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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #128572 it is the complementary color #ED7A8D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #128572. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #128572 shade: #17856D, #289780, #39A993, #4ABBA6 and #5BCDB9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #128572. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #128572 shade: #128572, #01735F, #00614C, #004F39 and #003D26

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #128572 shade: #128773, #128754, #128735, #128715 and #2F8712

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #128572 shade: #128773, #127A87, #125B87, #123C87 and #121C87

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #128572 shade matches the following richer shades: #128773 and #06937C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #128572 shade: #128773, #1F7A6B, #2B6E63, #37625B and #445552

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #128572 shade: #128735, #128754, #128773, #127B87 and #125C87

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #128572 shade: #083E35, #0D6254, #128773, #17AB93 and #1CCFB2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #128572 shade: #128572, #161287 and #874512

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #128572 shade: #128572, #731287 and #877312

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #128572 shade: #128572, #161287, #871226 and #838712

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #128572 shade: #128572, #391287, #871226 and #608712

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 0 / 14 / 48

HEX #128572

RGB 18 133 114

HSL 170.09, 0.76%, 0.3%

LAB 49.64, -34.39, 1.8

 

Complementary color

CMYK 0 / 49 / 41 / 7

HEX #ED7A8D

RGB 237 122 141

HSL 350.09, 0.76%, 0.7%

LAB 64.84, 46.07, 10.3

 

CMYK 83 / 0 / 18 / 48

HEX #17856D

RGB 23 133 109

HSL 166.91, 0.71%, 0.31%

LAB 49.57, -35.32, 4.63

 

CMYK 74 / 0 / 15 / 41

HEX #289780

RGB 40 151 128

HSL 167.57, 0.58%, 0.37%

LAB 56.23, -36.2, 3.31

 

CMYK 66 / 0 / 13 / 34

HEX #39A993

RGB 57 169 147

HSL 168.21, 0.5%, 0.44%

LAB 62.8, -36.72, 2.15

 

CMYK 60 / 0 / 11 / 27

HEX #4ABBA6

RGB 74 187 166

HSL 168.85, 0.45%, 0.51%

LAB 69.29, -37.02, 1.12

 

CMYK 56 / 0 / 10 / 20

HEX #5BCDB9

RGB 91 205 185

HSL 169.47, 0.53%, 0.58%

LAB 75.69, -37.18, 0.18

 

CMYK 86 / 0 / 14 / 48

HEX #128572

RGB 18 133 114

HSL 170.09, 0.76%, 0.3%

LAB 49.64, -34.39, 1.8

 

CMYK 99 / 0 / 17 / 55

HEX #01735F

RGB 1 115 95

HSL 169.47, 0.98%, 0.23%

LAB 42.9, -32.89, 3.28

 

CMYK 100 / 0 / 22 / 62

HEX #00614C

RGB 0 97 76

HSL 167.01, 1%, 0.19%

LAB 36.12, -30.34, 5.08

 

CMYK 100 / 0 / 28 / 69

HEX #004F39

RGB 0 79 57

HSL 163.29, 1%, 0.15%

LAB 29.13, -27.62, 7.05

 

CMYK 100 / 0 / 38 / 76

HEX #003D26

RGB 0 61 38

HSL 157.38, 1%, 0.12%

LAB 21.86, -24.74, 9.22

 

CMYK 87 / 0 / 15 / 47

HEX #128773

RGB 18 135 115

HSL 169.74, 0.76%, 0.3%

LAB 50.33, -35.01, 2.21

 

CMYK 87 / 0 / 38 / 47

HEX #128754

RGB 18 135 84

HSL 153.85, 0.76%, 0.3%

LAB 49.61, -42.8, 19.07

 

CMYK 87 / 0 / 61 / 47

HEX #128735

RGB 18 135 53

HSL 137.95, 0.76%, 0.3%

LAB 49.15, -48.31, 35.03

 

CMYK 87 / 0 / 84 / 47

HEX #128715

RGB 18 135 21

HSL 121.54, 0.76%, 0.3%

LAB 48.9, -51.42, 47.63

 

CMYK 65 / 0 / 87 / 47

HEX #2F8712

RGB 47 135 18

HSL 105.13, 0.76%, 0.3%

LAB 49.47, -46.57, 49.17

 

CMYK 87 / 0 / 15 / 47

HEX #128773

RGB 18 135 115

HSL 169.74, 0.76%, 0.3%

LAB 50.33, -35.01, 2.21

 

CMYK 87 / 10 / 0 / 47

HEX #127A87

RGB 18 122 135

HSL 186.67, 0.76%, 0.3%

LAB 46.71, -22.4, -14.94

 

CMYK 87 / 33 / 0 / 47

HEX #125B87

RGB 18 91 135

HSL 202.56, 0.76%, 0.3%

LAB 36.67, -4.62, -30.49

 

CMYK 87 / 56 / 0 / 47

HEX #123C87

RGB 18 60 135

HSL 218.46, 0.76%, 0.3%

LAB 27.04, 16.15, -45.89

 

CMYK 87 / 79 / 0 / 47

HEX #121C87

RGB 18 28 135

HSL 234.87, 0.76%, 0.3%

LAB 18.84, 37.66, -59.36

 

CMYK 87 / 0 / 15 / 47

HEX #128773

RGB 18 135 115

HSL 169.74, 0.76%, 0.3%

LAB 50.33, -35.01, 2.21

 

CMYK 96 / 0 / 16 / 42

HEX #06937C

RGB 6 147 124

HSL 170.21, 0.92%, 0.3%

LAB 54.41, -38.51, 2.91

 

