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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #12BF72 it is the complementary color #ED408D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #12BF72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #12BF72 shade: #17BF6D, #28D180, #39E393, #4AF5A6 and #5BFFB9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #12BF72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #12BF72 shade: #12BF72, #01AD5F, #009B4C, #008939 and #007726

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #12BF72 shade: #12BF72, #12BF43, #12BF14, #3EBF12 and #6DBF12

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #12BF72 shade: #12BF72, #12BFA1, #12AFBF, #1280BF and #1251BF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #12BF72 shade matches the following richer shades: #12BF72 and #01D074

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #12BF72 shade: #12BF72, #23AE70, #349D6E, #458D6D and #557C6B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #12BF72 shade: #12BF15, #12BF43, #12BF71, #12BFA0 and #12B1BF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #12BF72 shade: #0B7445, #0E9A5C, #12BF72, #15E589 and #37EC9C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #12BF72 shade: #12BF72, #123DBF and #BF2C12

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #12BF72 shade: #12BF72, #7112BF and #BF7112

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #12BF72 shade: #12BF72, #123DBF, #BF1260 and #BF9412

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #12BF72 shade: #12BF72, #1A12BF, #BF1260 and #B7BF12

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 0 / 40 / 25

HEX #12BF72

RGB 18 191 114

HSL 153.29, 0.83%, 0.41%

LAB 68.46, -57.46, 27.89

 

Complementary color

CMYK 0 / 73 / 41 / 7

HEX #ED408D

RGB 237 64 141

HSL 333.29, 0.83%, 0.59%

LAB 55.68, 70.56, -2.93

 

CMYK 88 / 0 / 43 / 25

HEX #17BF6D

RGB 23 191 109

HSL 150.71, 0.79%, 0.42%

LAB 68.42, -58.09, 30.44

 

CMYK 81 / 0 / 39 / 18

HEX #28D180

RGB 40 209 128

HSL 151.24, 0.68%, 0.49%

LAB 74.58, -59.44, 28.75

 

CMYK 75 / 0 / 35 / 11

HEX #39E393

RGB 57 227 147

HSL 151.76, 0.75%, 0.56%

LAB 80.69, -60.37, 27.18

 

CMYK 70 / 0 / 32 / 4

HEX #4AF5A6

RGB 74 245 166

HSL 152.28, 0.9%, 0.63%

LAB 86.76, -61, 25.74

 

CMYK 64 / 0 / 27 / 0

HEX #5BFFB9

RGB 91 255 185

HSL 154.39, 1%, 0.68%

LAB 90.44, -58.31, 21.16

 

CMYK 91 / 0 / 40 / 25

HEX #12BF72

RGB 18 191 114

HSL 153.29, 0.83%, 0.41%

LAB 68.46, -57.46, 27.89

 

CMYK 99 / 0 / 45 / 32

HEX #01AD5F

RGB 1 173 95

HSL 152.79, 0.99%, 0.34%

LAB 62.27, -55.54, 29.72

 

CMYK 100 / 0 / 51 / 39

HEX #009B4C

RGB 0 155 76

HSL 149.42, 1%, 0.3%

LAB 56.05, -52.78, 31.71

 

CMYK 100 / 0 / 58 / 46

HEX #008939

RGB 0 137 57

HSL 144.96, 1%, 0.27%

LAB 49.72, -49.75, 33.69

 

CMYK 100 / 0 / 68 / 53

HEX #007726

RGB 0 119 38

HSL 139.16, 1%, 0.23%

LAB 43.26, -46.39, 35.46

 

CMYK 91 / 0 / 40 / 25

HEX #12BF72

RGB 18 191 114

HSL 153.29, 0.83%, 0.41%

LAB 68.46, -57.46, 27.89

 

CMYK 91 / 0 / 65 / 25

HEX #12BF43

RGB 18 191 67

HSL 136.99, 0.83%, 0.41%

LAB 67.87, -64.64, 49.91

 

