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Color name
HEX #12A14F

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #12A14F it is the complementary color #ED5EB0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #12A14F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #12A14F shade: #17A14A, #28B35D, #39C570, #4AD783 and #5BE996

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #12A14F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #12A14F shade: #12A14F, #018F3C, #007D29, #006B16 and #005903

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #12A14F shade: #12A14F, #12A128, #22A112, #48A112 and #6FA112

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #12A14F shade: #12A14F, #12A175, #12A19C, #127FA1 and #1259A1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #12A14F shade matches the following richer shades: #12A14F and #03AF4D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #12A14F shade: #12A14F, #209251, #2F8453, #3D7555 and #4C6757

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #12A14F shade: #23A112, #12A127, #12A14D, #12A173 and #12A19A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #12A14F shade: #0A562A, #0E7C3D, #12A14F, #16C661 and #1FE674

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #12A14F shade: #12A14F, #1249A1 and #A11412

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #12A14F shade: #12A14F, #4D12A1 and #A14D12

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #12A14F shade: #12A14F, #1249A1, #A11265 and #A16A12

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #12A14F shade: #12A14F, #121EA1, #A11265 and #A19512

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 0 / 51 / 37

HEX #12A14F

RGB 18 161 79

HSL 145.59, 0.8%, 0.35%

LAB 58.21, -53.29, 32.89

 

Complementary color

CMYK 0 / 60 / 26 / 7

HEX #ED5EB0

RGB 237 94 176

HSL 325.59, 0.8%, 0.65%

LAB 60.91, 63.22, -15.52

 

CMYK 86 / 0 / 54 / 37

HEX #17A14A

RGB 23 161 74

HSL 142.17, 0.75%, 0.36%

LAB 58.19, -53.66, 35.42

 

CMYK 78 / 0 / 48 / 30

HEX #28B35D

RGB 40 179 93

HSL 142.88, 0.63%, 0.43%

LAB 64.55, -54.99, 33.74

 

CMYK 71 / 0 / 43 / 23

HEX #39C570

RGB 57 197 112

HSL 143.57, 0.55%, 0.5%

LAB 70.85, -55.81, 32.15

 

CMYK 66 / 0 / 39 / 16

HEX #4AD783

RGB 74 215 131

HSL 144.26, 0.64%, 0.57%

LAB 77.1, -56.3, 30.65

 

CMYK 61 / 0 / 36 / 9

HEX #5BE996

RGB 91 233 150

HSL 144.93, 0.76%, 0.64%

LAB 83.29, -56.55, 29.26

 

CMYK 89 / 0 / 51 / 37

HEX #12A14F

RGB 18 161 79

HSL 145.59, 0.8%, 0.35%

LAB 58.21, -53.29, 32.89

 

CMYK 99 / 0 / 58 / 44

HEX #018F3C

RGB 1 143 60

HSL 144.93, 0.99%, 0.28%

LAB 51.81, -51.24, 34.68

 

CMYK 100 / 0 / 67 / 51

HEX #007D29

RGB 0 125 41

HSL 139.68, 1%, 0.25%

LAB 45.4, -47.98, 36.44

 

CMYK 100 / 0 / 79 / 58

HEX #006B16

RGB 0 107 22

HSL 132.34, 1%, 0.21%

LAB 38.85, -44.19, 37.61

 

CMYK 100 / 0 / 97 / 65

HEX #005903

RGB 0 89 3

HSL 122.02, 1%, 0.17%

LAB 32.15, -39.8, 37.57

 

CMYK 89 / 0 / 51 / 37

HEX #12A14F

RGB 18 161 79

HSL 145.59, 0.8%, 0.35%

LAB 58.21, -53.29, 32.89

 

CMYK 89 / 0 / 75 / 37

HEX #12A128

RGB 18 161 40

HSL 129.23, 0.8%, 0.35%

LAB 57.82, -58.1, 50.01

 

