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Color name
HEX #129374

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #129374 it is the complementary color #ED6C8B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #129374. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #129374 shade: #17936F, #28A582, #39B795, #4AC9A8 and #5BDBBB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #129374. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #129374 shade: #129374, #018161, #006F4E, #005D3B and #004B28

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #129374 shade: #129173, #129150, #12912E, #189112 and #3B9112

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #129374 shade: #129173, #128E91, #126B91, #124991 and #122791

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #129374 shade matches the following richer shades: #129173 and #059E7A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #129374 shade: #129173, #1F846C, #2C7765, #3A6A5E and #475C57

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #129374 shade: #12912E, #12914F, #129171, #128F91 and #126D91

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #129374 shade: #094839, #0D6D56, #129173, #16B690 and #1BDBAD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #129374 shade: #129374, #121891 and #913F12

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #129374 shade: #129374, #711291 and #917112

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #129374 shade: #129374, #121891, #911232 and #918B12

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #129374 shade: #129374, #321291, #911232 and #719112

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 21 / 42

HEX #129374

RGB 18 147 116

HSL 165.58, 0.78%, 0.32%

LAB 54.3, -39.99, 7.35

 

Complementary color

CMYK 0 / 54 / 41 / 7

HEX #ED6C8B

RGB 237 108 139

HSL 345.58, 0.78%, 0.68%

LAB 62.16, 52.64, 7.64

 

CMYK 84 / 0 / 24 / 42

HEX #17936F

RGB 23 147 111

HSL 162.58, 0.73%, 0.33%

LAB 54.24, -40.86, 10.12

 

CMYK 76 / 0 / 21 / 35

HEX #28A582

RGB 40 165 130

HSL 163.2, 0.61%, 0.4%

LAB 60.76, -41.82, 8.67

 

CMYK 69 / 0 / 19 / 28

HEX #39B795

RGB 57 183 149

HSL 163.81, 0.53%, 0.47%

LAB 67.21, -42.42, 7.39

 

CMYK 63 / 0 / 16 / 21

HEX #4AC9A8

RGB 74 201 168

HSL 164.41, 0.54%, 0.54%

LAB 73.58, -42.78, 6.24

 

CMYK 58 / 0 / 15 / 14

HEX #5BDBBB

RGB 91 219 187

HSL 165, 0.64%, 0.61%

LAB 79.88, -42.97, 5.19

 

CMYK 88 / 0 / 21 / 42

HEX #129374

RGB 18 147 116

HSL 165.58, 0.78%, 0.32%

LAB 54.3, -39.99, 7.35

 

CMYK 99 / 0 / 25 / 49

HEX #018161

RGB 1 129 97

HSL 165, 0.98%, 0.25%

LAB 47.71, -38.42, 8.96

 

CMYK 100 / 0 / 30 / 56

HEX #006F4E

RGB 0 111 78

HSL 162.16, 1%, 0.22%

LAB 41.09, -35.89, 10.87

 

CMYK 100 / 0 / 37 / 64

HEX #005D3B

RGB 0 93 59

HSL 158.06, 1%, 0.18%

LAB 34.28, -33.16, 12.93

 

CMYK 100 / 0 / 47 / 71

HEX #004B28

RGB 0 75 40

HSL 152, 1%, 0.15%

LAB 27.26, -30.23, 15.16

 

CMYK 88 / 0 / 21 / 43

HEX #129173

RGB 18 145 115

HSL 165.83, 0.78%, 0.32%

LAB 53.62, -39.4, 6.95

 

CMYK 88 / 0 / 45 / 43

HEX #129150

RGB 18 145 80

HSL 149.29, 0.78%, 0.32%

LAB 52.9, -47.41, 25.62

 

CMYK 88 / 0 / 68 / 43

HEX #12912E

RGB 18 145 46

HSL 133.23, 0.78%, 0.32%

LAB 52.48, -52.5, 42.04

 

CMYK 83 / 0 / 88 / 43

HEX #189112

RGB 24 145 18

HSL 117.17, 0.78%, 0.32%

LAB 52.39, -54.01, 51.6

 

CMYK 59 / 0 / 88 / 43

HEX #3B9112

RGB 59 145 18

HSL 100.63, 0.78%, 0.32%

LAB 53.19, -47.15, 52.62

 

CMYK 88 / 0 / 21 / 43

HEX #129173

RGB 18 145 115

HSL 165.83, 0.78%, 0.32%

LAB 53.62, -39.4, 6.95

 

CMYK 88 / 2 / 0 / 43

HEX #128E91

RGB 18 142 145

HSL 181.42, 0.78%, 0.32%

LAB 53.51, -29.22, -10.51

 

CMYK 88 / 26 / 0 / 43

HEX #126B91

RGB 18 107 145

HSL 197.95, 0.78%, 0.32%

LAB 42.29, -10.44, -27.7

 

CMYK 88 / 50 / 0 / 43

HEX #124991

RGB 18 73 145

HSL 214.02, 0.78%, 0.32%

LAB 31.67, 11.29, -44.57

 

CMYK 88 / 73 / 0 / 43

HEX #122791

RGB 18 39 145

HSL 230.08, 0.78%, 0.32%

LAB 22.39, 34.57, -59.72

 

CMYK 88 / 0 / 21 / 43

HEX #129173

RGB 18 145 115

HSL 165.83, 0.78%, 0.32%

LAB 53.62, -39.4, 6.95

 

CMYK 97 / 0 / 23 / 38

HEX #059E7A

RGB 5 158 122

HSL 165.88, 0.94%, 0.32%

LAB 57.93, -43.74, 9.1

 