CMYK 91 / 0 / 90 / 25

HEX #12BF14

RGB 18 191 20

HSL 120.69, 0.83%, 0.41%

LAB 67.61, -67.99, 64.46

 

CMYK 68 / 0 / 91 / 25

HEX #3EBF12

RGB 62 191 18

HSL 104.74, 0.83%, 0.41%

LAB 68.26, -62.25, 65.63

 

CMYK 43 / 0 / 91 / 25

HEX #6DBF12

RGB 109 191 18

HSL 88.44, 0.83%, 0.41%

LAB 69.86, -49.55, 67.62

 

CMYK 91 / 0 / 40 / 25

HEX #12BF72

RGB 18 191 114

HSL 153.29, 0.83%, 0.41%

LAB 68.46, -57.46, 27.89

 

CMYK 91 / 0 / 16 / 25

HEX #12BFA1

RGB 18 191 161

HSL 169.6, 0.83%, 0.41%

LAB 69.44, -46.6, 3.96

 

CMYK 91 / 8 / 0 / 25

HEX #12AFBF

RGB 18 175 191

HSL 185.55, 0.83%, 0.41%

LAB 65.4, -30.56, -18.6

 

CMYK 91 / 33 / 0 / 25

HEX #1280BF

RGB 18 128 191

HSL 201.85, 0.83%, 0.41%

LAB 51.07, -5.34, -40.8

 

CMYK 91 / 58 / 0 / 25

HEX #1251BF

RGB 18 81 191

HSL 218.15, 0.83%, 0.41%

LAB 37.44, 24.59, -62.7

 

CMYK 91 / 0 / 40 / 25

HEX #12BF72

RGB 18 191 114

HSL 153.29, 0.83%, 0.41%

LAB 68.46, -57.46, 27.89

 

CMYK 100 / 0 / 44 / 18

HEX #01D074

RGB 1 208 116

HSL 153.33, 0.99%, 0.41%

LAB 73.79, -63.62, 33.8

 

CMYK 91 / 0 / 40 / 25

HEX #12BF72

RGB 18 191 114

HSL 153.29, 0.83%, 0.41%

LAB 68.46, -57.46, 27.89

 

CMYK 80 / 0 / 36 / 32

HEX #23AE70

RGB 35 174 112

HSL 153.24, 0.67%, 0.41%

LAB 63.18, -50.19, 21.92

 

CMYK 67 / 0 / 30 / 38

HEX #349D6E

RGB 52 157 110

HSL 153.14, 0.5%, 0.41%

LAB 58.01, -41.28, 16.02

 

CMYK 51 / 0 / 23 / 45

HEX #458D6D

RGB 69 141 109

HSL 153.33, 0.34%, 0.41%

LAB 53.41, -30.53, 10.25

 

CMYK 31 / 0 / 14 / 51

HEX #557C6B

RGB 85 124 107

HSL 153.85, 0.19%, 0.41%

LAB 48.77, -17.61, 4.93

 

CMYK 91 / 0 / 89 / 25

HEX #12BF15

RGB 18 191 21

HSL 121.04, 0.83%, 0.41%

LAB 67.61, -67.95, 64.28

 

CMYK 91 / 0 / 65 / 25

HEX #12BF43

RGB 18 191 67

HSL 136.99, 0.83%, 0.41%

LAB 67.87, -64.64, 49.91

 

CMYK 91 / 0 / 41 / 25

HEX #12BF71

RGB 18 191 113

HSL 152.95, 0.83%, 0.41%

LAB 68.45, -57.65, 28.39

 

CMYK 91 / 0 / 16 / 25

HEX #12BFA0

RGB 18 191 160

HSL 169.25, 0.83%, 0.41%

LAB 69.42, -46.86, 4.47

 

CMYK 91 / 7 / 0 / 25

HEX #12B1BF

RGB 18 177 191

HSL 184.86, 0.83%, 0.41%

LAB 66.01, -31.53, -17.67

 

