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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #129095 it is the complementary color #ED6F6A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #129095. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #129095 shade: #179090, #28A2A3, #39B4B6, #4AC6C9 and #5BD8DC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #129095. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #129095 shade: #129095, #017E82, #006C6F, #005A5C and #004849

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #129095 shade: #139196, #136D96, #134A96, #132796 and #221396

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #129095 shade: #139196, #136D96, #134A96, #132796 and #131396

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #129095 shade matches the following richer shades: #139196 and #059DA3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #129095 shade: #139196, #208488, #2E787B, #3B6B6D and #495E5F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #129095 shade: #139654, #139677, #139196, #136E96 and #134B96

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #129095 shade: #094A4C, #0E6D71, #139196, #17B4BB and #1CD8DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #129095 shade: #129095, #311396 and #966613

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #129095 shade: #129095, #961391 and #919613

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #129095 shade: #129095, #311396, #961713 and #779613

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #129095 shade: #129095, #591396, #961713 and #509613

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 3 / 0 / 42

HEX #129095

RGB 18 144 149

HSL 182.29, 0.78%, 0.33%

LAB 54.29, -28.92, -11.65

 

Complementary color

CMYK 0 / 53 / 55 / 7

HEX #ED6F6A

RGB 237 111 106

HSL 2.29, 0.78%, 0.67%

LAB 62.01, 48.21, 26.32

 

CMYK 84 / 0 / 0 / 44

HEX #179090

RGB 23 144 144

HSL 180, 0.72%, 0.33%

LAB 54.18, -30.14, -8.93

 

CMYK 75 / 1 / 0 / 36

HEX #28A2A3

RGB 40 162 163

HSL 180.49, 0.61%, 0.4%

LAB 60.73, -31.32, -9.95

 

CMYK 69 / 1 / 0 / 29

HEX #39B4B6

RGB 57 180 182

HSL 180.96, 0.52%, 0.47%

LAB 67.19, -32.15, -10.84

 

CMYK 63 / 1 / 0 / 21

HEX #4AC6C9

RGB 74 198 201

HSL 181.42, 0.54%, 0.54%

LAB 73.59, -32.74, -11.65

 

CMYK 59 / 2 / 0 / 14

HEX #5BD8DC

RGB 91 216 220

HSL 181.86, 0.65%, 0.61%

LAB 79.9, -33.16, -12.39

 

CMYK 88 / 3 / 0 / 42

HEX #129095

RGB 18 144 149

HSL 182.29, 0.78%, 0.33%

LAB 54.29, -28.92, -11.65

 

CMYK 99 / 3 / 0 / 49

HEX #017E82

RGB 1 126 130

HSL 181.86, 0.98%, 0.26%

LAB 47.67, -27.14, -10.53

 

CMYK 100 / 3 / 0 / 56

HEX #006C6F

RGB 0 108 111

HSL 181.62, 1%, 0.22%

LAB 41.01, -24.53, -9.18

 

CMYK 100 / 2 / 0 / 64

HEX #005A5C

RGB 0 90 92

HSL 181.3, 1%, 0.18%

LAB 34.16, -21.78, -7.76

 

CMYK 100 / 1 / 0 / 71

HEX #004849

RGB 0 72 73

HSL 180.82, 1%, 0.14%

LAB 27.06, -18.95, -6.27

 

CMYK 87 / 3 / 0 / 41

HEX #139196

RGB 19 145 150

HSL 182.29, 0.78%, 0.33%

LAB 54.65, -29.03, -11.68

 

CMYK 87 / 27 / 0 / 41

HEX #136D96

RGB 19 109 150

HSL 198.78, 0.78%, 0.33%

LAB 43.18, -9.64, -29.29

 

CMYK 87 / 51 / 0 / 41

HEX #134A96

RGB 19 74 150

HSL 214.81, 0.78%, 0.33%

LAB 32.34, 12.76, -46.53

 

CMYK 87 / 74 / 0 / 41

HEX #132796

RGB 19 39 150

HSL 230.84, 0.78%, 0.33%

LAB 22.97, 36.49, -61.85

 

CMYK 77 / 87 / 0 / 41

HEX #221396

RGB 34 19 150

HSL 246.87, 0.78%, 0.33%

LAB 20.08, 47.89, -66.62

 

CMYK 87 / 3 / 0 / 41

HEX #139196

RGB 19 145 150

HSL 182.29, 0.78%, 0.33%

LAB 54.65, -29.03, -11.68

 

CMYK 87 / 27 / 0 / 41

HEX #136D96

RGB 19 109 150

HSL 198.78, 0.78%, 0.33%

LAB 43.18, -9.64, -29.29

 

CMYK 87 / 51 / 0 / 41

HEX #134A96

RGB 19 74 150

HSL 214.81, 0.78%, 0.33%

LAB 32.34, 12.76, -46.53

 

CMYK 87 / 74 / 0 / 41

HEX #132796

RGB 19 39 150

HSL 230.84, 0.78%, 0.33%

LAB 22.97, 36.49, -61.85

 

CMYK 87 / 87 / 0 / 41

HEX #131396

RGB 19 19 150

HSL 240, 0.78%, 0.33%

LAB 19.25, 47.22, -68.02

 

CMYK 87 / 3 / 0 / 41

HEX #139196

RGB 19 145 150

HSL 182.29, 0.78%, 0.33%

LAB 54.65, -29.03, -11.68

 

CMYK 97 / 4 / 0 / 36

HEX #059DA3

RGB 5 157 163

HSL 182.28, 0.94%, 0.33%

LAB 58.78, -31.36, -12.9

 