CMYK 87 / 0 / 15 / 47

HEX #128773

RGB 18 135 115

HSL 169.74, 0.76%, 0.3%

LAB 50.33, -35.01, 2.21

 

CMYK 75 / 0 / 12 / 52

HEX #1F7A6B

RGB 31 122 107

HSL 170.11, 0.59%, 0.3%

LAB 46, -29.82, 0.66

 

CMYK 61 / 0 / 10 / 57

HEX #2B6E63

RGB 43 110 99

HSL 170.15, 0.44%, 0.3%

LAB 42.1, -24.04, -0.2

 

CMYK 44 / 0 / 7 / 62

HEX #37625B

RGB 55 98 91

HSL 170.23, 0.28%, 0.3%

LAB 38.38, -16.83, -0.71

 

CMYK 20 / 0 / 4 / 67

HEX #445552

RGB 68 85 82

HSL 169.41, 0.11%, 0.3%

LAB 34.67, -7.29, -0.44

 

CMYK 87 / 0 / 61 / 47

HEX #128735

RGB 18 135 53

HSL 137.95, 0.76%, 0.3%

LAB 49.15, -48.31, 35.03

 

CMYK 87 / 0 / 38 / 47

HEX #128754

RGB 18 135 84

HSL 153.85, 0.76%, 0.3%

LAB 49.61, -42.8, 19.07

 

CMYK 87 / 0 / 15 / 47

HEX #128773

RGB 18 135 115

HSL 169.74, 0.76%, 0.3%

LAB 50.33, -35.01, 2.21

 

CMYK 87 / 9 / 0 / 47

HEX #127B87

RGB 18 123 135

HSL 186.15, 0.76%, 0.3%

LAB 47.03, -22.92, -14.44

 

CMYK 87 / 32 / 0 / 47

HEX #125C87

RGB 18 92 135

HSL 202.05, 0.76%, 0.3%

LAB 36.99, -5.25, -29.98

 

CMYK 87 / 0 / 15 / 76

HEX #083E35

RGB 8 62 53

HSL 170, 0.77%, 0.14%

LAB 22.84, -19.41, 0.69

 

CMYK 87 / 0 / 14 / 62

HEX #0D6254

RGB 13 98 84

HSL 170.12, 0.77%, 0.22%

LAB 36.86, -27.28, 1.23

 

CMYK 87 / 0 / 15 / 47

HEX #128773

RGB 18 135 115

HSL 169.74, 0.76%, 0.3%

LAB 50.33, -35.01, 2.21

 

CMYK 87 / 0 / 14 / 33

HEX #17AB93

RGB 23 171 147

HSL 170.27, 0.76%, 0.38%

LAB 62.86, -41.6, 2.16

 

CMYK 86 / 0 / 14 / 19

HEX #1CCFB2

RGB 28 207 178

HSL 170.28, 0.76%, 0.46%

LAB 74.88, -48.19, 2.62

 

CMYK 86 / 0 / 14 / 48

HEX #128572

RGB 18 133 114

HSL 170.09, 0.76%, 0.3%

LAB 49.64, -34.39, 1.8

 

CMYK 84 / 87 / 0 / 47

HEX #161287

RGB 22 18 135

HSL 242.05, 0.76%, 0.3%

LAB 17.24, 43.08, -62.01

 

CMYK 0 / 49 / 87 / 47

HEX #874512

RGB 135 69 18

HSL 26.15, 0.76%, 0.3%

LAB 36.84, 24.67, 40.61

 

CMYK 86 / 0 / 14 / 48

HEX #128572

RGB 18 133 114

HSL 170.09, 0.76%, 0.3%

LAB 49.64, -34.39, 1.8

 

CMYK 15 / 87 / 0 / 47

HEX #731287

RGB 115 18 135

HSL 289.74, 0.76%, 0.3%

LAB 28.97, 54.6, -42.32

 

CMYK 0 / 15 / 87 / 47

HEX #877312

RGB 135 115 18

HSL 49.74, 0.76%, 0.3%

LAB 48.83, -2.04, 50.8

 

CMYK 86 / 0 / 14 / 48

HEX #128572

RGB 18 133 114

HSL 170.09, 0.76%, 0.3%

LAB 49.64, -34.39, 1.8

 

CMYK 84 / 87 / 0 / 47

HEX #161287

RGB 22 18 135

HSL 242.05, 0.76%, 0.3%

LAB 17.24, 43.08, -62.01

 

CMYK 0 / 87 / 72 / 47

HEX #871226

RGB 135 18 38

HSL 349.74, 0.76%, 0.3%

LAB 28.7, 47.66, 21.14

 

CMYK 3 / 0 / 87 / 47

HEX #838712

RGB 131 135 18

HSL 62.05, 0.76%, 0.3%

LAB 54.24, -14.9, 55.16

 

CMYK 86 / 0 / 14 / 48

HEX #128572

RGB 18 133 114

HSL 170.09, 0.76%, 0.3%

LAB 49.64, -34.39, 1.8

 

CMYK 58 / 87 / 0 / 47

HEX #391287

RGB 57 18 135

HSL 260, 0.76%, 0.3%

LAB 20.25, 45.85, -56.92

 

CMYK 0 / 87 / 72 / 47

HEX #871226

RGB 135 18 38

HSL 349.74, 0.76%, 0.3%

LAB 28.7, 47.66, 21.14

 

CMYK 29 / 0 / 87 / 47

HEX #608712

RGB 96 135 18

HSL 80, 0.76%, 0.3%

LAB 51.68, -30.21, 51.97

 

Description

Color code: HEX #128572 | qconv.com Color code: HEX #128572 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 133 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 133 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, none magenta, 14 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 0% 14% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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