #DEA712

RGB 222 167 18

HSL 43.82, 0.85%, 0.47%

LAB 71.7, 8.93, 72.67

 

CMYK 92 / 13 / 0 / 13

HEX #12C1DF

RGB 18 193 223

HSL 188.78, 0.85%, 0.47%

LAB 71.96, -28.99, -26.15

 

CMYK 0 / 92 / 12 / 13

HEX #DE12C3

RGB 222 18 195

HSL 307.94, 0.85%, 0.47%

LAB 51.73, 83.36, -40.91

 

CMYK 12 / 0 / 92 / 13

HEX #C3DE12

RGB 195 222 18

HSL 67.94, 0.85%, 0.47%

LAB 83.91, -30.44, 81.02

 

CMYK 92 / 13 / 0 / 13

HEX #12C1DF

RGB 18 193 223

HSL 188.78, 0.85%, 0.47%

LAB 71.96, -28.99, -26.15

 

CMYK 61 / 92 / 0 / 13

HEX #5612DE

RGB 86 18 222

HSL 260, 0.85%, 0.47%

LAB 33.32, 70.45, -87.32

 

CMYK 0 / 80 / 92 / 13

HEX #DE2D12

RGB 222 45 18

HSL 7.94, 0.85%, 0.47%

LAB 48.82, 65.4, 56.5

 

CMYK 31 / 0 / 92 / 13

HEX #9ADE12

RGB 154 222 18

HSL 80, 0.85%, 0.47%

LAB 81.38, -46.42, 77.94

 

CMYK 92 / 13 / 0 / 13

HEX #12C1DF

RGB 18 193 223

HSL 188.78, 0.85%, 0.47%

LAB 71.96, -28.99, -26.15

 

CMYK 34 / 92 / 0 / 13

HEX #9312DE

RGB 147 18 222

HSL 277.94, 0.85%, 0.47%

LAB 41.07, 76.2, -74.27

 

CMYK 0 / 80 / 92 / 13

HEX #DE2D12

RGB 222 45 18

HSL 7.94, 0.85%, 0.47%

LAB 48.82, 65.4, 56.5

 

CMYK 58 / 0 / 92 / 13

HEX #5DDE12

RGB 93 222 18

HSL 97.94, 0.85%, 0.47%

LAB 78.82, -65.47, 74.79

 

Description

Color code: HEX #12C1DF | qconv.com Color code: HEX #12C1DF | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 193 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 193 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, 13 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 13% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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