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Color name
HEX #129048

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #129048 it is the complementary color #ED6FB7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #129048. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #129048 shade: #179043, #28A256, #39B469, #4AC67C and #5BD88F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #129048. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #129048 shade: #129048, #017E35, #006C22, #005A0F and #004800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #129048 shade: #129148, #129126, #209112, #429112 and #659112

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #129048 shade: #129148, #12916B, #12918D, #127391 and #125191

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #129048 shade matches the following richer shades: #129148 and #059E47

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #129048 shade: #129148, #1F844A, #2C774C, #3A6A4E and #475C50

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #129048 shade: #219112, #129125, #129147, #129169 and #12918B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #129048 shade: #094824, #0D6D36, #129148, #16B65B and #1BDB6D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #129048 shade: #129048, #124391 and #911412

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #129048 shade: #129048, #471291 and #914712

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #129048 shade: #129048, #124391, #91125C and #916012

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #129048 shade: #129048, #121D91, #91125C and #918712

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 50 / 44

HEX #129048

RGB 18 144 72

HSL 145.71, 0.78%, 0.32%

LAB 52.45, -48.5, 29.32

 

Complementary color

CMYK 0 / 53 / 23 / 7

HEX #ED6FB7

RGB 237 111 183

HSL 325.71, 0.78%, 0.68%

LAB 63.99, 56.55, -14.86

 

CMYK 84 / 0 / 53 / 44

HEX #179043

RGB 23 144 67

HSL 141.82, 0.72%, 0.33%

LAB 52.44, -48.84, 31.93

 

CMYK 75 / 0 / 47 / 36

HEX #28A256

RGB 40 162 86

HSL 142.62, 0.6%, 0.4%

LAB 58.94, -50, 30.24

 

CMYK 68 / 0 / 42 / 29

HEX #39B469

RGB 57 180 105

HSL 143.41, 0.52%, 0.46%

LAB 65.38, -50.65, 28.66

 

CMYK 63 / 0 / 37 / 22

HEX #4AC67C

RGB 74 198 124

HSL 144.19, 0.52%, 0.53%

LAB 71.76, -50.98, 27.19

 

CMYK 58 / 0 / 34 / 15

HEX #5BD88F

RGB 91 216 143

HSL 144.96, 0.62%, 0.6%

LAB 78.06, -51.11, 25.84

 

CMYK 88 / 0 / 50 / 44

HEX #129048

RGB 18 144 72

HSL 145.71, 0.78%, 0.32%

LAB 52.45, -48.5, 29.32

 

CMYK 99 / 0 / 58 / 51

HEX #017E35

RGB 1 126 53

HSL 144.96, 0.98%, 0.25%

LAB 45.89, -46.58, 31.14

 

CMYK 100 / 0 / 69 / 58

HEX #006C22

RGB 0 108 34

HSL 138.89, 1%, 0.21%

LAB 39.31, -43.26, 32.96

 

CMYK 100 / 0 / 83 / 65

HEX #005A0F

RGB 0 90 15

HSL 130, 1%, 0.18%

LAB 32.58, -39.31, 34.05

 

CMYK 100 / 0 / 100 / 72

HEX #004800

RGB 0 72 0

HSL 120, 1%, 0.14%

LAB 25.67, -34.62, 33.21

 

CMYK 88 / 0 / 50 / 43

HEX #129148

RGB 18 145 72

HSL 145.51, 0.78%, 0.32%

LAB 52.78, -48.86, 29.74

 

CMYK 88 / 0 / 74 / 43

HEX #129126

RGB 18 145 38

HSL 129.45, 0.78%, 0.32%

LAB 52.42, -53.3, 45.27

 

CMYK 78 / 0 / 88 / 43

HEX #209112

RGB 32 145 18

HSL 113.39, 0.78%, 0.32%

LAB 52.51, -52.9, 51.76

 

CMYK 54 / 0 / 88 / 43

HEX #429112

RGB 66 145 18

HSL 97.32, 0.78%, 0.32%

LAB 53.44, -45.17, 52.94

 

CMYK 30 / 0 / 88 / 43

HEX #659112

RGB 101 145 18

HSL 80.79, 0.78%, 0.32%

LAB 55.14, -32.85, 55.06

 

CMYK 88 / 0 / 50 / 43

HEX #129148

RGB 18 145 72

HSL 145.51, 0.78%, 0.32%

LAB 52.78, -48.86, 29.74

 

CMYK 88 / 0 / 26 / 43

HEX #12916B

RGB 18 145 107

HSL 162.05, 0.78%, 0.32%

LAB 53.43, -41.46, 11.25

 

CMYK 88 / 0 / 3 / 43

HEX #12918D

RGB 18 145 141

HSL 178.11, 0.78%, 0.32%

LAB 54.35, -31.92, -6.95

 

CMYK 88 / 21 / 0 / 43

HEX #127391

RGB 18 115 145

HSL 194.17, 0.78%, 0.32%

LAB 44.85, -15.05, -23.72

 

CMYK 88 / 44 / 0 / 43

HEX #125191

RGB 18 81 145

HSL 210.24, 0.78%, 0.32%

LAB 34.1, 5.89, -40.66

 

CMYK 88 / 0 / 50 / 43

HEX #129148

RGB 18 145 72

HSL 145.51, 0.78%, 0.32%

LAB 52.78, -48.86, 29.74

 

CMYK 97 / 0 / 55 / 38

HEX #059E47

RGB 5 158 71

HSL 145.88, 0.94%, 0.32%

LAB 57.02, -54.33, 35.45

 

