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Color name
HEX #12B790

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #12B790 it is the complementary color #ED486F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #12B790. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #12B790 shade: #17B78B, #28C99E, #39DBB1, #4AEDC4 and #5BFFD7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #12B790. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #12B790 shade: #12B790, #01A57D, #00936A, #008157 and #006F44

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #12B790 shade: #12B58E, #12B562, #12B536, #19B512 and #45B512

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #12B790 shade: #12B58E, #12B0B5, #1284B5, #1258B5 and #122CB5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #12B790 shade matches the following richer shades: #12B58E and #02C597

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #12B790 shade: #12B58E, #22A586, #32957D, #428575 and #52756D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #12B790 shade: #12B535, #12B561, #12B58C, #12B2B5 and #1287B5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #12B790 shade: #0A6A53, #0E8F71, #12B58E, #16DBAC and #2FEABE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #12B790 shade: #12B790, #121AB5 and #B54B12

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #12B790 shade: #12B790, #8C12B5 and #B58C12

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #12B790 shade: #12B790, #121AB5, #B5123B and #B5AD12

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #12B790 shade: #12B790, #3B12B5, #B5123B and #8CB512

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 21 / 28

HEX #12B790

RGB 18 183 144

HSL 165.82, 0.82%, 0.39%

LAB 66.53, -47.72, 9.09

 

Complementary color

CMYK 0 / 70 / 53 / 7

HEX #ED486F

RGB 237 72 111

HSL 345.82, 0.82%, 0.61%

LAB 55.87, 65.24, 15.15

 

CMYK 87 / 0 / 24 / 28

HEX #17B78B

RGB 23 183 139

HSL 163.5, 0.78%, 0.4%

LAB 66.45, -48.65, 11.73

 

CMYK 80 / 0 / 21 / 21

HEX #28C99E

RGB 40 201 158

HSL 163.98, 0.67%, 0.47%

LAB 72.69, -49.85, 10.27

 

CMYK 74 / 0 / 19 / 14

HEX #39DBB1

RGB 57 219 177

HSL 164.44, 0.69%, 0.54%

LAB 78.87, -50.7, 8.95

 

CMYK 69 / 0 / 17 / 7

HEX #4AEDC4

RGB 74 237 196

HSL 164.91, 0.82%, 0.61%

LAB 85, -51.3, 7.75

 

CMYK 64 / 0 / 16 / 0

HEX #5BFFD7

RGB 91 255 215

HSL 165.37, 1%, 0.68%

LAB 91.08, -51.71, 6.65

 

CMYK 90 / 0 / 21 / 28

HEX #12B790

RGB 18 183 144

HSL 165.82, 0.82%, 0.39%

LAB 66.53, -47.72, 9.09

 

CMYK 99 / 0 / 24 / 35

HEX #01A57D

RGB 1 165 125

HSL 165.37, 0.99%, 0.33%

LAB 60.25, -46, 10.68

 

CMYK 100 / 0 / 28 / 42

HEX #00936A

RGB 0 147 106

HSL 163.27, 1%, 0.29%

LAB 53.93, -43.57, 12.5

 

CMYK 100 / 0 / 33 / 49

HEX #008157

RGB 0 129 87

HSL 160.47, 1%, 0.25%

LAB 47.48, -41.01, 14.43

 

CMYK 100 / 0 / 39 / 56

HEX #006F44

RGB 0 111 68

HSL 156.76, 1%, 0.22%

LAB 40.87, -38.32, 16.48

HEX #006F44

CMYK 90 / 0 / 22 / 29

HEX #12B58E

RGB 18 181 142

HSL 165.64, 0.82%, 0.39%

LAB 65.85, -47.41, 9.22

 

CMYK 90 / 0 / 46 / 29

HEX #12B562

RGB 18 181 98

HSL 149.45, 0.82%, 0.39%

LAB 65.01, -56.94, 31.7

 

