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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #129721 it is the complementary color #ED68DE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #129721. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #129721 shade: #17971C, #28A92F, #39BB42, #4ACD55 and #5BDF68

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #129721. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #129721 shade: #129721, #01850E, #007300, #006100 and #004F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #129721 shade: #129721, #279712, #4A9712, #6E9712 and #929712

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #129721 shade: #129721, #129745, #129768, #12978C and #127D97

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #129721 shade matches the following richer shades: #129721 and #04A416

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #129721 shade: #129721, #1F892B, #2D7B36, #3B6E40 and #48604B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #129721 shade: #4B9712, #289712, #12971F, #129742 and #129766

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #129721 shade: #094D11, #0D7219, #129721, #16BC29 and #1AE031

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #129721 shade: #129721, #126F97 and #97123A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #129721 shade: #129721, #1F1297 and #971F12

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #129721 shade: #129721, #126F97, #971289 and #973A12

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #129721 shade: #129721, #124797, #971289 and #976112

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 78 / 41

HEX #129721

RGB 18 151 33

HSL 126.77, 0.79%, 0.33%

LAB 54.42, -55.58, 49.1

 

Complementary color

CMYK 0 / 56 / 6 / 7

HEX #ED68DE

RGB 237 104 222

HSL 306.77, 0.79%, 0.67%

LAB 64.31, 65.55, -36.36

 

CMYK 85 / 0 / 81 / 41

HEX #17971C

RGB 23 151 28

HSL 122.34, 0.74%, 0.34%

LAB 54.45, -55.43, 50.77

 

CMYK 76 / 0 / 72 / 34

HEX #28A92F

RGB 40 169 47

HSL 123.26, 0.62%, 0.41%

LAB 60.81, -57.46, 50.55

 

CMYK 70 / 0 / 65 / 27

HEX #39BB42

RGB 57 187 66

HSL 124.15, 0.53%, 0.48%

LAB 67.13, -58.75, 49.67

 

CMYK 64 / 0 / 59 / 20

HEX #4ACD55

RGB 74 205 85

HSL 125.04, 0.57%, 0.55%

LAB 73.4, -59.54, 48.5

 

CMYK 59 / 0 / 53 / 13

HEX #5BDF68

RGB 91 223 104

HSL 125.91, 0.67%, 0.62%

LAB 79.61, -59.99, 47.21

 

CMYK 88 / 0 / 78 / 41

HEX #129721

RGB 18 151 33

HSL 126.77, 0.79%, 0.33%

LAB 54.42, -55.58, 49.1

 

CMYK 99 / 0 / 89 / 48

HEX #01850E

RGB 1 133 14

HSL 125.91, 0.99%, 0.26%

LAB 48.02, -52.55, 48.58

 

CMYK 100 / 0 / 100 / 55

HEX #007300

RGB 0 115 0

HSL 120, 1%, 0.23%

LAB 41.63, -47.88, 46.21

 

CMYK 100 / 0 / 100 / 62

HEX #006100

RGB 0 97 0

HSL 120, 1%, 0.19%

LAB 35.1, -42.46, 40.98

 

CMYK 100 / 0 / 100 / 69

HEX #004F00

RGB 0 79 0

HSL 120, 1%, 0.15%

LAB 28.36, -36.85, 35.56

 

CMYK 88 / 0 / 78 / 41

HEX #129721

RGB 18 151 33

HSL 126.77, 0.79%, 0.33%

LAB 54.42, -55.58, 49.1

 

CMYK 74 / 0 / 88 / 41

HEX #279712

RGB 39 151 18

HSL 110.53, 0.79%, 0.33%

LAB 54.67, -53.68, 53.71

 

CMYK 51 / 0 / 88 / 41

HEX #4A9712

RGB 74 151 18

HSL 94.74, 0.79%, 0.33%

LAB 55.72, -45.07, 55.04

 

CMYK 27 / 0 / 88 / 41

HEX #6E9712

RGB 110 151 18

HSL 78.5, 0.79%, 0.33%

LAB 57.55, -32.01, 57.33

 

CMYK 3 / 0 / 88 / 41

HEX #929712

RGB 146 151 18

HSL 62.26, 0.79%, 0.33%

LAB 60.15, -16.51, 60.55

 

CMYK 88 / 0 / 78 / 41

HEX #129721

RGB 18 151 33

HSL 126.77, 0.79%, 0.33%

LAB 54.42, -55.58, 49.1

 

CMYK 88 / 0 / 54 / 41

HEX #129745

RGB 18 151 69

HSL 143.01, 0.79%, 0.33%

LAB 54.75, -51.45, 33.73

 

CMYK 88 / 0 / 31 / 41

HEX #129768

RGB 18 151 104

HSL 158.8, 0.79%, 0.33%

LAB 55.34, -44.61, 15.61

 

CMYK 88 / 0 / 7 / 41

HEX #12978C

RGB 18 151 140

HSL 175.04, 0.79%, 0.33%

LAB 56.24, -35.03, -3.57

 

CMYK 88 / 17 / 0 / 41

HEX #127D97

RGB 18 125 151

HSL 191.73, 0.79%, 0.33%

LAB 48.3, -18.42, -21.93

 

CMYK 88 / 0 / 78 / 41

HEX #129721

RGB 18 151 33

HSL 126.77, 0.79%, 0.33%

LAB 54.42, -55.58, 49.1

 

CMYK 98 / 0 / 87 / 36

HEX #04A416

RGB 4 164 22

HSL 126.75, 0.95%, 0.33%

LAB 58.63, -61.02, 56.16

 