CMYK 79 / 0 / 89 / 37

HEX #22A112

RGB 34 161 18

HSL 113.29, 0.8%, 0.35%

LAB 57.92, -57.64, 56.53

 

CMYK 55 / 0 / 89 / 37

HEX #48A112

RGB 72 161 18

HSL 97.34, 0.8%, 0.35%

LAB 58.89, -49.48, 57.75

 

CMYK 31 / 0 / 89 / 37

HEX #6FA112

RGB 111 161 18

HSL 80.98, 0.8%, 0.35%

LAB 60.7, -36.18, 60.01

 

CMYK 89 / 0 / 51 / 37

HEX #12A14F

RGB 18 161 79

HSL 145.59, 0.8%, 0.35%

LAB 58.21, -53.29, 32.89

 

CMYK 89 / 0 / 27 / 37

HEX #12A175

RGB 18 161 117

HSL 161.54, 0.8%, 0.35%

LAB 58.88, -45.52, 13.25

 

CMYK 89 / 0 / 3 / 37

HEX #12A19C

RGB 18 161 156

HSL 177.9, 0.8%, 0.35%

LAB 59.91, -34.85, -7.24

 

CMYK 89 / 21 / 0 / 37

HEX #127FA1

RGB 18 127 161

HSL 194.27, 0.8%, 0.35%

LAB 49.35, -15.93, -26.15

 

CMYK 89 / 45 / 0 / 37

HEX #1259A1

RGB 18 89 161

HSL 210.21, 0.8%, 0.35%

LAB 37.57, 7.14, -44.75

 

CMYK 89 / 0 / 51 / 37

HEX #12A14F

RGB 18 161 79

HSL 145.59, 0.8%, 0.35%

LAB 58.21, -53.29, 32.89

 

CMYK 98 / 0 / 56 / 31

HEX #03AF4D

RGB 3 175 77

HSL 145.81, 0.97%, 0.35%

LAB 62.69, -59.09, 39.34

 

CMYK 89 / 0 / 51 / 37

HEX #12A14F

RGB 18 161 79

HSL 145.59, 0.8%, 0.35%

LAB 58.21, -53.29, 32.89

 

CMYK 78 / 0 / 45 / 43

HEX #209251

RGB 32 146 81

HSL 145.79, 0.64%, 0.35%

LAB 53.45, -46.03, 25.82

 

CMYK 64 / 0 / 37 / 48

HEX #2F8453

RGB 47 132 83

HSL 145.41, 0.47%, 0.35%

LAB 49.17, -37.35, 19.14

 

CMYK 48 / 0 / 27 / 54

HEX #3D7555

RGB 61 117 85

HSL 145.71, 0.31%, 0.35%

LAB 44.76, -26.44, 12.05

 

CMYK 26 / 0 / 16 / 60

HEX #4C6757

RGB 76 103 87

HSL 144.44, 0.15%, 0.35%

LAB 41.1, -13.65, 5.82

 

CMYK 78 / 0 / 89 / 37

HEX #23A112

RGB 35 161 18

HSL 112.87, 0.8%, 0.35%

LAB 57.93, -57.5, 56.55

 

CMYK 89 / 0 / 76 / 37

HEX #12A127

RGB 18 161 39

HSL 128.81, 0.8%, 0.35%

LAB 57.81, -58.18, 50.37

 

CMYK 89 / 0 / 52 / 37

HEX #12A14D

RGB 18 161 77

HSL 144.76, 0.8%, 0.35%

LAB 58.18, -53.61, 33.88

 

CMYK 89 / 0 / 29 / 37

HEX #12A173

RGB 18 161 115

HSL 160.7, 0.8%, 0.35%

LAB 58.84, -46, 14.3

 

CMYK 89 / 0 / 4 / 37

HEX #12A19A

RGB 18 161 154

HSL 177.06, 0.8%, 0.35%

LAB 59.84, -35.45, -6.2

 

