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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #128651 it is the complementary color #ED79AE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #128651. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #128651 shade: #17864C, #28985F, #39AA72, #4ABC85 and #5BCE98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #128651. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #128651 shade: #128651, #01743E, #00622B, #005018 and #003E05

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #128651 shade: #128752, #128732, #128713, #318712 and #518712

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #128651 shade: #128752, #128771, #127D87, #125E87 and #123E87

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #128651 shade matches the following richer shades: #128752 and #069353

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #128651 shade: #128752, #1F7A50, #2B6E4F, #37624E and #44554D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #128651 shade: #128712, #128731, #128750, #12876F and #127F87

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #128651 shade: #083E26, #0D623C, #128752, #17AB68 and #1CCF7D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #128651 shade: #128651, #123187 and #872212

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #128651 shade: #128651, #501287 and #875012

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #128651 shade: #128651, #123187, #871249 and #876812

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #128651 shade: #128651, #161287, #871249 and #838712

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 40 / 47

HEX #128651

RGB 18 134 81

HSL 152.59, 0.76%, 0.3%

LAB 49.22, -43.05, 20.23

 

Complementary color

CMYK 0 / 49 / 27 / 7

HEX #ED79AE

RGB 237 121 174

HSL 332.59, 0.76%, 0.7%

LAB 65.54, 50.54, -7.44

 

CMYK 83 / 0 / 43 / 47

HEX #17864C

RGB 23 134 76

HSL 148.65, 0.71%, 0.31%

LAB 49.2, -43.55, 23

 

CMYK 74 / 0 / 38 / 40

HEX #28985F

RGB 40 152 95

HSL 149.46, 0.58%, 0.38%

LAB 55.82, -44.45, 21.32

 

CMYK 66 / 0 / 33 / 33

HEX #39AA72

RGB 57 170 114

HSL 150.27, 0.5%, 0.45%

LAB 62.37, -44.93, 19.81

 

CMYK 61 / 0 / 29 / 26

HEX #4ABC85

RGB 74 188 133

HSL 151.05, 0.46%, 0.51%

LAB 68.84, -45.13, 18.45

 

CMYK 56 / 0 / 26 / 19

HEX #5BCE98

RGB 91 206 152

HSL 151.83, 0.54%, 0.58%

LAB 75.22, -45.17, 17.21

 

CMYK 87 / 0 / 40 / 47

HEX #128651

RGB 18 134 81

HSL 152.59, 0.76%, 0.3%

LAB 49.22, -43.05, 20.23

 

CMYK 99 / 0 / 47 / 55

HEX #01743E

RGB 1 116 62

HSL 151.83, 0.98%, 0.23%

LAB 42.53, -41.43, 22.11

 

CMYK 100 / 0 / 56 / 62

HEX #00622B

RGB 0 98 43

HSL 146.33, 1%, 0.19%

LAB 35.81, -38.46, 24.24

 

CMYK 100 / 0 / 70 / 69

HEX #005018

RGB 0 80 24

HSL 138, 1%, 0.16%

LAB 28.91, -34.98, 26.25

 

CMYK 100 / 0 / 92 / 76

HEX #003E05

RGB 0 62 5

HSL 124.84, 1%, 0.12%

LAB 21.79, -30.84, 27.28

 

CMYK 87 / 0 / 39 / 47

HEX #128752

RGB 18 135 82

HSL 152.82, 0.76%, 0.3%

LAB 49.58, -43.23, 20.14

 

CMYK 87 / 0 / 63 / 47

HEX #128732

RGB 18 135 50

HSL 136.41, 0.76%, 0.3%

LAB 49.11, -48.71, 36.45

 

CMYK 87 / 0 / 86 / 47

HEX #128713

RGB 18 135 19

HSL 120.51, 0.76%, 0.3%

LAB 48.89, -51.53, 48.17

 

CMYK 64 / 0 / 87 / 47

HEX #318712

RGB 49 135 18

HSL 104.1, 0.76%, 0.3%

LAB 49.53, -46.08, 49.25

 

CMYK 40 / 0 / 87 / 47

HEX #518712

RGB 81 135 18

HSL 87.69, 0.76%, 0.3%

LAB 50.83, -36.07, 50.9

 

CMYK 87 / 0 / 39 / 47

HEX #128752

RGB 18 135 82

HSL 152.82, 0.76%, 0.3%

LAB 49.58, -43.23, 20.14

 

CMYK 87 / 0 / 16 / 47

HEX #128771

RGB 18 135 113

HSL 168.72, 0.76%, 0.3%

LAB 50.27, -35.57, 3.3

 

CMYK 87 / 7 / 0 / 47

HEX #127D87

RGB 18 125 135

HSL 185.13, 0.76%, 0.3%

LAB 47.68, -23.96, -13.46

 

CMYK 87 / 30 / 0 / 47

HEX #125E87

RGB 18 94 135

HSL 201.03, 0.76%, 0.3%

LAB 37.63, -6.48, -28.97

 

CMYK 87 / 54 / 0 / 47

HEX #123E87

RGB 18 62 135

HSL 217.44, 0.76%, 0.3%

LAB 27.64, 14.75, -44.93

 

CMYK 87 / 0 / 39 / 47

HEX #128752

RGB 18 135 82

HSL 152.82, 0.76%, 0.3%

LAB 49.58, -43.23, 20.14

 

CMYK 96 / 0 / 44 / 42

HEX #069353

RGB 6 147 83

HSL 152.77, 0.92%, 0.3%

LAB 53.53, -48.36, 24.78

 