CMYK 88 / 0 / 50 / 43

HEX #129148

RGB 18 145 72

HSL 145.51, 0.78%, 0.32%

LAB 52.78, -48.86, 29.74

 

CMYK 77 / 0 / 44 / 48

HEX #1F844A

RGB 31 132 74

HSL 145.54, 0.62%, 0.32%

LAB 48.62, -42.09, 23.38

 

CMYK 63 / 0 / 36 / 53

HEX #2C774C

RGB 44 119 76

HSL 145.6, 0.46%, 0.32%

LAB 44.59, -33.78, 16.97

 

CMYK 45 / 0 / 26 / 58

HEX #3A6A4E

RGB 58 106 78

HSL 145, 0.29%, 0.32%

LAB 40.83, -23.35, 10.73

 

CMYK 23 / 0 / 13 / 64

HEX #475C50

RGB 71 92 80

HSL 145.71, 0.13%, 0.32%

LAB 37.07, -10.77, 4.3

 

CMYK 77 / 0 / 88 / 43

HEX #219112

RGB 33 145 18

HSL 112.91, 0.78%, 0.32%

LAB 52.53, -52.74, 51.78

 

CMYK 88 / 0 / 74 / 43

HEX #129125

RGB 18 145 37

HSL 128.98, 0.78%, 0.32%

LAB 52.41, -53.39, 45.65

 

CMYK 88 / 0 / 51 / 43

HEX #129147

RGB 18 145 71

HSL 145.04, 0.78%, 0.32%

LAB 52.77, -49.03, 30.25

 

CMYK 88 / 0 / 28 / 43

HEX #129169

RGB 18 145 105

HSL 161.1, 0.78%, 0.32%

LAB 53.38, -41.95, 12.33

 

CMYK 88 / 0 / 4 / 43

HEX #12918B

RGB 18 145 139

HSL 177.17, 0.78%, 0.32%

LAB 54.28, -32.54, -5.89

 

CMYK 88 / 0 / 50 / 72

HEX #094824

RGB 9 72 36

HSL 145.71, 0.78%, 0.16%

LAB 26.22, -28.5, 16.29

 

CMYK 88 / 0 / 50 / 57

HEX #0D6D36

RGB 13 109 54

HSL 145.63, 0.79%, 0.24%

LAB 40.06, -39.3, 23.47

 

CMYK 88 / 0 / 50 / 43

HEX #129148

RGB 18 145 72

HSL 145.51, 0.78%, 0.32%

LAB 52.78, -48.86, 29.74

 

CMYK 88 / 0 / 50 / 29

HEX #16B65B

RGB 22 182 91

HSL 145.88, 0.78%, 0.4%

LAB 65.26, -58.2, 35.6

 

CMYK 88 / 0 / 50 / 14

HEX #1BDB6D

RGB 27 219 109

HSL 145.63, 0.78%, 0.48%

LAB 77.28, -67.24, 41.72

 

CMYK 88 / 0 / 50 / 44

HEX #129048

RGB 18 144 72

HSL 145.71, 0.78%, 0.32%

LAB 52.45, -48.5, 29.32

 

CMYK 88 / 54 / 0 / 43

HEX #124391

RGB 18 67 145

HSL 216.85, 0.78%, 0.32%

LAB 29.88, 15.43, -47.46

 

CMYK 0 / 86 / 88 / 43

HEX #911412

RGB 145 20 18

HSL 0.94, 0.78%, 0.32%

LAB 30.79, 49.39, 36.11

 

CMYK 88 / 0 / 50 / 44

HEX #129048

RGB 18 144 72

HSL 145.71, 0.78%, 0.32%

LAB 52.45, -48.5, 29.32

 

CMYK 51 / 88 / 0 / 43

HEX #471291

RGB 71 18 145

HSL 265.04, 0.78%, 0.32%

LAB 23.06, 50.1, -58.48

 

CMYK 0 / 51 / 88 / 43

HEX #914712

RGB 145 71 18

HSL 25.04, 0.78%, 0.32%

LAB 38.85, 27.9, 42.94

 

CMYK 88 / 0 / 50 / 44

HEX #129048

RGB 18 144 72

HSL 145.71, 0.78%, 0.32%

LAB 52.45, -48.5, 29.32

 

CMYK 88 / 54 / 0 / 43

HEX #124391

RGB 18 67 145

HSL 216.85, 0.78%, 0.32%

LAB 29.88, 15.43, -47.46

 

CMYK 0 / 88 / 37 / 43

HEX #91125C

RGB 145 18 92

HSL 325.04, 0.78%, 0.32%

LAB 32.31, 54.7, -9.26

 

CMYK 0 / 34 / 88 / 43

HEX #916012

RGB 145 96 18

HSL 36.85, 0.78%, 0.32%

LAB 44.84, 13.65, 47.94

 

CMYK 88 / 0 / 50 / 44

HEX #129048

RGB 18 144 72

HSL 145.71, 0.78%, 0.32%

LAB 52.45, -48.5, 29.32

 

CMYK 88 / 80 / 0 / 43

HEX #121D91

RGB 18 29 145

HSL 234.8, 0.78%, 0.32%

LAB 20.25, 40.6, -63.26

 

CMYK 0 / 88 / 37 / 43

HEX #91125C

RGB 145 18 92

HSL 325.04, 0.78%, 0.32%

LAB 32.31, 54.7, -9.26

 

CMYK 0 / 7 / 88 / 43

HEX #918712

RGB 145 135 18

HSL 55.28, 0.78%, 0.32%

LAB 55.47, -8.46, 56.69

 

Description

Color code: HEX #129048 | qconv.com Color code: HEX #129048 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 144 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 144 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 50 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 50% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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