CMYK 91 / 0 / 41 / 55

HEX #0B7445

RGB 11 116 69

HSL 153.14, 0.83%, 0.25%

LAB 42.75, -39.18, 18.43

 

CMYK 91 / 0 / 40 / 40

HEX #0E9A5C

RGB 14 154 92

HSL 153.43, 0.83%, 0.33%

LAB 56.07, -48.67, 23.23

 

CMYK 91 / 0 / 40 / 25

HEX #12BF72

RGB 18 191 114

HSL 153.29, 0.83%, 0.41%

LAB 68.46, -57.46, 27.89

 

CMYK 91 / 0 / 40 / 10

HEX #15E589

RGB 21 229 137

HSL 153.46, 0.83%, 0.49%

LAB 80.74, -66.12, 32.27

 

CMYK 77 / 0 / 34 / 7

HEX #37EC9C

RGB 55 236 156

HSL 153.48, 0.83%, 0.57%

LAB 83.55, -62.14, 26.43

 

CMYK 91 / 0 / 40 / 25

HEX #12BF72

RGB 18 191 114

HSL 153.29, 0.83%, 0.41%

LAB 68.46, -57.46, 27.89

 

CMYK 91 / 68 / 0 / 25

HEX #123DBF

RGB 18 61 191

HSL 225.09, 0.83%, 0.41%

LAB 32.32, 37.74, -71.08

 

CMYK 0 / 77 / 91 / 25

HEX #BF2C12

RGB 191 44 18

HSL 9.02, 0.83%, 0.41%

LAB 42.64, 56.51, 49.41

 

CMYK 91 / 0 / 40 / 25

HEX #12BF72

RGB 18 191 114

HSL 153.29, 0.83%, 0.41%

LAB 68.46, -57.46, 27.89

 

CMYK 41 / 91 / 0 / 25

HEX #7112BF

RGB 113 18 191

HSL 272.95, 0.83%, 0.41%

LAB 33.36, 65.77, -69.1

 

CMYK 0 / 41 / 91 / 25

HEX #BF7112

RGB 191 113 18

HSL 32.95, 0.83%, 0.41%

LAB 55, 24.66, 58.53

 

CMYK 91 / 0 / 40 / 25

HEX #12BF72

RGB 18 191 114

HSL 153.29, 0.83%, 0.41%

LAB 68.46, -57.46, 27.89

 

CMYK 91 / 68 / 0 / 25

HEX #123DBF

RGB 18 61 191

HSL 225.09, 0.83%, 0.41%

LAB 32.32, 37.74, -71.08

 

CMYK 0 / 91 / 50 / 25

HEX #BF1260

RGB 191 18 96

HSL 332.95, 0.83%, 0.41%

LAB 41.77, 66.19, 3.2

 

CMYK 0 / 23 / 91 / 25

HEX #BF9412

RGB 191 148 18

HSL 45.09, 0.83%, 0.41%

LAB 63.59, 5.44, 65.08

 

CMYK 91 / 0 / 40 / 25

HEX #12BF72

RGB 18 191 114

HSL 153.29, 0.83%, 0.41%

LAB 68.46, -57.46, 27.89

 

CMYK 86 / 91 / 0 / 25

HEX #1A12BF

RGB 26 18 191

HSL 242.77, 0.83%, 0.41%

LAB 24.99, 59.7, -83.22

 

CMYK 0 / 91 / 50 / 25

HEX #BF1260

RGB 191 18 96

HSL 332.95, 0.83%, 0.41%

LAB 41.77, 66.19, 3.2

 

CMYK 4 / 0 / 91 / 25

HEX #B7BF12

RGB 183 191 18

HSL 62.77, 0.83%, 0.41%

LAB 74.43, -20.57, 73.21

 

Description

Color code: HEX #12BF72 | qconv.com Color code: HEX #12BF72 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 191 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 191 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, none magenta, 40 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 0% 40% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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