CMYK 88 / 0 / 78 / 41

HEX #129721

RGB 18 151 33

HSL 126.77, 0.79%, 0.33%

LAB 54.42, -55.58, 49.1

 

CMYK 77 / 0 / 69 / 46

HEX #1F892B

RGB 31 137 43

HSL 126.79, 0.63%, 0.33%

LAB 49.93, -48.54, 40.62

 

CMYK 63 / 0 / 56 / 52

HEX #2D7B36

RGB 45 123 54

HSL 126.92, 0.46%, 0.33%

LAB 45.62, -39.15, 30.48

 

CMYK 46 / 0 / 42 / 57

HEX #3B6E40

RGB 59 110 64

HSL 125.88, 0.3%, 0.33%

LAB 41.93, -27.81, 20.46

 

CMYK 25 / 0 / 22 / 62

HEX #48604B

RGB 72 96 75

HSL 127.5, 0.14%, 0.33%

LAB 38.29, -13.75, 9.12

 

CMYK 50 / 0 / 88 / 41

HEX #4B9712

RGB 75 151 18

HSL 94.29, 0.79%, 0.33%

LAB 55.76, -44.76, 55.09

 

CMYK 74 / 0 / 88 / 41

HEX #289712

RGB 40 151 18

HSL 110.08, 0.79%, 0.33%

LAB 54.69, -53.5, 53.74

 

CMYK 88 / 0 / 79 / 41

HEX #12971F

RGB 18 151 31

HSL 125.86, 0.79%, 0.33%

LAB 54.41, -55.73, 49.76

 

CMYK 88 / 0 / 56 / 41

HEX #129742

RGB 18 151 66

HSL 141.65, 0.79%, 0.33%

LAB 54.72, -51.91, 35.19

 

CMYK 88 / 0 / 32 / 41

HEX #129766

RGB 18 151 102

HSL 157.89, 0.79%, 0.33%

LAB 55.3, -45.07, 16.67

 

CMYK 88 / 0 / 78 / 70

HEX #094D11

RGB 9 77 17

HSL 127.06, 0.79%, 0.17%

LAB 27.86, -33.4, 28.52

 

CMYK 89 / 0 / 78 / 55

HEX #0D7219

RGB 13 114 25

HSL 127.13, 0.8%, 0.25%

LAB 41.52, -44.94, 39.18

 

CMYK 88 / 0 / 78 / 41

HEX #129721

RGB 18 151 33

HSL 126.77, 0.79%, 0.33%

LAB 54.42, -55.58, 49.1

 

CMYK 88 / 0 / 78 / 26

HEX #16BC29

RGB 22 188 41

HSL 126.87, 0.79%, 0.41%

LAB 66.75, -65.78, 58.49

 

CMYK 88 / 0 / 78 / 12

HEX #1AE031

RGB 26 224 49

HSL 126.97, 0.79%, 0.49%

LAB 78.32, -75.3, 67.2

 

CMYK 88 / 0 / 78 / 41

HEX #129721

RGB 18 151 33

HSL 126.77, 0.79%, 0.33%

LAB 54.42, -55.58, 49.1

 

CMYK 88 / 26 / 0 / 41

HEX #126F97

RGB 18 111 151

HSL 198.05, 0.79%, 0.33%

LAB 43.85, -10.52, -28.84

 

CMYK 0 / 88 / 62 / 41

HEX #97123A

RGB 151 18 58

HSL 341.95, 0.79%, 0.33%

LAB 32.52, 53.3, 13.54

 

CMYK 88 / 0 / 78 / 41

HEX #129721

RGB 18 151 33

HSL 126.77, 0.79%, 0.33%

LAB 54.42, -55.58, 49.1

 

CMYK 79 / 88 / 0 / 41

HEX #1F1297

RGB 31 18 151

HSL 245.86, 0.79%, 0.33%

LAB 19.88, 48.43, -67.58

 

CMYK 0 / 79 / 88 / 41

HEX #971F12

RGB 151 31 18

HSL 5.86, 0.79%, 0.33%

LAB 33.14, 48.16, 38.6

 

CMYK 88 / 0 / 78 / 41

HEX #129721

RGB 18 151 33

HSL 126.77, 0.79%, 0.33%

LAB 54.42, -55.58, 49.1

 

CMYK 88 / 26 / 0 / 41

HEX #126F97

RGB 18 111 151

HSL 198.05, 0.79%, 0.33%

LAB 43.85, -10.52, -28.84

 

CMYK 0 / 88 / 9 / 41

HEX #971289

RGB 151 18 137

HSL 306.32, 0.79%, 0.33%

LAB 35.63, 61.87, -32.54

 

CMYK 0 / 62 / 88 / 41

HEX #973A12

RGB 151 58 18

HSL 18.05, 0.79%, 0.33%

LAB 37.21, 37.12, 41.98

 

CMYK 88 / 0 / 78 / 41

HEX #129721

RGB 18 151 33

HSL 126.77, 0.79%, 0.33%

LAB 54.42, -55.58, 49.1

 

CMYK 88 / 53 / 0 / 41

HEX #124797

RGB 18 71 151

HSL 216.09, 0.79%, 0.33%

LAB 31.51, 15.15, -48.49

 

CMYK 0 / 88 / 9 / 41

HEX #971289

RGB 151 18 137

HSL 306.32, 0.79%, 0.33%

LAB 35.63, 61.87, -32.54

 

CMYK 0 / 36 / 88 / 41

HEX #976112

RGB 151 97 18

HSL 35.64, 0.79%, 0.33%

LAB 45.87, 15.84, 49.1

 

Description

Color code: HEX #129721 | qconv.com Color code: HEX #129721 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 151 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 151 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 78 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 78% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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