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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #129391 it is the complementary color #ED6C6E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #129391. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #129391 shade: #17938C, #28A59F, #39B7B2, #4AC9C5 and #5BDBD8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #129391. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #129391 shade: #129391, #01817E, #006F6B, #005D58 and #004B45

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #129391 shade: #12918F, #12916D, #12914B, #129128 and #1E9112

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #129391 shade: #12918F, #127191, #124F91, #122C91 and #121291

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #129391 shade matches the following richer shades: #12918F and #059E9C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #129391 shade: #12918F, #1F8482, #2C7776, #3A6A69 and #475C5C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #129391 shade: #12914B, #12916D, #12918F, #127191 and #124F91

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #129391 shade: #094847, #0D6D6B, #12918F, #16B6B3 and #1BDBD8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #129391 shade: #129391, #291291 and #915C12

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #129391 shade: #129391, #8F1291 and #918F12

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #129391 shade: #129391, #291291, #911214 and #7A9112

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #129391 shade: #129391, #4F1291, #911214 and #549112

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 1 / 42

HEX #129391

RGB 18 147 145

HSL 179.07, 0.78%, 0.32%

LAB 55.11, -31.64, -8.11

 

Complementary color

CMYK 0 / 54 / 54 / 7

HEX #ED6C6E

RGB 237 108 110

HSL 359.07, 0.78%, 0.68%

LAB 61.53, 49.96, 23.41

 

CMYK 84 / 0 / 5 / 42

HEX #17938C

RGB 23 147 140

HSL 176.61, 0.73%, 0.33%

LAB 55.01, -32.8, -5.38

 

CMYK 76 / 0 / 4 / 35

HEX #28A59F

RGB 40 165 159

HSL 177.12, 0.61%, 0.4%

LAB 61.54, -33.93, -6.48

 

CMYK 69 / 0 / 3 / 28

HEX #39B7B2

RGB 57 183 178

HSL 177.62, 0.53%, 0.47%

LAB 67.98, -34.72, -7.46

 

CMYK 63 / 0 / 2 / 21

HEX #4AC9C5

RGB 74 201 197

HSL 178.11, 0.54%, 0.54%

LAB 74.36, -35.27, -8.33

 

CMYK 58 / 0 / 1 / 14

HEX #5BDBD8

RGB 91 219 216

HSL 178.59, 0.64%, 0.61%

LAB 80.65, -35.65, -9.13

 

CMYK 88 / 0 / 1 / 42

HEX #129391

RGB 18 147 145

HSL 179.07, 0.78%, 0.32%

LAB 55.11, -31.64, -8.11

 

CMYK 99 / 0 / 2 / 49

HEX #01817E

RGB 1 129 126

HSL 178.59, 0.98%, 0.25%

LAB 48.53, -29.92, -6.9

 

CMYK 100 / 0 / 4 / 56

HEX #006F6B

RGB 0 111 107

HSL 177.84, 1%, 0.22%

LAB 41.89, -27.37, -5.44

 

CMYK 100 / 0 / 5 / 64

HEX #005D58

RGB 0 93 88

HSL 176.77, 1%, 0.18%

LAB 35.07, -24.69, -3.9

HEX #005D58

CMYK 100 / 0 / 8 / 71

HEX #004B45

RGB 0 75 69

HSL 175.2, 1%, 0.15%

LAB 28.01, -21.94, -2.26

HEX #004B45

CMYK 88 / 0 / 1 / 43

HEX #12918F

RGB 18 145 143

HSL 179.06, 0.78%, 0.32%

LAB 54.41, -31.3, -8.01

 

CMYK 88 / 0 / 25 / 43

HEX #12916D

RGB 18 145 109

HSL 162.99, 0.78%, 0.32%

LAB 53.47, -40.95, 10.18

 

CMYK 88 / 0 / 48 / 43

HEX #12914B

RGB 18 145 75

HSL 146.93, 0.78%, 0.32%

LAB 52.83, -48.33, 28.21

 

CMYK 88 / 0 / 72 / 43

HEX #129128

RGB 18 145 40

HSL 130.39, 0.78%, 0.32%

LAB 52.43, -53.11, 44.49

 

CMYK 79 / 0 / 88 / 43

HEX #1E9112

RGB 30 145 18

HSL 114.33, 0.78%, 0.32%

LAB 52.48, -53.2, 51.71

 

CMYK 88 / 0 / 1 / 43

HEX #12918F

RGB 18 145 143

HSL 179.06, 0.78%, 0.32%

LAB 54.41, -31.3, -8.01

 

CMYK 88 / 22 / 0 / 43

HEX #127191

RGB 18 113 145

HSL 195.12, 0.78%, 0.32%

LAB 44.21, -13.91, -24.71

 

CMYK 88 / 46 / 0 / 43

HEX #124F91

RGB 18 79 145

HSL 211.18, 0.78%, 0.32%

LAB 33.49, 7.23, -41.64

 

CMYK 88 / 70 / 0 / 43

HEX #122C91

RGB 18 44 145

HSL 227.72, 0.78%, 0.32%

LAB 23.59, 31.3, -57.75

 

CMYK 88 / 88 / 0 / 43

HEX #121291

RGB 18 18 145

HSL 240, 0.78%, 0.32%

LAB 18.39, 46.06, -66.35

 

CMYK 88 / 0 / 1 / 43

HEX #12918F

RGB 18 145 143

HSL 179.06, 0.78%, 0.32%

LAB 54.41, -31.3, -8.01

 

CMYK 97 / 0 / 1 / 38

HEX #059E9C

RGB 5 158 156

HSL 179.22, 0.94%, 0.32%

LAB 58.87, -34.04, -8.8

 