CMYK 88 / 0 / 51 / 66

HEX #0A562A

RGB 10 86 42

HSL 145.26, 0.79%, 0.19%

LAB 31.55, -32.93, 19.52

 

CMYK 89 / 0 / 51 / 51

HEX #0E7C3D

RGB 14 124 61

HSL 145.64, 0.8%, 0.27%

LAB 45.42, -43.54, 26.37

 

CMYK 89 / 0 / 51 / 37

HEX #12A14F

RGB 18 161 79

HSL 145.59, 0.8%, 0.35%

LAB 58.21, -53.29, 32.89

 

CMYK 89 / 0 / 51 / 22

HEX #16C661

RGB 22 198 97

HSL 145.57, 0.8%, 0.43%

LAB 70.47, -62.58, 39.1

 

CMYK 87 / 0 / 50 / 10

HEX #1FE674

RGB 31 230 116

HSL 145.63, 0.8%, 0.51%

LAB 80.82, -69.44, 42.76

 

CMYK 89 / 0 / 51 / 37

HEX #12A14F

RGB 18 161 79

HSL 145.59, 0.8%, 0.35%

LAB 58.21, -53.29, 32.89

 

CMYK 89 / 55 / 0 / 37

HEX #1249A1

RGB 18 73 161

HSL 216.92, 0.8%, 0.35%

LAB 32.85, 17.9, -52.37

 

CMYK 0 / 88 / 89 / 37

HEX #A11412

RGB 161 20 18

HSL 0.84, 0.8%, 0.35%

LAB 34.23, 54.02, 40.36

 

CMYK 89 / 0 / 51 / 37

HEX #12A14F

RGB 18 161 79

HSL 145.59, 0.8%, 0.35%

LAB 58.21, -53.29, 32.89

 

CMYK 52 / 89 / 0 / 37

HEX #4D12A1

RGB 77 18 161

HSL 264.76, 0.8%, 0.35%

LAB 25.51, 54.8, -64.23

 

CMYK 0 / 52 / 89 / 37

HEX #A14D12

RGB 161 77 18

HSL 24.76, 0.8%, 0.35%

LAB 42.66, 31.41, 47.09

 

CMYK 89 / 0 / 51 / 37

HEX #12A14F

RGB 18 161 79

HSL 145.59, 0.8%, 0.35%

LAB 58.21, -53.29, 32.89

 

CMYK 89 / 55 / 0 / 37

HEX #1249A1

RGB 18 73 161

HSL 216.92, 0.8%, 0.35%

LAB 32.85, 17.9, -52.37

 

CMYK 0 / 89 / 37 / 37

HEX #A11265

RGB 161 18 101

HSL 325.17, 0.8%, 0.35%

LAB 35.89, 59.51, -9.35

 

CMYK 0 / 34 / 89 / 37

HEX #A16A12

RGB 161 106 18

HSL 36.92, 0.8%, 0.35%

LAB 49.41, 15.26, 52.5

 

CMYK 89 / 0 / 51 / 37

HEX #12A14F

RGB 18 161 79

HSL 145.59, 0.8%, 0.35%

LAB 58.21, -53.29, 32.89

 

CMYK 89 / 81 / 0 / 37

HEX #121EA1

RGB 18 30 161

HSL 234.97, 0.8%, 0.35%

LAB 22.41, 45.48, -69.52

 

CMYK 0 / 89 / 37 / 37

HEX #A11265

RGB 161 18 101

HSL 325.17, 0.8%, 0.35%

LAB 35.89, 59.51, -9.35

 

CMYK 0 / 7 / 89 / 37

HEX #A19512

RGB 161 149 18

HSL 54.97, 0.8%, 0.35%

LAB 60.88, -8.68, 61.68

 

Description

Color code: HEX #12A14F | qconv.com Color code: HEX #12A14F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 161 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 161 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, none magenta, 51 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 0% 51% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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