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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #12B5DF it is the complementary color #ED4A20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #12B5DF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #12B5DF shade: #17B5DA, #28C7ED, #39D9FF, #4AEBFF and #5BFDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #12B5DF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #12B5DF shade: #12B5DF, #01A3CC, #0091B9, #007FA6 and #006D93

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #12B5DF shade: #12B4DE, #127DDE, #1246DE, #1512DE and #4C12DE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #12B5DF shade: #12B4DE, #127DDE, #1246DE and #1212DE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #12B5DF shade matches the following richer shades: #12B4DE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #12B5DF shade: #12B4DE, #25A9CA, #399DB7, #4C92A4 and #608690

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #12B5DF shade: #12DE9A, #12DED0, #12B5DE, #127FDE and #1248DE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #12B5DF shade: #0C7691, #0F95B8, #12B4DE, #2BC6EE and #51D0F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #12B5DF shade: #12B5DF, #6312DE and #DEB512

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #12B5DF shade: #12B5DF, #DE12B5 and #B5DE12

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #12B5DF shade: #12B5DF, #6312DE, #DE3B12 and #8CDE12

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #12B5DF shade: #12B5DF, #A112DE, #DE3B12 and #4FDE12

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 19 / 0 / 13

HEX #12B5DF

RGB 18 181 223

HSL 192.29, 0.85%, 0.47%

LAB 68.39, -22.97, -31.64

 

Complementary color

CMYK 0 / 69 / 86 / 7

HEX #ED4A20

RGB 237 74 32

HSL 12.29, 0.85%, 0.53%

LAB 55.08, 60.78, 57.06

 

CMYK 89 / 17 / 0 / 15

HEX #17B5DA

RGB 23 181 218

HSL 191.38, 0.81%, 0.47%

LAB 68.24, -24.43, -29.14

 

CMYK 83 / 16 / 0 / 7

HEX #28C7ED

RGB 40 199 237

HSL 191.57, 0.85%, 0.54%

LAB 74.45, -26.17, -29.88

 

CMYK 78 / 15 / 0 / 0

HEX #39D9FF

RGB 57 217 255

HSL 191.52, 1%, 0.61%

LAB 80.58, -27.9, -30.07

 

CMYK 71 / 8 / 0 / 0

HEX #4AEBFF

RGB 74 235 255

HSL 186.63, 1%, 0.65%

LAB 86.05, -34.69, -21.69

 

CMYK 64 / 1 / 0 / 0

HEX #5BFDFF

RGB 91 253 255

HSL 180.73, 1%, 0.68%

LAB 91.55, -40.72, -13.39

 

CMYK 92 / 19 / 0 / 13

HEX #12B5DF

RGB 18 181 223

HSL 192.29, 0.85%, 0.47%

LAB 68.39, -22.97, -31.64

 

CMYK 100 / 20 / 0 / 20

HEX #01A3CC

RGB 1 163 204

HSL 192.12, 0.99%, 0.4%

LAB 62.13, -20.72, -30.84

 

CMYK 100 / 22 / 0 / 27

HEX #0091B9

RGB 0 145 185

HSL 192.97, 1%, 0.36%

LAB 55.84, -17.91, -29.91

 

CMYK 100 / 23 / 0 / 35

HEX #007FA6

RGB 0 127 166

HSL 194.1, 1%, 0.33%

LAB 49.41, -14.96, -28.98

 

CMYK 100 / 26 / 0 / 42

HEX #006D93

RGB 0 109 147

HSL 195.51, 1%, 0.29%

LAB 42.83, -11.88, -28.07

 

CMYK 92 / 19 / 0 / 13

HEX #12B4DE

RGB 18 180 222

HSL 192.35, 0.85%, 0.47%

LAB 68.05, -22.8, -31.62

 

CMYK 92 / 44 / 0 / 13

HEX #127DDE

RGB 18 125 222

HSL 208.53, 0.85%, 0.47%

LAB 51.92, 8.41, -57.05

 

CMYK 92 / 68 / 0 / 13

HEX #1246DE

RGB 18 70 222

HSL 224.71, 0.85%, 0.47%

LAB 37.45, 43.51, -80.6

 

CMYK 91 / 92 / 0 / 13

HEX #1512DE

RGB 21 18 222

HSL 240.88, 0.85%, 0.47%

LAB 29.07, 67.95, -94.51

 

CMYK 66 / 92 / 0 / 13

HEX #4C12DE

RGB 76 18 222

HSL 257.06, 0.85%, 0.47%

LAB 32.35, 69.83, -88.95

 

CMYK 92 / 19 / 0 / 13

HEX #12B4DE

RGB 18 180 222

HSL 192.35, 0.85%, 0.47%

LAB 68.05, -22.8, -31.62

 

CMYK 92 / 44 / 0 / 13

HEX #127DDE

RGB 18 125 222

HSL 208.53, 0.85%, 0.47%

LAB 51.92, 8.41, -57.05

 

CMYK 92 / 68 / 0 / 13

HEX #1246DE

RGB 18 70 222

HSL 224.71, 0.85%, 0.47%

LAB 37.45, 43.51, -80.6

 

CMYK 92 / 92 / 0 / 13

HEX #1212DE

RGB 18 18 222

HSL 240, 0.85%, 0.47%

LAB 28.99, 67.91, -94.64

 

CMYK 92 / 19 / 0 / 13

HEX #12B4DE

RGB 18 180 222

HSL 192.35, 0.85%, 0.47%

LAB 68.05, -22.8, -31.62

 

CMYK 92 / 19 / 0 / 13

HEX #12B4DE

RGB 18 180 222

HSL 192.35, 0.85%, 0.47%

LAB 68.05, -22.8, -31.62

 