CMYK 90 / 0 / 70 / 29

HEX #12B536

RGB 18 181 54

HSL 133.25, 0.82%, 0.39%

LAB 64.52, -62.94, 51.62

 

CMYK 86 / 0 / 90 / 29

HEX #19B512

RGB 25 181 18

HSL 117.42, 0.82%, 0.39%

LAB 64.4, -64.66, 62.09

 

CMYK 62 / 0 / 90 / 29

HEX #45B512

RGB 69 181 18

HSL 101.23, 0.82%, 0.39%

LAB 65.24, -57.39, 63.14

 

CMYK 90 / 0 / 22 / 29

HEX #12B58E

RGB 18 181 142

HSL 165.64, 0.82%, 0.39%

LAB 65.85, -47.41, 9.22

 

CMYK 90 / 3 / 0 / 29

HEX #12B0B5

RGB 18 176 181

HSL 181.84, 0.82%, 0.39%

LAB 65.37, -34.2, -13.08

 

CMYK 90 / 27 / 0 / 29

HEX #1284B5

RGB 18 132 181

HSL 198.04, 0.82%, 0.39%

LAB 51.8, -11.41, -33.91

 

CMYK 90 / 51 / 0 / 29

HEX #1258B5

RGB 18 88 181

HSL 214.23, 0.82%, 0.39%

LAB 38.63, 15.92, -54.89

 

CMYK 90 / 76 / 0 / 29

HEX #122CB5

RGB 18 44 181

HSL 230.43, 0.82%, 0.39%

LAB 27.48, 44.55, -73.16

 

CMYK 90 / 0 / 22 / 29

HEX #12B58E

RGB 18 181 142

HSL 165.64, 0.82%, 0.39%

LAB 65.85, -47.41, 9.22

 

CMYK 99 / 0 / 23 / 23

HEX #02C597

RGB 2 197 151

HSL 165.85, 0.98%, 0.39%

LAB 70.99, -52.17, 11.6

 

CMYK 90 / 0 / 22 / 29

HEX #12B58E

RGB 18 181 142

HSL 165.64, 0.82%, 0.39%

LAB 65.85, -47.41, 9.22

 

CMYK 79 / 0 / 19 / 35

HEX #22A586

RGB 34 165 134

HSL 165.8, 0.66%, 0.39%

LAB 60.76, -41.51, 6.42

 

CMYK 66 / 0 / 16 / 42

HEX #32957D

RGB 50 149 125

HSL 165.45, 0.5%, 0.39%

LAB 55.74, -34.51, 4.34

 

CMYK 50 / 0 / 12 / 48

HEX #428575

RGB 66 133 117

HSL 165.67, 0.34%, 0.39%

LAB 50.94, -25.46, 2.09

 

CMYK 30 / 0 / 7 / 54

HEX #52756D

RGB 82 117 109

HSL 166.29, 0.18%, 0.39%

LAB 46.47, -14.32, 0.4

 

CMYK 90 / 0 / 71 / 29

HEX #12B535

RGB 18 181 53

HSL 132.88, 0.82%, 0.39%

LAB 64.51, -63.04, 52

 

CMYK 90 / 0 / 46 / 29

HEX #12B561

RGB 18 181 97

HSL 149.08, 0.82%, 0.39%

LAB 64.99, -57.11, 32.2

 

CMYK 90 / 0 / 23 / 29

HEX #12B58C

RGB 18 181 140

HSL 164.91, 0.82%, 0.39%

LAB 65.8, -47.91, 10.26

 

CMYK 90 / 2 / 0 / 29

HEX #12B2B5

RGB 18 178 181

HSL 181.1, 0.82%, 0.39%

LAB 65.99, -35.13, -12.16

 

CMYK 90 / 25 / 0 / 29

HEX #1287B5

RGB 18 135 181

HSL 196.93, 0.82%, 0.39%

LAB 52.72, -13.11, -32.47

 