CMYK 88 / 0 / 1 / 43

HEX #12918F

RGB 18 145 143

HSL 179.06, 0.78%, 0.32%

LAB 54.41, -31.3, -8.01

 

CMYK 77 / 0 / 2 / 48

HEX #1F8482

RGB 31 132 130

HSL 178.81, 0.62%, 0.32%

LAB 49.98, -27.82, -7.04

 

CMYK 63 / 0 / 1 / 53

HEX #2C7776

RGB 44 119 118

HSL 179.2, 0.46%, 0.32%

LAB 45.69, -22.92, -6.32

 

CMYK 45 / 0 / 1 / 58

HEX #3A6A69

RGB 58 106 105

HSL 178.75, 0.29%, 0.32%

LAB 41.58, -16.55, -4.54

 

CMYK 23 / 0 / 0 / 64

HEX #475C5C

RGB 71 92 92

HSL 180, 0.13%, 0.32%

LAB 37.42, -7.92, -2.63

 

CMYK 88 / 0 / 48 / 43

HEX #12914B

RGB 18 145 75

HSL 146.93, 0.78%, 0.32%

LAB 52.83, -48.33, 28.21

 

CMYK 88 / 0 / 25 / 43

HEX #12916D

RGB 18 145 109

HSL 162.99, 0.78%, 0.32%

LAB 53.47, -40.95, 10.18

 

CMYK 88 / 0 / 1 / 43

HEX #12918F

RGB 18 145 143

HSL 179.06, 0.78%, 0.32%

LAB 54.41, -31.3, -8.01

 

CMYK 88 / 22 / 0 / 43

HEX #127191

RGB 18 113 145

HSL 195.12, 0.78%, 0.32%

LAB 44.21, -13.91, -24.71

 

CMYK 88 / 46 / 0 / 43

HEX #124F91

RGB 18 79 145

HSL 211.18, 0.78%, 0.32%

LAB 33.49, 7.23, -41.64

 

CMYK 88 / 0 / 1 / 72

HEX #094847

RGB 9 72 71

HSL 179.05, 0.78%, 0.16%

LAB 27.15, -18.59, -4.82

 

CMYK 88 / 0 / 2 / 57

HEX #0D6D6B

RGB 13 109 107

HSL 178.75, 0.79%, 0.24%

LAB 41.35, -25.47, -6.23

 

CMYK 88 / 0 / 1 / 43

HEX #12918F

RGB 18 145 143

HSL 179.06, 0.78%, 0.32%

LAB 54.41, -31.3, -8.01

 

CMYK 88 / 0 / 2 / 29

HEX #16B6B3

RGB 22 182 179

HSL 178.88, 0.78%, 0.4%

LAB 67.19, -37.38, -9.25

 

CMYK 88 / 0 / 1 / 14

HEX #1BDBD8

RGB 27 219 216

HSL 179.06, 0.78%, 0.48%

LAB 79.53, -42.85, -10.92

 

CMYK 88 / 0 / 1 / 42

HEX #129391

RGB 18 147 145

HSL 179.07, 0.78%, 0.32%

LAB 55.11, -31.64, -8.11

 

CMYK 72 / 88 / 0 / 43

HEX #291291

RGB 41 18 145

HSL 250.87, 0.78%, 0.32%

LAB 19.84, 47.26, -63.91

 

CMYK 0 / 37 / 88 / 43

HEX #915C12

RGB 145 92 18

HSL 34.96, 0.78%, 0.32%

LAB 43.83, 15.97, 47.09

 

CMYK 88 / 0 / 1 / 42

HEX #129391

RGB 18 147 145

HSL 179.07, 0.78%, 0.32%

LAB 55.11, -31.64, -8.11

 

CMYK 1 / 88 / 0 / 43

HEX #8F1291

RGB 143 18 145

HSL 299.06, 0.78%, 0.32%

LAB 34.63, 61.54, -39.15

 

CMYK 0 / 1 / 88 / 43

HEX #918F12

RGB 145 143 18

HSL 59.06, 0.78%, 0.32%

LAB 57.76, -12.76, 58.56

 

CMYK 88 / 0 / 1 / 42

HEX #129391

RGB 18 147 145

HSL 179.07, 0.78%, 0.32%

LAB 55.11, -31.64, -8.11

 

CMYK 72 / 88 / 0 / 43

HEX #291291

RGB 41 18 145

HSL 250.87, 0.78%, 0.32%

LAB 19.84, 47.26, -63.91

 

CMYK 0 / 88 / 86 / 43

HEX #911214

RGB 145 18 20

HSL 359.06, 0.78%, 0.32%

LAB 30.65, 49.9, 34.91

 

CMYK 16 / 0 / 88 / 43

HEX #7A9112

RGB 122 145 18

HSL 70.87, 0.78%, 0.32%

LAB 56.52, -24.07, 56.79

 

CMYK 88 / 0 / 1 / 42

HEX #129391

RGB 18 147 145

HSL 179.07, 0.78%, 0.32%

LAB 55.11, -31.64, -8.11

 

CMYK 46 / 88 / 0 / 43

HEX #4F1291

RGB 79 18 145

HSL 268.82, 0.78%, 0.32%

LAB 24.13, 51.09, -56.68

 

CMYK 0 / 88 / 86 / 43

HEX #911214

RGB 145 18 20

HSL 359.06, 0.78%, 0.32%

LAB 30.65, 49.9, 34.91

 

CMYK 42 / 0 / 88 / 43

HEX #549112

RGB 84 145 18

HSL 88.82, 0.78%, 0.32%

LAB 54.22, -39.29, 53.91

 

Description

Color code: HEX #129391 | qconv.com Color code: HEX #129391 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 147 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 147 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 1 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 1% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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