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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #12BAB7 it is the complementary color #ED4548. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #12BAB7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #12BAB7 shade: #17BAB2, #28CCC5, #39DED8, #4AF0EB and #5BFFFE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #12BAB7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #12BAB7 shade: #12BAB7, #01A8A4, #009691, #00847E and #00726B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #12BAB7 shade: #12BAB7, #12BA8A, #12BA5C, #12BA2F and #23BA12

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #12BAB7 shade: #12BAB7, #1290BA, #1262BA, #1235BA and #1212BA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #12BAB7 shade matches the following richer shades: #12BAB7 and #02CAC7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #12BAB7 shade: #12BAB7, #23A9A7, #339997, #448887 and #547877

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #12BAB7 shade: #12BA5B, #12BA87, #12BAB4, #1293BA and #1266BA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #12BAB7 shade: #0B6F6D, #0F9492, #12BAB7, #16DFDC and #34EBE8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #12BAB7 shade: #12BAB7, #2E12BA and #BA7112

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #12BAB7 shade: #12BAB7, #B412BA and #BAB412

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #12BAB7 shade: #12BAB7, #2E12BA, #BA1218 and #9EBA12

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #12BAB7 shade: #12BAB7, #6012BA, #BA1218 and #6CBA12

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 2 / 27

HEX #12BAB7

RGB 18 186 183

HSL 178.93, 0.82%, 0.4%

LAB 68.51, -38.21, -9.49

 

Complementary color

CMYK 0 / 71 / 70 / 7

HEX #ED4548

RGB 237 69 72

HSL 358.93, 0.82%, 0.6%

LAB 54.79, 63.92, 36.57

 

CMYK 88 / 0 / 4 / 27

HEX #17BAB2

RGB 23 186 178

HSL 177.06, 0.78%, 0.41%

LAB 68.4, -39.43, -6.9

 

CMYK 80 / 0 / 3 / 20

HEX #28CCC5

RGB 40 204 197

HSL 177.44, 0.67%, 0.48%

LAB 74.62, -40.78, -8.02

 

CMYK 74 / 0 / 3 / 13

HEX #39DED8

RGB 57 222 216

HSL 177.82, 0.71%, 0.55%

LAB 80.78, -41.82, -9.03

 

CMYK 69 / 0 / 2 / 6

HEX #4AF0EB

RGB 74 240 235

HSL 178.19, 0.85%, 0.62%

LAB 86.89, -42.61, -9.95

 

CMYK 64 / 0 / 0 / 0

HEX #5BFFFE

RGB 91 255 254

HSL 179.63, 1%, 0.68%

LAB 92.09, -41.88, -12.06

 

CMYK 90 / 0 / 2 / 27

HEX #12BAB7

RGB 18 186 183

HSL 178.93, 0.82%, 0.4%

LAB 68.51, -38.21, -9.49

 

CMYK 99 / 0 / 2 / 34

HEX #01A8A4

RGB 1 168 164

HSL 178.56, 0.99%, 0.33%

LAB 62.25, -36.37, -8.28

 

CMYK 100 / 0 / 3 / 41

HEX #009691

RGB 0 150 145

HSL 178, 1%, 0.29%

LAB 55.94, -33.93, -6.89

 

CMYK 100 / 0 / 5 / 48

HEX #00847E

RGB 0 132 126

HSL 177.27, 1%, 0.26%

LAB 49.51, -31.4, -5.44

 

CMYK 100 / 0 / 6 / 55

HEX #00726B

RGB 0 114 107

HSL 176.32, 1%, 0.22%

LAB 42.91, -28.83, -3.93

 

CMYK 90 / 0 / 2 / 27

HEX #12BAB7

RGB 18 186 183

HSL 178.93, 0.82%, 0.4%

LAB 68.51, -38.21, -9.49

 

CMYK 90 / 0 / 26 / 27

HEX #12BA8A

RGB 18 186 138

HSL 162.86, 0.82%, 0.4%

LAB 67.34, -50.39, 13.51

 