CMYK 82 / 16 / 0 / 21

HEX #25A9CA

RGB 37 169 202

HSL 192, 0.69%, 0.47%

LAB 64.19, -22.69, -26.53

 

CMYK 69 / 14 / 0 / 28

HEX #399DB7

RGB 57 157 183

HSL 192.38, 0.53%, 0.47%

LAB 60.25, -20.32, -21.91

 

CMYK 54 / 11 / 0 / 36

HEX #4C92A4

RGB 76 146 164

HSL 192.27, 0.37%, 0.47%

LAB 56.86, -16.83, -16.24

 

CMYK 33 / 7 / 0 / 44

HEX #608690

RGB 96 134 144

HSL 192.5, 0.2%, 0.47%

LAB 53.55, -10.62, -9.62

 

CMYK 92 / 0 / 31 / 13

HEX #12DE9A

RGB 18 222 154

HSL 160, 0.85%, 0.47%

LAB 78.87, -60.35, 21.01

 

CMYK 92 / 0 / 6 / 13

HEX #12DED0

RGB 18 222 208

HSL 175.88, 0.85%, 0.47%

LAB 80.14, -46.83, -5.76

 

CMYK 92 / 18 / 0 / 13

HEX #12B5DE

RGB 18 181 222

HSL 192.06, 0.85%, 0.47%

LAB 68.35, -23.31, -31.16

 

CMYK 92 / 43 / 0 / 13

HEX #127FDE

RGB 18 127 222

HSL 207.94, 0.85%, 0.47%

LAB 52.49, 7.18, -56.14

 

CMYK 92 / 68 / 0 / 13

HEX #1248DE

RGB 18 72 222

HSL 224.12, 0.85%, 0.47%

LAB 37.91, 42.27, -79.84

 

CMYK 92 / 19 / 0 / 43

HEX #0C7691

RGB 12 118 145

HSL 192.18, 0.85%, 0.31%

LAB 45.74, -17.12, -22.34

 

CMYK 92 / 19 / 0 / 28

HEX #0F95B8

RGB 15 149 184

HSL 192.43, 0.85%, 0.39%

LAB 57.13, -19.84, -27.33

 

CMYK 92 / 19 / 0 / 13

HEX #12B4DE

RGB 18 180 222

HSL 192.35, 0.85%, 0.47%

LAB 68.05, -22.8, -31.62

 

CMYK 82 / 17 / 0 / 7

HEX #2BC6EE

RGB 43 198 238

HSL 192.31, 0.85%, 0.55%

LAB 74.24, -25.12, -30.75

 

CMYK 66 / 14 / 0 / 5

HEX #51D0F1

RGB 81 208 241

HSL 192.38, 0.85%, 0.63%

LAB 78, -24.86, -26.52

 

CMYK 92 / 19 / 0 / 13

HEX #12B5DF

RGB 18 181 223

HSL 192.29, 0.85%, 0.47%

LAB 68.39, -22.97, -31.64

 

CMYK 55 / 92 / 0 / 13

HEX #6312DE

RGB 99 18 222

HSL 263.82, 0.85%, 0.47%

LAB 34.72, 71.39, -84.95

 

CMYK 0 / 18 / 92 / 13

HEX #DEB512

RGB 222 181 18

HSL 47.94, 0.85%, 0.47%

LAB 75.21, 1.54, 75.31

 

CMYK 92 / 19 / 0 / 13

HEX #12B5DF

RGB 18 181 223

HSL 192.29, 0.85%, 0.47%

LAB 68.39, -22.97, -31.64

 

CMYK 0 / 92 / 18 / 13

HEX #DE12B5

RGB 222 18 181

HSL 312.06, 0.85%, 0.47%

LAB 51.03, 81.59, -33.84

 

CMYK 18 / 0 / 92 / 13

HEX #B5DE12

RGB 181 222 18

HSL 72.06, 0.85%, 0.47%

LAB 82.97, -36.08, 79.89

 

CMYK 92 / 19 / 0 / 13

HEX #12B5DF

RGB 18 181 223

HSL 192.29, 0.85%, 0.47%

LAB 68.39, -22.97, -31.64

 

CMYK 55 / 92 / 0 / 13

HEX #6312DE

RGB 99 18 222

HSL 263.82, 0.85%, 0.47%

LAB 34.72, 71.39, -84.95

 

CMYK 0 / 73 / 92 / 13

HEX #DE3B12

RGB 222 59 18

HSL 12.06, 0.85%, 0.47%

LAB 50.34, 61.17, 57.48

 

CMYK 37 / 0 / 92 / 13

HEX #8CDE12

RGB 140 222 18

HSL 84.12, 0.85%, 0.47%

LAB 80.66, -51.41, 77.06

 

CMYK 92 / 19 / 0 / 13

HEX #12B5DF

RGB 18 181 223

HSL 192.29, 0.85%, 0.47%

LAB 68.39, -22.97, -31.64

 

CMYK 27 / 92 / 0 / 13

HEX #A112DE

RGB 161 18 222

HSL 282.06, 0.85%, 0.47%

LAB 43.19, 77.97, -70.72

 

CMYK 0 / 73 / 92 / 13

HEX #DE3B12

RGB 222 59 18

HSL 12.06, 0.85%, 0.47%

LAB 50.34, 61.17, 57.48

 

CMYK 64 / 0 / 92 / 13

HEX #4FDE12

RGB 79 222 18

HSL 102.06, 0.85%, 0.47%

LAB 78.43, -68.68, 74.32

 

Description

Color code: HEX #12B5DF | qconv.com Color code: HEX #12B5DF | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 181 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 181 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, 19 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 19% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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