CMYK 87 / 3 / 0 / 41

HEX #139196

RGB 19 145 150

HSL 182.29, 0.78%, 0.33%

LAB 54.65, -29.03, -11.68

 

CMYK 76 / 3 / 0 / 47

HEX #208488

RGB 32 132 136

HSL 182.31, 0.62%, 0.33%

LAB 50.2, -25.83, -10.23

 

CMYK 63 / 2 / 0 / 52

HEX #2E787B

RGB 46 120 123

HSL 182.34, 0.46%, 0.33%

LAB 46.24, -21.55, -8.47

 

CMYK 46 / 2 / 0 / 57

HEX #3B6B6D

RGB 59 107 109

HSL 182.4, 0.3%, 0.33%

LAB 42.08, -15.7, -6.22

 

CMYK 23 / 1 / 0 / 63

HEX #495E5F

RGB 73 94 95

HSL 182.73, 0.13%, 0.33%

LAB 38.28, -7.65, -3.19

 

CMYK 87 / 0 / 44 / 41

HEX #139654

RGB 19 150 84

HSL 149.77, 0.78%, 0.33%

LAB 54.65, -48.4, 25.72

 

CMYK 87 / 0 / 21 / 41

HEX #139677

RGB 19 150 119

HSL 165.8, 0.78%, 0.33%

LAB 55.36, -40.4, 7.15

 

CMYK 87 / 3 / 0 / 41

HEX #139196

RGB 19 145 150

HSL 182.29, 0.78%, 0.33%

LAB 54.65, -29.03, -11.68

 

CMYK 87 / 27 / 0 / 41

HEX #136E96

RGB 19 110 150

HSL 198.32, 0.78%, 0.33%

LAB 43.5, -10.23, -28.8

 

CMYK 87 / 50 / 0 / 41

HEX #134B96

RGB 19 75 150

HSL 214.35, 0.78%, 0.33%

LAB 32.64, 12.08, -46.05

 

CMYK 88 / 3 / 0 / 70

HEX #094A4C

RGB 9 74 76

HSL 181.79, 0.79%, 0.17%

LAB 28.05, -17.93, -6.72

 

CMYK 88 / 4 / 0 / 56

HEX #0E6D71

RGB 14 109 113

HSL 182.42, 0.78%, 0.25%

LAB 41.57, -23.41, -9.54

 

CMYK 87 / 3 / 0 / 41

HEX #139196

RGB 19 145 150

HSL 182.29, 0.78%, 0.33%

LAB 54.65, -29.03, -11.68

 

CMYK 88 / 4 / 0 / 27

HEX #17B4BB

RGB 23 180 187

HSL 182.56, 0.78%, 0.41%

LAB 66.83, -33.96, -14.2

 

CMYK 87 / 3 / 0 / 13

HEX #1CD8DF

RGB 28 216 223

HSL 182.15, 0.78%, 0.49%

LAB 78.86, -39.4, -15.67

 

CMYK 88 / 3 / 0 / 42

HEX #129095

RGB 18 144 149

HSL 182.29, 0.78%, 0.33%

LAB 54.29, -28.92, -11.65

 

CMYK 67 / 87 / 0 / 41

HEX #311396

RGB 49 19 150

HSL 253.74, 0.78%, 0.33%

LAB 21.29, 48.92, -64.58

 

CMYK 0 / 32 / 87 / 41

HEX #966613

RGB 150 102 19

HSL 38.02, 0.78%, 0.33%

LAB 47.02, 12.53, 49.68

 

CMYK 88 / 3 / 0 / 42

HEX #129095

RGB 18 144 149

HSL 182.29, 0.78%, 0.33%

LAB 54.29, -28.92, -11.65

 

CMYK 0 / 87 / 3 / 41

HEX #961391

RGB 150 19 145

HSL 302.29, 0.78%, 0.33%

LAB 35.97, 62.69, -36.93

 

CMYK 3 / 0 / 87 / 41

HEX #919613

RGB 145 150 19

HSL 62.29, 0.78%, 0.33%

LAB 59.78, -16.42, 60

 

CMYK 88 / 3 / 0 / 42

HEX #129095

RGB 18 144 149

HSL 182.29, 0.78%, 0.33%

LAB 54.29, -28.92, -11.65

 

CMYK 67 / 87 / 0 / 41

HEX #311396

RGB 49 19 150

HSL 253.74, 0.78%, 0.33%

LAB 21.29, 48.92, -64.58

 

CMYK 0 / 85 / 87 / 41

HEX #961713

RGB 150 23 19

HSL 1.83, 0.78%, 0.33%

LAB 32.13, 50.16, 37.16

 

CMYK 21 / 0 / 87 / 41

HEX #779613

RGB 119 150 19

HSL 74.2, 0.78%, 0.33%

LAB 57.83, -27.78, 57.58

 

CMYK 88 / 3 / 0 / 42

HEX #129095

RGB 18 144 149

HSL 182.29, 0.78%, 0.33%

LAB 54.29, -28.92, -11.65

 

CMYK 41 / 87 / 0 / 41

HEX #591396

RGB 89 19 150

HSL 272.06, 0.78%, 0.33%

LAB 26.13, 53.31, -56.42

 

CMYK 0 / 85 / 87 / 41

HEX #961713

RGB 150 23 19

HSL 1.83, 0.78%, 0.33%

LAB 32.13, 50.16, 37.16

 

CMYK 47 / 0 / 87 / 41

HEX #509613

RGB 80 150 19

HSL 92.06, 0.78%, 0.33%

LAB 55.65, -42.7, 54.85

 

Description

Color code: HEX #129095 | qconv.com Color code: HEX #129095 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 144 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 144 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, 3 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 3% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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