CMYK 90 / 0 / 51 / 27

HEX #12BA5C

RGB 18 186 92

HSL 146.43, 0.82%, 0.4%

LAB 66.53, -59.65, 36.68

 

CMYK 90 / 0 / 75 / 27

HEX #12BA2F

RGB 18 186 47

HSL 130.36, 0.82%, 0.4%

LAB 66.1, -65.04, 55.85

 

CMYK 81 / 0 / 90 / 27

HEX #23BA12

RGB 35 186 18

HSL 113.93, 0.82%, 0.4%

LAB 66.15, -65.06, 63.63

 

CMYK 90 / 0 / 2 / 27

HEX #12BAB7

RGB 18 186 183

HSL 178.93, 0.82%, 0.4%

LAB 68.51, -38.21, -9.49

 

CMYK 90 / 23 / 0 / 27

HEX #1290BA

RGB 18 144 186

HSL 195, 0.82%, 0.4%

LAB 55.71, -16.28, -30.68

 

CMYK 90 / 47 / 0 / 27

HEX #1262BA

RGB 18 98 186

HSL 211.43, 0.82%, 0.4%

LAB 41.86, 11.36, -52.6

 

CMYK 90 / 72 / 0 / 27

HEX #1235BA

RGB 18 53 186

HSL 227.5, 0.82%, 0.4%

LAB 29.96, 40.93, -72.02

 

CMYK 90 / 90 / 0 / 27

HEX #1212BA

RGB 18 18 186

HSL 240, 0.82%, 0.4%

LAB 24.02, 58.14, -81.89

 

CMYK 90 / 0 / 2 / 27

HEX #12BAB7

RGB 18 186 183

HSL 178.93, 0.82%, 0.4%

LAB 68.51, -38.21, -9.49

 

CMYK 99 / 0 / 1 / 21

HEX #02CAC7

RGB 2 202 199

HSL 179.1, 0.98%, 0.4%

LAB 73.79, -41.18, -10.36

 

CMYK 90 / 0 / 2 / 27

HEX #12BAB7

RGB 18 186 183

HSL 178.93, 0.82%, 0.4%

LAB 68.51, -38.21, -9.49

 

CMYK 79 / 0 / 1 / 34

HEX #23A9A7

RGB 35 169 167

HSL 179.1, 0.66%, 0.4%

LAB 62.95, -33.96, -8.88

 

CMYK 67 / 0 / 1 / 40

HEX #339997

RGB 51 153 151

HSL 178.82, 0.5%, 0.4%

LAB 57.77, -29.04, -7.53

 

CMYK 50 / 0 / 1 / 47

HEX #448887

RGB 68 136 135

HSL 179.12, 0.33%, 0.4%

LAB 52.49, -21.7, -6.11

 

CMYK 30 / 0 / 1 / 53

HEX #547877

RGB 84 120 119

HSL 178.33, 0.18%, 0.4%

LAB 47.82, -12.89, -3.56

 

CMYK 90 / 0 / 51 / 27

HEX #12BA5B

RGB 18 186 91

HSL 146.07, 0.82%, 0.4%

LAB 66.52, -59.81, 37.16

 

CMYK 90 / 0 / 27 / 27

HEX #12BA87

RGB 18 186 135

HSL 161.79, 0.82%, 0.4%

LAB 67.27, -51.1, 15.05

 

CMYK 90 / 0 / 3 / 27

HEX #12BAB4

RGB 18 186 180

HSL 177.86, 0.82%, 0.4%

LAB 68.42, -39.1, -7.97

 

CMYK 90 / 21 / 0 / 27

HEX #1293BA

RGB 18 147 186

HSL 193.93, 0.82%, 0.4%

LAB 56.63, -17.91, -29.25

 

CMYK 90 / 45 / 0 / 27

HEX #1266BA

RGB 18 102 186

HSL 210, 0.82%, 0.4%

LAB 43.03, 8.77, -50.72

 