CMYK 87 / 0 / 39 / 47

HEX #128752

RGB 18 135 82

HSL 152.82, 0.76%, 0.3%

LAB 49.58, -43.23, 20.14

 

CMYK 75 / 0 / 34 / 52

HEX #1F7A50

RGB 31 122 80

HSL 152.31, 0.59%, 0.3%

LAB 45.34, -36.75, 15.62

 

CMYK 61 / 0 / 28 / 57

HEX #2B6E4F

RGB 43 110 79

HSL 152.24, 0.44%, 0.3%

LAB 41.58, -29.22, 11.08

 

CMYK 44 / 0 / 20 / 62

HEX #37624E

RGB 55 98 78

HSL 152.09, 0.28%, 0.3%

LAB 38.02, -20.12, 6.76

 

CMYK 20 / 0 / 9 / 67

HEX #44554D

RGB 68 85 77

HSL 151.76, 0.11%, 0.3%

LAB 34.52, -8.47, 2.48

 

CMYK 87 / 0 / 87 / 47

HEX #128712

RGB 18 135 18

HSL 120, 0.76%, 0.3%

LAB 48.88, -51.59, 48.43

 

CMYK 87 / 0 / 64 / 47

HEX #128731

RGB 18 135 49

HSL 135.9, 0.76%, 0.3%

LAB 49.1, -48.84, 36.91

 

CMYK 87 / 0 / 41 / 47

HEX #128750

RGB 18 135 80

HSL 151.79, 0.76%, 0.3%

LAB 49.54, -43.64, 21.21

 

CMYK 87 / 0 / 18 / 47

HEX #12876F

RGB 18 135 111

HSL 167.69, 0.76%, 0.3%

LAB 50.22, -36.13, 4.39

 

CMYK 87 / 6 / 0 / 47

HEX #127F87

RGB 18 127 135

HSL 184.1, 0.76%, 0.3%

LAB 48.33, -24.99, -12.48

 

CMYK 87 / 0 / 39 / 76

HEX #083E26

RGB 8 62 38

HSL 153.33, 0.77%, 0.14%

LAB 22.43, -23.76, 10.02

 

CMYK 87 / 0 / 39 / 62

HEX #0D623C

RGB 13 98 60

HSL 153.18, 0.77%, 0.22%

LAB 36.27, -33.67, 15.04

 

CMYK 87 / 0 / 39 / 47

HEX #128752

RGB 18 135 82

HSL 152.82, 0.76%, 0.3%

LAB 49.58, -43.23, 20.14

 

CMYK 87 / 0 / 39 / 33

HEX #17AB68

RGB 23 171 104

HSL 152.84, 0.76%, 0.38%

LAB 61.92, -51.87, 24.52

 

CMYK 86 / 0 / 40 / 19

HEX #1CCF7D

RGB 28 207 125

HSL 152.51, 0.76%, 0.46%

LAB 73.77, -60.34, 29.21

 

CMYK 87 / 0 / 40 / 47

HEX #128651

RGB 18 134 81

HSL 152.59, 0.76%, 0.3%

LAB 49.22, -43.05, 20.23

 

CMYK 87 / 64 / 0 / 47

HEX #123187

RGB 18 49 135

HSL 224.1, 0.76%, 0.3%

LAB 23.92, 23.9, -50.99

 

CMYK 0 / 75 / 87 / 47

HEX #872212

RGB 135 34 18

HSL 8.21, 0.76%, 0.3%

LAB 30.25, 41.86, 34.83

 

CMYK 87 / 0 / 40 / 47

HEX #128651

RGB 18 134 81

HSL 152.59, 0.76%, 0.3%

LAB 49.22, -43.05, 20.23

 

CMYK 41 / 87 / 0 / 47

HEX #501287

RGB 80 18 135

HSL 271.79, 0.76%, 0.3%

LAB 23.3, 48.81, -51.8

 

CMYK 0 / 41 / 87 / 47

HEX #875012

RGB 135 80 18

HSL 31.79, 0.76%, 0.3%

LAB 39.47, 18.34, 42.87

 

CMYK 87 / 0 / 40 / 47

HEX #128651

RGB 18 134 81

HSL 152.59, 0.76%, 0.3%

LAB 49.22, -43.05, 20.23

 

CMYK 87 / 64 / 0 / 47

HEX #123187

RGB 18 49 135

HSL 224.1, 0.76%, 0.3%

LAB 23.92, 23.9, -50.99

 

CMYK 0 / 87 / 46 / 47

HEX #871249

RGB 135 18 73

HSL 331.79, 0.76%, 0.3%

LAB 29.57, 50.21, -1.05

 

CMYK 0 / 23 / 87 / 47

HEX #876812

RGB 135 104 18

HSL 44.1, 0.76%, 0.3%

LAB 45.76, 4.28, 48.22

 

CMYK 87 / 0 / 40 / 47

HEX #128651

RGB 18 134 81

HSL 152.59, 0.76%, 0.3%

LAB 49.22, -43.05, 20.23

 

CMYK 84 / 87 / 0 / 47

HEX #161287

RGB 22 18 135

HSL 242.05, 0.76%, 0.3%

LAB 17.24, 43.08, -62.01

 

CMYK 0 / 87 / 46 / 47

HEX #871249

RGB 135 18 73

HSL 331.79, 0.76%, 0.3%

LAB 29.57, 50.21, -1.05

 

CMYK 3 / 0 / 87 / 47

HEX #838712

RGB 131 135 18

HSL 62.05, 0.76%, 0.3%

LAB 54.24, -14.9, 55.16

 

Description

Color code: HEX #128651 | qconv.com Color code: HEX #128651 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 134 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 134 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, 40 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 40% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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