CMYK 91 / 0 / 22 / 58

HEX #0A6A53

RGB 10 106 83

HSL 165.63, 0.83%, 0.23%

LAB 39.58, -31.57, 5.75

 

CMYK 90 / 0 / 21 / 44

HEX #0E8F71

RGB 14 143 113

HSL 166.05, 0.82%, 0.31%

LAB 52.87, -39.36, 7.03

 

CMYK 90 / 0 / 22 / 29

HEX #12B58E

RGB 18 181 142

HSL 165.64, 0.82%, 0.39%

LAB 65.85, -47.41, 9.22

 

CMYK 90 / 0 / 21 / 14

HEX #16DBAC

RGB 22 219 172

HSL 165.69, 0.82%, 0.47%

LAB 78.35, -54.88, 10.81

 

CMYK 80 / 0 / 19 / 8

HEX #2FEABE

RGB 47 234 190

HSL 165.88, 0.82%, 0.55%

LAB 83.53, -54.66, 8.73

 

CMYK 90 / 0 / 21 / 28

HEX #12B790

RGB 18 183 144

HSL 165.82, 0.82%, 0.39%

LAB 66.53, -47.72, 9.09

 

CMYK 90 / 86 / 0 / 29

HEX #121AB5

RGB 18 26 181

HSL 237.06, 0.82%, 0.39%

LAB 24.33, 53.7, -78.38

 

CMYK 0 / 59 / 90 / 29

HEX #B54B12

RGB 181 75 18

HSL 20.98, 0.82%, 0.39%

LAB 45.5, 40.44, 50.7

 

CMYK 90 / 0 / 21 / 28

HEX #12B790

RGB 18 183 144

HSL 165.82, 0.82%, 0.39%

LAB 66.53, -47.72, 9.09

 

CMYK 23 / 90 / 0 / 29

HEX #8C12B5

RGB 140 18 181

HSL 284.91, 0.82%, 0.39%

LAB 36.64, 67.36, -57.66

 

CMYK 0 / 23 / 90 / 29

HEX #B58C12

RGB 181 140 18

HSL 44.91, 0.82%, 0.39%

LAB 60.45, 5.31, 62.19

 

CMYK 90 / 0 / 21 / 28

HEX #12B790

RGB 18 183 144

HSL 165.82, 0.82%, 0.39%

LAB 66.53, -47.72, 9.09

 

CMYK 90 / 86 / 0 / 29

HEX #121AB5

RGB 18 26 181

HSL 237.06, 0.82%, 0.39%

LAB 24.33, 53.7, -78.38

 

CMYK 0 / 90 / 67 / 29

HEX #B5123B

RGB 181 18 59

HSL 344.91, 0.82%, 0.39%

LAB 38.85, 61.28, 22.38

 

CMYK 0 / 4 / 90 / 29

HEX #B5AD12

RGB 181 173 18

HSL 57.06, 0.82%, 0.39%

LAB 69.29, -12.33, 69.1

 

CMYK 90 / 0 / 21 / 28

HEX #12B790

RGB 18 183 144

HSL 165.82, 0.82%, 0.39%

LAB 66.53, -47.72, 9.09

 

CMYK 67 / 90 / 0 / 29

HEX #3B12B5

RGB 59 18 181

HSL 255.09, 0.82%, 0.39%

LAB 25.86, 58.42, -75.78

 

CMYK 0 / 90 / 67 / 29

HEX #B5123B

RGB 181 18 59

HSL 344.91, 0.82%, 0.39%

LAB 38.85, 61.28, 22.38

 

CMYK 23 / 0 / 90 / 29

HEX #8CB512

RGB 140 181 18

HSL 75.09, 0.82%, 0.39%

LAB 68.51, -33.77, 67.18

 

Description

Color code: HEX #12B790 | qconv.com Color code: HEX #12B790 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 183 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 183 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 21 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 21% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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