CMYK 90 / 0 / 2 / 56

HEX #0B6F6D

RGB 11 111 109

HSL 178.8, 0.82%, 0.24%

LAB 42.07, -25.97, -6.37

 

CMYK 90 / 0 / 1 / 42

HEX #0F9492

RGB 15 148 146

HSL 179.1, 0.82%, 0.32%

LAB 55.44, -31.99, -8.21

 

CMYK 90 / 0 / 2 / 27

HEX #12BAB7

RGB 18 186 183

HSL 178.93, 0.82%, 0.4%

LAB 68.51, -38.21, -9.49

 

CMYK 90 / 0 / 1 / 13

HEX #16DFDC

RGB 22 223 220

HSL 179.1, 0.82%, 0.48%

LAB 80.8, -43.69, -11.16

 

CMYK 78 / 0 / 1 / 8

HEX #34EBE8

RGB 52 235 232

HSL 179.02, 0.82%, 0.56%

LAB 84.98, -43.59, -11.24

 

CMYK 90 / 0 / 2 / 27

HEX #12BAB7

RGB 18 186 183

HSL 178.93, 0.82%, 0.4%

LAB 68.51, -38.21, -9.49

 

CMYK 75 / 90 / 0 / 27

HEX #2E12BA

RGB 46 18 186

HSL 250, 0.82%, 0.4%

LAB 25.44, 59.04, -79.49

 

CMYK 0 / 39 / 90 / 27

HEX #BA7112

RGB 186 113 18

HSL 33.93, 0.82%, 0.4%

LAB 54.34, 22.5, 57.73

 

CMYK 90 / 0 / 2 / 27

HEX #12BAB7

RGB 18 186 183

HSL 178.93, 0.82%, 0.4%

LAB 68.51, -38.21, -9.49

 

CMYK 3 / 90 / 0 / 27

HEX #B412BA

RGB 180 18 186

HSL 297.86, 0.82%, 0.4%

LAB 43.77, 74.66, -48.76

 

CMYK 0 / 3 / 90 / 27

HEX #BAB412

RGB 186 180 18

HSL 57.86, 0.82%, 0.4%

LAB 71.64, -13.73, 71.12

 

CMYK 90 / 0 / 2 / 27

HEX #12BAB7

RGB 18 186 183

HSL 178.93, 0.82%, 0.4%

LAB 68.51, -38.21, -9.49

 

CMYK 75 / 90 / 0 / 27

HEX #2E12BA

RGB 46 18 186

HSL 250, 0.82%, 0.4%

LAB 25.44, 59.04, -79.49

 

CMYK 0 / 90 / 87 / 27

HEX #BA1218

RGB 186 18 24

HSL 357.86, 0.82%, 0.4%

LAB 39.48, 61.37, 43.88

 

CMYK 15 / 0 / 90 / 27

HEX #9EBA12

RGB 158 186 18

HSL 70, 0.82%, 0.4%

LAB 71.17, -28.72, 69.83

 

CMYK 90 / 0 / 2 / 27

HEX #12BAB7

RGB 18 186 183

HSL 178.93, 0.82%, 0.4%

LAB 68.51, -38.21, -9.49

 

CMYK 48 / 90 / 0 / 27

HEX #6012BA

RGB 96 18 186

HSL 267.86, 0.82%, 0.4%

LAB 30.56, 62.78, -70.85

 

CMYK 0 / 90 / 87 / 27

HEX #BA1218

RGB 186 18 24

HSL 357.86, 0.82%, 0.4%

LAB 39.48, 61.37, 43.88

 

CMYK 42 / 0 / 90 / 27

HEX #6CBA12

RGB 108 186 18

HSL 87.86, 0.82%, 0.4%

LAB 68.28, -47.88, 66.28

 

Description

Color code: HEX #12BAB7 | qconv.com Color code: HEX #12BAB7 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 186 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 186 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 2 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 2% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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