CMYK 88 / 0 / 21 / 43

HEX #129173

RGB 18 145 115

HSL 165.83, 0.78%, 0.32%

LAB 53.62, -39.4, 6.95

 

CMYK 77 / 0 / 18 / 48

HEX #1F846C

RGB 31 132 108

HSL 165.74, 0.62%, 0.32%

LAB 49.35, -34.2, 4.91

 

CMYK 63 / 0 / 15 / 53

HEX #2C7765

RGB 44 119 101

HSL 165.6, 0.46%, 0.32%

LAB 45.18, -27.77, 3.07

 

CMYK 45 / 0 / 11 / 58

HEX #3A6A5E

RGB 58 106 94

HSL 165, 0.29%, 0.32%

LAB 41.24, -19.52, 1.65

 

CMYK 23 / 0 / 5 / 64

HEX #475C57

RGB 71 92 87

HSL 165.71, 0.13%, 0.32%

LAB 37.27, -9.15, 0.25

 

CMYK 88 / 0 / 68 / 43

HEX #12912E

RGB 18 145 46

HSL 133.23, 0.78%, 0.32%

LAB 52.48, -52.5, 42.04

 

CMYK 88 / 0 / 46 / 43

HEX #12914F

RGB 18 145 79

HSL 148.82, 0.78%, 0.32%

LAB 52.89, -47.6, 26.14

 

CMYK 88 / 0 / 22 / 43

HEX #129171

RGB 18 145 113

HSL 164.88, 0.78%, 0.32%

LAB 53.57, -39.93, 8.02

 

CMYK 88 / 1 / 0 / 43

HEX #128F91

RGB 18 143 145

HSL 180.94, 0.78%, 0.32%

LAB 53.83, -29.71, -10.03

 

CMYK 88 / 25 / 0 / 43

HEX #126D91

RGB 18 109 145

HSL 197.01, 0.78%, 0.32%

LAB 42.93, -11.61, -26.7

 

CMYK 88 / 0 / 21 / 72

HEX #094839

RGB 9 72 57

HSL 165.71, 0.78%, 0.16%

LAB 26.7, -23.14, 3.63

 

CMYK 88 / 0 / 21 / 57

HEX #0D6D56

RGB 13 109 86

HSL 165.63, 0.79%, 0.24%

LAB 40.73, -31.84, 5.58

 

CMYK 88 / 0 / 21 / 43

HEX #129173

RGB 18 145 115

HSL 165.83, 0.78%, 0.32%

LAB 53.62, -39.4, 6.95

 

CMYK 88 / 0 / 21 / 29

HEX #16B690

RGB 22 182 144

HSL 165.75, 0.78%, 0.4%

LAB 66.24, -47.07, 8.69

 

CMYK 88 / 0 / 21 / 14

HEX #1BDBAD

RGB 27 219 173

HSL 165.63, 0.78%, 0.48%

LAB 78.41, -54.37, 10.37

 

CMYK 88 / 0 / 21 / 42

HEX #129374

RGB 18 147 116

HSL 165.58, 0.78%, 0.32%

LAB 54.3, -39.99, 7.35

 

CMYK 88 / 83 / 0 / 43

HEX #121891

RGB 18 24 145

HSL 237.17, 0.78%, 0.32%

LAB 19.33, 43.26, -64.78

 

CMYK 0 / 57 / 88 / 43

HEX #913F12

RGB 145 63 18

HSL 21.26, 0.78%, 0.32%

LAB 37.15, 32.2, 41.51

 

CMYK 88 / 0 / 21 / 42

HEX #129374

RGB 18 147 116

HSL 165.58, 0.78%, 0.32%

LAB 54.3, -39.99, 7.35

 

CMYK 22 / 88 / 0 / 43

HEX #711291

RGB 113 18 145

HSL 284.88, 0.78%, 0.32%

LAB 29.38, 56.18, -47.88

 

CMYK 0 / 22 / 88 / 43

HEX #917112

RGB 145 113 18

HSL 44.88, 0.78%, 0.32%

LAB 49.34, 3.83, 51.66

 

CMYK 88 / 0 / 21 / 42

HEX #129374

RGB 18 147 116

HSL 165.58, 0.78%, 0.32%

LAB 54.3, -39.99, 7.35

 

CMYK 88 / 83 / 0 / 43

HEX #121891

RGB 18 24 145

HSL 237.17, 0.78%, 0.32%

LAB 19.33, 43.26, -64.78

 

CMYK 0 / 88 / 66 / 43

HEX #911232

RGB 145 18 50

HSL 344.88, 0.78%, 0.32%

LAB 31.07, 51.16, 16.67

 

CMYK 0 / 4 / 88 / 43

HEX #918B12

RGB 145 139 18

HSL 57.17, 0.78%, 0.32%

LAB 56.61, -10.63, 57.62

 

CMYK 88 / 0 / 21 / 42

HEX #129374

RGB 18 147 116

HSL 165.58, 0.78%, 0.32%

LAB 54.3, -39.99, 7.35

 

CMYK 66 / 88 / 0 / 43

HEX #321291

RGB 50 18 145

HSL 255.12, 0.78%, 0.32%

LAB 20.65, 47.96, -62.53

 

CMYK 0 / 88 / 66 / 43

HEX #911232

RGB 145 18 50

HSL 344.88, 0.78%, 0.32%

LAB 31.07, 51.16, 16.67

 

CMYK 22 / 0 / 88 / 43

HEX #719112

RGB 113 145 18

HSL 75.12, 0.78%, 0.32%

LAB 55.89, -27.92, 56.01

 

Description

Color code: HEX #129374 | qconv.com Color code: HEX #129374 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 147 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 147 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 21 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 21% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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